GOODMAN'S BOOK UP! “THEATER FOR THE VERY YOUNG” (0-5) APPEARS IN 12 CHICAGO PARKS OVER THREE WEEKS, NOW THROUGH AUGUST 10, 2025

 ChiIL Mama's Chi, IL Picks List: FREE Family Friendly Fun

BOOK UP!

Directed by Tor Campbell and Raquel Torre

July 23 – August 10, 2025

(L-R) Madie Doppelt, Kylie Anderson, Robbie Matthew and Jean Claudio

Photos by Justin Barbin

A high-octane outdoor circus spectacle

NEWEST “THEATER FOR THE VERY YOUNG” (0-5)

Goodman Theatre’s summer 2025 “Theater for the Very Young” (TVY) production, BOOK UP!—a high-octane outdoor circus spectacle that invites little ones and their grown-ups to move, play and discover the magic of reading—are now available. Specially made for children aged 0–5 years and their adult friends and family, BOOK UP! is co-directed by Goodman Michael Maggio Directing Fellow Raquel Torre and Northwestern University Directing Fellow Tor Campbell. BOOK UP! will bring its high-flying energy to eight more Chicago parks through August 10. Remaining performances include July 30 (Hale Park/Clearing), July 31 (Hayes Park/Ashburn/Wrightwood), August 2 (Haas Park/Logan Square), August 3 (Marquette Park/Chicago Lawn), August 6 (Homan Square Community Center Park/North Lawndale), August 7 (Brighton Park Community Campus/Brighton Park), August 9 (Portage Park) and August 10 (Oriole Park/Norwood Park). 

(L-R) Kylie Anderson, Robbie Matthew and Madie Doppelt

Two FREE 60-minute performances appear in each park (at 9:30am and 11:30am) and a hands-on workshop immediately follows. Tickets are not required, but registration is encouraged; visit GoodmanTheatre.org/FreeActs. The Goodman is grateful to Kirkland & Ellis, Arts and Community Sponsor for Theater for the Very Young programming.

(Kneeling, L-R) Madie Doppelt and Robbie Matthew. (Aerial) Kylie Anderson

“Think Reading Rainbow meets the circus meets Chicago’s beautiful parks network,” said Jared Bellot, Goodman’s Clifford Director of Education and Engagement. “BOOK UP! is joyful, imaginative and built to meet children exactly where they are—physically, developmentally, and creatively. We believe that live performance has the power to spark curiosity, build connections and foster a lifelong love of storytelling. And by bringing this work directly into neighborhoods across the city, we’re saying every child deserves access to the arts, and every park can be a stage. This is about nurturing early literacy, yes—but it’s also about creating shared moments of wonder and joy for families and communities.”

Jean Claudio

A traveling librarian (Jean Claudio) rolls into town with a magical book cart, ready to spark big imaginations everywhere and beyond! With a little wiggle, a little giggle and a whole lot of wonder, stories leap off the pages through juggling, tumbling, clowning and aerial acrobatics—with Kylie Anderson, Madie Doppelt and Robbie Matthew, all ProTraining alumni of Chicago’s famed Actors Gymnasium. 

BOOK UP! is presented as part of Goodman’s 100 Free Acts of Theater program and the Chicago Park District’s Night Out in the Parks series, both supported by the Mayor’s Office and the Department of Cultural Affairs and Special Events (DCASE). The Night Out in the Parks program presents cultural events year-round in neighborhood parks throughout the city. The Chicago Park District in partnership with 100 local artists and organizations, presents engaging events and performances that enhance quality of life across Chicago and amplify the artistic and cultural vibrancy in every neighborhood. Through multiple disciplines, which include theater, music, movies, dance, site-specific work, nature programs, and community festivals, the series aims to support Chicago-based artists, facilitate community-based partnerships and programs, cultivate civic engagement, and ensure equity in access to the arts for all Chicagoans. www.nightoutintheparks.com.

(Right) Jean Claudio

Full Company of BOOK UP!

Directed by Tor Campbell and Raquel Torre

Created by Raquel Torre, Originally Devised by La Vuelta

Kylie Anderson…Kid 1/Teaching Artist

Jean Claudio…Librarian/Teaching Artist

Maddie Doppelt…Kid 3/ Teaching Artist

Robbie Matthew…Kid 2/Teaching Artist/US Librarian

Robbie Matthew

Creative Team

1st Line Producer…Jared Bellot

2nd Line Producer…Raquel Torre

Production Manager…Claudette Przygoda

Set Designer…Alyssa Mohn

Scenic Builder…Luke Lemanski

Costume Designer…Ben Argenta Kress

Composer & Sound Designer…Justin Cavazos

Casting Director...Lauren Port, CSA

Production Associate…Jojo Wallenberg

Production Assistant & Circus Rigger…Glenna Broderick

(L-R) Robbie Matthew, Kylie Anderson and Madie Doppelt

ABOUT 100 FREE ACTS OF THEATER

An unprecedented citywide event spanning Goodman Theatre’s Centennial 2025/2026 Season, 100 Free Acts of Theater activates all 50 wards of Chicago. The Goodman partners with local organizations to amplify existing creative programming and collaborate on new efforts—from performances to special events to community engagement offerings—to celebrate the city’s rich cultural landscape and honor the communities that have inspired and supported Chicago’s flagship resident theater over the past 100 years. Each Act, developed in close collaboration and in tune with that partner organization’s mission, is programmed to take place at destinations in its community. Produced in partnership with the Department of Cultural Events and Special Affairs (DCASE), all 100 Acts are offered FREE with participation open to Chicagoans of all ages and backgrounds. Together, DCASE and The Goodman help provide resources to make each Act possible—including but not limited to artistic personnel, tech support, assistance with marketing/publicity and more. Allstate Insurance Company is additionally a Corporate Sponsor Partner for 100 Free Acts of Theater. The first quarter of Free Acts is now live; additional Acts will be announced as the Centennial Season continues. Visit GoodmanTheatre.org/FreeActs for more information.

ABOUT CHICAGO DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS 

The City of Chicago Department of Cultural Affairs and Special Events (DCASE) supports artists and cultural organizations, invests in the creative economy, and expands access and participation in the arts throughout Chicago’s 77 neighborhoods. As a collaborative cultural presenter, arts funder, and advocate for creative workers, our programs and events serve Chicagoans and visitors of all ages and backgrounds, downtown and in diverse communities across our city—to strengthen and celebrate Chicago. DCASE produces some of the city’s most iconic festivals, markets, events, and exhibitions at the Chicago Cultural Center, Millennium Park, and in communities across the city—serving a local and global audience of 25 million people. The Department offers cultural grants and resources, manages public art, supports TV and film production and other creative industries, and permits special events throughout Chicago. For details, visit Chicago.gov/DCASE and stay connected via our newsletters and social media.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. 

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the unceded homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten and remains home to many Native peoples today. The Goodman is proud to have a relationship with Gichigamiin Indigenous Nations Museum. Located in Evanston, the Museum honors the survival and perseverance of Indigenous communities and promotes a greater understanding of Indigenous peoples: gichigamiin-museum.org.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Marsha Cruzan is Chair of Goodman Theatre’s Board of Trustees, Diane Landgren is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

 (Above) Kylie Anderson. (Below) Robbie Matthew

Goodman Theatre’s 47th annual A Christmas Carol Opens November 24th, and Runs Through December 30, 2024

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GOODMAN’S 47TH ANNUAL 

A CHRISTMAS CAROL

STARRING CHRISTOPHER DONAHUE AS SCROOGE

NOW ON STAGE IN PREVIEW PERFORMANCES, OPENS NOVEMBER 24 

***OPENING NIGHT PRE-SHOW EVENTS INCLUDES A TREE LIGHTING WITH TINY TIM (AVA ROSE DOTY) AND DIRECTOR JESSICA THEBUS, PLUS LIVE MUSIC BY BENET ACADEMY MADRIGALS AND WILLIAM BUCHHOLTZ (ALGONQUIN/METIS)***

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Goodman Theatre’s incomparable production of A Christmas Carol has been a beloved family tradition of ours for decades. This year my son, Dugan, is working the production on deck crew, so I’m even more excited than usual! It truly takes a village, on stage, behind the scenes, and in development, to make magic of this magnitude happen. I’ll be checking out the show on opening night, November 24th, so check back shortly after for my full review. We're excited to see Christopher Donahue in his first year as Ebenezer Scrooge, and every year Goodman changes up the production in creative ways, while keeping the tradition of their stunning set design. Goodman Theatre’s 47th annual A Christmas Carol, directed by Jessica Thebus, is sure to delight audience members of all ages. It's long been one of our top picks for making multigenerational memories. Experiential gifts, like theatre tickets, are an appreciated clutter buster. 

Goodman Theatre’s 47th annual A Christmas Carol, directed by Jessica Thebus, starring Christopher Donahue in his first year as Ebenezer Scrooge, along with other local favorites new to the production—Kate Fry (Narrator), Anthony Irons (Bob Cratchit), Bri Sudia (Ghost of Christmas Present) and more, are now available now. As Alternate Scrooge, Austin Tichenor steps into the miserly businessman’s shoes for 10 performances. A new Tiny Tim this year—Ava Rose Doty (last seen as Young Tommy in The Who’s TOMMY) is joined by young performers Isabel Ackerman, Viva Boresi, Annabel Finch, Xavier Irons and Henry Lombardo. The production opens this Sunday, November 24, and runs through December 30. 

Tickets ($25 - $159; subject to change) are available at GoodmanTheatre.org/Carol or by phone at 312.443.3800. Visit the website for performance dates when Tichenor will appear as Scrooge. Goodman Theatre is grateful for the support of PNC (Major Corporate Sponsor) and Abbott Fund (Corporate Sponsor Partner).

Once again this year, Goodman Theatre welcomes special guests to enhance its opening night with pre-show festivities including madrigal singers from Benet Academy (Naperville) and artist William Buchholtz (Algonquin/Metis) on flute. Director Jessica Thebus and the young performers of the production will light the Goodman’s Christmas tree. Pre-show events begin at 6pm on Sunday, November 24th.

The "perfect Chicago holiday tradition” (Chicago Parent), Dickens’ classic is a “beautiful, timeless message of generosity’s triumph over greed” (Chicago Tribune). Businessman Ebenezer Scrooge’s sizable bank account is only matched by his disdain for the holidays. But one fateful Christmas Eve, Scrooge is visited by four ghosts who take him on a spectacular adventure through his past, present and future, helping him on his discovery of kindness, compassion and redemption in a tale with a “first-rate cast and marvelous staging (that) shines merry and bright" (Chicago Sun-Times). Now in its fifth decade, A Christmas Carol is “still the best Christmas story ever told” (Time Out Chicago) and a signature event of the Chicago holiday season with a star-studded history that includes stage and screen notables like Jessie Mueller, Joe Minoso, Del Close, Harry J. Lennix, Felicia P. Fields, Raul Esparza, Sally Murphy and Frank Galati.

Full Company of A Christmas Carol (in alphabetical order)

By Charles Dickens, Adapted by Tom Creamer, Directed by Jessica Thebus

Isabel Ackerman…Belinda Cratchit/School Child

Jazzlyn Luckett Aderele…Chestnut Seller/Philomena/Mrs. Dilber

Dee Dee Batteast…Frida

Hillary Bayley…Musician

Mark Bedard…Max Fezziwig/Abe

Viva Boresi…Child in Doorway/Pratt/Emily Cratchit/Ignorance

Amira Danan…Belle/Ghost of Christmas Future

William Dick…Marley/Topper/Old Joe

Tafadzwa Diener…Martha Cratchit/Fan/Catherine

Christopher Donahue…Ebenezer Scrooge

Ava Rose Doty…Tiny Tim/School Child

Arash Fakhrabadi…Poulterer/Stag Deer/Young Marley/Undertaker/Ensemble

Kate Fry…Narrator

Brian Goodwin…Musician

Jalbelly Guzmán…Dance Captain/Hat Seller/Doe Deer/Felicity/Young Woman/Ensemble

Gregory Hirte…Musician/Dick Wilkins/Young Man

Anthony Irons…Bob Cratchit/Wreath Seller

Xavier Irons…Johnston/Peter Cratchit/Turkey Child

Susaan Jamshidi…Mrs. Cratchit

Henry Lombardo…Newspaper Seller/Boy Scrooge/Gregory Cratchit

Daniel José Molina…Young Scrooge/Pie Seller

Malcolm Ruhl…Music Director/Musician

Robert Schleifer…Mr. Fezziwig

Lucky Stiff…Ghost of Christmas Past, Makeup Consultant for Ghost of Christmas Past

Bri Sudia…Charwoman/Ghost of Christmas Present

Austin Tichenor…Alternate Ebenezer Scrooge

Penelope Walker…Crumb/Mrs. Alice Fezziwig

Wai Yim…Ortle/Tree Seller/School Official

Creative Team

Associate Director….Tor Campbell

Set Designer…..Todd Rosenthal

Costume Designer ……Heidi Sue McMath

Puppet Designers & Creators….Jillian Gryzlak and Rachel Anne Healy

Lighting Designer…..Keith Parham

Associate Lighting Designer…Brian Elston

Sound Designer….. Pornchanok Kanchanabanca

Composer….Andrew Hansen

Music Director…..Malcolm Ruhl

Voice and Dialect Coach.....Sammi Grant

Choreographer….Tommy Rapley 

Fly Director….Andrea Gentry

Understudies for this production include Tatiana Bustamante, Annabel Finch, Jordan Golding, Sam Hyson, Loren Jones and Anne Sheridan Smith.

Casting is by Lauren Port, CSA. Neena Arndt is the Dramaturg. Jennifer Gregory is the Production Stage Manager and Beth Koehler and Duncan McMillan are the Stage Managers. Flying effects are provided by ZFX Inc.

ENHANCED AND ACCESSIBLE PERFORMANCES AT GOODMAN THEATRE

ASL-Interpreted Performance: Saturday, November 23 at 7:30 and Friday, December 13 at 7:30pm – Professional ASL interpreter signs the action/text as played.

Touch Tour* and Audio-Described Performance: Saturday, December 7, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset.

Open-Captioned Performance: Sunday, December 15 at 2pm – An LED sign presents dialogue in sync with the performance.

Spanish-Subtitled Performance: Sunday, December 15 at 7pm – An LED sign presents Spanish-translated dialogue in sync with the performance.

Sensory-Friendly Performance: Saturday, December 29 at 2pm – Sensory-friendly/relaxed performances are designed to create a performing arts experience that is intended for patrons who have autism or other social, cognitive and physical challenges that create sensory sensitivities and their families.

Visit Goodman theatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

Star Studded Cast to Helm Pinter's Betrayal at Goodman Theatre February 8 – March 16, 2025

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TONY AWARD-WINNER ROBERT SEAN LEONARD MAKES HIS GOODMAN THEATRE DEBUT IN BETRAYAL

WITH HELEN HUNT AND IAN BARFORD, DIRECTED BY SUSAN V. BOOTH

***BOOTH’S MAJOR REVIVAL OF HAROLD PINTER’S FAMED MASTERWORK APPEARS FEBRUARY 8 – MARCH 16, 2025; TICKETS GO ON SALE NOVEMBER 22 ***

The “eternal triangle” is complete! Artistic Director Susan V. Booth announces that stage and screen star Robert Sean Leonard joins her upcoming production of Betrayal by Nobel Prize-winner Harold Pinter—slated to appear as Jerry alongside the previously announced cast members Oscar, Emmy and Golden Globe Award winner Helen Hunt (as Emma) and Tony Award nominee and Outer Critics Circle Award winner Ian Barford (as Robert)—for the Goodman’s major revival of Harold Pinter’s classic work this winter. Leonard, a Tony Award winner (for The Invention of Love) whose most recent notable theater credits include At Home at the Zoo (Signature Theatre), Richard II (Old Globe Theatre) and Stephen Sondheim’s acclaimed Broadway revival of Sunday in the Park with George, made his film debut in Dead Poet’s Society at age 19. He earned a Screen Actors Guild Award nomination for his portrayal of ‘Dr. James Wilson’ on the iconic Fox medical drama House alongside Hugh Laurie. Susan V. Booth’s revival of Betrayal by Harold Pinter appears February 8 – March 16, 2025 in Goodman Theatre’s 856-seat Albert Theatre. Tickets are now available through Goodman Membership; call 312.443.3800 or visit GoodmanTheatre.org/Connect. Single tickets go on sale November 22. The Goodman is grateful for the support of Northern Trust (Lead Corporate Sponsor).

“Robert Sean Leonard is one of the consummate stage actors of our generation, and the opportunity to complete the Betrayal triangle – populated by Helen and Ian already – with an actor of Robert’s caliber just delights me,” said Susan V. Booth, whose major revival of Pinter’s masterwork follows her acclaimed directorial debut as Goodman Theatre Artistic Director this past season with Margaret Atwood’s The Penelopiad.

Emma, Robert and Jerry have history. As Emma’s marriage to Robert comes to an end, she reconnects with Jerry, her former lover—and her husband’s best friend. The action unspools backward in time, uncovering hidden truths and revealing how little we know about those we think we know so much about. Acclaimed stage and screen actor Helen Hunt (Mad About You, As Good As It Gets) makes her Goodman debut in this “elegy about time and memory (where) the greatest dramatic weight lies in what’s unspoken, in the darkness of unsorted feelings” (New York Times).

Robert Sean Leonard’s additional screen appearances include ‘President Harry Truman’ in the Showtime limited series The First Lady and has had recurring roles on the TNT series Falling Skies and the NBC series Law & Order: Special Victims Unit. Film credits include Much Ado About Nothing, The Age of Innocence, The I Inside, Mr. and Mrs. Bridge, Swing Kids, Tape, Chelsea Walls and Whit Stillman’s The Last Days of Disco. London theater credits include Our Town and ‘Atticus Finch’ in To Kill a Mockingbird at the Regent’s Park Open Air Theatre. Additional Broadway appearances include Long Day’s Journey Into Night (Tony nomination), Born Yesterday, The Violet Hour, The Music Man, The Iceman Cometh, Arcadia, Candida (Tony nomination), Philadelphia, Here I Come!, The Speed of Darkness, Breaking the Code and Brighton Beach Memoirs. He worked on the Ridley Scott-produced mini-series The Hot Zone for National Geographic Television, based on Richard Preston’s bestselling book about the Ebola virus, and has recently wrapped 10 episodes on HBO’s The Gilded Age S2.

Helen Hunt has  enjoyed a distinguished  career not only as an  award-winning actor, but as an accomplished writer, director and producer. As an actress, her extensive and diverse body of work includes roles in film, theater and television. Hunt’s latest role is as Rainey in Daveed Diggs and Rafael Casal’s Blindspotting, a television adaptation of the acclaimed film of the same name. The series garnered a nomination for the Best New Scripted Series at the 2022 Film Independent Spirit Awards. Hunt can next be seen in the upcoming season of HBO Max’s Hacks American comedy-drama television series created by Lucia Aniello, Paul W. Downs and Jen Statsky. 

In 2022, Hunt undertook a residency at The Old Vic Theatre, portraying a character in Eureka Day. This play delves into the lives of parents serving on the Executive Committee of a progressive private school in Berkeley, California. When faced with a public health crisis, their professed acceptance of diversity is put to the test, revealing their true nature. Written by Jonathan Spector and directed by Katy Rudd, this production marks the European premiere of a highly acclaimed narrative. Alongside Hunt, the cast included Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. 

In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show Mad About You opposite Paul Reiser. The show  returned  as a limited series on Spectrum Originals  with all episodes available on demand.     

In 2012 Hunt’s  performance  in The Sessions earned her  an  Independent Spirit Award for Best Supporting Female and  notations  in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film  Critics’ Awards and the BAFTA Awards.  The film  premiered in competition at the 2012 Sundance Film Festival  and  took home the Audience Award as well as the jury prize for Best Ensemble.   

Other  film credits include: Netflix’s Comedy Candy Jar, Ride (which Hunt also co-wrote, produced, and directed),  Decoding Annie Parker, Soul Surfer, Every Day, Bobby, Then She Found Me (which Hunt  again  also co-wrote, produced and directed),  As Good As It Gets, What Women Want, Castaway, A Good Woman, Woody Allen’s The Curse Of The Jade Scorpion,  Robert Altman’s Dr. T And The Women, Pay It Forward  and Twister.  Hunt can  last be  seen in How It Ends, Michael Cristopher’s The Night Clerk and Adam Randall’s thriller I See You. Early  career  film  credits  are: The Waterdance, Kiss Of Death, Mr. Saturday Night, Peggy Sue Got Married, Next Of Kin, Girls Just Wanna Have Fun, Project X  and Miles From Home. Additional television credits include Mad About You and the critically acclaimed  HBO Miniseries Empire Falls. For her role as Jamie Buchman in Mad About You,  Hunt  garnered  four Emmy Awards, four Golden Globe Awards  (three as lead actress and one as Producer for Best Comedy)  and  a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film As Good As It Gets for which Hunt won a Golden Globe Award, a Screen Actors Guild Award and an Oscar.     

Ian Barford returns to the Goodman stage after 27 years having appeared in All The Rage by Keith Reddin and Design For Living by Noël Coward. On Broadway, Tony nomination and Outer Critics award for his performance in Linda Vista. He originated the role of Little Charles in the Tony-winning play August: Osage County which also played at London's National Theater. Original Broadway company of the Tony-winning play Curious Incident Of The Dog In The Nighttime. Also, The Minutes and The Rise And Fall Of Little Voice. In Los Angeles, several stage appearances at the Geffen and Ahmanson Theaters. Ensemble member at Chicago's Steppenwolf Theater, where he has appeared in plays for more than 30 years. 

Harold Pinter was born on October 10, 1930 in the London borough of Hackney, son of a Jewish dressmaker. Growing up, Pinter was met with the expressions of anti-Semitism, and has indicated its importance for his becoming a dramatist. At the outbreak of the Second World War, he was evacuated from London at the age of nine, returning at the age of twelve. He has said that the experience of wartime bombing has never lost its hold on him. Back in London, he attended Hackney Grammar School where he played Macbeth and Romeo among other characters in productions directed by Joseph Brearley. This prompted him to choose a career in acting. In 1948 he was accepted at the Royal Academy of Dramatic Art. In 1950, he published his first poems. In 1951 he was accepted at the Central School of Speech and Drama. That same year, he won a place in Anew McMaster’s famous Irish repertory company, renowned for its performances of Shakespeare. Pinter toured again between 1954 and 1957, using the stage name of David Baron. Between 1956 and 1980 he was married to actor Vivien Merchant. In 1980 he married the author and historian Lady Antonia Fraser. 

Pinter made his playwriting debut in 1957 with The Room, presented in Bristol. Other early plays were The Birthday Party (1957), at first a fiasco of legendary dimensions but later one of his most performed plays, and The Dumb Waiter (1957). His conclusive breakthrough came with The Caretaker (1959), followed by The Homecoming (1964) and other plays. 

Pinter is generally seen as the foremost representative of British drama in the second half of the 20th century. That he occupies a position as a modern classic is illustrated by his name entering the language as an adjective used to describe a particular atmosphere and environment in drama: “Pinteresque”. 

Pinter restored theater to its basic elements: an enclosed space and unpredictable dialogue, where people are at the mercy of each other and pretense crumbles. With a minimum of plot, drama emerges from the power struggle and hide-and-seek of interlocution. Pinter’s drama was first perceived as a variation of absurd theater but has later more aptly been characterized as “comedy of menace,” a genre where the writer allows us to eavesdrop on the play of domination and submission hidden in the most mundane of conversations. In a typical Pinter play, we meet people defending themselves against intrusion or their own impulses by entrenching themselves in a reduced and controlled existence. Another principal theme is the volatility and elusiveness of the past. 

It is said of Pinter that following an initial period of psychological realism he proceeded to a second, more lyrical phase with plays such as Landscape (1967) and Silence (1968) and finally to a third, political phase with One for the Road (1984), Mountain Language (1988), The New World Order (1991) and other plays. But this division into periods seems oversimplified and ignores some of his strongest writing, such as No Man’s Land (1974) and Ashes to Ashes (1996). In fact, the continuity in his work is remarkable, and his political themes can be seen as a development of the early Pinter’s analyzing of threat and injustice.

Since 1973, Pinter has won recognition as a fighter for human rights, alongside his writing. He has often taken stands seen as controversial. Pinter has also written radio plays and screenplays for film and television. Among his best-known screenplays are those for The Servant (1963), The Accident (1967), The Go-Between (1971) and The French Lieutenant’s Woman (1981, based on the John Fowles novel). Pinter has also made a pioneering contribution as a director. 

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer*, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition, A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s off-Loop theaters.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Kimberly Senior, Chuck Smith and Mary Zimmerman. Julie Danis is Chairman of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

*Note: On September 1, 2024, John Collins becomes Executive Director of Goodman Theatre. 

CASTING ANNOUNCED FOR GOODMAN THEATRE’S INHERIT THE WIND AND PRIMARY TRUST

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COMPLETE CASTING ANNOUNCED FOR GOODMAN THEATRE’S 2024/2025 

SEASON OPENERS: HENRY GODINEZ’S REVIVAL OF 

INHERIT THE WIND

AND EBONI BOOTH’S 

PRIMARY TRUST 

DIRECTED BY MALKIA STAMPLEY

***OPENING NIGHT DATES SET FOR THE PRODUCTIONS IN GOODMAN THEATRE’S 99TH SEASON, 

LED BY ARTISTIC DIRECTOR SUSAN V. BOOTH AND INCOMING EXECUTIVE DIRECTOR JOHN COLLINS***

This fall, Goodman Theatre draws nationally acclaimed actors and local rising stars to its 2024/2025 Season opening productions—a major new reivival of a three-time Tony Award-winning masterwork and the Chicago-premiere production of a newly minted Pulitzer Prize-winner. The 99th year of Chicago’s flagship not-for-profit producing theater kicks off with a new production of Inherit the Wind by Jerome Lawrence and Robert E. Lee, directed by Resident Director Henry Godinez, in the 856-seat Albert Theatre, while Goodman BOLD Artistic Producer Malkia Stampley makes her Goodman directing debut with Primary Trust, Eboni Booth’s 2024 Pulitzer Prize-winning play. Complete casting for these productions, plus the opening night dates for each play in the upcoming season, follows. Goodman Theatre is led by Artistic Director Susan V. Booth and John Collins, who becomes Executive Director on September 1. 

In the Albert Theatre, science and religion go head-to-head in Jerome Lawrence and Robert E. Lee’s iconic courtroom showdown where a small-town educator’s trial for teaching the theory of evolution becomes a battle royal of wits, wisdom and will for two of the country’s most powerful lawyers. Joining the previously announced Harry Lennix (attorney Henry Drummond) and Alexander Gemignani (prosecuting attorney Matthew Harrison Brady) are Charín Álvarez (2666), Terry Bell (A Christmas Carol), Hamid Dehghani (English), William Dick (A Christmas Carol), Meighan Gerachis (Roe), Lawrence Grimm (2666), Kevin Gudahl (King Lear), Presley Rose Jones (The Who’s Tommy), Christopher Kale Jones (The Music Man), Mi Kang (The Chinese Lady), Ryan Kitley (Roe), Tyler Meredith (The Penelopiad), Thomas Murphy Molony (Highway Patrol), Christopher Llewyn Ramirez (LUCHA TEOTL), Robert Schleifer (A Christmas Carol), Eric Slater (The Cherry Orchard) and Penelope Walker (A Christmas Carol). Inherit the Wind appears September 14 — October 13 (opening night is Monday, September 23 at 7pm. Tickets ($25 - $95; subject to change) are available at GoodmanTheatre.org/Inherit or by phone at 312-443-3800. Goodman Theatre is grateful for the support of JP Morgan Chase & Co. and Winston & Strawn.

“Inherit The Wind is a deeply meaningful play for me, not only because it was the first professional play that I saw as a freshman in high school, but also because of the remarkable timeliness of its powerful themes and their uncanny reflection of this current moment in our nation’s history,” said director Henry Godinez. “It is a great American play that I’m honored to help bring to life with some of the greatest actors in Chicago, led by my old friend, the always amazing Harry Lennix.  I am beyond excited to share this thought provoking and incredibly moving play with Chicago audiences!”

In the Owen Theatre, Eboni Booth’s 2024 Pulitzer Prize-winning production Primary Trust, directed by Goodman BOLD Artistic Producer Malkia Stampley makes its Chicago debut with an all-Chicago cast—starring the previously announced Namir Smallwood as the reclusive Kenneth, whose job loss prompts him to step out of his comfort zone in a journey of self-discovery. Smallwood is joined by Christiana Clark (the ripple, the wave that carried me home), Charles Andrew Gardner (Objects in the Mirror), Mike Przygoda (Rust) and Fred Zimmerman (Bounce). Primary Trust appears October 5 — November 3 (opening night is Monday, October 14 at 7pm. Tickets ($20 - $65; subject to change) are available at GoodmanTheatre.org/Primary or by phone at 312-443-3800. Goodman Theatre is grateful for the support of the Goodman Women’s Board, Bold Theater's Women's Leadership Circle, Conagra Brands Foundation and The Elizabeth Morse Charitable Trust.

“I'm always drawn to plays that push the boundaries of empathy, that interrogate love and grief, friendship and longing, and do so in subtle and profound ways,” said Malkia Stampley, who makes her Goodman directing debut with this production. “Primary Trust is the kind of play that sticks with you, that days later you find has allowed you to look at the world differently, even if just for a moment. I am truly honored to be able to direct the Chicago premiere with our city’s finest!"  

FULL COMPANY OF Inherit the Wind (in alphabetical order)

In the Albert Theatre

By Jerome Lawrence and Robert E. Lee

Directed by Henry Godinez

Charín Álvarez…Mrs. Brady

Terry Bell…Sillers

Hamid Dehghani…Storekeeper

William Dick...Mayor

Alexander Gemignani… Matthew Harrison Brady

Meighan Gerachis…Elijah

Lawrence Grimm…Dunlap

Kevin Gudahl…Judge

Presley Rose Jones…Melinda

Christopher Kale Jones…Tom Davenport

Mi Kang…E.K. Hornbeck

Ryan Kitley…Reverend Jeremiah Brown

Harry Lennix…Henry Drummond

Tyler Meredith…Rachel Brown

Thomas Murphy Molony…Howard

Christopher Llewyn Ramirez…Bertram Cates

Robert Schleifer…Meeker

Eric Slater…Mr. Bannister

Penelope Walker…Mrs. Krebs

Understudies for this production include Chase Clevenger, Theo Gyra, Hannah Kato, John Lister, Michael Milligan, Kailey Danielle Morand, Aila Peck, Alex Benito Rodriguez, Eric Slater and Cedric Young. 

Creative Team

Set Designer…Collette Pollard

Costume Designer…Jessica Pabst 

Lighting Designer…Jason Lynch

Sound Designer and Composer….Richard Woodbury

Casting is by Lauren Port, CSA. Neena Arndt is the Dramaturg. Nikki Blue is the Production Stage Manager and Krista Kanderski and Beth Koehler are the Stage Managers.

FULL COMPANY OF Primary Trust (in alphabetical order)

In the Owen Theatre

By Eboni Booth

Directed by Malkia Stampley

Christiana Clark…Corrina/Wally’s Waiter/Bank Customers

Charles Andrew Gardner…Bert

Mike Przygoda…Onstage Musician

Namir Smallwood…Kenneth

Fred Zimmerman…Clay/Sam

Understudies for this production include Daniel Ajak, Victoria Angelica Cruz, Sam Hyson, Christopher Meister and Keith Surney.

Creative Team

Associate Director…Ericka Ratcliff

Set Designer…Lex Liang

Costume Designer…Yvonne Miranda 

Lighting Designer…Heather Gilbert

Sound Designer and Composer….Brandon Reed 

Composer…Mike Przygoda

Casting is by Lauren Port, CSA. Lena Romano is the Dramaturg. Pat Fries is the Production Stage.

2024/2025 SEASON OPENING NIGHT DATES 

In the Albert Theatre

Inherit the Wind

Opening Night: September 23 at 7pm

47th Annual A Christmas Carol

Opening Night: November 24 at 7pm

Betrayal

Opening Night: February 17 at 7pm

BUST

Opening Night: April 28 at 7pm

The Color Purple

Opening Night: June 30 at 7pm

In the Owen Theatre

Primary Trust

Opening Night: October 14 at 7 pm

Fat Ham

Opening Night: January 21 at 7pm

The Antiquities

Opening Night: May 12 at 7pm

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, among other accolades. 

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities. 

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals. 

August Wilson's Joe Turner’s Come and Gone Now Playing at Goodman Theatre Through May 19th BY POPULAR DEMAND

ChiIL Mama’s ChiIL Picks List: 

Adult Shows With Family Themes On Our Radar

GOODMAN RESIDENT DIRECTOR CHUCK SMITH’S MAJOR REVIVAL OF THE SECOND WORK IN AUGUST WILSON’S 10-PLAY AMERICAN CENTURY CYCLE

 Joe Turner’s Come and Gone  

Photos by Liz Lauren

***THIS WEEKEND, VISIT THE “HIDDEN GEMS” POP-UP MARKET CELEBRATING AFRICAN AMERICAN ARTISTS AND ART***

Tonight, longtime August Wilson interpreter Chuck Smith’s major revival of Joe Turner’s Come and Gone opens—and extends its run through May 19. I'll be there tonight, covering the production for ChiIL Mama and ChiIL Live Shows, so check back soon for my full review. I've seen most of August Wilson's century cycle and I'm beyond excited to see Goodman's revival of Joe Turner’s Come and Gone. 

Featuring an all-Chicago cast, the play follows Herald Loomis, who, in a journey in search of his estranged wife, must first contend with his own sense of heritage and identity in this story of spiritual and emotional resurrection. 

This weekend, theatergoers can support local African American artisans at the “Hidden Gems” pop-up market on-site at the Goodman, featuring arts, crafts and more, on Saturday, April 27. Joe Turner’s Come and Gone appears through May 19 in the 856-seat Albert Theatre. Tickets ($25 - $90; subject to change) are available at GoodmanTheatre.org/Joe or by phone at 312.443.3800. Extension week performances include May 16 at 7:30pm; May 17 at 7:30pm; May 18 at 2pm and 7:30pm; and May 19 at 2pm (closing). For more information about Hidden Gems pop-up market, visit GoodmanTheatre.org/HiddenGems. The Goodman is grateful for the support of The Elizabeth Morse Charitable Trust (Lead Funder of IDEAA Programming).

“August Wilson was a poet, and it’s easy to see why Joe Turner’s Come and Gone was one of his favorite plays. There’s a lot of mysticism in this work, and he’s always had that mysticism,” said Chuck Smith, longtime Goodman Theatre Resident Director, whose previous Wilson works include directing Gem of the Ocean (2022), Two Trains Running (2015) and Ma Rainey’s Black Bottom (1997). “There are children in this play who represent the new way. We’re reminded that we must take very delicate care of our children and do whatever we can, as best we can, to provide them a better future.”

A journey of self-discovery leads to salvation in this major revival of Joe Turner’s Come and Gone—the Pulitzer Prize-winning playwright’s masterwork and one of his best-loved, most compelling plays. Herald Loomis (A.C. Smith) searches the country with his young daughter to find his estranged wife. But first, he must regain a sense of his own heritage and identity in this story of spiritual and emotional resurrection. The cast features Harper Anthony (Reuben Mercer), Anthony Fleming III (Jeremy Furlow), TayLar (Bertha Holly), Gary Houston (Rutherford Selig), Kylah Jones (Zonia), Nambi E. Kelley (Mattie Campbell), Krystel V. McNeil (Molly Cunningham), Tim Rhoze (Bynum Walker), Shariba Rivers (Martha Loomis) and Dexter Zollicoffer (Seth Holly).

ChiIL Mama's Thematic Theatre Pairings: 

ChiIL out in Chi, IL with both the Chicago premiere of August Wilson’s autobiographical show, Congo Square Theatre's HOW I LEARNED WHAT I LEARNED at Broadway In Chicago's Broadway Playhouse, and Goodman's Joe Turner’s Come and Gone.  

August Wilson’s 10-play American Century Cycle is a singular achievement in the American theater. Goodman Theatre was first in the nation to produce every play—including two world-premiere productions—of the cycle, each one set in a different decade of the twentieth century, including: Gem of the Ocean (1900s), Joe Turner's Come and Gone (1910s), Ma Rainey's Black Bottom (1920s), The Piano Lesson (1930s), Seven Guitars (1940s), Fences (1950s), Two Trains Running (1960s), Jitney (1970s), King Hedley II (1980s) and Radio Golf (1990s).

Born and raised in the Hill District of Pittsburgh, Pennsylvania, August Wilson (1945-2005) authored the American Century Cycle of 10 plays, including Gem of the Ocean, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II and Radio Golf. These works explore the heritage and experience of African Americans, decade by decade, over the course of the 20th century. Goodman Theatre was the first in the country to have produced every play in Wilson’s cycle. In 2003, Wilson made his professional stage debut in his one-man show How I Learned What I Learned. Wilson’s work garnered many awards, including Pulitzer Prizes for Fences (1987) and The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; as well as seven New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars and Jitney. Additionally, the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award and Wilson received a 1995 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. On October 16, 2005, Broadway renamed the theater located at 245 West 52nd Street the August Wilson Theatre.

Chuck Smith is a member of Goodman Theatre’s Board of Trustees and is Goodman Theatre’s Resident Director. He is also a resident director at the Westcoast Black Theatre Troupe in Sarasota, Florida. Goodman credits include the recent revival of August Wilson’s Gem of the Ocean (2022) and the Chicago premieres of Objects in the Mirror; Pullman Porter Blues; By the Way, Meet Vera Stark; Race; The Good Negro; Proof and The Story; the world premieres of By the Music of the Spheres and The Gift Horse; James Baldwin’s The Amen Corner, which transferred to Boston’s Huntington Theatre Company, where it won the Independent Reviewers of New England (IRNE) Award for Best Direction; A Raisin in the Sun; Blues for an Alabama Sky; August Wilson’s Two Trains Running and Ma Rainey’s Black Bottom; Ain’t Misbehavin’; the 1993 to 1995 productions of A Christmas Carol; Crumbs From the Table of Joy; Vivisections from a Blown Mind and The Meeting. He served as dramaturg for the Goodman’s world-premiere production of August Wilson’s Gem of the Ocean. He directed the New York premiere of Knock Me a Kiss and The Hooch for the New Federal Theatre and the world premiere of Knock Me a Kiss at Chicago’s Victory Gardens Theater, where his other directing credits include Master Harold… and the Boys, Home, Dame Lorraine and Eden, for which he received a Jeff Award nomination. Regionally, Mr. Smith directed Death and the King’s Horseman (Oregon Shakespeare Festival), Birdie Blue (Seattle Repertory Theatre), The Story (Milwaukee Repertory Theater), Blues for an Alabama Sky (Alabama Shakespeare Festival) and The Last Season (Robey Theatre Company). At Columbia College he was facilitator of the Theodore Ward Prize playwriting contest for 20 years and editor of the contest anthologies Seven Black Plays and Best Black Plays. He won a Chicago Emmy Award as associate producer/theatrical director for the NBC teleplay Crime of Innocence and was theatrical director for the Emmy-winning Fast Break to Glory and the Emmy-nominated The Martin Luther King Suite. He was a founding member of the Chicago Theatre Company, where he served as artistic director for four seasons and directed the Jeff-nominated Suspenders and the Jeff-winning musical Po’. His directing credits include productions at Fisk University, Roosevelt University, Eclipse Theatre, ETA, Black Ensemble Theater, Northlight Theatre, MPAACT, Congo Square Theatre Company, The New Regal Theater, Kuumba Theatre Company, Fleetwood-Jourdain Theatre, Pegasus Players, the Timber Lake Playhouse in Mt. Carroll, Illinois and the University of Wisconsin in Madison. He is a 2003 inductee into the Chicago State University Gwendolyn Brooks Center’s Literary Hall of Fame and a 2001 Chicago Tribune Chicagoan of the Year. He is the proud recipient of the 1982 Paul Robeson Award and the 1997 Award of Merit presented by the Black Theater Alliance of Chicago.

Full Company of Joe Turner’s Come and Gone (in alphabetical order)

By August Wilson

Directed by Chuck Smith

Harper Anthony…..Reuben Mercer

Anthony Fleming III……Jeremy Furlow

TayLar…..Bertha Holly

Gary Houston……Rutherford Selig

Kylah Renee Jones……Zonia

Nambi E. Kelley…….Mattie Campbell

Krystel V. McNeil…...Molly Cunningham

Tim Edward Rhoze…..Bynum Walker

Shariba Rivers….Martha Loomis

A.C. Smith…..Herald Loomis

Dexter Zollicoffer…..Seth Holly

Creative Team

Associate Director/Choreographer/Intimacy Consultant…Cristin Carole

Set Designer….Linda Buchanan

Costume Designer…Evelyn Danner

Lighting Designer…Jared Gooding

Sound Designer and Composer…Pornchanok Kanchanabanca

Understudies for this production include Sean Blake (Jeremy Furlow/Bynum Walker), Stacie Doublin (Bertha Holly/Martha Loomis), Kristin E. Ellis (Mattie Campbell/Molly Cunningham), Anthony Irons (Harold Loomis), Bill McGough (Rutherford Selig), Jean-Luc Nazaire (Reuben), André Teamer (Seth Holly) and Riley Lauren Wells (Zonia).

Casting is by Lauren Port, CSA. Neena Arndt is the Dramaturg. Mars Wolfe and Kimberly Ann McCann are the Production Stage Managers and Beth Koehler is the Stage Manager.

ENHANCED AND ACCESSIBLE PERFORMANCES AT GOODMAN THEATRE

ASL-Interpreted Performance: Friday, May 10 at 7:30pm – Professional ASL interpreter signs the action/text as played.

Touch Tour* and Audio-Described Performance: Saturday, May 11, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset.

Spanish-Subtitled Performance: Saturday, May 11 at 7:30pm – An LED sign presents Spanish-translated dialogue in sync with the performance.

Open-Captioned Performance: Sunday, May 12 at 2pm – An LED sign presents dialogue in sync with the performance.

Visit Goodman theatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

Announcing the Cast of *Midnight in the Garden of Good and Evil* World-Premiere Musical at Goodman Theatre

ChiIL Live Shows On Our Radar

ANNOUNCING THE COMPLETE COMPANY FOR 

THE GROUNDBREAKING NEW MUSICAL 

MIDNIGHT IN THE GARDEN OF GOOD AND EVIL

BOOK BY TAYLOR MAC, MUSIC AND LYRICS BY JASON ROBERT BROWN, CHOREOGRAPHY BY TANYA BIRL, 

DIRECTED BY ROB ASHFORD,

BASED ON THE NEW YORK TIMES BEST-SELLING NON-FICTION BOOK BY JOHN BERENDT

***PERFORMANCES BEGIN JUNE 25 WITH OPENING NIGHT ON JULY 8; TICKETS NOW ON SALE***

Here at ChiIL Mama and ChiIL Live Shows, we can't wait to catch Goodman's hotly anticipated new musical adaptation of Midnight in the Garden of Good and Evil. Save the dates and make this a July to remember. 

Casting is complete for Midnight in the Garden of Good and Evil—a new musical based on John Berendt’s iconic non-fiction book that makes its world premiere in the 856-seat Albert Theatre this summer. With a book by MacArthur “Genius” Grantee Taylor Mac and music and lyrics by Tony Award winner Jason Robert Brown, the world-premiere production will be directed by Tony Award winner Rob Ashford, with choreography by Tanya Birl. 

Joining the previously announced Tony- and Grammy-Award winning actor J. Harrison Ghee in the role of The Lady Chablis; Tony Award nominee Tom Hewitt as Jim Williams; and Olivier Award nominee Sierra Boggess as Emma Dawes, the cast features stage and screen notables Lance Roberts (The Best Man) as Bobby Lewis; Austin Colby (The Great Gatsby) as Danny Hansford; Bailee Endebrock (Parade) as Corrine Strong; Shanel Bailey (The Book of Mormon) as Lavella Cole; Jessica Molaskey (Sunday in the Park with George) as Alma Knox Carter; Brianna Buckley (the ripple, the wave that carried me home) as Minerva; Mary Ernster (War Paint) as Serena Barnes/Dawn Avery; McKinley Carter (Turn of the Century) as Vera Strong; and more. 

The world-premiere production of Midnight in the Garden of Good and Evil appears June 25 - August 4, 2024 in the 856-seat Albert Theatre); opening night is July 8. For tickets ($25 – 165, subject to change), call 312.443.3800 or visit GoodmanTheatre.org/Midnight. Goodman Theatre is grateful for the support of Northern Trust (Lead Corporate Sponsor) and Katten Muchin Rosenman LLP (Corporate Sponsor Partner).

“We’re kind of giddy to welcome this absolutely sensational cast and top-flight creative team for the world premiere of Midnight in the Garden of Good and Evil,” said Artistic Director Susan V. Booth. “This collection of humans is like the dream dinner party, and we can’t wait to invite you to the table they’re setting. Some will be new to you, some are old friends, and all of them make this singular creation Chicago’s must-see musical event of summer 2024.”

John Berendt’s 1994 blockbuster non-fiction book, a Pulitzer-Prize finalist that was on the New York Times Best-Seller list for 216 weeks and was adapted for Clint Eastwood's 1997 film of the same name, becomes a seductive new musical. Southern charm is bountiful in Savannah, Georgia. But behind polite smiles, the eccentric residents are filled with secrets and motives. When wealthy antiques dealer Jim Williams is accused of murder, the sensational trial uncovers hidden truths and exposes the fine line between good and evil — which sparks Lady Chablis and other Savannahians to change the city forever.

The award-winning creative team includes sets by Tony and Olivier Award winner Christopher Oram, costumes by Tony Award nominee Toni-Leslie James, lighting by Olivier- and Tony Award-winning designer Neil Austin and sound design by AUDELCO Award-winner Jon Weston. Casting is by Lauren Port, CSA and The Telsey Office/Patrick Goodwin, CSA.

THE COMPANY OF MIDNIGHT IN THE GARDEN OF GOOD AND EVIL

J. Harrison Ghee…..The Lady Chablis

Tom Hewitt…..Jim Williams

Sierra Boggess…..Emma Dawes

Lance Roberts…..Bobby Lewis

Austin Colby…..Danny Hansford

Bailee Endebrock…..Corrine Strong

Shanel Bailey…..Lavella Cole

Jessica Molaskey…..Alma Knox Carter

Mary Ernster…..Serena Barnes/Dawn Avery

McKinley Carter…..Vera Strong

Brianna Buckley…..Minerva

Maya Bowles…..Stacey Brown

DeMarius Copes…..Jeremiah Jones

Sean Donovan…..Luther Driggers

Jason Michael Evans…..Colonel Atwood/Burt

Christopher Kelley…..Bubbles/Gregory

Andre Terrell Malcolm…..Josiah Domingo

Aaron James McKenzie…..Jethro Myles

Wes Olivier…..Jack the One-Eyed Jill

Kayla Marie Shipman…..Millicent/Mary

Rory Shirley…..Stefanie Davis

Calvin L. Cooper, Daryn Whitney Harrell, Kayla Kennedy, Jake DiMaggio Lopez, Justin Thomas Rivers…..Swing 

ABOUT THE CREATORS

Rob Ashford (Director): “I am a huge fan of John Berendt’s terrific book—and of its star, the beautiful city of Savannah! When asked if I’d be interested in helping tell that story on stage, I pinched myself and then said ‘absolutely!’ I can’t imagine anyone bringing these unique and wonderful characters to life in words and music better than Taylor Mac and Jason Robert Brown.” Ashford is a Tony Award, Olivier Award, Emmy Award, Drama Desk Award and Outer Critics Circle Award-winning director and choreographer. Broadway credits include Cat on a Hot Tin Roof, Frozen, How To Succeed In Business, Promises, Promises, Evita, Thoroughly Modern Millie, Shrek, John Water’s Cry Baby, Curtains and The Wedding Singer. London credits include The Winter’s Tale, Romeo & Juliet, The Entertainer, Harlequinade, Macbeth, Funny Thing Happened On The Way To The Forum and the Olivier Award-winning productions of Anna Christie, A Streetcar Named Desire and Parade. He directed and choreographed NBC’s “Sound of Music Live!” and “Peter Pan Live!”. He directed and choreographed Carousel, Carmen, & The Barber of Seville for Chicago Lyric Opera and Houston Grand Opera and choreographed Candide at La Scala, ENO, and Chatelet in Paris. He choreographed and staged the 2009, 2013, 2014, & 2015 Academy Awards winning an Emmy for his work on Baz Luhrmann’s 2009 production number featuring Hugh Jackman and Beyonce. He has staged The Tony Awards for eight years and has also staged tributes at The Kennedy Center Honors for Barbra Streisand, Andrew Lloyd Webber, Jerry Herman, Barbara Cook, Tom Hanks, Shirley MacLaine and Meryl Streep. Films include choreography for Disney’s Cinderella, Beyond the Sea, A Million Ways to Die in the West, Ted 2, Murder on the Orient Express and Death on the Nile.

Taylor Mac (Book): “Midnight in the Garden of Good and Evil was a seminal book for me as a young queer person, coming out in the late 1980s and early 90s. The eccentricities of Savannah, and how they were celebrated by such a large readership, seemed to say, the things that made me odd and an outcast in the world were actually things I should cherish. Likewise, musical theater has always had a similar effect on me. Singing our thoughts is such an eccentric way of expressing ourselves—yet so perfectly aligned with my personal liberation and joy. So turning Midnight into a musical, and with such master craftspeople as Jason, Rob and Tanya is essentially an extension of celebrating the joy and liberation from exposing what’s hidden.” Mac is a MacArthur Fellow, a Pulitzer Prize Finalist, a Tony Award Nominee (for Best Play), and the recipient of the Kennedy Prize (with Matt Ray), the Doris Duke Performing Artist Award, a Guggenheim, a Drama League Award, a NY Drama Critics Circle Award, two Obie’s, two Bessies, and the first American to receive the International Ibsen Award. Mac is the author of Joy and Pandemic (Huntington Theater); The Hang (with Matt Ray); Gary, A Sequel to Titus Andronicus; A 24-Decade History of Popular Music; Hir; The Fre, The Walk Across America For Mother Earth, The Lily’s Revenge; The Young Ladies Of; and The Be(A)st of Taylor Mac. The documentary Taylor Mac’s A 24-Decade History of Popular Music recently premiered on HBO to critical acclaim. 

Jason Robert Brown (Music and Lyrics): “When I am deciding to start a new show, the two most important questions I ask myself are: 1) Does it sing? and 2) Do I get to work with fun people? With Midnight in the Garden of Good and Evil, I knew the answers to both questions immediately. The book’s milieu, so rich with mystery and romance and history, sings with every sentence, deeply passionate, slyly comic, emotions threatening to boil over on every page. And to work with Rob Ashford, whose transformative production of Parade at the Donmar Warehouse in 2007 reinvigorated not only the show’s reputation but my creative process, was a no-brainer. But then add to that the brilliant, joyful, radically inclusive mind of Taylor Mac, and there was no way I could resist. Creating this world with these mad geniuses is, in true Savannah tradition, a grand and great party. I can’t wait for the world to join in.” Brown has written the music and lyrics to several of the most renowned and influential musicals of our time, including the generation-defining The Last Five Years, his debut song cycle Songs for a New World, and the seminal Parade, which just won a 2023 Tony Award for Best Musical Revival, starring Ben Platt and directed by Michael Arden. His other musicals include 13, which was made into a feature film on Netflix last year; The Bridges of Madison County, winner of Tony Awards for score and orchestrations; Mr. Saturday Night with Billy Crystal; and Honeymoon In Vegas. As a pianist, singer and bandleader, Jason has performed concerts around the world. His latest album, “Coming From Inside The House,” features Ariana Grande and Shoshana Bean and is available from Craft Recordings.

Tanya Birl (Choreographer): “I’m honored to make my Chicago debut with this incredible production, and thrilled to collaborate with such an amazingly talented creative team—including my longtime mentor and friend Rob Ashford. There is so much beauty and mystery in the written and spoken words of this story. I think the role of movement and dance in this piece is to tap into the essence of Savannah—to speak what is unspoken. I can’t wait to get to work!”

Brill is a New York City-based Movement Director and Choreographer. Choreography: How I Learned What I Learned (OSF), Twelfth Night (The Public Theater), The Red Letter Plays (The Signature Theater), Comedy of Errors (Classic Stage company), As You Like It (The Guthrie Theater) and Peter and the Star Catcher (Oregon Shakespeare Festival). Select performance credits, Broadway: Memphis the Musical, Cat on a Hot Tin Roof, How to Succeed, On The Town. Others: The Lion King, The Bubbly Black Girl…, The Wiz, West Side Story. Birl is currently in the process of writing an original choreo-play titled ‘A Play in 3 Movements’ about intergenerational trauma/healing and its links to auto-immunity in women. She is a 2023/2024 MAP Fund Grantee, 2022 NoMAA artist in residence and a High-Arts/Critical Breaks Fellow in collaboration with OSF New Works. 

John Berendt (Award-Winning Author) was born and raised in Syracuse, New York. He attended Harvard, where he majored in English and wrote for the Harvard Lampoon. Upon graduation he was hired by Esquire magazine--first as an editor, then as a monthly columnist.  Later, he became the editor of New York Magazine. It was during a trip to the South in the mid-1980s that he discovered Savannah--a cloistered, inward-looking garden city that basked on the Georgia coast, reveling in its own peculiarities and giving not a thought to the outside world. He was enchanted and began writing about the city and its people in what would eventually become the non-fiction book Midnight in the Garden of Good and Evil. 

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

EXTENDED AGAIN: Mary Zimmerman’s world-premiere of THE MATCHBOX MAGIC FLUTE at Goodman Theatre February 10 – March 24, 2024

ChiIL Mama’s ChiIL Picks List: Family Friendly Shows On Our Radar

TONY AWARD WINNER MARY ZIMMERMAN MARKS 30 YEARS AS 

MANILOW RESIDENT DIRECTOR WITH HER 18TH GOODMAN PRODUCTION

THE MATCHBOX MAGIC FLUTE

A NEW THEATRICAL ADAPTATION OF MOZART’S OPERA

***MARLENE FERNANDEZ, LAUREN MOLINA, EMILY ROHM, BILLY RUDE AND MORE JOIN THE 21-MEMBER COMPANY OF THE FAMILY-FRIENDLY OPERA IN MINIATURE, APPEARING FEBRUARY 10 – MARCH 24*** 

HIGH DEMAND FOR TICKETS PROMPTS A SECOND EIGHT-PERFORMANCE EXTENSION WEEK FOR MARY ZIMMERMAN’S WORLD-PREMIERE ADAPTATION, THE MATCHBOX MAGIC FLUTE, A FAMILY-FRIENDLY OPERA IN MINIATURE

 Recommended for audiences aged 8+

Goodman Theatre Manilow Resident Director Mary Zimmerman’s newest production, The Matchbox Magic Flute, has extended its run before performances begin. The Tony Award-winning director’s world-premiere-in-miniature adaptation of Mozart’s magical family-friendly opera features a 15-member company (10 actors and five musicians) and marks Zimmerman’s 18th production over a three-decade Goodman artistic affiliation. With dragons, a man who is a bird, trials by fire and water and more, Day and Night do battle in this playful and imaginative hero’s quest—following the adventures of Prince Tamino and Princess Pamina, and revealing that things are not always as they seem. Recommended for audiences aged 8+, The Matchbox Magic Flute appears February 10 – March 24th. Tickets ($25 - $90; subject to change) are available at GoodmanTheatre.org/Flute or by phone at 312.443.3800. Goodman Theatre is grateful for the support of Mayer Brown, LLP (Corporate Sponsor), PAXXUS Inc. (Contributing Sponsor) and Russell Reynolds Associates (Contributing Sponsor).

Rehearsals for The Matchbox Magic Flute, Mary Zimmerman’s world-premiere-in-miniature adaptation of Mozart’s magical, family-friendly opera, are underway with a 21-member company of 16 actors and five musicians. Zimmerman celebrates three decades as Goodman Theatre’s Manilow Resident Director directing her theatrical adaptation of the beloved opera, where Prince Tamino (Billy Rude) embarks on a journey to rescue Princess Pamina (Marlene Fernandez)—the daughter of the Queen of the Night (Emily Rohm)—all with the help of a magical flute. Audiences aged 8+ will enjoy the fantastical characters coming to life in this hero’s quest, revealing that things are not always as they seem. A complete cast list appears below. The Matchbox Magic Flute appears February 10 – March 10 (opening night is Monday, February 19 at 7pm). Tickets ($25 - $90; subject to change) are available at GoodmanTheatre.org/Flute or by phone at 312.443.3800. Goodman Theatre is grateful for the support of Mayer Brown, LLP (Corporate Sponsor), PAXXUS Inc. (Contributing Sponsor) and Russell Reynolds Associates (Contributing Sponsor).

“We’re making something that is a bit of old, and a bit of new,” said Mary Zimmerman, the Tony Award-winning adaptor/director whose first Goodman opera was Galileo Galilei with Philip Glass (2002), and who more recently directed Lucia de Lammermoor (Metropolitan Opera, La Scala) and Armida, la Sonnambula, Rusalka (Metropolitan Opera). “Our process relies on the playful, creative collaboration of everyone involved, and I know I will be inspired by this beautiful, eclectic cast of musical theater artists, opera singers and musicians from different genres. I’m extremely excited to get into the room with this bunch of people.”

Playful and imaginative, it’s big music in a small space. This “matchbox” presentation of The Matchbox Magic follows the adventures of Prince Tamino and Princess Pamina. With dragons, a man who is a bird, trials by fire and water and underground corridors, Day and Night do battle in Mary Zimmerman’s brand-new adaptation.

Full Company of The Matchbox Magic Flute (in alphabetical order)

Adapted and Directed by Mary Zimmerman

Marlene Fernandez…..Pamina

Keanon Kyles……Sarastro

Russell Mernagh…..Monostatos

Lauren Molina……Papagena/Lady

Tina Muñoz Pandya……Lady

Reese Parish…….The Spirit

Shawn Pfautsch…...Papageno

Emily Rohm…..Queen of the Night

Billy Rude….Tamino

Monica West…..Lady

Creative Team

Assistant Director….Nora Geffen

Music Adaptor and Arranger…Amanda Dehnert and Andre Pluess

Music Director….Amanda Dehnert

Sound Designer ….Andre Pluess

Associate Music Director/Conductor….Paul Mutzabaugh

Set Designer…..Todd Rosenthal

Costume Designer ……Ana Kuzmanic

Lighting Designer…..T.J. Gerckens

Wig & Hair Designer….Charles “Chuck” LaPointe

Understudies for this production include Dario Amador-Lage (Tamino), Ann Delaney (Papagena/Lady), Devin DeSantis (Papageno/Monostatos), Holly Hinchliffe (Pamina/Spirit), Nathan Karnik (Sarastro) and Emilie Lynn (Queen of the Night/Lady).

Casting is by Lauren Port, CSA. Patrick Fries is the Production Stage Manager and Beth Koehler is the Stage Manager.

ENHANCED AND ACCESSIBLE PERFORMANCES AT GOODMAN THEATRE

Touch Tour* and Audio-Described Performance: Sunday, March 3, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset.

ASL-Interpreted Performance: Saturday, March 9 at 2pm – Professional ASL interpreter signs the action/text as played.

Spanish-Subtitled Performance: Saturday, March 9 at 7:30pm – An LED sign presents Spanish-translated dialogue in sync with the performance.

Open-Captioned Performance: Sunday, March 10 at 2pm – An LED sign presents dialogue in sync with the performance.

Visit Goodman theatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

EXTENSION WEEK PERFORMANCE SCHEDULE

Tuesday, March 12 at 7:30pm

Wednesday, March 13 @ 7:30pm

Thursday, March 14 @ 2pm

Thursday, March 14 @ 7:30pm

Friday, March 15 @ 7:30pm

Saturday, March 16 @ 2pm and 7:30pm

Sunday, March 17 @ 2pm

EXTENSION WEEK II PERFORMANCE SCHEDULE

Tuesday, March 19 @ 7:30pm

Wednesday, March 20 @ 7:30pm

Thursday, March 21 @ 2pm and 7:30pm

Friday, March 22 @ 7:30pm

Saturday, March 23 @ 2pm and 7:30pm

Sunday, March 24 @ 2pm

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.