Showing posts with label Steppenwolf Theatre. Show all posts
Showing posts with label Steppenwolf Theatre. Show all posts

Monday, June 17, 2024

EXTENDED: World Premiere of LITTLE BEAR RIDGE ROAD at Steppenwolf Theatre Now Playing Through August 4, 2024

 ChiIL Mama's Chi, IL Picks List

Steppenwolf Theatre Opens the World Premiere of

LITTLE BEAR RIDGE ROAD

By Samuel D. Hunter

Directed by Joe Mantello

Featuring ensemble member Laurie Metcalf

with John Drea, Meighan Gerachis and Micah Stock

Extended Through August 4, 2024 in Steppenwolf’s Downstairs Theater 



Pictured (left to right) Ensemble member Laurie Metcalf and Micah Stock in Steppenwolf Theatre’s world premiere of "Little Bear Ridge Road." Photo by Michael Brosilow.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to conclude its 48th season with the highly anticipated world premiere of Little Bear Ridge Road, a comic, cosmic and intimate drama by MacArthur Fellow Samuel D. Hunter (The Whale, A Bright New Boise), directed by Tony Award winner Joe Mantello (Wicked, Airline Highway). Due to popular demand, Little Bear Ridge Road will enjoy two additional weeks of performances, extending through Sunday, August 4, 2024 in Steppenwolf’s Downstairs Theater, 1650 N. Halsted St. in Chicago. Single tickets starting at $20 are now on sale at steppenwolf.org or the Box Office at (312) 335-1650.

Tony and Emmy Award-winning ensemble member Laurie Metcalf (The Conners, Three Tall Women – Tony Award) comes home to Steppenwolf, joined by John Drea (Steppenwolf debut), Meighan Gerachis (POTUS, Domesticated) and Micah Stock (Steppenwolf debut, It's Only A Play – Tony Award nomination).

In the outer limits of rural Idaho, the last two estranged members of the Fernsby family tree, a reclusive aunt and her gay nephew, reunite to sort the mess left behind after a troubled father's passing. They now face an uncomfortable and universal question: how do we deal with other people? And is connection more trouble than it’s worth? As their relationship begins anew, the two reluctant Fernsbys ­– separated by age and experience – start to understand the joys and perils of letting someone else into your own story, even if only for a moment.

The creative team includes Scott Pask (Scenic Design), Jessica Pabst (Costume Design), Heather Gilbert (Lighting Design), Mikhail Fiksel (Sound Design), John Baker (Dramaturg), Gigi Buffington (Voice and Text Coach), Patrick Zakem (Creative Producer), Tom Pearl (Producing Director), JC Clementz, CSA (Casting), Laura D. Glenn (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). For full cast and creative team bios, click here.

Cast (in alphabetical order): John Drea (James/Kenny) Meighan Gerachis (Paulette/Vickie) Laurie Metcalf (Sarah) and Micah Stock (Ethan).

Location: Steppenwolf’s Downstairs Theater, 1650 N. Halsted St., Chicago

Dates: Previews: Thursday, June 13 – Saturday, June 22, 2024

Press performance/Opening: Sunday, June 23 at 6 pm

Regular run: Tuesday, June 25 – Sunday, August 4, 2024

Curtain Times: Tuesday, Wednesday, Thursdays and Friday at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will be added performances on Sunday, July 28 and Sunday, August 4 at 7:30 pm; there will not be performances on Tuesday, June 18, Thursday July 4 or Tuesday, July 16; the performance on Tuesday, July 10 begins at 2 pm (there will not be an evening performance).

Tickets: Single tickets for Little Bear Ridge Road ($20 - $168) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are also currently on sale: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30.

Accessible Performance Dates:

Audio-described and touch tour: Sunday, July 7 at 3 pm (touch tour at 1:30 pm, curtain at 3 pm)

Open-captioned: Saturday, July 13 at 3 pm and Thursday, July 18 at 7:30 pm

ASL-interpreted: Friday, July 12 at 7:30 pm


Artist Biographies:

Samuel D. Hunter (Playwright) grew up in Moscow, Idaho and lives in New York City with his husband and daughter. His plays include The Whale (Drama Desk Award, Lucille Lortel Award for Outstanding Play, GLAAD Media Award, Drama League and Outer Critics Circle nominations for Best Play), A Case for the Existence of God (New York Drama Critics’ Circle Award for Best Play, Hull-Warriner Award), A Bright New Boise (Obie Award, Drama Desk nomination for Best Play), Greater Clements (Drama Desk nomination for Best Play, Outer Critics Circle Honoree), Lewiston/Clarkston (Drama Desk nomination for Best Play), The Few, A Great Wilderness, Rest, Pocatello, The Healing and The Harvest, among others. His screenplay adaptation of The Whale, directed by Darren Aronofsky and starring Brendan Fraser, was nominated for the 2023 BAFTA Award for Best Adapted Screenplay and received two Oscars, including Best Actor. He was also a writer and producer on all four seasons of FX’s Baskets. He is the recipient of a 2014 MacArthur “Genius Grant” Fellowship, a 2012 Whiting Writers Award and an honorary doctorate from the University of Idaho. He holds degrees in playwriting from NYU, The Iowa Playwrights Workshop and Juilliard.

Joe Mantello (Director) recently directed David Ives and Stephen Sondheim’s Here We Are at the Shed. Broadway directing credits include: Grey House, Who’s Afraid of Virginia Woolf, Hillary and Clinton, Three Tall Women (Tony nom.) The Boys in the Band, Blackbird, The Humans (Tony nom.), Airline Highway, The Last Ship, Casa Valentina, I’ll Eat You Last, The Other Place, Other Desert Cities, Pal Joey, 9 to 5, Laugh Whore, November, The Ritz, Three Days of Rain, The Odd Couple, Glengarry Glen Ross (Tony nom.), Wicked, Assassins (Tony Award), Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, Love! Valour! Compassion!  (Tony nom.) Off-Broadway: Dogfight, The Pride, A Man of No Importance, The Vagina Monologues, bash, Corpus Christi. As an actor he has appeared in American Horror Story: NYC (FX), Hollywood, The Watcher (Netflix), The Normal Heart (HBO, Emmy Nom.) and FEUD Season 2: Capote vs. The Swans (FX). Broadway: The Glass Menagerie, The Normal Heart (Tony nom.), Angels in America (Tony nom.). Recipient of Outer Critics Circle, Drama Desk, Lucille Lortel, Clarence Derwent, Obie, Joe A. Callaway and SDCF “Mr. Abbott" awards. Member of the Theatre Hall of Fame.

Laurie Metcalf (Sarah) received Tony Awards for her performances in Three Tall Women and A Doll's House, Part 2. Tony nominations include November, The Other Place, Misery and Hillary and Clinton. Metcalf received three Emmy Awards for her work on the television series Roseanne and also for her role on Hacks. Other Emmy nominations were for Third Rock from the Sun, Monk, Desperate Housewives, The Big Bang Theory, Horace and Pete and Getting On. Films include Lady Bird (National Board of Review Award for Best Supporting Actress, Academy Award and Golden Globe nominations for Best Supporting Actress), Somewhere in Queens, Desperately Seeking Susan, Leaving Las Vegas, Uncle Buck, JFK, Internal Affairs and the Toy Story series. She is an original member of Steppenwolf Theater Company in Chicago.

John Drea (James/Kenny) Steppenwolf Theatre Company debut. Chicago: The Sound Inside (Goodman Theatre); Solaris (Griffin Theatre, Jeff Nomination); Chagall in School (Grippo Stage Company, Jeff Nomination); Twelfth Night, Cymbeline (Midsommer Flight); American Psycho (Kokandy Productions); Skunk and Badger, Whose Body? (Lifeline Theatre); A Midsummer Night’s Dream, Much Ado About Nothing (Goodly Creatures Theatre); Free Space (Possibilities Theatre). Off-off Broadway: OneIronaut (The Outer Loop). Regional: Deathtrap (Constellation Stage). Television: Ashley Green, The Onion. He is represented by Gray Talent Group. @johndrea1998

Meighan Gerachis (Paulette/Vickie) Steppenwolf Theatre Company: POTUS, Domesticated, Our Town and The House on Mango Street. Chicago: The Malignant Ampersands, Small Mouth Sounds, Solstice (A Red Orchid Theater) Roe, The Wolves, A Christmas Carol, New Stages: Blue Skies Process and Graveyard Shift (Goodman Theatre); Admissions, Seven Homeless Mammoths Wander New England (Theater Wit); MOTHERHOUSE, The Electric Baby, Precious Little, The Walls, Elliot, A Soldier's Fugue, Indulgences at the Louisville Harem, Factory Girls, My Simple City, Wrens (Rivendell Theatre Ensemble); Measure for Measure (Chicago Shakespeare Theater); Cloud Nine (About Face Theatre); Cigarettes and Moby Dick and Che Che Che (Latino Chicago); The Underpants (Noble Fool Theatricals). Regional: Charm (Mixed Blood Theatre); Elliot , A Soldier's Fugue (Stageworks). Film/TV: Somebody Somewhere, Batman v. Superman: Dawn Dawn of Justice, At Any Price, Virginia, Chicago P.D., Crisis, Bobby & Iza, Sirens and Battleground.

Micah Stock (Ethan) Steppenwolf Theatre Company: Debut. Broadway: The Front Page, It's Only a Play (Tony Nom, Theater World Award). Off-Broadway: Moscow x6 (Williamstown), Hamlet (Waterwell), Terrence McNally's And Away We Go. Film: Maggie Moore(s), Brittany Runs a Marathon, Life Itself, King Kelly. TV: Kindred, Bonding, The Right Stuff, Escape at Dannemora, Amazing Stories. Education: BFA, SUNY Purchase Conservatory.

Accessibility

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production (see dates above). Assistive listening devices and large-print programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/plan-your-visit/accessibility or e-mail access@steppenwolf.org.

Sponsor Information

Little Bear Ridge Road is supported in part by Zell Family Foundation, AARP Illinois, CNA, The Orlebeke Foundation, and PNC. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, Joyce Foundation, Lefkofsky Family Foundation, Ron and Paula Mallicoat, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Robert Rivkin and Cindy Moelis, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, ArentFox Schiff, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Steven and Nancy Crown,  CRC Group, Rich and Margery Feitler, Julius Frankel Foundation, FROST CHICAGO, Goldman Sachs, Shmaila Tahir and Asheesh Goel, Bob and Amy Greenebaum, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, Christopher and Eileen Murphy, The Orlebeke Foundation, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, Elliot A. Stultz, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions - from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays - have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown - Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. 

steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.


Thursday, April 11, 2024

Chicago premiere of THE THANKSGIVING PLAY Via Steppenwolf Theatre April 25 – June 2, 2024

 ChiIL Live Shows On Our Radar

Steppenwolf Theatre continues its 48th Season with 

the Chicago premiere of  

THE THANKSGIVING PLAY

By Larissa FastHorse

Directed by Jess McLeod



Featuring ensemble members Audrey Francis and Tim Hopper

with Paloma Nozicka and Nate Santana

April 25 – June 2, 2024 in Steppenwolf’s Ensemble Theater

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to continue its 48th season with the Chicago premiere of Larissa FastHorse’s The Thanksgiving Play, a biting comedy about everything right, wrong and woke in America, directed by Jess McLeod. The Thanksgiving Play will play April 25 – June 2, 2024 in Steppenwolf’s stunning in-the-round Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St. in Chicago. Single tickets starting at $20 are now on sale at steppenwolf.org or the Box Office at (312) 335-1650. 

The Thanksgiving Play features ensemble members Audrey Francis (POTUS – Director, The Doppelgänger) and Tim Hopper (Downstate, Chicago, Off-Broadway & London) with Paloma Nozicka (Steppenwolf debut) and Nate Santana (Ironbound).

Four (very) well-intentioned theatre people walk into an elementary school. The work at hand: a Thanksgiving pageant that won’t ruffle any feathers. What could possibly go wrong? In MacArthur Genius Larissa Fasthorse’s skewering and satirical comedy, well, just about everything. Rambunctious, thorny and not altogether politically correct, The Thanksgiving Play serves up the hypocrisies of woke America on a big, family-style platter. Come get ya some.

The creative team includes Andrew Boyce (Scenic Design), Raquel Adorno (Costume Design), Keith Parham (Lighting Design), Tosin Olufolabi (Sound Design), R&D Choreography (Violence Design), Jyreika Guest (Intimacy Consultant), Kory Danielson (Music Director), Dillon Chitto (Engagement Curator and Cultural Consultant), Kate DeVore (Vocal Coach), Patrick Zakem (Creative Producer), Elise Hausken (Production Manager), JC Clementz, CSA (Casting), Christine D. Freeburg (Production Stage Manager) and Kathleen Barrett (Assistant Stage Manager). 

ChiIL Mama’s ChiIL Picks List: 

Adult Shows With Family Themes On Our Radar


Production Details:

Location: Steppenwolf’s Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St., Chicago

Dates: Previews: Thursday, April 25 – Saturday, May 4, 2024

Press performance/Opening: Sunday, May 5, 2024 at 6 pm

Regular run: Tuesday, May 7 – Sunday, June 2, 2024

Curtain Times: Tuesday, Wednesday, Thursdays and Friday at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will not be a performance on Tuesday, April 30; there will be an added 2 pm matinee performance on Wednesday, May 8; there will be no performances on Saturday, May 11 (Steppenwolf Gala); there will not be a performance on Tuesday, May 28.

Tickets: Single tickets for The Thanksgiving Play ($20 - $86) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are also currently on sale: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30.


Accessible Performance Dates:

Audio-described and touch tour: Sunday, May 26 at 3 pm (1:30 pm touch tour, 3 pm curtain)

Open-captioned: Thursday, May 16 at 7:30 pm and Saturday, June 1 at 3 pm

ASL-interpreted: Friday, May 24 at 7:30 pm


Artist Biographies:

Larissa FastHorse (Playwright, Sicangu Lakota Nation) is an award-winning writer and 2020-2025 MacArthur Fellow. Her 2023 productions are The Thanksgiving Play (Second Stage at the Helen Hayes), Wicoun (Cornerstone Theater Company), Democracy Project (Federal Hall), Fake It Until You Make It (CTG Mark Taper Forum), For the People (Guthrie) and the national tour of Peter Pan (Networks). Selected past productions include What Would Crazy Horse Do? (KCRep), Landless and Cow Pie Bingo (AlterTheater), Average Family (Children’s Theater Company of Minneapolis), Urban Rez and Native Nation (Cornerstone Theater Company), as well as numerous productions of The Thanksgiving Play, making it one of the most produced plays in America. HoganHorsestudio.com

Jess McLeod (Director) is a director and social justice advocate specializing in risky new work about America. Steppenwolf: Venus. Chicago: Resident Director, Hamilton; Wolf Play, Hang Man (The Gift); Earth To Kenzie (Lyric Opera of Chicago); Do You Feel Anger?, Fulfillment Center (A Red Orchid); Landladies (Northlight); How We Got On (Haven), Short Shakes! Midsummer (CST), Marry Me A Little (Porchlight). Regional: Radical (IAMA); There’s Always The Hudson (Woolly Mammoth); Pride And Prejudice (Long Wharf), The Great Khan (San Diego Rep); Hype Man (Actors Theatre of Louisville). Jess has developed new plays and musicals at Roundabout, the Atlantic Theatre Company, the O’Neill, Williamstown and Berkeley Rep Ground Floor. She is an NYCLU/Creatives Rebuild Artist-In-Residence; Woolly Mammoth’s BOLD Resident Director; and Co-Chair, with Michael Korie, of the Dramatists Guild Foundation Musical Theatre Fellows Program. www.jess-mcleod.com

Audrey Francis (Logan) serves as Artistic Director of Steppenwolf Theatre, alongside Glenn Davis, where she has been an Ensemble member since 2017. She is an actor, director, educator and coach. Most recently, Audrey directed POTUS in Steppenwolf's 2023/24 season. Steppenwolf performing credits include The Herd, Between Riverside and Crazy, The Fundamentals, The Doppelgänger (an international farce) and Dance Nation. TV credits include Justified: City Primeval, Chicago Med, Chicago Fire and Empire. Film credits include Perpetrator, Knives and Skin, Later Days and Distant Learners. She has taught acting in New York, LA, Toronto, Sydney and Melbourne, as well as at The University of Chicago and The Theatre School at DePaul. Audrey is a professional acting coach for Showtime, NBC, Fox and Amazon, and is the co-founder of Black Box Acting.

Tim Hopper (Caden) is a member of the Steppenwolf Theatre Company ensemble. Recent roles at Steppenwolf include Andy in Downstate, which traveled to the National Theatre in London, and to Playwrights Horizons in New York. He also appeared at the Goodman Theatre in the title role of Uncle Vanya. Television appearances include Chicago Fire, the Amazon series Utopia, Fargo, The Americans, The Exorcist, Empire and Chicago Med. Film appearances include Perpetrator; Knives and Skin, School of Rock and To Die For, among others. Recipient of the 2018 Lunt-Fontanne Fellowship. Broadway: Present Laughter. Off-Broadway: New York Theatre Workshop, Theatre for a New Audience, Vineyard Theatre and the Atlantic Theater. Regionally, at Long Wharf; Williamstown and La Jolla Playhouse. Internationally, the Edinburgh Festival and Antwerp's De Singel Theatre.

Paloma Nozicka (Alicia) makes her Steppenwolf Theatre Company debut. Chicago (selected): Teddy Ferrara (Goodman Theatre); Native Gardens (Victory Gardens Theater); The Harvest (Griffin Theatre); In the Canyon, The Light Fantastic, Exit Strategy, Long Way Go Down (Jackalope Theatre Company). Regional: Citizen Detective (Geffen Playhouse); Boeing Boeing (TheatreSquared). Television: The Irrational, Chicago Med, Proven Innocent, Chicago PD, Empire. Nozicka was a 2023 Jeff Awards nominee for "Best New Work" for her play Enough to Let the Light In, and she is a playwright with the 2023/24 Geffen Playhouse Writer's Room. palomanozicka.com @palomiiiiiiita

Nate Santana (Jaxton) Steppenwolf: Ironbound. Chicago: Golden Boy, Balm in Gilead (Griffin Theatre); The Abuelas, White Tie Ball (Teatro Vista); Georgiana and Kitty: Christmas at Pemberley, The Legend of Georgia McBride (Northlight Theatre); Regional: Frankenstein, Sense and Sensibility (Indiana Repertory Theatre); References to Salvador Dali Make Me Hot (The Phoenix Theatre). Television: Chicago P.D., Suits, The Exorcist and Chicago Med.


Accessibility

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production (see dates above). Assistive listening devices and large-print programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/plan-your-visit/accessibility or e-mail access@steppenwolf.org.



Sponsor Information

The Thanksgiving Play is supported in part by Conagra Brands Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, Joyce Foundation, Lefkofsky Family Foundation, Ron and Paula Mallicoat, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Robert Rivkin and Cindy Moelis, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, ArentFox Schiff, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Steven and Nancy Crown,  CRC Group, Rich and Margery Feitler, Julius Frankel Foundation, FROST CHICAGO, Goldman Sachs, Shmaila Tahir and Asheesh Goel, Bob and Amy Greenebaum, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, Christopher and Eileen Murphy, The Orlebeke Foundation, PNC, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, Elliot A. Stultz, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions - from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays - have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown - Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. 

steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.


ALSO ON STAGE:

Monday, February 5, 2024

World Premiere of a home what howls via Steppenwolf Theatre February 7 – March 2, 2024

ChiIL Mama’s ChiIL Picks List: 

Theatre For Young Adults On Our Radar 

Steppenwolf Theatre Company presents the world premiere of

a home what howls (or the house what was ravine)

By Matthew Paul Olmos

Directed by Laura Alcalá Baker 

 


Featuring ensemble member Tim Hopper with Charín Álvarez,

Leslie Sophia Pérez, Isabel Quintero and Eddie Torres

 February 7 – March 2, 2024 in the Ensemble Theater

The cast of Steppenwolf Theatre’s world premiere of a home what howls (or the house what was ravine)

includes (left to right) Eddie Torres, Isabel Quintero, Leslie Sophia Pérez,

Charín Álvarez and ensemble member Tim Hopper. Photo by Joel Moorman.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to present Steppenwolf for Young Adults’ (SYA) world premiere of a home what howls (or the house what was ravine) by Matthew Paul Olmos and directed by Laura Alcalá Baker. This powerful and poetic look at displacement and youth activism will play February 7 – March 2, 2024 in Steppenwolf’s stunning in-the-round Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St. in Chicago. 

The cast includes ensemble member Tim Hopper (Downstate, Chicago, New York & London) with Charín Álvarez (I Am Not Your Perfect Mexican Daughter, ¡Bernarda!), Leslie Sophia Pérez (I Am Not Your Perfect Mexican Daughter), Isabel Quintero (La Osa Menor) and Eddie Torres (Downstate, Chicago, New York & London).

A coyote howling. A home in disarray. A young woman alone. In Matthew Paul Olmos’ world premiere, Soledad Vargas is in the city, fighting for her family’s right to live on their land. When hope starts to dwindle, how far will she go, and what will she be forced to leave behind? A modern myth drawn from the real-life struggles of displaced communities around the globe, a home what howls is a lyrically-rendered quest of youth activism standing against forces of injustice.

$5 Tickets for High School Students and School Groups

Tickets Starting at $20 for all Public Performances

Ticket Information

a home what howls will feature both public performances and student matinees, inviting all audiences to experience this world premiere. Regular tickets are $5 for high school students, $15 for college students and begin at $20 for the general public. Single tickets to a home what howls are now on sale at steppenwolf.org and (312) 335-1650.

Student Matinees

Student matinees will take place at 10 am on weekdays from Wednesday, February 7 – Friday, March 1, 2024. Tickets are only $5 for students and chaperones are free. Recommended for grades eight and up. To register your school, click here.

The a home what howls production team includes Lauren Nichols (Scenic Design), Uriel Gómez (Costume Design), Lindsey Lyddan (Lighting Design), Peter Clare (Sound Design), April Dawn Guthrie (Original Music), Maya Vinice Prentiss (Fight Choreographer & Intimacy Consultant), Kate DeVore (Vocal Coach), Mike Przygoda (Music Consultant), Bryar Barborka (Dramaturg), Patrick Zakem (Creative Producer), Elise Hausken (Production Manager), JC Clementz, CSA (Casting), Michelle Medvin (Production Stage Manager) and Kathleen Barrett (Assistant Stage Manager).

 

PRODUCTION DETAILS

Cast: Charín Álvarez (abrana vargas), Tim Hopper (frank, male conductor), Leslie Sophia Pérez (soledad), Isabel Quintero (coyotl/syera loma) and Eddie Torres (manuel vargas).

Location: Steppenwolf’s Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St., Chicago

Dates: Previews: Friday, February 9 at 7:30 pm and Saturday, February 10 at 3 pm

Press Performance/Opening: Saturday, February 10 at 7:30 pm

Public Run: Saturday, February 17 – Saturday, March 2, 2024

Public Performance Curtain Times: Saturdays at 3 pm & 7 pm. Please note: there will be an added 7:30 pm performance on Friday, February 23 at 7:30 pm.

Tickets: Single tickets for a home what howls ($20 - $30) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Regular tickets are $5 for high school students and $15 for college students.

 

Accessible Performance Dates:

Spanish Language-Captioned Student Matinee: Friday, February 16 at 10 am

Open-Captioned Public Performance: Saturday, February 17 at 3 pm

Relaxed Sensory Friendly Public Performance: Saturday, February 17 at 3 pm

Audio-Described and Touch Tour Public Performance: Saturday, February 24 at 3 pm (1:30 pm touch tour, 3 pm curtain)

ASL-Interpreted Student Matinee: Friday, March 1 at 10 am

ASL-Interpreted Public Performance: Saturday, March 2 at 3 pm

 

Artist Biographies:

Matthew Paul Olmos (Playwright) is a Mexican-American playwright who focuses on the creation of space for marginalized, underrepresented communities and gives them poetics and theatricality. While his work is always personal, it is aimed at reaching across sociopolitical boundaries, showing the ridiculous of how separate we are, and illuminating hope for future generations.

He is a three-time Sundance Institute Fellowship/Residency recipient, inaugural Dramatists Guild Foundation Catalyst Fellow, Echo Theater Company Resident Playwright, lifetime Ensemble Studio Theatre member and Sloan Commission recipient, Playwrights’ Center Core Writer and two-time Venturous Playwright Fellowship nominee. Previous Actors’ Theatre of Louisville Humana Festival Commission, Arizona Theatre Company’s National Latine Playwriting Awardee, Baryshnikov Arts Center Resident Artist, Brooklyn Arts Exchange Resident Artist, Center Theatre Group LA Playwright, Drama League nominee, Geffen Playhouse Writers Room, Ingram New Works at Nashville Repertory, INTAR H.P.R.L., a proud Kilroys nominator, New York Theatre Workshop Fellow, Oregon Shakespeare Festival Black Swan Lab, two-time Ojai Playwrights Conference, inaugural Primary Stages Creative Development Grantee and Dorothy Strelsin New American Writers Group, Princess Grace Awardee in Playwriting, Repertorio Español Miranda Family Nuestra Voces Playwriting Awardee. 

He spent two years as a Mabou Mines/SUITE Resident Artist being mentored by Ruth Maleczech, was chosen/mentored by Taylor Mac for Cherry Lane’s Mentor Project, and was La MaMa e.t.c.'s Ellen Stewart Emerging Playwright Awardee as selected by Sam Shepard. His work has been presented nationally and internationally, taught in university and is published by Concord Theatricals/Samuel French and NoPassport Press. matthewpaulolmos.com

Laura Alcalá Baker (Director, she/they) is a Chicago-based director and new work developer specializing in unearthing the missing canon and reimagining the existing one. She lives in the intersection of a mixed child, one and both – Mexican American. Chicago directing credits include: Anna in the Tropics (Remy Bumppo), The Leopard Play, or sad songs for lost boys (Steep Theatre); The Way She Spoke (DCASE, Greenhouse Theater Center); Nancy García Loza’s BRAVA (Make-Believe Association); BULL: a love story (Paramount Theatre); and The Pillowman (The Gift Theatre). Regional directing credits include Somewhere Over the Border (City Theatre/People’s Light), Equivocation, The Giver, 11:11 and Collapse (B Street Theater). New play workshops and readings include work with Steep Theatre, The New Colony, Paramount Theatre and the Goodman Theatre New Stages Festival. She is a Steep Theatre ensemble member and a proud former member of the Alliance of Latinx Theatre Artists. She was nominated for “Best Casting Director” and “Best Director: Brava” at the ALTA Awards. labdirecting.com

Charín Álvarez (abrana vargas) Steppenwolf Theatre Company: I Am Not Your Perfect Mexican Daughter, La Ruta, Infidel, Ordinary Yearning, Fermi. Chicago: Anna in the Tropics, Passage, Skin of Our Teeth, Clean House (Remy Bumppo); Lettie, Mojada, Oedipus El Rey, Anna in the Tropics, A Park in the House (Victory Gardens Theater); The Scene (Writers Theatre); 2666, Pedro Paramo, El Nogalar, Dollhouse, Electricidad (Goodman Theatre); In The Time of the Butterflies, Our Lady of the Underpass, I Put the Fear of Mexico in ‘em, Dreamlandia, Another Part of the House (Teatro Vista); Water by the Spoonful (Court Theatre); What We Once Felt (About Face Theatre); Kita & Fernanda (16th Street Theatre); Esperanza Rising (Chicago Children’s Theatre); Two Sisters and a Piano (Apple Tree Theatre); Generic Latina (Teatro Luna); La Casa de Bernarda Alba (Aguijon Theatre). Film/TV: Rooftop Wars, Arc of a Bird, Were the World Mine, Chicago Overcoat, First and Only Lesson, Dogwalker, Olympia: An Instruction Manual For How Things Work, Signature Move, En Algun Lugar, Somebody Somewhere, Paper Girls, Ripple Effects, Chicago Med, Easy, Shameless, Chicago Fire, Mob Doctor, Boss, Chicago Code, Approach Alone, Rogers Park, Princess Cyd, Single File, Teacher, Hala, Saint Frances, Rounding, Heartsong, Museum, Last Drop, Single Car Crashes and Adult Children.

Tim Hopper (frank/male conductor) is a member of the Steppenwolf Theatre Company ensemble. Recent roles at Steppenwolf include Andy in Downstate, which traveled to the National Theatre in London, and to Playwrights Horizons in New York. He also appeared at the Goodman Theatre in the title role of Uncle Vanya. Television appearances include Chicago Fire, the Amazon series Utopia, Fargo, The Americans, The Exorcist, Empire and Chicago Med. Film appearances include Perpetrator; Knives and Skin, School of Rock and To Die For, among others. Recipient of the 2018 Lunt-Fontanne Fellowship. Broadway: Present Laughter. Off-Broadway: New York Theatre Workshop, Theatre for a New Audience, Vineyard Theatre and the Atlantic Theater. Regionally, at Long Wharf; Williamstown and La Jolla Playhouse. Internationally, the Edinburgh Festival and Antwerp's De Singel Theatre. 

Leslie Sophia Pérez (soledad) Class of ‘23 graduate of The Theatre School at DePaul University. Steppenwolf Theatre Company: I Am Not Your Perfect Mexican Daughter (also at Seattle Rep). Chicago: Project Potential (Theater on the Lake); Assumptions and Forgiveness (American Blues Theater). Television: Chicago PD, HBO Max Pilot: Computer School. Commercial: Visa commercial. @_leslie.sophia.

Isabel Quintero (coyotl/syera loma) Steppenwolf Theatre Company: The House On Mango Street (u/s), La Osa Menor (LookOut 2019, 2023). Chicago: In The Heights (Porchlight Music Theatre); The Sins of Sor Juana, Blood Wedding ad., Yasmina’s Necklace (u/s), Let the Eagle Fly, Boleros for the Disenchanted (u/s) (Goodman Theatre); Living Large in a Mini Kind of Way, Quita Mitos (Teatro Luna); La Posada Magica (Teatro Vista); Mark of Zorro (Lifeline Theatre) Regional: The Roommate (Renaissance Theaterworks); Mojada (Indianapolis Shakespeare Company); Quixote Nuevo (Roun House Theatre) Calabasas Street (Children’s Theater of Madison) Film: Holy Trinity, A Handful of Dirt, L.A.I.D.; Television: Chicago P.D.,The Chi. Awards: DCASE Esteemed Artist Award 2022;  laosamenoralbum.com

Eddie Torres (manuel vargas) Steppenwolf Theatre Company: Downstate (2023 Lortel nomination/Best Featured Performer in a Play) at Playwrights Horizons, The National Theatre in London and Steppenwolf Theater Company. Directing: The Old Globe, productions of El Borracho, Familiar, Native Gardens and Water by the Spoonful. Geffen Playhouse, Second Stage, Goodman, The Public, Repetorio Espanol, and more. He directed the world premiere of Kristoffer Diaz's The Elaborate Entrance of Chad Deity. (Victory Gardens Theatre & Teatro Vista), which was named Best Play and New York Times (2010).  Received Joseph Jefferson Awards, including Best Production and Director.  Awards: Latin ACE Award (Best Musical, Artist de Teatro Independient (Best Director). He is an Associate Professor in Theater at University of Illinois Chicago and is Artistic Director Emeritus at Teatro Vista.

Accessibility

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production (see dates above). Assistive listening devices and large-print programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/plan-your-visit/accessibility or e-mail access@steppenwolf.org.

Sponsor Information

United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from Northern Trust, Allstate Insurance Company, Amazon, Conagra Brands Foundation, Kirkland & Ellis, PNC, ArentFox Schiff, and Vinci Restaurant. Additional Steppenwolf Education support comes from the Paul M. Angell Family Foundation, Crown Family Philanthropies, Polk Bros. Foundation, ADM and the Lloyd A. Fry Foundation. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events. 

Steppenwolf Theatre Company is a Chicago theater that is home to America’s ensemble. The company began performing in the mid-1970s in the basement of a Highland Park, IL church—today Steppenwolf is the nation’s premier ensemble theater with 49 members who are among the top actors, playwrights and directors in the field. Deeply rooted in its ensemble ethos, the company is committed to equity, diversity, inclusion and making the Steppenwolf experience accessible to all. Groundbreaking productions from Balm in Gilead and August: Osage County to Downstate and Pass Over—and accolades that include the National Medal of Arts and 12 Tony® Awards—have made the theatre legendary. Artistic programming includes a membership series; a Steppenwolf for Young Adults season; and LookOut, a multi-genre performance series. The nationally recognized work of Steppenwolf Education engages more than 20,000 participants annually in Chicagoland communities promoting compassion, encouraging curiosity and inspiring action. While firmly grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. 2021 marked the opening of Steppenwolf’s landmark Lefkofsky Arts & Education Center—deepening the company’s commitment to Chicagoland teens and serving as a cultural nexus for Chicago. Glenn Davis and Audrey Francis are the Artistic Directors and E. Brooke Flanagan is Executive Director. Keating Crown is Chair of Steppenwolf’s Board of Trustees.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. 

We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Wednesday, April 13, 2022

Adaptation of Anton Chekhov’s Seagull Opening Steppenwolf’s New in-the-round Ensemble Theater April 28 – June 12, 2022

ChiIL Live Shows On Our Radar

Steppenwolf Theatre's SEAGULL 
opens new Ensemble Theater, April 28-June 12



FIRST LOOK:

Steppenwolf co-founder Jeff Perry and fellow

ensemble members Sandra Marquez, Caroline Neff,

Karen Rodriguez, Eric Simonson and Namir Smallwood

in rehearsal for ensemble member Yasen Peyankov’s adaptation of Anton Chekhov’s

Seagull Opening Steppenwolf’s new in-the-round Ensemble Theater

April 28 – June 12, 2022

Steppenwolf ensemble members (l-r) Karen Rodriguez, Namir Smallwood, Caroline Neff and co-founder Jeff Perry in rehearsal. Credit Joel Moorman.

I'll be out to review on May 15th, so check back soon for my full review.

Steppenwolf’s 2022 Gala celebrates new theater and expanded artistic home on Saturday, May 14, 2022

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, opens its stunning new in-the-round Ensemble Theater in Honor of Helen Zell—the centerpiece of its recently unveiled Liz and Eric Lefkofsky Arts and Education Center—with ensemble member Yasen Peyankov’s extraordinarily funny and lyrical adaptation of Anton Chekhov’s Seagull, April 28–June 12, 2022.

Yasen Peyankov directs the production, featuring Steppenwolf co-founder Jeff Perry and fellow ensemble members Sandra Marquez, Caroline Neff, Karen Rodriguez, Eric Simonson and Namir Smallwood, alongside Keith Kupferer, Elijah Newman, Jon Hudson Odom, Joey Slotnick and Lusia Strus. Scott Jaeck steps in for Jeff Perry for performances May 24–June 5. Three generations of Steppenwolf’s acclaimed ensemble collide in classic Chekhovian style in this play set over a long summer weekend in the Russian countryside, where guests wrestle with the eternal questions that haunt the intellectual artist class: What is Love? What is Art? When is Lunch? This historic moment in Steppenwolf history marks a new era of theater-making for the company in their new artistic home.

Single tickets to Seagull ($20–$88) are on sale now at steppenwolf.org and 312-335-1650.

Seagull inaugurates the new Ensemble Theater in Honor of Helen Zell at the heart of Steppenwolf’s trailblazing new Liz and Eric Lefkofsky Arts and Education Center, designed by world-renowned architect Gordon Gill FAIA of Adrian Smith + Gordon Gill Architecture. The state-of-the-art 400-seat theater in-the-round is one of its kind in Chicago, with theater design and acoustics by Charcoalblue. Only six rows deep—with audience members never more than 20 feet from the stage—and featuring a modular staging system to vary audience capacity and experience, Charcoalblue designed the incredibly intimate Ensemble Theater from the inside out to integrate the theater into the fabric of the surrounding building. Steppenwolf’s transformed campus also includes two new full-service lobby bars designed by fc STUDIO, inc., offering additional spaces for socializing alongside the popular Front Bar.      

The opening of the Ensemble Theater with a multigenerational cast stacked with Steppenwolf ensemble members is the culmination of a season-long celebration of the new Arts and Education Center. The 2022 Steppenwolf Gala on Saturday, May 14 at 6:30 p.m. at Rockwell on the River celebrates the new theater and expanded campus, offering a gourmet dinner and evening of entertainment emceed by ensemble members and Artistic Directors Glenn Davis and Audrey Francis. Gala Co-Chairs are Caroline and Keating Crown, Nora Daley and Sean Conroy, and Penny Pritzker and Bryan Traubert. Additional host committee members include GCM Grosvenor, Liz and Eric Lefkofsky, Topher and Peyton Merrill, Northern Trust, Anne and Don Phillips, and Helen Zell. For more information, visit steppenwolf.org/tickets--events/events/gala-2022 or email specialevents@steppenwolf.org.

 

Production Information

 

Seagull

By Anton Chekhov

Adapted, translated and directed by ensemble member Yasen Peyankov

Featuring ensemble members Sandra Marquez, Caroline Neff, Jeff Perry, Karen Rodriguez, Eric Simonson and Namir Smallwood

With Scott Jaeck, Keith Kupferer, Jon Hudson Odom, Elijah Newman, Joey Slotnick and Lusia Strus

In the new Ensemble Theater in Honor of Helen Zell

April 28 – June 12, 2022

On a long summer weekend in the Russian countryside at an estate bursting at the seams with guests, three generations collide in ensemble member Yasen Peyankov’s extraordinarily funny and lyrical adaption of Anton Chekhov’s Seagull, the play that opens Steppenwolf's new in-the-round Ensemble Theater in Honor of Helen Zell. In classic Chekhovian style, a sparkling cast featuring many Steppenwolf ensemble members wrestles with the eternal questions that haunt the intellectual artist class: What is Love? What is Art? When is Lunch? Join us for this historical moment in Steppenwolf’s journey as we explore the work that inspired us, laugh at the battles that consume us and celebrate, together, all that makes us grateful for each other.

The creative team includes Todd Rosenthal (Scenic Design); Ana Kuzmanic (Costume Design); Marcus Doshi (Lighting Design); Pornchanok (Nok) Kanchanabanca (Sound Designer and Composition); Dassia N. Posner (Dramaturg); Gigi Buffington (Company Voice & Text Coach); JC Clementz, CSA (Casting Director); Christine D. Freeburg (Production Stage Manager); and Kathleen Barrett (Assistant Stage Manager). 

Artist Bios

Yasen Peyankov (Translator/Adapter/Director) joined the Steppenwolf Theatre Ensemble in 2002. Steppenwolf (directing): The Fundamentals, Between Riverside and Crazy (Jeff Nomination for Best Production 2016), Grand Concourse, Russian Transport, Hushabye, The Glass Menagerie. Other directing credits: Macbeth, Uncle Vanya, Go Away Go Away, Stars in the Morning Sky (European Repertory); Ladybird (The Evidence Room, LA), Overweight, Unimportant, Misshape: A European Supper (Trapdoor Theatre) and the Bulgarian premiere of August: Osage County at the National Theatre in Sofia. Steppenwolf (acting): Time of Your Life (also in Seattle and San Francisco), Morning Star (Jeff Award), Hysteria, Lost Land, Cherry Orchard, Frankie and Johnny in the Claire De Lune (also in Dublin), Superior Donuts (also on Broadway), Three Sisters, A Doll's House Part 2, The Children, Lindiwe and others. Film: Captive State, A Very Harold and Kumar Christmas, Transformers 3, The Company, Novocain, US Marshalls and others. Television: Chicago Med, Chicago PD, FBI, Madam Secretary, Stranger Things, Gifted Hands, Alias, The Practice, The Unit, Numb3rs and others. Peyankov is a Professor and Head of Theatre at the School of Theatre and Music at UIC.

Scott Jaeck (Peter Nikolaevich Sorin, May 24–June 5) returns to Steppenwolf Theatre Company where he has appeared in Airline Highway, Three Sisters, Time Stands Still and Penelope. Broadway: Airline Highway, August: Osage County, The Night Of The Iguana. Off Broadway: The Harvest, The Irish Curse. Internationally: The Royal Shakespeare Company. Other Chicago credits include: The Seagull, Mary, Stage Kiss, Dinner With Friends, Uncle Vanya, Galileo (Goodman Theatre); The Merry Wives of Windsor, Henry VIII, Twelfth Night, Henry IV 1&2, Much Ado About Nothing, The Merchant of Venice, Julius Caesar, The Tempest, Love’s Labor’s Lost, Richard II (Chicago Shakespeare Theater); Inherit The Wind, Red Herring, How I Learned To Drive (Northlight Theatre); Benefactors, Our Town (Writers Theatre); and Long Day’s Journey Into Night (Court Theatre). Regionally, Jaeck has performed with Shakespeare Theatre Company, SoHo Playhouse, Cleveland Play House, Indianapolis Repertory Theatre, Alliance Theatre, Pasadena Playhouse and Milwaukee Repertory Theatre. Television and film credits include: The Blacklist, The Good Fight, The Chaperone, Chicago Fire, Person Of Interest, Elementary, Boardwalk Empire and Washington Square.

Keith Kupferer (Ilya Shamraev) Theater credits include: The Great Leap, The Qualms, Good People, Middletown, Carter's Way, Of Mice & Men, South of Settling (Steppenwolf Theatre); Sweat, Support Group for Men, God of Carnage, Passion Play (Goodman Theatre); Mystery of Love and Sex, Death of a Streetcar Named Virginia Wolf (Writer’s Theatre); Hillary and Clinton, Never the Sinner, Appropriate (Victory Gardens); Gypsy (Chicago Shakespeare); The Humans (American Theatre Company); Legend of Georgia McBride (Northlight); Big Lake, Big City, Trust (Lookingglass); Cal in Camo, The Cake (Rivendell Theatre Ensemble). Film: Widows; Monuments; The Dilemma; Dark Knight; The Express; Stranger Than Fiction; Road to Perdition; Fred Klaus. Television: Southside, The Big Leap, 61st Street, The Chi; Proven Innocent; Better Call Saul; Empire; Chicago P.D.; Chicago Fire.

Sandra Marquez (Polina Andreevna) is a Chicago-based actor, director and educator. In 2016 she was the first Latinx artist to join the Steppenwolf Theatre Company ensemble. Steppenwolf credits include: A Doll’s House Part 2, The Roommate, The Doppelgänger, Mary Page Marlowe, The Motherfu&*er with the Hat, Sonia Flew, A Streetcar Named Desire. Other credits: Mala Hierba (Second Stage Theatre); Electricidad, The Happiest Song Plays Last, Mariela in the Desert (Goodman Theatre); Massacre, The Sins of Sor Juana, Another Part of the House (Teatro Vista); Clytemnestra in Iphigenia in Aulis, Agamemnon, and Electra (Court Theatre); Mojada & Anna in the Tropics (Victory Gardens Theater); Breakfast Lunch and Dinner (Oregon Shakespeare Festival). Marquez directed La Ruta by Isaac Gomez, marking the first all-Latina cast at Steppenwolf. More recently, she directed the critically acclaimed and sold-out world premiere of I Am Not Your Perfect Mexican Daughter also at Steppenwolf. Jeff Awards: Best Supporting Actress in A View from the Bridge (Teatro Vista). Jeff Award nominations: Best Actress in a Leading Role for 26 Miles (Teatro Vista & Rivendell Theater), Living Out (Teatro Vista). A longtime ensemble member at Teatro Vista, she served as the Associate Artistic Director alongside Artistic Director Edward Torres from 1998-2006. She is a member of the Northwestern University theater faculty where she enjoys teaching and mentoring young artists.

Caroline Neff (Nina Zarechnaya) is a Steppenwolf ensemble member. At Steppenwolf, she was last seen in Dance Nation, The Curious Incident of the Dog in the Nighttime, You Got OIder, Linda Vista (also at the Taper Forum and Second Stage Broadway), The Fundamentals, The Flick, Airline Highway (also the Broadway production at Manhattan Theatre Club), The Way West, Three Sisters, Annie Bosh is Missing and Where We’re Born. Select theatre credits include: Lettie (Jeff Award Best Actress; Victory Gardens Theater); Uncle Vanya (Goodman Theatre); A Brief History of Helen of Troy (Jeff Award for Best Actress), The Knowledge, Harper Regan, In Arabia We’d All Be Kings (Steep Theatre); The Downpour (Route 66 Theatre); Port (Griffin Theatre); 4000 Miles (Northlight Theatre) and Moonshiner (Jackalope Theatre). Regional credits include: Peerless (Yale Repertory Theatre). Film and television credits include: The Red Line, Chicago PD, Chicago Fire, Open Tables and Older Children. She can also be seen in recurring roles in the upcoming Let the Right One in, and Three Women, both on Showtime. She is a proud company member of Steep Theatre and holds her BA from Columbia College Chicago.

Elijah Newman (Yakov, Konstantin/Medvedenko u/s) is thrilled to make his Steppenwolf debut. Theatre: As You Like It (Forest Park Theatre Company), Waiting for Lefty (Bluebird Arts), PickleRickicles (Otherworld Theatre), Peter and the Starcatcher (Big Noise Theatre), The Darkling (Theater Wit), Twelfth Night (The Frontier). Podcast: Dawescast (Spotify, Apple Music, etc.) Training: BFA from University of Illinois at Chicago (2019), Vagabond School of the Arts, Eolia Conservatory of Dramatic Arts, L'École de Philippe Gaulier.

Jon Hudson Odom (Semyon Medvedenko) was last seen at Steppenwolf in MS. BLAKK FOR PRESIDENT. Other Chicago credits: Witch (Writers Theatre); On Clover Road (American Blues Theater). Regional: Who’s Afraid of Virginia Woolf (Denver Center for the Performing Arts); The Magic Play (Actors Theatre of Louisville) An Octoroon, Botticelli in the Fire, Shipwreck (Woolly Mammoth Theatre); Angels in America (Round House & Olney Theatre Center). Film: A Savage Nature, The Year Between. Television: Lovecraft Country, Somebody Somewhere (HBO), Chicago PD (NBC). Three-time nominee and recipient of the Helen Hayes Awards. Company member at Woolly Mammoth Theatre. Education: University of North Carolina School of the Arts.

Jeff Perry (Peter Nikolaevich Sorin, April 28–May 22 and June 7–12) is a co-founder of Steppenwolf Theatre Company, The School At Steppenwolf, Steppenwolf Classes West and Steppenwolf Films, and has acted and directed in over 40 productions. Broadway: The Caretaker, The Grapes of Wrath, August: Osage County. Off Broadway: Balm in Gilead, Tribes, Educating Rita. Regional: Streamers, Time of Your Life, Anna Christie, A Steady Rain. International: The Grapes of Wrath, August: Osage County. Film: A Wedding, Remember My Name, Trial By Fire. Television: Nash Bridges, Grey’s Anatomy, Scandal, $1, Dirty John, Inventing Anna. Upcoming: Co-Producer of The Steppenwolf Theatre Documentary.

 Karen Rodriguez (Masha) joined the Steppenwolf ensemble in 2018. She was most recently seen in the Steppenwolf for Young Adults critically acclaimed adaptation of I Am Not Your Perfect Mexican Daughter and on the mainstage in Dance Nation, La Ruta, The Doppelganger (an international farce), and The Rembrandt. Other selected Chicago credits include: The Way She Spoke (Greenhouse Theater Center), Breach (Victory Gardens Theater), The Displaced (Haven Theatre),  Hookman (Steep Theatre), Blue Skies Process (Goodman Theatre). Television credits include: The Big Leap and Chicago Fire.

Eric Simonson (Yevgeny Dorn) joined the Steppenwolf Ensemble in 1993 and served at Associate Artistic Director from 1992-97. Steppenwolf: (director/playwright) Lindiwe, Fake, Honest, Carter’s Way, Slaughterhouse-five, Nomathemba. (director) Evelyn and the Polka King, SLAVS!, The Song of Jacob Zulu (also Broadway and Perth Festival, Tony nomination), The Secret Rapture (Acting) The Grapes of Wrath (also LaJolla, London and Broadway), A Midsummer Night’s Dream. Broadway: (playwright) Lombardi, Bronx Bombers, Magic/Bird. Opera: (director) Silent Night, Grapes of Wrath, The Shining, The Fix (Minnesota Opera). Film: (director/writer) Note of Triumph (Academy Award), On Tiptoe (Academy Award nom.), Studs Terkel: Listening to America (Emmy nom.), Hamlet (co-directed with Campbell Scott), Topa Topa Bluffs. Television: (writer) Homecoming (Writer Guild nom.), Swagger, Man in the High Castle, Killing Reagan. Simonson is also the Founder and Artistic Director of the Door Kinetic Arts Festival in Door County, WI.

Joey Slotnick (Boris Trigorin) makes his Steppenwolf debut in Seagull. Broadway: Junk, The Front Page, The Big Knife. Off-Broadway; Dying For It, Almost an Evening, Offices, Happy Hour (Atlantic); The Altruists (Vineyard); Chicago: Lookingglass Theatre ensemble member; Our Town, Great Men of Science Nos. 21 & 22, Wants & Needs, Arabian Nights,  Up Against It, The Master & Margarita, Third Voyage (Lookingglass) Animal Crackers (Goodman) Fun and Nobody (Next) Regional; A Play is a Poem (Mark Taper) Animal Crackers (Williamstown) Chapter Two (Bucks County) Romance (Bay Street) Film: The Plane (Upcoming), They/Them/Us, Humor Me, The Cobbler, Secret Life of Walter Mitty, Brief Interviews with Hideous Men, Hollow Man, Blast from the Past, Twister, Judas Kiss, Dinner and Driving, Since You’ve Been Gone, A League of Their Own. Television: New Amsterdam, Leverage 2.0, Intelligence, The Goldbergs, The Marvelous Mrs. Maisel, Murphy Brown,  Blue Bloods, The Good Wife, Too Big to Fail, Psych, CSI, The Office, Nip/Tuck, L&O: SVU, Curb Your Enthusiasm, Medium, Boston Public, Entourage, Boston Legal, Pirates of Silicon Valley, Family Guy, The Single Guy.

Namir Smallwood (Konstantin Treplev) joined the Steppenwolf Theatre Company ensemble in 2017. Steppenwolf credits: Bug, True West, BLKS, Steppenwolf for Young Adults' Monster, Man In Love, The Hot l Baltimore. Broadway: Pass Over. Off Broadway: Pipeline, Pass Over (Lincoln Center). Chicago: The Lost Boys of Sudan (Victory Gardens Theater); Charm (Northlight Theatre); The Grapes of Wrath (The Gift Theatre); East Texas Hot Links (Writers Theatre). Regional: Marin Theatre Company, Pillsbury House Theatre, Ten Thousand Things, Guthrie Theater. Television: Chicago Fire (NBC), Betrayal (ABC), Elementary (CBS), American Rust (Showtime). Film: Rounding.

Lusia Strus (Irina Nikolaevna Arkadina) Steppenwolf Theatre Company: Good People (Jeff Nomination - Supporting Actor), Hysteria, Ironbound, Whispering City, Our Town and her original solo show It Ain’t No Fairy Tale, also performed in LA and NYC (LAWeekly Award-Outstanding Solo Performance). Broadway: Enron, Elling. Off Broadway: Rancho Viejo, The Retributionists (Playwrights Theatre), The Undeniable Sound of Right Now (Rattlestick Theatre) Chicago: Too Much Light Makes the Baby Go Blind (also in NYC, San Francisco, The HBO Comedy Festival in Aspen, throughout the US and abroad (NeoFuturist since 1993) and several productions at The Goodman, Northlight Theatre, Chicago Shakespeare Theatre and European Reparatory including SLAVS! and Go Away Go Away (Jeff Award - Lead Actress), both of which were directed by Yasen Peyankov with Luda Lupatina. Other credits include Henry IV (The Royal Shakespeare Company), Travesties, Are You There McPhee? (world premiere by John Guare) (McCarter Theatre), Confederacy of Dunces (Huntington Theatre-Boston). Film: Every Day Miracles, Buffaloed, Soul. Television: Good Behavior, Search Party, Claws, Modern Family, The Blacklist. Upcoming: The Descendant, Paint with Owen Wilson.

 

The Expanded Steppenwolf Campus

Steppenwolf Theatre Company’s trailblazing new 50,000 square foot theater building and education center, the Liz and Eric Lefkofsky Arts and Education Center, was designed by world-renowned architect Gordon Gill FAIA of Adrian Smith + Gordon Gill Architecture, with construction by Norcon. The centerpiece of the new Arts and Education Center is the new 400-seat in-the-round Ensemble Theater in Honor of Helen Zell—one of its kind in Chicago—with theater design and acoustics by Charcoalblue. The inaugural production in the Ensemble Theater will be ensemble member Yasen Peyankov’s extraordinarily funny and magical adaptation of Seagull, stacked with a cast of ensemble members (April 28–June 12, 2022).

The expanded Steppenwolf campus is a cultural nexus for Chicago, offering bold and ambitious opportunities for creative expression, social exchange, unparalleled accessibility, and arts-driven learning for Chicago youth in The Loft, Steppenwolf’s first-ever dedicated education space. The campus expansion also features bright new lobbies and two new full-service bars for socializing designed by fc STUDIO, inc. The $54 million new building is part of Steppenwolf’s multi-phase $73 million Building on Excellence expansion campaign. Learn more about Steppenwolf’s campus expansion at steppenwolf.org/buildingonexcellence.

 

A Safe Return



Steppenwolf is part of the growing coalition of more than 70 Chicagoland performing arts venues and producers that have agreed upon COVID-19 vaccination and mask requirements for all audiences, artists and staff. Audience members must provide proof of vaccination in addition to wearing masks. Learn more about Steppenwolf's guidelines at steppenwolf.org/welcomeback.

Steppenwolf has worked over the past year with our operations team, public health advisors and HVAC consultants to prepare its facility to safely welcome patrons back for performances. The addition of the new Liz and Eric Lefkofsky Arts and Education Center has expanded the square footage of the lobbies to nearly twice the previous amount of space offered to guests. Two additional elevators and multiple stairways have also been added to Steppenwolf’s campus for ease of transition between seating levels. The HVAC systems have undergone upgrades to allow for increased filtration and a higher percentage of circulated fresh air across all three theaters.

Accessibility

Steppenwolf offers accessible services to ensure all audience members have access to our work, including American Sign Language interpretation (available for student matinees as scheduled with education staff or per public performances below), Spanish Language captions, wheelchair accessible seating and more. With questions, email access@steppenwolf.org.

Sponsor Information

Seagull is generously supported by premier production sponsor Northern Trust; grand production sponsors Julie and Roger Baskes, Amy and Cameron Findlay, and Shmaila Tahir and Asheesh Goel; and individual production sponsors Jeffrey Maling and Rebecca Johnston. Steppenwolf's New Plays Initiative is supported by the Zell Family Foundation. Accessibility Services sponsored by John Hart and Carol Prins. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from the Ralla Klepak Foundation for Education in the Performing Arts, Northern Trust, Allstate Insurance Company, ComEd, JPMorgan Chase, PNC, and Vinci Restaurant.

Steppenwolf Theatre Company is a Chicago theater that is home to America’s ensemble. The company began performing in the mid-1970s in the basement of a Highland Park, IL church—today Steppenwolf is the nation’s premier ensemble theater with 49 members who are among the top actors, playwrights and directors in the field. Deeply rooted in its ensemble ethos, the company is committed to equity, diversity, inclusion and making the Steppenwolf experience accessible to all. Groundbreaking productions from Balm in Gilead and August: Osage County to Downstate and Pass Over—and accolades that include the National Medal of Arts and 12 Tony® Awards—have made the theatre legendary. Artistic programming includes a main stage season; a Steppenwolf for Young Adults season; LookOut, a multi-genre performance series; and the Steppenwolf NOW virtual stage. The nationally recognized work of Steppenwolf Education engages more than 20,000 participants annually in Chicagoland communities promoting compassion, encouraging curiosity and inspiring action. While firmly grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. 2021 marks the opening of Steppenwolf’s landmark Liz and Eric Lefkofsky Arts & Education Center—deepening the company’s commitment to Chicagoland teens and serving as a cultural nexus for Chicago. Glenn Davis and Audrey Francis are the Artistic Directors and E. Brooke Flanagan is Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. 

steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.        

  

Thursday, March 17, 2022

REVIEW: World Premiere of King James at Steppenwolf Theatre Through April 10, 2022

 ChiIL Live Shows On Our Radar 

Steppenwolf Theatre Company opens world premiere of

King James

By ensemble member Rajiv Joseph

Directed by Tony and Obie Award winner Kenny Leon

Starring ensemble member and Artistic Director Glenn Davis and Chris Perfetti


Now playing through April 10, 2022

Running Time: runs approximately 1 hour and 50 minutes, including one intermission. 


REVIEW:

By Bonnie Kenaz-Mara

Ensemble member and Artistic Director Glenn Davis and Chris Perfetti in King James. All Production Photos by Michael Brosilow.

It's such a joy to be back at Steppenwolf after a longer pandemic induced break than I ever imagined possible. Their new facility is a marvel, and with two new full-service bars, socializing before and after shows is better than ever. We're thrilled to see what the coming years bring for their expanded education facilities and new theatre in the round space. 

When I heard that Steppenwolf was reopening with a basketball themed world premiere, I was a bit skeptical as well as intrigued. Most diehard basketball fans don't overlap with the thespian crowd, and vice versa. Still, despite never having seen LeBron James play in my life, I can highly recommend this LeBron James play. It's a heartwarming buddy bonanza, that begins with a chance encounter and blooms into a lifelong friendship that changes the trajectory of two young men's lives. The acting is A-list, as this production spans years of interconnection between Shawn (Glenn Davis) and Matt (Chris Perfetti). Through alternating career highs and lows, loves and losses, family business and extended family bonding, this endearing ode to friendship and fandom is a win.

There's actually little about Lebron's life, so basketball knowledge isn't a prerequisite to understand or enjoy this show. Rather, King James is a deep dive into the psychology of super fans, and the connection and emotional release valve that sports affords men, in a world where our toxic masculinity culture permits few other acceptable outlets for either. 

My husband is a location sound engineer who has met LeBron James numerous times over the years, on shoots for ESPN, but I couldn't pick the guy out on the street or answer a single trivia questions about his illustrious career. Despite my b-ball ignorance, I still found this production to be fantastic and highly recommend King James. 

Pictured below: LeBron James, my husband-Doug Mara, 
and Rachel Nichols, ESPN Sports Broadcaster
Photos via Dug Production Sound, Inc. 


ESPN feature on LeBron James Family Foundation, where he reads stories, takes kids to Cedar Point Amusement Park near Cleveland, and funds higher education opportunities.

Steppenwolf's King James curiosity shop and wine bar sets by Todd Rosenthal are truly fantastic eye candy, with a stunning level of attention to detail. Again, the acting is fantastic, and the script is utterly unique, and a welcome addition to the modern theatrical canon. Don't miss this. 


*Want more from playwright, Rajiv Joseph? Bengal Tiger at the Baghdad Zoo opens April 22 at Northwestern University's Wirtz Center for the Performing Arts and runs through May 1: https://wirtz.northwestern.edu/bengal-tiger-at-the-baghdad-zoo/  (Bengal Tiger at the Baghdad Zoo is suitable for audiences aged 18 and upwards.)

King James is the latest play from Cleveland native Rajiv Joseph, who burst onto the American theatre scene with Pulitzer Prize finalist Bengal Tiger at the Baghdad Zoo, which had its world premiere at the Kirk Douglas Theatre in 2009 before going on to Broadway in 2011—where Glenn Davis starred in the production alongside Robin Williams. Joseph and Davis formed a strong friendship and working partnership that grew from that production.

Bonnie is a Chicago based writer, theatre critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 



More About King James


Steppenwolf Theatre Company, the nation’s premier ensemble theater company, presents its world premiere production of King James by ensemble member Rajiv Joseph, staged by acclaimed Tony and Obie Award-winning director Kenny Leon (Broadway’s A Raisin in the Sun; NBC TV’s “Hairspray Live!”) in Steppenwolf’s Downstairs Theater, now through April 10, 2022. Featuring ensemble member and Artistic Director Glenn Davis alongside Chris Perfetti (ABC TV’s “Abbott Elementary”) and Khloe Janel, this fast-paced, witty and deeply felt comedy is the story of an unlikely friendship forged by fandom, told through the lens of “King” LeBron James' career and legacy. The two friends’ shared love of basketball and verbal games of one-on-one help them navigate the hopes, desires and fears they have bottled up since childhood. 

Single tickets to King James ($20-$88) are on sale now at steppenwolf.org and 312-335-1650. The production is part of Steppenwolf’s 4-Play Deal for $150 that also includes Mike Birbiglia: The Old Man and the Pool, ensemble member Tarell Alvin McCraney’s Choir Boy, and ensemble member Yasen Peyankov’s adaptation of Seagull, which opens Steppenwolf’s new in-the-round Ensemble Theater in Honor of Helen Zell this spring. The 4-Play Deal is available through April 1 at steppenwolf.org/4for150 and 312-335-1650.

King James is co-commissioned and co-produced by Steppenwolf Theatre Company and Center Theatre Group. 

 Artist Bios

Glenn Davis (Shawn) is an actor, tv/film producer, and an Artistic Director of Steppenwolf Theatre Company. He has been a Steppenwolf Ensemble member since 2017, where his credits include Downstate, The Christians, You Got Older, The Brother/Sister Plays and Head of Passes. Broadway credits include Bengal Tiger at the Baghdad Zoo (also Kirk Douglas Theatre, Mark Taper Forum). Off-Broadway credits include Transfers (MCC Theatre) and Wig Out! (Vineyard Theatre). Other regional credits include Moscow x6 (Williamstown Theatre Festival). International credits include Downstate (National Theatre, UK) Edward II, The Winter’s Tale and As You Like It (Stratford Festival), as well as Othello at The Shakespeare Company. Television credits include Billions, 24, The Unit, Jericho and The Good Wife. Glenn is an artistic associate at the Young Vic in London and at the Vineyard Theatre in New York. In 2021, Glenn founded The Chatham Grove Company, alongside his producing partner Tarell Alvin McCraney, which is currently in an overall deal with Universal Content Productions (UCP). He is also a partner in Cast Iron Entertainment, a collective of artists consisting of Sterling K Brown, Brian Tyree Henry, Jon Michael Hill, Andre Holland, and Tarell Alvin McCraney. Cast Iron is currently in residence at The Geffen Playhouse in Los Angeles. Glenn is a graduate of The Theatre School at DePaul University. He is also the first African-American graduate of The Stratford Festival’s Birmingham Conservatory for Classical Theatre Training. 

Chris Perfetti (Matt) stars as a series regular on ABC’s hilarious new comedy, Abbott Elementary, from creator, executive producer and star Quinta Brunson. His past television credits include recurring roles on HBO's Looking, The CW's In the Dark, HBO's Emmy-winning limited series The Night Of, FOX’s The Resident; series regular on NBC’s Crossbones with John Malkovich and Claire Foy; and guest appearances in FX's What We Do in the Shadows, CBS’s Bull, Netflix's Bonding, and more. Recent films include The Virtuoso opposite Anson Mount and Anthony Hopkins, Minyan, and a starring role in Hulu’s The Surrogate from writer/director Jeremy Hersh. A gifted stage actor, Chris’ extensive theater credits include Broadway revivals of: Six Degrees of Separation opposite Allison Janney and Corey Hawkins; and Picnic with Ellen Burstyn, Sebastian Stan and Mare Winningham. Off-Broadway, he starred in Stephen Karam's Pulitzer Prize-nominated play, Sons of the Prophet, for which Chris won the Theatre World Award for his NY stage debut; and received a Drama Desk, Outer Critics, and Drama League nomination for his work in MCC's Moscow x6 by Halley Feiffer. Additional NY credits include The Low Road at The Public Theater; Brandon Jacob-Jenkins’ Everybody at the Signature Theater, directed by Lila Neugebauer; The Tempest at Shakespeare in the Park; Cloud Nine at Atlantic Theater Company; and The Tutors at Second Stage, directed by Tommy Kail. He is a graduate of the acting conservatory at SUNY Purchase and resides in Brooklyn, New York. Chris makes his Steppenwolf Theatre debut with King James, which will transfer to LA’s Mark Taper Forum in June 2022.

Khloe Janel (DJ) has appeared in Chicago in productions including Hatfield & McCoy (House Theatre), Fly Honey Show (Den Theatre), Haymarket (Underscore Theatre) and Last Stop on Market Street (Chicago Children’s Theatre). Film credits include I Used To Go Here. Television credits include Wizdom, Chicago P.D, Chicago Fire, Easy, Empire and The Chi. They received a B.A. from Columbia College Chicago.

Kenny Leon (Director) is a Tony and Obie Award-winning; Emmy-nominated; Broadway and Television director. Most recently, he directed Lifetime’s Emmy-nominated Robin Roberts Presents: Mahalia. Last year, he directed the Tony Award-winning Broadway premiere of Charles Fuller's Pulitzer Prize-winning masterpiece, A Soldier's Play, for which he also received a nomination for Best Director.  Currently on Netflix, he has directed episodes of Colin in Black & White and Amend: The Fight for America. He also directed The Underlying Chris at Second Stage Theatre Company and the acclaimed production of Much Ado About Nothing at the Delacorte/Shakespeare in the Park. Broadway: A Soldier’s Play; American Son; Children of a Lesser God; Holler If Ya Hear Me; A Raisin in the Sun (Tony Award; 2014); The Mountaintop; Stick Fly; August Wilson’s Fences, Gem of the Ocean and Radio Golf. Off-Broadway: Everybody’s Ruby, Emergence-See! (The Public); Smart People (Second Stage). Television: Colin in Black & White; 4400; Amend: The Fight for America; American Son (adapted for Netflix); Hairspray Live!; The Wiz Live!; Steel Magnolias; Dynasty; In My Dreams. Author: Take You Wherever You Go. Artistic Director Emeritus, Kenny Leon’s True Colors Theatre Company. Senior Resident Director: Roundabout Theatre Company.

Rajiv Joseph’s (Playwright) play Bengal Tiger at the Baghdad Zoo was a 2010 Pulitzer Prize finalist for Drama and also awarded a grant for Outstanding New American Play by the National Endowment for the Arts. He has twice won the Obie Award for Best New American Play, first in 2016 for Guards at the Taj (also a 2016 Lortel Winner for Best Play) and then, in 2018, for Describe the Night. Other plays include Letters of Suresh, Gruesome Playground Injuries, Animals Out of Paper, The North Pool, The Lake Effect, Archduke and Mr. Wolf. He is a graduate of Cleveland Heights High School in Cleveland Heights, Ohio.  He received his Bachelor’s degree from Miami University in Oxford, Ohio, and his MFA from New York University’s Tisch School for the Arts. Rajiv is an ensemble member of Steppenwolf Theatre in Chicago. He served for three years in the Peace Corps in Senegal, West Africa. 

“King” LeBron James’s reign in Cleveland brings promise, prosperity and renewal to a city in desperate need of all three. It also brings together two unlikely friends in a bond forged by fandom. Told over 12 years (from LeBron's rookie season to an NBA Championship), King James is an intimate exploration of the place that sports occupy in our lives and relationships.

Ensemble member Rajiv Joseph's clever and fast-paced comedy traces the arcs of two friends whose turbulent relationship is best navigated through their shared love of basketball—and the endless amiable arguments that erupt from that love. All the while, the promise and burden of LeBron's talent and legacy loom large.

Ticket information: Single tickets ($20 - $88) are on sale now. Receive a great deal and get access to all four remaining shows of the season with the new 4-Play Deal for $150 through April 1, which also includes Mike Birbiglia: The Old Man and the Pool (April 28–May 22), ensemble member Tarell Alvin McCraney’s Choir Boy (June 16–July 24), and ensemble member Yasen Peyankov’s adaptation of Seagull, which opens Steppenwolf’s new in-the-round Ensemble Theater in Honor of Helen Zell this spring (April 28–June 12).

The 4-Play Deal for $150 and single tickets to King James and the remaining 21/22 shows are on sale now at steppenwolf.org and 312-335-1650.

King James creative team includes Todd Rosenthal (Scenic Design); Samantha C. Jones (Costume Design); Lee Fiskness (Lighting Design); Rob Milburn and Michael Bodeen (Sound Design); Sophiyaa Nayar (Associate Director); Polly Hubbard (Dramaturg); Gigi Buffington (Company Voice and Text Coach); Tom Pearl (Director of Production); JC Clementz, CSA (Casting Director); Laura D. Glenn (Production Stage Manager); and Jaclynn Joslin (Assistant Stage Manager). For full cast and creative team bios, visit steppenwolf.org/king-james

The Expanded Steppenwolf Campus

Steppenwolf Theatre Company’s trailblazing new 50,000 square foot theater building and education center, the Liz and Eric Lefkofsky Arts and Education Center, was designed by world-renowned architect Gordon Gill FAIA of Adrian Smith + Gordon Gill Architecture, with construction by Norcon. The centerpiece of the new Arts and Education Center is the new 400-seat in-the-round Ensemble Theater in Honor of Helen Zell—one of its kind in Chicago—with theater design and acoustics by Charcoalblue. The inaugural production in the Ensemble Theater will be ensemble member Yasen Peyankov’s extraordinarily funny and magical adaptation of Seagull, stacked with a cast of ensemble members (April 28–June 12, 2022).

The expanded Steppenwolf campus is a cultural nexus for Chicago, offering bold and ambitious opportunities for creative expression, social exchange, unparalleled accessibility, and arts-driven learning for Chicago youth in The Loft, Steppenwolf’s first-ever dedicated education space. The campus expansion also features bright new lobbies and two new full-service bars for socializing designed by fc STUDIO, inc. The $54 million new building is part of Steppenwolf’s multi-phase $73 million Building on Excellence expansion campaign. Learn more about Steppenwolf’s campus expansion at steppenwolf.org/buildingonexcellence.

A Safe Return

Steppenwolf is part of the growing coalition of more than 70 Chicagoland performing arts venues and producers that have agreed upon COVID-19 vaccination and mask requirements for all audiences, artists and staff. Audience members must provide proof of vaccination in addition to wearing masks. Learn more about Steppenwolf's guidelines at steppenwolf.org/welcomeback.

Steppenwolf has worked over the past year with our operations team, public health advisors and HVAC consultants to prepare its facility to safely welcome patrons back for performances. The addition of the new Liz and Eric Lefkofsky Arts and Education Center has expanded the square footage of the lobbies to nearly twice the previous amount of space offered to guests. Two additional elevators and multiple stairways have also been added to Steppenwolf’s campus for ease of transition between seating levels. The HVAC systems have undergone upgrades to allow for increased filtration and a higher percentage of circulated fresh air across all three theaters.

Accessibility

Steppenwolf offers accessible services to ensure all audience members have access to our work, including American Sign Language interpretation (available for student matinees as scheduled with education staff or per public performances below), Spanish Language captions, wheelchair accessible seating and more. With questions, email access@steppenwolf.org.

Sponsor Information

King James is generously supported in part by PNC and the Elizabeth F. Cheney Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from the Ralla Klepak Foundation for Education in the Performing Arts, Northern Trust, Allstate Insurance Company, ComEd, JPMorgan Chase, PNC, and Vinci Restaurant.

Steppenwolf Theatre Company is a Chicago theater that is home to America’s ensemble. The company began performing in the mid-1970s in the basement of a Highland Park, IL church—today Steppenwolf is the nation’s premier ensemble theater with 49 members who are among the top actors, playwrights and directors in the field. Deeply rooted in its ensemble ethos, the company is committed to equity, diversity, inclusion and making the Steppenwolf experience accessible to all. Groundbreaking productions from Balm in Gilead and August: Osage County to Downstate and Pass Over—and accolades that include the National Medal of Arts and 12 Tony® Awards—have made the theatre legendary. Artistic programming includes a main stage season; a Steppenwolf for Young Adults season; LookOut, a multi-genre performance series; and the Steppenwolf NOW virtual stage. The nationally recognized work of Steppenwolf Education engages more than 20,000 participants annually in Chicagoland communities promoting compassion, encouraging curiosity and inspiring action. While firmly grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. 2021 marks the opening of Steppenwolf’s landmark Liz and Eric Lefkofsky Arts & Education Center—deepening the company’s commitment to Chicagoland teens and serving as a cultural nexus for Chicago. Glenn Davis and Audrey Francis are the Artistic Directors and E. Brooke Flanagan is Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. 

steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.      

  

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