Showing posts with label family friendly. Show all posts
Showing posts with label family friendly. Show all posts

Wednesday, July 30, 2025

GOODMAN'S BOOK UP! “THEATER FOR THE VERY YOUNG” (0-5) APPEARS IN 12 CHICAGO PARKS OVER THREE WEEKS, NOW THROUGH AUGUST 10, 2025

 ChiIL Mama's Chi, IL Picks List: FREE Family Friendly Fun

BOOK UP!

Directed by Tor Campbell and Raquel Torre

July 23 – August 10, 2025

(L-R) Madie Doppelt, Kylie Anderson, Robbie Matthew and Jean Claudio

Photos by Justin Barbin

A high-octane outdoor circus spectacle

NEWEST “THEATER FOR THE VERY YOUNG” (0-5)

Goodman Theatre’s summer 2025 “Theater for the Very Young” (TVY) production, BOOK UP!—a high-octane outdoor circus spectacle that invites little ones and their grown-ups to move, play and discover the magic of reading—are now available. Specially made for children aged 0–5 years and their adult friends and family, BOOK UP! is co-directed by Goodman Michael Maggio Directing Fellow Raquel Torre and Northwestern University Directing Fellow Tor Campbell. BOOK UP! will bring its high-flying energy to eight more Chicago parks through August 10. Remaining performances include July 30 (Hale Park/Clearing), July 31 (Hayes Park/Ashburn/Wrightwood), August 2 (Haas Park/Logan Square), August 3 (Marquette Park/Chicago Lawn), August 6 (Homan Square Community Center Park/North Lawndale), August 7 (Brighton Park Community Campus/Brighton Park), August 9 (Portage Park) and August 10 (Oriole Park/Norwood Park). 

(L-R) Kylie Anderson, Robbie Matthew and Madie Doppelt

Two FREE 60-minute performances appear in each park (at 9:30am and 11:30am) and a hands-on workshop immediately follows. Tickets are not required, but registration is encouraged; visit GoodmanTheatre.org/FreeActs. The Goodman is grateful to Kirkland & Ellis, Arts and Community Sponsor for Theater for the Very Young programming.





(Kneeling, L-R) Madie Doppelt and Robbie Matthew. (Aerial) Kylie Anderson

“Think Reading Rainbow meets the circus meets Chicago’s beautiful parks network,” said Jared Bellot, Goodman’s Clifford Director of Education and Engagement. “BOOK UP! is joyful, imaginative and built to meet children exactly where they are—physically, developmentally, and creatively. We believe that live performance has the power to spark curiosity, build connections and foster a lifelong love of storytelling. And by bringing this work directly into neighborhoods across the city, we’re saying every child deserves access to the arts, and every park can be a stage. This is about nurturing early literacy, yes—but it’s also about creating shared moments of wonder and joy for families and communities.”

Jean Claudio

A traveling librarian (Jean Claudio) rolls into town with a magical book cart, ready to spark big imaginations everywhere and beyond! With a little wiggle, a little giggle and a whole lot of wonder, stories leap off the pages through juggling, tumbling, clowning and aerial acrobatics—with Kylie Anderson, Madie Doppelt and Robbie Matthew, all ProTraining alumni of Chicago’s famed Actors Gymnasium. 

BOOK UP! is presented as part of Goodman’s 100 Free Acts of Theater program and the Chicago Park District’s Night Out in the Parks series, both supported by the Mayor’s Office and the Department of Cultural Affairs and Special Events (DCASE). The Night Out in the Parks program presents cultural events year-round in neighborhood parks throughout the city. The Chicago Park District in partnership with 100 local artists and organizations, presents engaging events and performances that enhance quality of life across Chicago and amplify the artistic and cultural vibrancy in every neighborhood. Through multiple disciplines, which include theater, music, movies, dance, site-specific work, nature programs, and community festivals, the series aims to support Chicago-based artists, facilitate community-based partnerships and programs, cultivate civic engagement, and ensure equity in access to the arts for all Chicagoans. www.nightoutintheparks.com.

(Right) Jean Claudio


Full Company of BOOK UP!

Directed by Tor Campbell and Raquel Torre

Created by Raquel Torre, Originally Devised by La Vuelta


Kylie Anderson…Kid 1/Teaching Artist

Jean Claudio…Librarian/Teaching Artist

Maddie Doppelt…Kid 3/ Teaching Artist

Robbie Matthew…Kid 2/Teaching Artist/US Librarian

Robbie Matthew

Creative Team

1st Line Producer…Jared Bellot

2nd Line Producer…Raquel Torre

Production Manager…Claudette Przygoda

Set Designer…Alyssa Mohn

Scenic Builder…Luke Lemanski

Costume Designer…Ben Argenta Kress

Composer & Sound Designer…Justin Cavazos

Casting Director...Lauren Port, CSA

Production Associate…Jojo Wallenberg

Production Assistant & Circus Rigger…Glenna Broderick

(L-R) Robbie Matthew, Kylie Anderson and Madie Doppelt


ABOUT 100 FREE ACTS OF THEATER

An unprecedented citywide event spanning Goodman Theatre’s Centennial 2025/2026 Season, 100 Free Acts of Theater activates all 50 wards of Chicago. The Goodman partners with local organizations to amplify existing creative programming and collaborate on new efforts—from performances to special events to community engagement offerings—to celebrate the city’s rich cultural landscape and honor the communities that have inspired and supported Chicago’s flagship resident theater over the past 100 years. Each Act, developed in close collaboration and in tune with that partner organization’s mission, is programmed to take place at destinations in its community. Produced in partnership with the Department of Cultural Events and Special Affairs (DCASE), all 100 Acts are offered FREE with participation open to Chicagoans of all ages and backgrounds. Together, DCASE and The Goodman help provide resources to make each Act possible—including but not limited to artistic personnel, tech support, assistance with marketing/publicity and more. Allstate Insurance Company is additionally a Corporate Sponsor Partner for 100 Free Acts of Theater. The first quarter of Free Acts is now live; additional Acts will be announced as the Centennial Season continues. Visit GoodmanTheatre.org/FreeActs for more information.


ABOUT CHICAGO DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS 

The City of Chicago Department of Cultural Affairs and Special Events (DCASE) supports artists and cultural organizations, invests in the creative economy, and expands access and participation in the arts throughout Chicago’s 77 neighborhoods. As a collaborative cultural presenter, arts funder, and advocate for creative workers, our programs and events serve Chicagoans and visitors of all ages and backgrounds, downtown and in diverse communities across our city—to strengthen and celebrate Chicago. DCASE produces some of the city’s most iconic festivals, markets, events, and exhibitions at the Chicago Cultural Center, Millennium Park, and in communities across the city—serving a local and global audience of 25 million people. The Department offers cultural grants and resources, manages public art, supports TV and film production and other creative industries, and permits special events throughout Chicago. For details, visit Chicago.gov/DCASE and stay connected via our newsletters and social media.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. 

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the unceded homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten and remains home to many Native peoples today. The Goodman is proud to have a relationship with Gichigamiin Indigenous Nations Museum. Located in Evanston, the Museum honors the survival and perseverance of Indigenous communities and promotes a greater understanding of Indigenous peoples: gichigamiin-museum.org.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Marsha Cruzan is Chair of Goodman Theatre’s Board of Trustees, Diane Landgren is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

 (Above) Kylie Anderson. (Below) Robbie Matthew

Friday, July 11, 2025

FREE: CABINET OF CURIOSITY PRESENTS “KAZOOZAPALOOZA: PEDAL POWERED PROGRAM YEAR 4: THE BLACK MAN FROM MACON” July Through September 2025

ChiIL Mama's Chi, IL Picks List: FREE Family Friendly Fun

CABINET OF CURIOSITY PRESENTS “KAZOOZAPALOOZA: PEDAL POWERED PROGRAM YEAR 4: THE BLACK MAN FROM MACON”

Images of Cabinet of Curiosity past events courtesy of Cabinet of Curiosity.

 This Musical, Interactive Celebration of the Man Behind the Kazoo, Alabama Vest, is FREE with Locations at Boler Park (July 26), Marquette Park (August 9), and Navy Pier (September 20) 

Cabinet of Curiosity presents “Kazoozapalooza Pedal Powered Program Year 4: The Black Man from Macon” beginning  July 26 at 1 p.m. to  2:30 p.m. at Boler Park and continues with two additional events at Marquette Park and Navy Pier (full details below).  This bike-powered spectacle is presented in collaboration with Working Bikes, the School of the Art Institute, the Homan Square Neighborhood Association, the Chicago Climate Action Museum, the Lawndale Pop-Up Spot, and the Chicago Park District. All events are free, for more information go to www.cocechicago.com.

“Kazoozapalooza Pedal Powered Program Year 4: The Black Man from Macon,” is an outdoor interactive and participatory show written by Frank Maugeri, Lynne Jordan, Brandon Boler, Samarem Diaz-Negrete and Alexis Willis with illustrations by Mandy Newham-Cobb and engineered objects by Dustan Creech and Tom Robinson, and original music by Lynne Jordan, Gordon Middleton and Chicago saxophone player Michael Jackson. This bike-powered panoramic celebratory spectacle shares the visual tale of Alabama Vest, the inventor of the Kazoo. Each guest receives a free kazoo and is invited to contribute to the show's musical score. Early attendees are invited to attend a S.T.E.A.M. workshop, where guests, young and old, can engineer their own mechanical, illustrated story. 

Kazoozapalooza Pedal Powered Program events include:

Boler Park

3601 W. Arthington St.

Saturday, July 26 from 1 -  2:30 p.m.

Free


Marquette Park

6743 S Kedzie Ave, Chicago IL 60629

Saturday, August 9 from 1 -  2:30 p.m,

FREE 


Chicago Live! At Navy Pier

600 E. Grand Avenue, Chicago, IL 60611

Saturday, September 20, 3:30p.m, with a bubble parade prior

FREE with a live performance by Lynne Jordan and band members

The primary collaborators for  “Kazoozapalooza Pedal Powered Program Year 4” include Lynne Jordan (primary collaborator), Gordon Middleton (songwriter), Brandon Boler (community collaborator), Dustan Creech (engineer), Tom Robinson (engineer), Alexis Willis (performance actress), Mandy Newhan-Cobb (illustrator), Frank Maugeri (Cabinet artistic director), Samarem Diaz-Negrete (Cabinet associate artistic director) and Dayna Calderon (parks district rep). School of Celebration Summer 2025 students include Thanh Do, Lucca Duston, Nocturne Best and Olivia Gibson. Band members include Michael Jackson, Raymond Glower, Brady Williams, and Matthew Skoller.


ABOUT CABINET OF CURIOSITY

Cabinet of Curiosity (Cabinet) expertise and mission lies in interactivity, immersion, ritual composition, community building, and collaboration between artists and community members of various skill levels and mediums. Cabinet of Curiosity focuses on creating new types of experiences, gatherings, ceremonies, and rituals which promote community and interactivity amongst people who may not usually mix. Cabinet is composed of diverse project-by-project collectives who authentically collaborate on original celebrations and productions. Cabinet uses sophisticated puppetry and handmade devices to develop unique interactive experiences, productions, and events. The company supports multicultural professionals in the field of theater, visual arts, dance, sculpture, and music, while mindfully training high school and college-age apprentices to become the future creators of new, meaningful rituals. All the objects and devices created by Cabinet are engineered to expose their mechanical operations, so they are simultaneously educational, informative, and magical. Cabinet embraces commissions that require unique elements of ritual, ceremony, procession, and pageantry. These commissions create funding that establishes an innovative revenue stream, reducing the responsibility of sustainability from the board, audience, and foundations, trains apprentices through a unique scholarship apparatus, builds community, and funds our free and significantly discounted public work. Cabinet is committed to social engagement — both grand and intimate, with its purpose to promote curiosity, community, and culture.


Monday, February 26, 2024

Music Theater Works Presents The 25th Annual Putnam County Spelling Bee March 7 - 31st, 2024

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MUSIC THEATER WORKS ANNOUNCES THE CAST AND CREATIVE TEAM FOR 

THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE

MARCH 7 - 31, AT THE NORTH SHORE CENTER FOR THE PERFORMING ARTS IN SKOKIE


Perfect for All Ages, with Adult Only Performances, Spelling Bee Invites Audiences to Join This Group of Unique and Dedicated Students as they Compete for the Spelling Bee Championship in this Hilarious Musical 

Tickets Only $25 for those Younger than 25 Years Old.

Music Theater Works is proud to announce the cast and creative team for the first production of its 2024 season, The 25th Annual Putnam County Spelling Bee, in the North Theatre at the North Shore Center for the Performing Arts In Skokie, 9501 Skokie Blvd, Skokie, March 7 - 31. The 25th Annual Putnam County Spelling Bee, conceived by Rebecca Feldman, additional material by Jay Reiss, music and lyrics by William Finn and book by Rachel Sheinkin, is directed and choreographed by Christopher Pazdernik, assistant directed and choreographed by Keely Vasquez and music directed by Michael McBride. The schedule includes a preview performance Thursday, March 7 at 7:30 p.m. I'll be out for the press opening March 8th so check back soon for my full review. 

The performance schedule is Fridays and Saturdays at 7:30 p.m., Wednesdays at 2 p.m., Saturday, March 16 at 2 p.m., and Sundays at 2 p.m. The two performances: Saturday, March 23 and March 27 at 7:30 p.m., are for guests 18 years old and above as words spelled will be of an adult nature and may not be suitable for children.Tickets are now on sale from $39 to $106 with tickets for guests 25 years old and younger available at half-price at MusicTheaterWorks.com or by calling the Music Theater Works box office at the North Shore Center, 847.673.6300. Group discounts are also available for groups of 10 or more by contacting 847.920.5360.

Winner of the Tony and the Drama Desk Awards for Best Book, The 25th Annual Putnam County Spelling Bee has won the hearts of theatergoers across the country with its mix of wit, wills, and audience participation. Join this group of unique and dedicated students as they compete for the spelling bee championship that celebrates the pursuit of the ultimate prize while finding the joy of being oneself.

The cast of The 25th Annual Putnam County Spelling Bee includes Neala Barron (she/her, Rona Lisa Peretti); Zach Kunde (he/him, Douglas Panch); Michael Davis Arnold (he/him, Mitch Mahoney); Will Koski (he/him, William BarfĂ©e); Rachel Guth (she/her, Olive Ostrovsky); Jamie Dillon Grossman (she/her, Logainne  Schwartzandgrubenierre); Mai Hartwich (she/her, Marcy Park); Joe Lewis (he/him, Leaf Coneybear) and Brandon Acosta (he/him, Chip Tolentino). The understudies include Joselle Reyes (she/her, Marcy/Olive U/S); Kevin Parra (he/him, Leaf/Chip U/S); Dane Strange (he/him, Barfee/Mitch U/S); Lilli Galuzzo (she/they, Logainne/Rona U/S) and Bryson Howard (he/him, Panch U/S). 

The 25th Annual Putnam County Spelling Bee’s creative team is Christopher Pazdernik (any with respect, director/choreographer); Keely Vasquez (she/her, assistant director and assistant choreographer); Michael McBride (he/him, music director); Amber Wuttke (she/her, fight & intimacy choreographer); Allison Gonzales (she/her, stage manager); Ethan Colish (he/him, assistant stage manager); Ben Lipinski (he/him, scenic designer/paint charge); Ab Rieve (they/them, props designer); Kristen Brinatti (she/her, costume designer); Melanie Saso (she/her, asst. hair, wig and makeup designer); Levi K. Wilkins (he/him, lighting designer); Forrest Gregor (he/him, sound designer) and Andersonville Scenic Studios (scene shop).

ABOUT CHRISTOPHER PAZDERNIK, DIRECTOR/CHOREOGRAPHER

Christopher Pazdernik returns to Music Theater Works after making his debut with 2023’s Avenue Q. Pazdernik is best-known for his work as artistic director of Refuge Theatre Project (Jeff Awards, Best Director and Best Production of a Musical, High Fidelity); a long association with Porchlight Music Theatre--including directing eight Porchlight Revisits productions; three years of directing Who's Holiday at Theater Wit and his current role as producing director at Theo. Also an openly HIV+ artist, Pazdernik is the creator and producer of the benefit concert “Belting for Life” and co-captain of Team Option Up! for AIDS Run/Walk Chicago.

ABOUT KEELEY VASQUEZ, ASSISTANT DIRECTOR/CHOREOGRAPHER

Keely Vasquez is an actor, singer, teacher and voiceover artist.  Recent acting credits include: Dear Evan Hansen (First National tour), Spamalot (Mercury Theater Chicago) and Next to Normal (Writers Theatre). Other Chicago theatrical credits include shows at Porchlight Music Theatre, Drury Lane Oakbrook Theatre, Goodman Theatre, Paramount Theatre, Marriott Lincolnshire Theatre and The Broadway Playhouse. She has served as casting associate for Mercury Theater Chicago since 2021. For nearly a decade, she toured the world singing with Barry Manilow. 

ABOUT MICHAEL MCBRIDE, MUSIC DIRECTOR

Dr. Michael McBride is a Jeff Award-winning music director, internationally-performed composer, performer and educator. He is excited to return to Music Theatre Works after music directing Lerner & Loewe’s Brigadoon and Billy Elliot. Credits include Big Fish (Boho Theatre, Jeff Award); Revolution(s) (Goodman Theatre); Grease (Drury Lane Theatre); The Scarlet Pimpernel (Engeman Theatre, NY); Rent, New Faces Sing 1951, PorchlightPalooza, Broadway by the Decade (Porchlight Music Theatre); Passing Strange (Theo Ubique); 49th Annual Jeff Awards Ceremony; Ain’t Misbehavin’, The Robber Bridegroom, Jesus Christ Superstar, The 25th Annual Putnam County Spelling Bee, Pippin,What a Wonderful World (workshop), Man of La Mancha, Mamma Mia, Into The Woods, The Little Mermaid (Timber Lake Playhouse); The Boys and the Nuns (composer & MD), Fun Home, Violet, Cabaret, Tintypes, She Loves Me, Spring Awakening, Hot Mikado, Urinetown, Into the Woods (Loyola University Chicago); The Christmas Foundling (composer and music director; Pride Arts Center); Footloose (Wallace Bowl); The Drake Hotel holiday programming and The Cabaret Project in Chicago, St. Louis and Lake Geneva. He is proud to be music director at A Church 4 Me MCC in Chicago. Having earned a DM in composition from Northwestern University, He has served on faculty of Northwestern University, Loyola University Chicago and North Park University where he is a visiting assistant professor.

MUSIC THEATER WORKS 2024 SEASON

Subscriptions are now available at MusicTheaterWorks.com for its 44th season including 25th Annual Putnam County Spelling Bee, March 7 – 31, 2024, followed by Carousel, August 8 – August 18, 2024, Little Shop of Horrors, October 24 – November 17, 2024 and concludes with Legally Blonde: The Musical, December 19 – 29, 2024. All performances are at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd. Single tickets go on sale for the 2024 Season Tuesday, Jan. 23 at 12 p.m. 

ABOUT MUSIC THEATER WORKS

Music Theater Works is a resident professional not-for-profit music theater founded in 1980. During its 44-year history it has presented more than 150 productions and intimate presentations. Music Theater Works is a professional theater company whose mission is to present works for the musical stage including historic repertoire, revitalizing the Golden Age of Broadway and earlier works, celebrating the Great American Songbook and introducing modern classics. 

JOYCE SAXON is the 2024 Music Theater Works Season Sponsor.


Preview: Thursday, March 7 at 7:30 p.m. 

Opening Night Performance: Friday, March 8 at 7 p.m. 

Saturday, March 9 at 7:30 p.m.

Sunday, March 10 at 2 p.m. (Post Show Discussion: Behind the Scenes with Tom Shea)

Wednesday, March 13 at 2 p.m.

Friday, March 15 at 7:30 p.m.

Saturday, March 16 at 2 p.m.

Saturday, March 16 at 7:30 p.m. 

Sunday, March 17 at 2 p.m. (Post Show Discussion: Behind the Scenes with Tom Shea)

Wednesday, March 20 at 2 p.m.

Friday, March 22 at 7:30 p.m.

Saturday, March 23 at 7:30 p.m. (Adults Only) *

Sunday, March 24 at 2 p.m.

Thursday, March 28 at 7:30 p.m.

Friday, March 29 at 7:30 p.m.

Saturday, March 30 at 7:30 p.m. (Adults Only) *

Sunday, March 31 at 2 p.m. 

Tickets: $39 to $106, tickets for guests 25 years old and younger are available for half-price.

Music Theater Works Box Office: (847) 673-6300

Website: MusicTheaterWorks.com

Sunday, February 18, 2024

REVIEW of Paramount Theatre’s Striking Billy Elliot: The Musical Now Playing Through March 24, 2024

ChiIL Mama’s ChiIL Picks List: 

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Paramount Theatre's 
Billy Elliot: The Musical 
Michelle Aravena (right, with cigarette) plays Mrs. Wilkinson, a ballet teacher who sees unusual talent in a young British boy named Billy (Neo Del Corral, center). 
All production photos by Liz Lauren.

Inspired new production of the coming-of-age tale 

directed by Trent Stork

February 7-March 24, 2024


REVIEW:

By Bonnie Kenaz-Mara

Before miners or dancers ever step foot on the stage, the sheer magnitude of Paramount Theatre’s Billy Elliot set is sure to impress. With its towering iron scaffolding, towers and wheels, this gritty landscape provides the perfect backdrop for Paramount's blue collar Cinderella story. Billy Elliot comes from generations of overworked, underpaid English coal miners with few options. These hard headed brawlers are often the stereotype of toxic masculinity, but under those hard hats, there's fierce loyalty and community pride. When a year long strike creates financial woes, clashes with the police turn violent and neighbors are pitted against one another as some cross the picket line as scabs. 

Ron E. Rains (center, left) is Dad and Spencer Milford (right) is his son, Tony, leading coal miners on strike in a rural town in 1984 England in 
Billy Elliot: The Musical


In the midst of this stress and upheaval, young Billy Elliot, who has recently lost his mom, accidently discovers a passion for ballet. It's a hard sell to his family and friends, but his raw talent is recognized, and finally even the skeptics are willing to pitch in to help him follow his dreams, get trained, and rise above a dying town, where fossil fuel mining is going the way of the dinosaurs.  
Sam Duncan (aloft) plays Billy and Christopher Kelley is Older Billy in Billy Elliot: The Musical. Note: Sam shares the role of Billy with Neo Del Corral. 
Billy (Neo Del Corral, center) rehearses with his ballet teacher, Mrs. Wilkinson (Michelle Aravena, right) and Mr. Braithwaite, accompanist for Mrs. Wilkinson’s ballet class, (Dakota Hughes, left). 

Here at ChiIL Mama, we couldn't love Paramount's production more. The casting is world class, and the entire confluence of creativity in choreography, lighting, sound, costumes, and set design is superb. This cast just kills it, and there isn't a weak link in the bunch. By the closing number there were few dry eyes in the place, and a rousing standing ovation erupted without coaxing. 

Billy (Sam Duncan, right) and Michael (Gabriel Lafazan) perform “Expressing Yourself” in Billy Elliot: The MusicalNote: Sam shares the role with Neo Del Corral. 

ChiIL Tips: Come early and grab dinner in Aurora. Free street parking is easier to find if you're early and great restaurants are plentiful. We've tried at least 5 different places for pre-show food and drinks so far, and would happily return to any one of them.

As you leave Billy Elliot: The Musical, you may find yourself singing earworm "Solidarity" for days after, but this show's excellent message of inclusion, community, support, and transcending differences is one worth remembering. Paramount's Billy Elliot: The Musical is not just memorable but remarkable.  Don't miss this.  

★★★★ Four out of four stars. Highly Recommended. 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

Combating prejudice with dance: Paramount Theatre 
rings in the new year with 
Billy Elliot: The Musical

Sam Duncan (center, back to camera) plays the title role in Billy Elliot: The MusicalNote: Sam shares the role with Neo Del Corral. 

February 7-March 24, 2024

Do what you love no matter what other people think. That’s the message that leaps from the stage in Billy Elliot: The Musical, originally nominated for 15 Tony Awards and a winner of ten, including Best Musical. 

Meet Billy Elliot, an 11-year-old English boy who stumbles upon a ballet class during his weekly boxing lesson. His surprise love for dance must be hidden at all costs, especially from his coal miner father. With help from his sharp-tongued teacher, Mrs. Wilkinson, Billy gets the chance to attend a prestigious ballet school and must decide what is most important: doing what he loves or doing what other people want. 

Paramount Theatre rings in 2024 with an inspired new production of this popular coming-of-age tale, set to the music of Elton John, book and lyrics by Lee Hall, directed by Trent Stork. Performances are February 7-March 24, 2024. 


Trent Stork

Director Trent Stork, Paramount’s Artistic Producer and Casting Director, won their first Jeff Award, Director-Musical-Large, in 2022 for Paramount’s Kinky Boots. Stork also helmed Paramount’s current holiday season blockbuster, the Chicago Regional Premiere of Charlie and the Chocolate Factory, along with last season’s School of Rock, and Into the Woods with co-director Jim Corti. 

Stork has assembled another stellar design and production team, on point to create a dazzling night of theater: Isaiah Silvia-Chandley, choreographer; Kory Danielson, music director, conductor and music supervisor; Michelle Lilly, scenic designer; Izumi Inaba, costume designer and wig, hair and makeup designer; Greg Hofmann, lighting designer; Adam Rosenthal, sound designer; Mike Tutaj, projection designer; Jesse Gaffney, properties designer; Ethan Deppe, electronic music designer; Susan Gosdick, dialect coach; John A. Tovar, fight director; Max Fabian, intimacy director; Devon Hayakawa, dramaturg; Amanda Raquel Martinez, associate director; Alex Mitchell, associate choreographer; Cameron Tragesser, associate music director and associate conductor; Jinni Pike, stage manager; Maegan Burnell and Lanita VanderSchaaf, assistant stage managers; and Bailey O’Neil and Madeline Scott, young performer supervisors.

Neo Del Corral performs the title role in Billy Elliot: The Musical

Billy Elliot: The Musical, based on the 2000 film, features music by Elton John. Book and lyrics are by Lee Hall, who also wrote the film's screenplay, inspired in part by A. J. Cronin's 1935 novel about a miners' strike in North East England, “The Stars Look Down.” The musical premiered at the Victoria Palace Theatre in London's West End in 2005 and was nominated for nine Laurence Olivier Awards, winning four, including Best New Musical. The production ran through April 2016. Its success led to productions in Australia, Broadway, and numerous other countries. In New York, it won ten Tony Awards and ten Drama Desk Awards, including, in each case, Best Musical. It was originally directed by Stephen Daldry. Orchestrations are by Martin Koch.

Sam Duncan (left) plays Billy and Christopher Kelley is Older Billy

Times, dates and ticket information

Previews start Wednesday, February 7, 2024 at 7 p.m. Opening Night is Friday, February 16 at 8 p.m. Performances run through March 24: Wednesdays at 1:30 p.m. and 7 p.m.; Thursdays at 7 p.m.; Fridays at 8 p.m.; Saturdays at 3 p.m. and 8 p.m.; Sundays at 1 p.m. and 5:30 p.m. Run time is approximately 2 hours 30 minutes with intermission.

Paramount Theatre is located at 23 E. Galena Blvd. in downtown Aurora. For tickets and information, visit paramountaurora.com, call (630) 896-6666, or stop by the Paramount box office Monday through Saturday, 10 a.m. to 6 p.m., and until show time on show days. For group discounts, contact Melissa Striedl, melissas@paramountarts.com or (630) 723-2461. 

Pay What You Can Performances

Paramount will offer two Pay What You Can performances of Billy Elliot: Thursday, February 8 at 7 p.m., and Saturday, February 10 at 3 p.m. Both days, starting at 10 a.m., visit the Paramount box office in-person to request tickets. Limit four per person. Subject to availability. See paramountaurora.com/pay-what-you-can for details. 

Access Services

Paramount offers assistive listening devices free of charge at all performances. Check in at the coat room before the show to borrow a listening device.

Paramount will offer open captioning on Thursday, March 21 at 7 p.m., and American Sign Language interpretation on Friday, March 22 at 8 p.m.

If you require wheelchair or special seating or other assistance, please contact the box office at (630) 896-6666 or boxoffice@paramountarts.com in advance.

Sponsors

Billy Elliot: The Musical is sponsored by Clear Perspective Advisors. Paramount Theatre Broadway Season sponsors are the Dunham Foundation, the City of Aurora, BMO, ComEd and the Illinois Arts Council. 

Paramount Theatre is located at 23 E. Galena Blvd. in downtown Aurora. Single tickets are $28-$79. For tickets and information, visit paramountaurora.com or call (630) 896-6666. For the latest updates, follow @paramountaurora on Facebook and Instagram, and Paramount Theatre on LinkedIn. 

Michelle Aravena (center) plays Mrs. Wilkinson, a ballet teacher who sees unusual talent in a young boy named Billy, (Sam Duncan, right) in Billy Elliot: The MusicalNote: Sam shares the role of Billy with Neo Del Corral. 


I'll always hold a soft spot for Billy Elliott, since it was the first Broadway touring production I ever reviewed reviewed for ChiILMama.com, back in 2010. My family was invited behind the scenes, to meet the four boys playing Billy on the national tour, and I got to bring my children to their first Broadway musical, at the ripe old ages of 7 and 9. I've been reviewing theatre ever since and couldn't love it more. 


      My daughter Sage, Daniel, my son Dugan, and Billy Elliot -- AKA:  J.P. Viernes

Speaking of coming of age stories... Fourteen years later, these littles are now 20-22 year olds and my son has a theatre degree from Northwestern University! You never know how early exposure to theatre arts will grow. 


Places please: 

Behind the scenes of Paramount’s Billy Elliot: The Musical 

Performing the title role requires a “triple-threat” young performer who can act, sing and is a highly-trained ballet dancer. Paramount has found their Billy, two of them in fact, Neo Del Corral and Sam Duncan, who will alternate in the role. 

Paramount's Billy Elliot: The Musical will feature “triple-threat” actors/singers/dancers Neo Del Corral (left) and Sam Duncan alternating in the role of Billy.


Jennie Sophia (right, standing) plays Billy’s late Mum, Michelle Aravena(center) is Billy’s ballet teacher, Mrs. Wilkinson, and Neo Del Corral (left) plays Billy. 

Neo Del Corral performs the title role in Billy Elliot: The Musical

Jennie Sophia (left) plays Billy’s Mum, and Neo Del Corral plays Billy in Billy Elliot: The Musical. Note: Neo shares the role with Sam Duncan.

Del Corral, a veteran dancer at Miami City Ballet, has played Billy in productions in Florida and California. Duncan, from Connecticut, making his Billy debut, has many credits including John in Fun Home, the young prince in Public Theatre’s Richard III, plus TV appearances on Saturday Night Live and What We Do in the Shadows.

Sam Duncan (center, back to camera) plays the title role in Billy Elliot: The MusicalNote: Sam shares the role with Neo Del Corral. 

Sam Duncan (aloft) plays Billy and Christopher Kelley is Older Billy

Sam Duncan (center) plays Billy 

Sam Duncan (right) plays Billy and Ron E. Rains is Dad

Billy (Sam Duncan, right) spins Michael (Gabriel Lafazan) upside down in 
“Expressing Yourself” 

Principal cast members include (top, from left) Michelle Aravena (Mrs. Wilkinson), Ron E. Rains (Dad), (bottom) Barbara Robertson (Grandma) and Spencer Milford (Tony).


Michelle Aravena (center) plays Mrs. Wilkinson, a ballet teacher who sees unusual talent in a boy named Billy in Billy Elliot: The Musicalplaying now through March 24 at Paramount Theatre in downtown Aurora. Photo credit: Liz Lauren

Youth performers are Gabriel Lafazan (Michael), Omi Lichtenstein and Elin Joy Seiler (rotating as Debbie), Charlie Long and Archer Geye (rotating as Tall Boy/Posh Boy), Levi Merlo and Eli Vander Griend (rotating as Small Boy), Ava Barabasz and Nina Poulimas (rotating as Angela Robson), Maya Keane and Meena Sood (rotating as Julie Hope), Avelyn Choi and Asha Dale Hopman (rotating as Keeley Gibson), Jojo Nabwangu and Willa Zatzenbloom (rotating as Margaret Gormley), Annabel Finch and Katie Romanski (rotating as Sharon Percy), Alexandria Rose Bell and Kavia Suri Kakodkar (rotating as Susan Parks), and Jordyn Helvie and Piper Sobel (rotating as Tracey Atkinson).

The ensemble (at press time) features Brian Bandura, Lydia Burke, Joe Foust, Neil Friedman, Nathan Gallop, Jared David Michael Grant, Dakota Hughes, Brian Hupp, Conor Jordan, Christopher Kelley, Chris Khoshaba, Kevin Kuska, Michael Earvin Martin, Matt Miles, Liz Pazik, Concetta Russo, Jennie Sophia and Matthew Weidenbener. 

It’s 1984 in rural England, and coal miners are on strike in Billy Elliot: The Musical
playing now through March 24 at Paramount Theatre in downtown Aurora. 

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