Friday, April 15, 2022

Ticket Giveaway for Inaugural Chicago Circus & Performing Arts Festival April 21-24, 2022 at The Den Theatre

FEST ALERT

ChiIL Mama’s ChiIL Picks List:

Chicago Circus and Performing Arts Festival

Premieres April 21-24 at Wicker Park’s Den Theatre

Ten Chicago-Based Ensembles Offer Circus, Burlesque, 

Dance & Comedy


Surface Tension-Company to x for 


**Some are family friendly, all ages shows. Some are recommended for teens. Some are adult night out material. Welcome spring with circus arts, dance, partner acro, juggling, aerial arts, and more! **


ChiIL Mama's giving away pairs of tickets to three Chicago Circus & Performing Arts Festival Shows (3 winners). Enter at the bottom of this post for your chance to WIN tickets to:

Surface Tension

Alice in CircusLand (Family Friendly)

Freaklesque (18+)


Live and breathe circus arts? CPAF is coming for you. Wish you could run away and join the circus... or sell your active offspring to a circus? Get a bit of FOMO as folks fly through the air with the greatest of ease? Or do you want to increase your empathy and support LGBTQ+ performers as they share their stories and bare their bodies and souls. Yep. It's all there, encompassed in 10 unique performances at The Den Theatre, each with a couple show times. 

Family Friendly shows are designated with an FF in the shows descriptions below. As for the others, here at ChiIL Mama we aren't fans of censorship. Everyone matures at different rates, and we encourage parents and children to explore complicated themes together, to spark discussions and increase empathy. Many of our friends have LGBTQ+ family members and friends. We're also seeing a record number of non binary tweens and teens confident enough to explore their own truths. In our current era of "Don't say gay" legislation and protections being overturned, it's never too early to counteract hate and bullying with understanding and love. Use your best judgement and bring an open mind and an open heart.

Check back with ChiIL Mama and ChiIL Live Shows like we vote in Chi, IL... early and often. Leading up to the Chicago Circus & Performing Arts Festival, we have exclusive interviews with several talented Chicago performers coming your way, as well as a great ticket giveaway. Don't miss this! 





Chicago Circus & Performing Arts Festival, the Windy City’s newest multidisciplinary fest, will run April 21-24, 2022, at Wicker Park’s Den Theatre at 1331 N. Milwaukee. Performances from ten different Chicago-based companies include traditional circus acts, avant-garde sideshow and burlesque offerings, family-friendly juggling and clowning shows, sketch comedy, queer-themed work, plus several evening-length pieces that also include dance.

Single tickets are $10-35, including some pay-what-you-can options, and are available online or at 773-697-3830. The lobby features cashless cocktails from The Haven Lounge before and after performances, as well as vendor tables for local circus companies and schools. Metered street parking is available via the ParkChicago app, or try Spot Hero, Park Whiz, or Parq Ex to secure a discounted lot spot. The venue is also accessible to the Blue Line (north of Division, south of Damen stops) and via various bus routes. The Festival’s media sponsor is The Actors Gymnasium.


SCHEDULE

Thursday

Bookspan Stage:

5:30-7:00 Surface Tension- to x for - Queer friendship explored through acrobatics, juggling, and dance. 

7:30-8:30 Bo(ix)y(e) Division- Such Creatures - Trans-masculine identity recounted through aerials and dance. 

Theater 2B:

5:30-7:00 Stop Trying to Make Sketch Happen - Darkly funny sketch comedy portraying Mother Earth and her ungrateful children. Tickets

7:30-9:00 The Princess Strikes Back - One-woman comedy show about finding love and Star Wars. Tickets

Friday

Bookspan Stage:

5:30-7:00 BIPOC Circus Alliance Midwest - Cabaret of circus acts themed on post-pandemic life. Tickets

7:30-9:00 Surface Tension- to x for - Queer friendship explored through acrobatics, juggling, and dance. Tickets

9:30-10:30 Bo(ix)y(e) Division- Such Creatures - Trans-masculine identity recounted through aerials and dance. Tickets

Theater 2B:

5:30-7:00 The Princess Strikes Back - One-woman comedy show about finding love and Star Wars. Tickets

7:30-9:00 Freaklesque: A Yes Ma'am Circus Cabaret - Burlesque, circus, and sideshow meld for a sexy, scary, and silly cabaret. Tickets

Saturday

Bookspan Stage:

5:30-7:00 Shoop - Whisper Theatre - Physical theater, acrobatics, and comedy create a whirlwind comedy. Tickets

7:30-9:00 Alice in CircusLand - Yes Ma'am Circus - Family friendly circus acts, clowning, and juggling. Tickets

9:30-11:00 BIPOC Circus Alliance Midwest - Cabaret of circus acts themed on post-pandemic life. Tickets

Theater 2B:

3:30-5:00 Double Feature - Amazing Prizzini Brothers and Poised by Arik - Family friendly circus acts, clowning, and juggling. Tickets

5:30-7:00 Masquerade - Laughingstock Theatre - Sword fighting, acrobatics, and queer love put a twist on traditional commedia dell'arte. Tickets

7:30-9:00 Stop Trying to Make Sketch Happen - Darkly funny sketch comedy portraying Mother Earth and her ungrateful children. Tickets

9:30-11:00 Freaklesque: A Yes Ma'am Circus Cabaret - Burlesque, circus, and sideshow meld for a sexy, scary, and silly cabaret. Tickets

Sunday

Bookspan Stage:

2:00-3:30 Shoop - Whisper Theatre - Physical theater, acrobatics, and comedy create a whirlwind comedy. Tickets

4:00-5:30 Alice in CircusLand - Yes Ma'am Circus - Family friendly circus acts, clowning, and juggling. Tickets


Theater 2B:

2:00-3:30 Double Feature - Amazing Prizzini Brothers and Poised by Arik - Family friendly circus acts, clowning, and juggling. Tickets

4:00-5:30 Masquerade - Laughingstock Theatre - Sword fighting, acrobatics, and queer love put a twist on traditional commedia dell'arte. Tickets


SHOWS/ENSEMBLES

*Family Friendly shows are designated with an FF in the shows descriptions below.

Alice in CircusLand: (FF)

Follow Alice down the rabbit hole to meet Wonderland’s snarky residents. Meet the White Rabbit, the Caterpillar, a Most Annoyed Pigeon, the Cheshire Cat, and the Mad Hatter, before finally ending up in the Queen's Court for a most unfair game of croquet. Chicago’s Yes Ma'am Circus produces full- length circus shows that reinterpret classic stories for modern audiences.


The Amazing Prizzini Brothers and Poise:  (FF)

This 2-in-1 show starts with the Amazing Prizzini Brothers’ classic circus cabaret featuring family-friendly circus acts and clowning. The goal is simple: to make the audience complicit in the mischief Up next is Arik Mendelevitz of Raphael Entertainment and his one-man juggling show, which uses hilarity on a destructive journey of bricolage.


BIPOC Circus Alliance Midwest Showcase: (Suggested for ages 13+)

This themed circus cabaret tracks the lives of People of Color as they re-engage with the outside world two years after the pandemic began, and shares individual stories that depict human emotions and unique challenges faced by POC in contemporary America. Disciplines will include rope, straps, aerial hammock, diabolo, and silks. 


Bo(ix)y(e) Division: 

contemporary movement work, recounting and re-experiencing physical and neurological evolutions related to their trans-masculine identities. Bo(ix)y(e) Division exposes the intricate practice of controlled, curated metamorphosis, which places audiences in an intimate relationship with concepts often boiled down to digestible nuggets at the expense of the trans and gender nonconforming community, or extracted without consent or context.

Dancers Ashaand Simone and Luke Greeff present “Trans Audacity”


Freaklesque: (18+)

Produced by Yes Ma'am's Maggie Karlin and Slightly Spitfire, Freaklesque features burlesque, sideshow, and variety acts from around Chicago. 


Masquerade, or Love is Queer to Stay:

Laughing Stock Theatre spreads joy by creating commedia dell’arte from a modern perspective that reflects the humor in humanity. In this production, the cast explores queer themes with a timeless art form.


SHOOP: 

Employing physical comedy, partner acrobatics and multiple characters, Whisper Theatre Collective invites audiences to SHOOP, a luxury shipping and packing facility. Clients spend top dollar to receive the best treatment for themselves and their packages, complete with healing energy rituals. According to CEO and lifestyle guru Gabriel, SHOOP is not only a business of luxury, but also the business of one’s spirit. When a computer malfunction causes the company to spiral into chaos, the employees must uphold the spirit of SHOOP, even as company and client secrets threaten to be revealed.


Stop Trying to Make Sketch Happen:

Using a series of sketches, black-outs, original songs, parody songs, dramatic scenes, group game scenes, and improv shells, the story of Mother Earth is told, and how she is mistreated by her ungrateful children. This fast-paced, Pandora's Box comedy show is half-scripted, and half based on audience suggestions. 


The Princess Strikes Back:  (For ages 13+)

In 1997, 13-year-old Victoria Montalbano was introduced to her perfect man, Han Solo, and she’s been looking for him ever since. In this one woman show called "delightful" and "highly energetic" by Around the Town Chicago, Victoria grows from awkward theater kid to professional out-of-work actress while swiping her way through a galaxy far, far away!


Surface Tension: 

A daring look at two queer men's friendship. At points ecstatic, dark, searching, and loving, this contemporary circus show encapsulates the complexities and honesty of two people who love to create together. Company to x for is a contemporary circus ensemble that creates intimate work through juggling, acrobatics, and dance.




WIN tickets to Chicago Circus & Performing Arts Festival Shows:


Surface Tension


Alice in CircusLand (Family Friendly)


Freaklesque (18+)

ChiIL Mama's giving away pairs of tickets to three Chicago Circus & Performing Arts Festival Shows- 1 winner (2 tickets) per show. Please check the show schedule above to be sure you're available. Then write in any or all of the three choices you'd like to win. Enter early and often through midnight Monday 4/18. Winners will be emailed and announced here and on our social media outlets on Tuesday 4/19. If winners want to purchase additional tickets at that time, that will be an option.


Enter HERE for your chance to WIN:


Good luck and thanks for reading ChiIL Mama!

Wednesday, April 13, 2022

Adaptation of Anton Chekhov’s Seagull Opening Steppenwolf’s New in-the-round Ensemble Theater April 28 – June 12, 2022

ChiIL Live Shows On Our Radar

Steppenwolf Theatre's SEAGULL 
opens new Ensemble Theater, April 28-June 12



FIRST LOOK:

Steppenwolf co-founder Jeff Perry and fellow

ensemble members Sandra Marquez, Caroline Neff,

Karen Rodriguez, Eric Simonson and Namir Smallwood

in rehearsal for ensemble member Yasen Peyankov’s adaptation of Anton Chekhov’s

Seagull Opening Steppenwolf’s new in-the-round Ensemble Theater

April 28 – June 12, 2022

Steppenwolf ensemble members (l-r) Karen Rodriguez, Namir Smallwood, Caroline Neff and co-founder Jeff Perry in rehearsal. Credit Joel Moorman.

I'll be out to review on May 15th, so check back soon for my full review.

Steppenwolf’s 2022 Gala celebrates new theater and expanded artistic home on Saturday, May 14, 2022

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, opens its stunning new in-the-round Ensemble Theater in Honor of Helen Zell—the centerpiece of its recently unveiled Liz and Eric Lefkofsky Arts and Education Center—with ensemble member Yasen Peyankov’s extraordinarily funny and lyrical adaptation of Anton Chekhov’s Seagull, April 28–June 12, 2022.

Yasen Peyankov directs the production, featuring Steppenwolf co-founder Jeff Perry and fellow ensemble members Sandra Marquez, Caroline Neff, Karen Rodriguez, Eric Simonson and Namir Smallwood, alongside Keith Kupferer, Elijah Newman, Jon Hudson Odom, Joey Slotnick and Lusia Strus. Scott Jaeck steps in for Jeff Perry for performances May 24–June 5. Three generations of Steppenwolf’s acclaimed ensemble collide in classic Chekhovian style in this play set over a long summer weekend in the Russian countryside, where guests wrestle with the eternal questions that haunt the intellectual artist class: What is Love? What is Art? When is Lunch? This historic moment in Steppenwolf history marks a new era of theater-making for the company in their new artistic home.

Single tickets to Seagull ($20–$88) are on sale now at steppenwolf.org and 312-335-1650.

Seagull inaugurates the new Ensemble Theater in Honor of Helen Zell at the heart of Steppenwolf’s trailblazing new Liz and Eric Lefkofsky Arts and Education Center, designed by world-renowned architect Gordon Gill FAIA of Adrian Smith + Gordon Gill Architecture. The state-of-the-art 400-seat theater in-the-round is one of its kind in Chicago, with theater design and acoustics by Charcoalblue. Only six rows deep—with audience members never more than 20 feet from the stage—and featuring a modular staging system to vary audience capacity and experience, Charcoalblue designed the incredibly intimate Ensemble Theater from the inside out to integrate the theater into the fabric of the surrounding building. Steppenwolf’s transformed campus also includes two new full-service lobby bars designed by fc STUDIO, inc., offering additional spaces for socializing alongside the popular Front Bar.      

The opening of the Ensemble Theater with a multigenerational cast stacked with Steppenwolf ensemble members is the culmination of a season-long celebration of the new Arts and Education Center. The 2022 Steppenwolf Gala on Saturday, May 14 at 6:30 p.m. at Rockwell on the River celebrates the new theater and expanded campus, offering a gourmet dinner and evening of entertainment emceed by ensemble members and Artistic Directors Glenn Davis and Audrey Francis. Gala Co-Chairs are Caroline and Keating Crown, Nora Daley and Sean Conroy, and Penny Pritzker and Bryan Traubert. Additional host committee members include GCM Grosvenor, Liz and Eric Lefkofsky, Topher and Peyton Merrill, Northern Trust, Anne and Don Phillips, and Helen Zell. For more information, visit steppenwolf.org/tickets--events/events/gala-2022 or email specialevents@steppenwolf.org.

 

Production Information

 

Seagull

By Anton Chekhov

Adapted, translated and directed by ensemble member Yasen Peyankov

Featuring ensemble members Sandra Marquez, Caroline Neff, Jeff Perry, Karen Rodriguez, Eric Simonson and Namir Smallwood

With Scott Jaeck, Keith Kupferer, Jon Hudson Odom, Elijah Newman, Joey Slotnick and Lusia Strus

In the new Ensemble Theater in Honor of Helen Zell

April 28 – June 12, 2022

On a long summer weekend in the Russian countryside at an estate bursting at the seams with guests, three generations collide in ensemble member Yasen Peyankov’s extraordinarily funny and lyrical adaption of Anton Chekhov’s Seagull, the play that opens Steppenwolf's new in-the-round Ensemble Theater in Honor of Helen Zell. In classic Chekhovian style, a sparkling cast featuring many Steppenwolf ensemble members wrestles with the eternal questions that haunt the intellectual artist class: What is Love? What is Art? When is Lunch? Join us for this historical moment in Steppenwolf’s journey as we explore the work that inspired us, laugh at the battles that consume us and celebrate, together, all that makes us grateful for each other.

The creative team includes Todd Rosenthal (Scenic Design); Ana Kuzmanic (Costume Design); Marcus Doshi (Lighting Design); Pornchanok (Nok) Kanchanabanca (Sound Designer and Composition); Dassia N. Posner (Dramaturg); Gigi Buffington (Company Voice & Text Coach); JC Clementz, CSA (Casting Director); Christine D. Freeburg (Production Stage Manager); and Kathleen Barrett (Assistant Stage Manager). 

Artist Bios

Yasen Peyankov (Translator/Adapter/Director) joined the Steppenwolf Theatre Ensemble in 2002. Steppenwolf (directing): The Fundamentals, Between Riverside and Crazy (Jeff Nomination for Best Production 2016), Grand Concourse, Russian Transport, Hushabye, The Glass Menagerie. Other directing credits: Macbeth, Uncle Vanya, Go Away Go Away, Stars in the Morning Sky (European Repertory); Ladybird (The Evidence Room, LA), Overweight, Unimportant, Misshape: A European Supper (Trapdoor Theatre) and the Bulgarian premiere of August: Osage County at the National Theatre in Sofia. Steppenwolf (acting): Time of Your Life (also in Seattle and San Francisco), Morning Star (Jeff Award), Hysteria, Lost Land, Cherry Orchard, Frankie and Johnny in the Claire De Lune (also in Dublin), Superior Donuts (also on Broadway), Three Sisters, A Doll's House Part 2, The Children, Lindiwe and others. Film: Captive State, A Very Harold and Kumar Christmas, Transformers 3, The Company, Novocain, US Marshalls and others. Television: Chicago Med, Chicago PD, FBI, Madam Secretary, Stranger Things, Gifted Hands, Alias, The Practice, The Unit, Numb3rs and others. Peyankov is a Professor and Head of Theatre at the School of Theatre and Music at UIC.

Scott Jaeck (Peter Nikolaevich Sorin, May 24–June 5) returns to Steppenwolf Theatre Company where he has appeared in Airline Highway, Three Sisters, Time Stands Still and Penelope. Broadway: Airline Highway, August: Osage County, The Night Of The Iguana. Off Broadway: The Harvest, The Irish Curse. Internationally: The Royal Shakespeare Company. Other Chicago credits include: The Seagull, Mary, Stage Kiss, Dinner With Friends, Uncle Vanya, Galileo (Goodman Theatre); The Merry Wives of Windsor, Henry VIII, Twelfth Night, Henry IV 1&2, Much Ado About Nothing, The Merchant of Venice, Julius Caesar, The Tempest, Love’s Labor’s Lost, Richard II (Chicago Shakespeare Theater); Inherit The Wind, Red Herring, How I Learned To Drive (Northlight Theatre); Benefactors, Our Town (Writers Theatre); and Long Day’s Journey Into Night (Court Theatre). Regionally, Jaeck has performed with Shakespeare Theatre Company, SoHo Playhouse, Cleveland Play House, Indianapolis Repertory Theatre, Alliance Theatre, Pasadena Playhouse and Milwaukee Repertory Theatre. Television and film credits include: The Blacklist, The Good Fight, The Chaperone, Chicago Fire, Person Of Interest, Elementary, Boardwalk Empire and Washington Square.

Keith Kupferer (Ilya Shamraev) Theater credits include: The Great Leap, The Qualms, Good People, Middletown, Carter's Way, Of Mice & Men, South of Settling (Steppenwolf Theatre); Sweat, Support Group for Men, God of Carnage, Passion Play (Goodman Theatre); Mystery of Love and Sex, Death of a Streetcar Named Virginia Wolf (Writer’s Theatre); Hillary and Clinton, Never the Sinner, Appropriate (Victory Gardens); Gypsy (Chicago Shakespeare); The Humans (American Theatre Company); Legend of Georgia McBride (Northlight); Big Lake, Big City, Trust (Lookingglass); Cal in Camo, The Cake (Rivendell Theatre Ensemble). Film: Widows; Monuments; The Dilemma; Dark Knight; The Express; Stranger Than Fiction; Road to Perdition; Fred Klaus. Television: Southside, The Big Leap, 61st Street, The Chi; Proven Innocent; Better Call Saul; Empire; Chicago P.D.; Chicago Fire.

Sandra Marquez (Polina Andreevna) is a Chicago-based actor, director and educator. In 2016 she was the first Latinx artist to join the Steppenwolf Theatre Company ensemble. Steppenwolf credits include: A Doll’s House Part 2, The Roommate, The Doppelgänger, Mary Page Marlowe, The Motherfu&*er with the Hat, Sonia Flew, A Streetcar Named Desire. Other credits: Mala Hierba (Second Stage Theatre); Electricidad, The Happiest Song Plays Last, Mariela in the Desert (Goodman Theatre); Massacre, The Sins of Sor Juana, Another Part of the House (Teatro Vista); Clytemnestra in Iphigenia in Aulis, Agamemnon, and Electra (Court Theatre); Mojada & Anna in the Tropics (Victory Gardens Theater); Breakfast Lunch and Dinner (Oregon Shakespeare Festival). Marquez directed La Ruta by Isaac Gomez, marking the first all-Latina cast at Steppenwolf. More recently, she directed the critically acclaimed and sold-out world premiere of I Am Not Your Perfect Mexican Daughter also at Steppenwolf. Jeff Awards: Best Supporting Actress in A View from the Bridge (Teatro Vista). Jeff Award nominations: Best Actress in a Leading Role for 26 Miles (Teatro Vista & Rivendell Theater), Living Out (Teatro Vista). A longtime ensemble member at Teatro Vista, she served as the Associate Artistic Director alongside Artistic Director Edward Torres from 1998-2006. She is a member of the Northwestern University theater faculty where she enjoys teaching and mentoring young artists.

Caroline Neff (Nina Zarechnaya) is a Steppenwolf ensemble member. At Steppenwolf, she was last seen in Dance Nation, The Curious Incident of the Dog in the Nighttime, You Got OIder, Linda Vista (also at the Taper Forum and Second Stage Broadway), The Fundamentals, The Flick, Airline Highway (also the Broadway production at Manhattan Theatre Club), The Way West, Three Sisters, Annie Bosh is Missing and Where We’re Born. Select theatre credits include: Lettie (Jeff Award Best Actress; Victory Gardens Theater); Uncle Vanya (Goodman Theatre); A Brief History of Helen of Troy (Jeff Award for Best Actress), The Knowledge, Harper Regan, In Arabia We’d All Be Kings (Steep Theatre); The Downpour (Route 66 Theatre); Port (Griffin Theatre); 4000 Miles (Northlight Theatre) and Moonshiner (Jackalope Theatre). Regional credits include: Peerless (Yale Repertory Theatre). Film and television credits include: The Red Line, Chicago PD, Chicago Fire, Open Tables and Older Children. She can also be seen in recurring roles in the upcoming Let the Right One in, and Three Women, both on Showtime. She is a proud company member of Steep Theatre and holds her BA from Columbia College Chicago.

Elijah Newman (Yakov, Konstantin/Medvedenko u/s) is thrilled to make his Steppenwolf debut. Theatre: As You Like It (Forest Park Theatre Company), Waiting for Lefty (Bluebird Arts), PickleRickicles (Otherworld Theatre), Peter and the Starcatcher (Big Noise Theatre), The Darkling (Theater Wit), Twelfth Night (The Frontier). Podcast: Dawescast (Spotify, Apple Music, etc.) Training: BFA from University of Illinois at Chicago (2019), Vagabond School of the Arts, Eolia Conservatory of Dramatic Arts, L'École de Philippe Gaulier.

Jon Hudson Odom (Semyon Medvedenko) was last seen at Steppenwolf in MS. BLAKK FOR PRESIDENT. Other Chicago credits: Witch (Writers Theatre); On Clover Road (American Blues Theater). Regional: Who’s Afraid of Virginia Woolf (Denver Center for the Performing Arts); The Magic Play (Actors Theatre of Louisville) An Octoroon, Botticelli in the Fire, Shipwreck (Woolly Mammoth Theatre); Angels in America (Round House & Olney Theatre Center). Film: A Savage Nature, The Year Between. Television: Lovecraft Country, Somebody Somewhere (HBO), Chicago PD (NBC). Three-time nominee and recipient of the Helen Hayes Awards. Company member at Woolly Mammoth Theatre. Education: University of North Carolina School of the Arts.

Jeff Perry (Peter Nikolaevich Sorin, April 28–May 22 and June 7–12) is a co-founder of Steppenwolf Theatre Company, The School At Steppenwolf, Steppenwolf Classes West and Steppenwolf Films, and has acted and directed in over 40 productions. Broadway: The Caretaker, The Grapes of Wrath, August: Osage County. Off Broadway: Balm in Gilead, Tribes, Educating Rita. Regional: Streamers, Time of Your Life, Anna Christie, A Steady Rain. International: The Grapes of Wrath, August: Osage County. Film: A Wedding, Remember My Name, Trial By Fire. Television: Nash Bridges, Grey’s Anatomy, Scandal, $1, Dirty John, Inventing Anna. Upcoming: Co-Producer of The Steppenwolf Theatre Documentary.

 Karen Rodriguez (Masha) joined the Steppenwolf ensemble in 2018. She was most recently seen in the Steppenwolf for Young Adults critically acclaimed adaptation of I Am Not Your Perfect Mexican Daughter and on the mainstage in Dance Nation, La Ruta, The Doppelganger (an international farce), and The Rembrandt. Other selected Chicago credits include: The Way She Spoke (Greenhouse Theater Center), Breach (Victory Gardens Theater), The Displaced (Haven Theatre),  Hookman (Steep Theatre), Blue Skies Process (Goodman Theatre). Television credits include: The Big Leap and Chicago Fire.

Eric Simonson (Yevgeny Dorn) joined the Steppenwolf Ensemble in 1993 and served at Associate Artistic Director from 1992-97. Steppenwolf: (director/playwright) Lindiwe, Fake, Honest, Carter’s Way, Slaughterhouse-five, Nomathemba. (director) Evelyn and the Polka King, SLAVS!, The Song of Jacob Zulu (also Broadway and Perth Festival, Tony nomination), The Secret Rapture (Acting) The Grapes of Wrath (also LaJolla, London and Broadway), A Midsummer Night’s Dream. Broadway: (playwright) Lombardi, Bronx Bombers, Magic/Bird. Opera: (director) Silent Night, Grapes of Wrath, The Shining, The Fix (Minnesota Opera). Film: (director/writer) Note of Triumph (Academy Award), On Tiptoe (Academy Award nom.), Studs Terkel: Listening to America (Emmy nom.), Hamlet (co-directed with Campbell Scott), Topa Topa Bluffs. Television: (writer) Homecoming (Writer Guild nom.), Swagger, Man in the High Castle, Killing Reagan. Simonson is also the Founder and Artistic Director of the Door Kinetic Arts Festival in Door County, WI.

Joey Slotnick (Boris Trigorin) makes his Steppenwolf debut in Seagull. Broadway: Junk, The Front Page, The Big Knife. Off-Broadway; Dying For It, Almost an Evening, Offices, Happy Hour (Atlantic); The Altruists (Vineyard); Chicago: Lookingglass Theatre ensemble member; Our Town, Great Men of Science Nos. 21 & 22, Wants & Needs, Arabian Nights,  Up Against It, The Master & Margarita, Third Voyage (Lookingglass) Animal Crackers (Goodman) Fun and Nobody (Next) Regional; A Play is a Poem (Mark Taper) Animal Crackers (Williamstown) Chapter Two (Bucks County) Romance (Bay Street) Film: The Plane (Upcoming), They/Them/Us, Humor Me, The Cobbler, Secret Life of Walter Mitty, Brief Interviews with Hideous Men, Hollow Man, Blast from the Past, Twister, Judas Kiss, Dinner and Driving, Since You’ve Been Gone, A League of Their Own. Television: New Amsterdam, Leverage 2.0, Intelligence, The Goldbergs, The Marvelous Mrs. Maisel, Murphy Brown,  Blue Bloods, The Good Wife, Too Big to Fail, Psych, CSI, The Office, Nip/Tuck, L&O: SVU, Curb Your Enthusiasm, Medium, Boston Public, Entourage, Boston Legal, Pirates of Silicon Valley, Family Guy, The Single Guy.

Namir Smallwood (Konstantin Treplev) joined the Steppenwolf Theatre Company ensemble in 2017. Steppenwolf credits: Bug, True West, BLKS, Steppenwolf for Young Adults' Monster, Man In Love, The Hot l Baltimore. Broadway: Pass Over. Off Broadway: Pipeline, Pass Over (Lincoln Center). Chicago: The Lost Boys of Sudan (Victory Gardens Theater); Charm (Northlight Theatre); The Grapes of Wrath (The Gift Theatre); East Texas Hot Links (Writers Theatre). Regional: Marin Theatre Company, Pillsbury House Theatre, Ten Thousand Things, Guthrie Theater. Television: Chicago Fire (NBC), Betrayal (ABC), Elementary (CBS), American Rust (Showtime). Film: Rounding.

Lusia Strus (Irina Nikolaevna Arkadina) Steppenwolf Theatre Company: Good People (Jeff Nomination - Supporting Actor), Hysteria, Ironbound, Whispering City, Our Town and her original solo show It Ain’t No Fairy Tale, also performed in LA and NYC (LAWeekly Award-Outstanding Solo Performance). Broadway: Enron, Elling. Off Broadway: Rancho Viejo, The Retributionists (Playwrights Theatre), The Undeniable Sound of Right Now (Rattlestick Theatre) Chicago: Too Much Light Makes the Baby Go Blind (also in NYC, San Francisco, The HBO Comedy Festival in Aspen, throughout the US and abroad (NeoFuturist since 1993) and several productions at The Goodman, Northlight Theatre, Chicago Shakespeare Theatre and European Reparatory including SLAVS! and Go Away Go Away (Jeff Award - Lead Actress), both of which were directed by Yasen Peyankov with Luda Lupatina. Other credits include Henry IV (The Royal Shakespeare Company), Travesties, Are You There McPhee? (world premiere by John Guare) (McCarter Theatre), Confederacy of Dunces (Huntington Theatre-Boston). Film: Every Day Miracles, Buffaloed, Soul. Television: Good Behavior, Search Party, Claws, Modern Family, The Blacklist. Upcoming: The Descendant, Paint with Owen Wilson.

 

The Expanded Steppenwolf Campus

Steppenwolf Theatre Company’s trailblazing new 50,000 square foot theater building and education center, the Liz and Eric Lefkofsky Arts and Education Center, was designed by world-renowned architect Gordon Gill FAIA of Adrian Smith + Gordon Gill Architecture, with construction by Norcon. The centerpiece of the new Arts and Education Center is the new 400-seat in-the-round Ensemble Theater in Honor of Helen Zell—one of its kind in Chicago—with theater design and acoustics by Charcoalblue. The inaugural production in the Ensemble Theater will be ensemble member Yasen Peyankov’s extraordinarily funny and magical adaptation of Seagull, stacked with a cast of ensemble members (April 28–June 12, 2022).

The expanded Steppenwolf campus is a cultural nexus for Chicago, offering bold and ambitious opportunities for creative expression, social exchange, unparalleled accessibility, and arts-driven learning for Chicago youth in The Loft, Steppenwolf’s first-ever dedicated education space. The campus expansion also features bright new lobbies and two new full-service bars for socializing designed by fc STUDIO, inc. The $54 million new building is part of Steppenwolf’s multi-phase $73 million Building on Excellence expansion campaign. Learn more about Steppenwolf’s campus expansion at steppenwolf.org/buildingonexcellence.

 

A Safe Return



Steppenwolf is part of the growing coalition of more than 70 Chicagoland performing arts venues and producers that have agreed upon COVID-19 vaccination and mask requirements for all audiences, artists and staff. Audience members must provide proof of vaccination in addition to wearing masks. Learn more about Steppenwolf's guidelines at steppenwolf.org/welcomeback.

Steppenwolf has worked over the past year with our operations team, public health advisors and HVAC consultants to prepare its facility to safely welcome patrons back for performances. The addition of the new Liz and Eric Lefkofsky Arts and Education Center has expanded the square footage of the lobbies to nearly twice the previous amount of space offered to guests. Two additional elevators and multiple stairways have also been added to Steppenwolf’s campus for ease of transition between seating levels. The HVAC systems have undergone upgrades to allow for increased filtration and a higher percentage of circulated fresh air across all three theaters.

Accessibility

Steppenwolf offers accessible services to ensure all audience members have access to our work, including American Sign Language interpretation (available for student matinees as scheduled with education staff or per public performances below), Spanish Language captions, wheelchair accessible seating and more. With questions, email access@steppenwolf.org.

Sponsor Information

Seagull is generously supported by premier production sponsor Northern Trust; grand production sponsors Julie and Roger Baskes, Amy and Cameron Findlay, and Shmaila Tahir and Asheesh Goel; and individual production sponsors Jeffrey Maling and Rebecca Johnston. Steppenwolf's New Plays Initiative is supported by the Zell Family Foundation. Accessibility Services sponsored by John Hart and Carol Prins. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from the Ralla Klepak Foundation for Education in the Performing Arts, Northern Trust, Allstate Insurance Company, ComEd, JPMorgan Chase, PNC, and Vinci Restaurant.

Steppenwolf Theatre Company is a Chicago theater that is home to America’s ensemble. The company began performing in the mid-1970s in the basement of a Highland Park, IL church—today Steppenwolf is the nation’s premier ensemble theater with 49 members who are among the top actors, playwrights and directors in the field. Deeply rooted in its ensemble ethos, the company is committed to equity, diversity, inclusion and making the Steppenwolf experience accessible to all. Groundbreaking productions from Balm in Gilead and August: Osage County to Downstate and Pass Over—and accolades that include the National Medal of Arts and 12 Tony® Awards—have made the theatre legendary. Artistic programming includes a main stage season; a Steppenwolf for Young Adults season; LookOut, a multi-genre performance series; and the Steppenwolf NOW virtual stage. The nationally recognized work of Steppenwolf Education engages more than 20,000 participants annually in Chicagoland communities promoting compassion, encouraging curiosity and inspiring action. While firmly grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. 2021 marks the opening of Steppenwolf’s landmark Liz and Eric Lefkofsky Arts & Education Center—deepening the company’s commitment to Chicagoland teens and serving as a cultural nexus for Chicago. Glenn Davis and Audrey Francis are the Artistic Directors and E. Brooke Flanagan is Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. 

steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.        

  

Monday, April 11, 2022

Extended: TimeLine Theatre Company’s Relentless by Tyla Abercrumbie at Goodman Now Through May 8th, 2022

 ChiIL Live Shows On Our Radar 

ROBERT FALLS RESCHEDULES HIS WORLD PREMIERE OF SWING STATE BY REBECCA GILMAN, SLATES TIMELINE THEATRE’S SMASH SENSATION RELENTLESS BY TYLA ABERCRUMBIE, 

Extended Due to Popular Demand 

APRIL 1 – MAY 8, 2022

**DIRECTOR RON OJ PARSON’S ACCLAIMED ORIGINAL CAST REPRISES THEIR ROLES FOR THE “DOWNTOWN DEBUT”**

***ONE MORE PRODUCTION IN THE GOODMAN’S 2021/2022 “HOMECOMING” SEASON TO BE ANNOUNCED***

It was my great pleasure to catch opening night of Timeline Theatre's Relentless and I can attest the rave reviews are well deserved. Here at ChiIL Mama we're thrilled that Relentless will now enjoy a downtown run at Goodman, since their world premiere at Theater WIT was sold out, and many were unable to purchase tickets. Tyla Abercrumbie, better known as an accomplished stage and TV actor, has created an exceptional, engaging feat of storytelling that's an absolute must see. 

Relentless is a timely, tale of black American history, set at the end of the Victorian era. We love that the storyline is female focused and features smart, well educated, wealthy, black women descended from strong women who had to make horrific choices. It's tendrils go back generations, to the slave days, as a recently deceased mother's journal entries come to life on stage as they are read by her two grieving daughters. 

The plot is unpredictable and the characters are complex, multifaceted, and intriguing. One hundred years later we still struggle and fight against the same prejudices, violence, and hate, and though much progress has been made, we have a long way to go to achieve true equality. Racism is indeed a birth defect our country has and as relentless and insidious as it's effects and challenges are, those who push back and fight against it are even more relentless, still. This production reclaims the black narrative from the hands of white, male playwrights, and features stories underrepresented on stage, with a universal appeal. Highly recommended.

Two adjustments to the season schedule at Goodman Theatre shifts the 2021/2022 “Homecoming” Season line-up in the months ahead. The world-premiere production of Swing State by Rebecca Gilman directed by Robert Falls, previously announced for this spring, has been repositioned as this fall’s Owen Theatre opener in the final season Falls plans before stepping down as Artistic Director. In its place, the Goodman presents the “downtown debut” of TimeLine Theatre Company’s acclaimed production of Relentless by Tyla Abercrumbie, directed by Ron OJ Parson on the heels of its sold-out world-premiere off-Loop run. A centuries-spanning tale of family, legacy and progress set in the Black Victorian age, Relentless “acknowledges the complexity of everything in America...smart, challenging and deeply moving…the best new work here in years” (Chicago Tribune); “a visual treat; bracing and truthful (with) terrific performances” (Chicago Sun-Times); “a masterpiece that will have you spellbound and wanting more” (Let’s Play/ChicagoNow.com). Katten Muchin Rosenman LLP is a Corporate Sponsor Partner for Goodman’s production of Relentless. Relentless appears April 1 – May 1 (Opening Night is April 11) in the Goodman’s Owen Theatre. Tickets ($15 - $55) are available now; visit GoodmanTheatre.org/Relentless or call 312.443.3800.

“On behalf of us all at the Goodman, I am grateful for the enormous support of our Chicago audiences as we’ve safely returned to live-in-person performances over the past seven months. Admittedly, this path has been uncharted, complex and inclusive of a few more scheduling shifts than usual,” said Artistic Director Robert Falls. “The latest shift involves rescheduling Swing State, a wonderful new play by my longtime collaborator and Artistic Associate Rebecca Gilman; in working with Rebecca, we believe the production would benefit from more time for development. At the same time, I’m thrilled to offer an opportunity for more audiences to experience another new play as we present TimeLine Theatre Company’s Relentless—a fantastic new work by Tyla Abercrumbie and directed by Ron OJ Parson in a production that has bowled over critics and audiences alike. This move enables a favorable circumstance for all artists involved, and we appreciate our audiences’ patience as we proceed.”

The critically acclaimed original cast reassembles for Relentless at the Goodman—featuring Ayanna Bria Bakari and Jaye Ladymore as sisters Annelle and Janet, with Rebecca Hurd as Mary Anna Elizabeth, Xavier Edward King as Franklin, Demetra Dee as Zhuukee (also called Annabelle Lee) and Travis Delgado as Marcus. Set in the Black Victorian era, Abercrumbie’s play looks at the deep personal secrets we keep to protect the ones we love most. It’s 1919; after the death of their mother, two sisters come home to Philadelphia to settle her estate. Annelle is a happy socialite desperate to return to the safe illusion of a perfect life with her husband in Boston. Janet is a single, professional nurse, determined to change history and propel Black women to a place of prominence and respect. After discovering diaries left by their late mother, they find themselves confronted with a woman they never really knew, exposing buried truths from the past that are chillingly, explosively Relentless.

“TimeLine is thrilled to partner with Goodman Theatre to provide Chicago audiences more opportunities to experience Relentless,” said TimeLine Artistic Director PJ Powers. “This play has been a multi-year passion project for us, launched and developed through TimeLine’s Playwrights Collective starting in 2017. After the originally planned 2020 run was delayed by the pandemic, we finally celebrated its world premiere in January. The response was overwhelming, and it was clear that the play deserved more life beyond its limited run. Audiences and critics alike have recognized that Tyla Abercrumbie’s voice has a beauty and poetry that is absolutely searing. The play already has the feel of a classic, yet it burns with a contemporary relevance that is unmistakable. We can’t wait to introduce Relentless to more people, thanks to this partnership with the Goodman.”

The production team includes Jack Magaw (Scenic Designer), Christine Pascual (Costume Designer), Heather Gilbert (Lighting Designer), Jennifer Wernau (Properties Designer), Christopher Kriz (Sound Designer), Mike Tutaj (Projections Designer), Megan E. Pirtle (Wig and Hair Designer), Rachel Flesher (Intimacy and Violence Director), Sammi Grant (Dialect Director), Khalid Y. Long (Dramaturg) and Tiffany Fulson (Assistant Director). For more information about Relentless, including artist bios and headshots, visit GoodmanTheatre.org/Relentless.

On stage now, and still to come, in Goodman Theatre’s 2021/2022 “Homecoming” Season are Mary Zimmerman’s The Notebooks of Leonardo da Vinci (through March 20); the world premiere of Good Night, Oscar by Doug Wright, directed by Lisa Peterson (March 12 – April 17); and Life After by Britta Johnson, directed by Annie Tippe (June 11 – July 17). One production is TBA. The season began in August 2021 when live-in-person performances could safely resume—starting with School Girls; Or, The African Mean Girls Play by Jocelyn Bioh, directed by Lili-Anne Brown. The season continued with American Mariachi by José Cruz González, directed by Henry Godinez; Fannie (The Music and Life of Fannie Lou Hamer) by Cheryl L. West, directed by Henry Godinez; the 17th annual New Stages Festival including six plays—Nightwatch by Max Yu, directed by Chay Yew; Layalina by Martin Yousif Zebari directed by Sivan Battat; along with staged readings of Fires, Ohio by Beth Hyland, directed by Marti Lyons; Your Name Means Dream by José Rivera, directed y Audrey Francis; and Watching the Watcher by Dael Orlandersmith, directed by Neel Keller; as well as the virtual reality experience Hummingbird by Jo Cattell, created by Daria Tsoupikova, Sai Priya Jyothula, Andrew Johnson, Arthur Nishimoto and Lance Long at the Electronic Visualization Laboratory in the University of Illinois as Chicago); and the 44th annual production of Charles Dickens’ A Christmas Carol, directed by Jessica Thebus; and August Wilson’s Gem of the Ocean directed by Chuck Smith.

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently celebrating its 25th Anniversary season, TimeLine has presented 83 productions, including 11 world premieres and 38 Chicago premieres, and launched the Living History Education Program, which brings the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 58 Jeff Awards, including an award for Outstanding Production 11 times.

The company has long been bursting at the seams of its current leased home located at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood, where the theatre has been in residence since 1999. In December 2018, TimeLine announced the purchase of property at 5033-35 North Broadway in Chicago’s Uptown neighborhood to be the site of its new home. Plans feature an intimate black box theatre seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more. TimeLine is working with HGA as architect for its new home project, which is expected to be completed in early 2024.

TimeLine is led by Artistic Director PJ Powers, Managing Director Elizabeth K. Auman and Board President John Sterling. Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Wardell Julius Clark, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation supporters of TimeLine Theatre include the Abe and Ida Cooper Foundation, Paul M. Angell Family Foundation, Arts Consulting Group, Bayless Family Foundation, The Elizabeth F. Cheney Foundation, City of Chicago, Crown Family Philanthropies, Joseph and Bessie Feinberg Foundation, Forum Fund, Lloyd A. Fry Foundation, Illinois Arts Council Agency, Illinois Department of Commerce and Economic Opportunity, Laughing Acres Family Foundation, MacArthur Fund for Arts and Culture at Prince, National Endowment for the Arts, Polk Bros. Foundation, Pritzker Traubert Foundation, The Shubert Foundation, United States Small Business Administration, and Walder Foundation. TimeLine’s production of Relentless is supported in part by the Bayless Family Foundation and the National Endowment for the Arts, with additional support provided by Douglas Bradbury and The Elizabeth F. Cheney Foundation. For more information, visit timelinetheatre.com or Facebook, Twitter, or Instagram (@TimeLineTheatre).


ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor and Mary Zimmerman. Goodman Theatre’s Board of Trustees Chairman is Jeff Hesse and Fran Del Boca is Women’s Board President, Craig McCaw is President of the Scenemakers Board for young professionals.

Tuesday, March 29, 2022

OPENING: The Aragon Company of SIX at Broadway In Chicago’s CIBC Theatre March 29 through July 3rd, 2022

ChiIL Live Shows On Our Radar

The Aragon Company of SIX

Launches in Chicago, March 29th

By Toby Marlow & Lucy Moss

Directed by Lucy Moss & Jamie Armitage

Choreography by Carrie-Anne Ingrouille 

In May of 2019 it was my great pleasure to catch opening night of the North American Premiere of SIX at Chicago Shakespeare Theatre just before they went on to huge success on Broadway despite the pandemic. I loved this high energy, femalecentric reclaiming of "herstory" then, and can't wait to see the North American tour of SIX, launching right here in sweet home Chicago, once again. It's one of the first musicals I recommend to folks looking for family friendly theatre fun that's likely to be a major hit with tweens, teens, and young adults. Don't miss this! I'll be out for the press opening April 12th, so check back shortly after for my full review.

Producers Kenny Wax, Wendy & Andy Barnes, George Stiles, and Kevin McCollum are proud to launch the Aragon Company of SIX, the new musical by Toby Marlow and Lucy Moss, in Chicago. The Aragon Company, a North American tour of SIX, will play at Broadway In Chicago’s CIBC Theatre, 18 W. Monroe Street, March 29 through July 3. Tickets for the first tour stop are on sale now at www.BroadwayInChicago.com.


“SIX TOTALLY RULES!”

The New York Times


The Aragon cast features Khaila Wilcoxon as Catherine of Aragon, Storm Lever as Anne Boleyn, Jasmine Forsberg as Jane Seymour, Olivia Donalson as Anna of Cleves, Didi Romero as Katherine Howard, and Gabriela Carrillo as Catherine Parr. The cast also includes Erin Ramirez, Cassie Silva, Kelsee Sweigard and Kelly Denice Taylor.

From Tudor Queens to Pop Princesses, the SIX wives of Henry VIII take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power! This new original musical is the global sensation that everyone is losing their head over.  The New York Times says SIX “Totally rules!” (Critic’s Pick) and The Washington Post hails SIX as “Exactly the kind of energizing, inspirational illumination this town aches for! The Broadway season just got supercharged!” 


“A TOTAL BLAST!”

Chicago Tribune


CREATIVE TEAM

SIX is co-directed by Lucy Moss and Jamie Armitage and features choreography by Carrie-Anne Ingrouille. The design team includes Emma Bailey (Scenic Design), Gabriella Slade (Costume Design), Tim Deiling (Lighting Design), and Paul Gatehouse (Sound Design). The score features orchestrations by Tom Curran with music supervision and vocal arrangements by Joe Beighton and U.S. Music Supervision by Roberta Duchak. Casting is by Tara Rubin Casting / Peter Van Dam, CSA with original US casting by Bob Mason. Theater Matters is General Manager, Sam Levy is Associate Producer and Lucas McMahon is U.S. Executive Producer.


  “ALL HAIL!”

VOGUE



CAST

KHAILA WILCOXON (Catherine of Aragon) is excited to be joining the Queendom!  Broadway: Ruben & Clay’s Christmas Spectacular, Hadestown. First, Thank You God! Thank you tribe & family, I Love Ya’ll! To my agents Marc & Dustin, thanks for always believing in me! Thank you to the entire SIX team! Lastly, young Black artists, if the sun doesn’t ask permission to shine neither should you! @thekhailawilcoxon

STORM LEVER (Anne Boleyn). Broadway: Duckling Donna in Summer: The Donna Summer Musical. Off-Broadway: Dorothy in The Wringer (City Center). Regional: Sheila in Hair and Polexia in Almost Famous (The Old Globe); Wendy in Fly (La Jolla); Savanah in Freaky Friday (Signature Theater); Emotional Creature (Berkeley Rep). TV/Film: No One Called Ahead. Love to my chosen family, OG family, B.F.A.mily University of Michigan and BRS/Gage. @stormlever

JASMINE FORSBERG (Jane Seymour) is overjoyed to be making her North American Tour debut! Off Broadway: Broadway Bounty Hunter. Regional: Love in Hate Nation (Two River Theater), A Grand Night for Singing (Goodspeed), Wild Fire (Denver Center). TV: “One December Night” (Hallmark). BFA from Penn State. Love and thanks to the Queendom, A3, Tara Rubin Casting, and all my loved ones for their endless support. www.jasmineforsberg.com @jasmine_forsberg

OLIVIA DONALSON (Anna of Cleves) is thrilled to make her principal debut with SIX! She was last seen in Aladdin the Musical on Broadway and the First National Tour. A huge thank you to the SIX team, Tara Rubin Casting and Headline Talent Agency for this ferocious opportunity! Love you, Mother! And thank you, friends and family, for the endless support. Instagram: @oliviadonalson

DIDI ROMERO (Katherine Howard). Born and raised in Puerto Rico, Didi Romero graduated from AMDA and promptly started working in "In The Heights" as Nina (WCP, BROADWAY SACRAMENTO, COLISEUM OF PUERTO RICO) "Broadway Rising Stars" "Mixtape The Movie" "Gina Yei" and now excited to be joining “Queendom” in SIX. She's been a social media influencer for 5 years trying to be an example for her #DIDIOKREZ. @didiromero_8\


GABRIELA CARRILLO (Catherine Parr) is overjoyed to be making "herstory" in SIX! Gabriela is a first-generation Mexican-American raised in Chicago, and a graduate of Berklee College of Music. She is also a YouTuber/vlogger, and has released original music under the name 'Gabriela Francesca'. Endless love and gratitude to Mama & Papa, and special thanks to Ashley and Mark at KMR. IG/TikTok @officialgabrielacarrillo 

ERIN RAMIREZ (Alternate). Tour: Les Misérables (u/s Éponine). NYC Workshop: Romy & Michele. Regional: Spamilton (PCLO), Jersey Boys (Ogunquit Playhouse), Hairspray (Amber, KC Starlight), Mamma Mia (ACT of Connecticut). International: Royal Caribbean Cruise Lines. BFA in MT, Emerson College. Gratitude to Daniel Hoff Agency, Tara Rubin Casting and the entire SIX team. Love to my endlessly supportive husband and family. To God be the glory. @erinpalmerramirez

CASSIE SILVA (Alternate, Dance Captain). Joining the SIX Queendom is a dream come true! Favorite credits include: Rock of Ages Broadway, Matilda (Broadway & 1st National). TV/Film: “Hairspray,” “Walk Hard,” “Happy Texas,” “The Wayward Guide,” “Dexter,” “Legally Blonde: The Search…” Special thanks to the incredible Creatives, Crew, Tara Rubin Casting, Daniel Hoff Agency, loved ones & the other 9 "badass monarchs.” God is good! @CassieMSilva 

KELSEE SWEIGARD (Alternate) is royally stoked to join the Queendom! National Tours: RENT (Maureen), Pretty Woman 1st National Tour (u/s Kit de Luca, u/s Violetta), Kinky Boots (Pat). NYC Workshops: Ragtime Ellis Island, Agent 355 (Anna Strong). BFA Shenandoah Conservatory. Endless thanks to CLA, TRC, all the SIX team members, and Mom. To all women, everywhere: may your stories be forever celebrated. www.kelseesweigard.com @kelseesweigard

KELLY DENICE TAYLOR (Alternate) is a member of The Recording Academy and best known for her role in Walt Disney Records' a cappella singing sensation 'DCappella'. International: Disney Cruise Line, Universal Studios Japan. Kelly has made a variety of TV appearances on Disney+, Disney Channel, and ABC. Kelly extends special thanks to her team at Morrison Rothman, her friends, and Tara Rubin casting for the love and support! @kellydenicetaylor

SIX is currently on-stage at the Brooks Atkinson Theatre (256 W. 47th St) on Broadway in New York City, the Vaudeville Theatre in London’s West End and on a UK tour.

For more information about the show, visit www.SixOnBroadway.com

Follow SIX on Facebook ● Twitter  ● Instagram  ●@SIXUSTour

 

TICKET INFORMATION

Individual tickets for SIX are now on sale and range from $39.00-$119.00 with a select number of premium tickets available. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com. For more information, visit www.BroadwayInChicago.com.

 

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 21 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining more than 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, Auditorium Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.

 


COVID-19  PROTOCOL

Our audiences are required to wear masks and show proof of vaccine. For details or further requirements (that can change without notice) visit broadwayinchicago.com/covid19.

 


For more information & performance schedule, visit www.BroadwayInChicago.com.

Facebook @BroadwayInChicago ● Twitter @broadwaychicago ● Instagram @broadwayinchicago ● #broadwayinchicago


Friday, March 25, 2022

ON SALE: First National Tour of AIN’T TOO PROUD – THE LIFE AND TIMES OF THE TEMPTATIONS MAY 24 – June 5, 2022

ChiIL Live Shows On Our Radar  

NOW ON SALE

BROADWAY IN CHICAGO’S 

CADILLAC PALACE THEATRE

LIMITED ENGAGEMENT - MAY 24 – June 5, 2022 

“Pretty close to perfection!” 

The New York Times, Critics’ Pick

Broadway In Chicago announced today that individual tickets for the First National Tour of AIN’T TOO PROUD – THE LIFE AND TIMES OF THE TEMPTATIONS, the new Broadway smash hit musical are now on sale. Ticket prices range from $29.50 - $116.00 with a select number of premium tickets available. AIN’T TOO PROUD will play sixteen performances at Broadway In Chicago’s Cadillac Palace Theatre (151 W. Randolph St.) from May 24 through June 5, 2022. Individual tickets are available at www.BroadwayInChicago.com. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com.

Featuring the Grammy® winning songs and Tony® winning moves, AIN’T TOO PROUD is the electrifying new musical that follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame. With their signature dance moves and unmistakable harmonies, they rose to the top of the charts creating an amazing 42 Top Ten Hits with 14 reaching number one and being voted the greatest R&B group of all time by Billboard Magazine in 2017. The rest is history — how they met, the groundbreaking heights they hit, and how personal and political conflicts threatened to tear the group apart as the United States fell into civil unrest. This thrilling story of brotherhood, family, loyalty, and betrayal is set to the beat of the group’s treasured hits, including “My Girl,” “Just My Imagination,” “Get Ready,” “Papa Was a Rolling Stone,” and so many more.

After breaking house records at Berkeley Rep, The Kennedy Center, CTG’s Ahmanson Theatre, and Toronto’s Princess of Wales Theatre, AIN'T TOO PROUD opened on Broadway in March 2019, where it continued to play sold-out audiences and broke the Imperial Theatre’s box office record. Written by Kennedy Prize-winning and three-time Obie Award winning playwright Dominique Morisseau, directed by two-time Tony Award® winner Des McAnuff, and featuring the Tony Award winning choreography of Sergio Trujillo, this dazzling production now brings the untold story of the legendary quintet to audiences across the country on their first national tour.

The creative team also includes Tony Award nominee Robert Brill(scenic design), Tony Award winner Paul Tazewell (costume design), Tony Award winner Howell Binkley (lighting design), Tony Award winner Steve Canyon Kennedy (sound design), Drama Desk Award winner Peter Nigrini (projection design), Drama Desk Award winner Charles G. LaPointe (hair and wig design), Steve Rankin (fight direction), Brian Harlan Brooks (tour resident director), Edgar Godineaux (associate choreographer), John Miller (music coordinator), Molly Meg Legal (production supervisor), and Larry Smiglewski (production stage manager). Orchestrations are by Tony Award recipient Harold Wheeler, with music supervision and arrangements by Kenny Seymour. Casting is by Tara Rubin Casting, Merri Sugarman, C.S.A.

The national tour of AIN’T TOO PROUD is produced by Ira Pittelman and Tom Hulce, in association with Work Light Productions.


PERFORMANCE SCHEDULE

Tuesday, May 24 at 7:30 pm

Wednesday, May 25 at 7:30 pm

Thursday, May 26 at 7:30 pm

Friday, May 27 at 7:30 pm

Saturday, May 28 at 2 pm & 8:00 pm

Sunday, May 29 at 2 pm & 7:30 pm

Tuesday, May 31 at 7:30 pm

Wednesday, June 1 at 2 pm & 7:30 pm

Thursday, June 2 at 7:30 pm

Friday, June 3 at 7:30 pm

Saturday, June 4 at 2 pm and 8 pm

Sunday, June 5 at 2 pm

 

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 22 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theatre District entertaining more than 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at the Auditorium Theatre.




 

COVID-19  PROTOCOL

Our audiences are required to wear masks and show proof of vaccine. For details or further requirements (that can change without notice) visit broadwayinchicago.com/covid19.


For more information about the show, visit www.AintTooProudMusical.com

Follow AIN’T TOO PROUD on: facebook.com/AintTooProudMusical ● twitter.com/AintTooProud ● instagram.com/AintTooProudMusical

 

For more information, visit www.BroadwayInChicago.com

Follow Broadway In Chicago on: Facebook/@BroadwayInChicago ● Twitter/@broadwaychicago ● Instagram/@BroadwayInChicago ● #broadwayinchicago

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