Showing posts with label Sean Graney. Show all posts
Showing posts with label Sean Graney. Show all posts

Wednesday, February 1, 2017

ChiIL Mama's Chi, IL Picks List: Chicago Children's Theatre's Smash Hit THE HUNDRED DRESSES

BACK FOR A NEW GENERATION OF KIDS; 
FUN, FUNKY MUSICAL WITH ANTI-BULLYING THEME 
RUNS THROUGH FEB. 12, 2017 
AT THE RUTH PAGE
(Ideal For Ages 6+)


Chicago Children's Theatre's smash hit anti-bullying musical
The Hundred Dresses is currently running through Feb. 12 
at the Ruth Page Center for the Arts, 1016 N. Dearborn St., Chicago. 
Tickets and info: chicagochildrenstheatre.org or call (872) 222-9555

 all photos by Charles Osgood


Here at ChiIL Mama, we've been ardent fans of Chicago Children's Theatre since its launch in 2005. My kids were 2 and 4 year old toddlers then and they've grown up with Chicago Children's Theatre. CCT is truly a staple of Chicago's family friendly theatre scene with world class productions that parents enjoy as much as their children. Over the years CCT has cemented its reputation as the city's largest professional theater company devoted exclusively to children and young families. 


The Hundred Dresses
We've adored this all-time favorite since Chicago Children's Theatre first presented The Hundred Dresses back in 2009. This smash hit musical is about a young girl who struggles with bullying and learns what it takes to stand up to others - even when you're standing alone.



 
My son (8) and daughter (6) enjoying the pre-show coloring in the lobby. 


Signed programs became a treasured keepsake.



Check out my Jr. Critic Kids, Dugan (8) & Sage (6) enthusiastically getting their programs signed after the show. We even bought the book and read it as a family after the kids loved the 2009 production so much.



Adapted and created by Ralph "Ralph's World" Covert and G. Riley Mills, the original 2009 world premiere was one of Chicago Children's Theatre's biggest hits ever, prompting the Chicago Tribune to proclaim CCT had "delivered on its promise to elevate the experience of children's theater in this city."

Now The Hundred Dresses is back, directed again by Sean Graney, artistic director of The Hypocrites (another of our favorites here at ChiIL Mama & ChiIL Live Shows!!), and it's ready to engage a whole new generation of Chicago children with its funny, touching story, prankster school boy characters, girls in a rainbow of dresses, high-energy rock music, and fun, creative choreography, all tied together with a poignant and timely anti-bullying message.

Meet Wanda Petronski, the new girl in school. Wanda talks with a funny foreign accent and wears the same faded blue dress to school every day. Yet she swears her closet back home is lined with 100 beautiful silk dresses. Still, the "mean girls" at school pick on Wanda relentlessly. And those who stand by silently soon learn that doing nothing can be the worst form of bullying of all.

Based on Eleanor Estes' timeless children's novel, Chicago Children's Theatre's smash hit The Hundred Dresses takes audiences of all ages on a fun, funny, heartwarming musical journey that explores the bonds of friendship and the courage to be yourself. 

Performances run through February 12, 2017 at the Ruth Page Center for the Arts, 1016 N. Dearborn St., Chicago. Show times are Tuesdays through Friday at 10 a.m., Saturdays at 11 a.m., 2 p.m. and 6 p.m., and Sundays at 11 a.m. and 2 p.m.

The Hundred Dresses runs approximately one hour and is ideal for ages 6 to adult. Single tickets are $10-$39. For tickets and information, visit chicagochildrenstheatre.org or call (872) 222-9555.

Chicago Children's Theatre's performance home, the Ruth Page Center for the Arts, is convenient to public transportation, surrounded by family-friendly restaurants and located just steps from the Magnificent Mile. 

CCT also offers discounted group rates for schools, playgroups, birthday parties and scouting groups. Email GroupSales@chicagochildrenstheatre.org or call 
(773) 227-0180 x 15 to learn more.


Access Weekend for The Hundred Dresses
Access Weekend for The Hundred Dresses is Saturday and Sunday, February 4 and 5, with services for persons with disabilities integrated into public performances. These include:

Live open captioning for guests who are deaf or hard of hearing:

Sensory friendly performance with quiet room for children on the autism spectrum or with Down Syndrome: 

Click here to register for a free touch tour of The Hundred Dresses during our next Access Weekend: February 4-5.

For more information about access services, visit chicagochildrensteatre.org/access or contact access administrator Alex Mauney at cmauney@chicagochildrenstheatre.org.




Behind-the-scenes: Chicago Children's Theatre's  The Hundred Dresses

Chicago Children's Theatre premiered The Hundred Dresses in 2009 at the Royal George Theatre to unanimous critical acclaim and numerous sold out houses. The musical was revived in 2011 due to popular demand at the North Shore Center for the Performing Arts in Skokie. Time Out New York Kids hailed its subsequent 2012 off-Broadway run at Atlantic Theater Company "an emotional tour de force that takes on childhood prejudice, bullying, insecurity and the poignant awakening of conscience with sensitivity and panache." The play was published by Dramatic Publishing and has since been performed at theaters for young audiences, high schools and colleges throughout the U.S.

"From a pure entertainment perspective, The Hundred Dresses delivers on all counts - a beloved children's story told in a whole new way by an amazing cast, a funky rock 'n roll score, fantastic choreography, eye candy costumes and top-notch production value all around," said Jacqueline Russell, Artistic Director, Chicago Children's Theatre. 

"At the same time, the play's core anti-bullying message strikes an undeniable chord with children, parents and educators. As a theater devoted to tackling important social issues impacting youth today, we think The Hundred Dresses is the ideal production to introduce our work to a new generation of Chicago children and families."

The cast for The Hundred Dresses features Emily Berman (Wanda), Christine Bunuan (Maddie), Danielle Davis (Miss Mason), Donterrio Johnson (Jack), Matt Kahler (Jan/Old Man Svenson), Nik Kmiecik (Willie Bounce), Dana Omar (Cecile) and Erin O'Shea (Peggy).

The production team includes Andra Velis Simon, arranger/music director; Tommy Rapley, choreographer;John Musial, set; Samantha Jones, costumes; Heather Gilbert, lights; Ray Nardelli, sound; and Mealah Heidenreich, props. Production stage manager is Katrina Hermann. Assistant stage manager is Andi Sturtevant.

Ralph Covert (playwright, composer, lyricist) is best known best to parents and children as the creator of Ralph's World, the mega-fun musical planet where kids rock rock rock and dance dance dance to their own and their parents' delight. Covert came to public attention with his first rock 'n' roll band, longtime Midwestern faves The Bad Examples. He was also teaching contemporary songwriting at the time at the venerable Old Town School Of Folk Music when he became a father. Then Education Director Jacqueline Russell, who today is the Artistic Director of Chicago Children's Theatre, asked Covert to handle some Wiggleworms toddler sessions on his own terms, i.e., no musical compromises save for the lyrics. The result is a treasure trove of music that parents and their children can equally love. There are eight compact discs of Ralph's World music on Disney Sound plus the award-winning Say Hello DVD (Parenting Magazine's 2003 Video of the Year) and Bar/None's All Around Ralph's World. Covert's national media appearances for Ralph's World include NPR's All Things Considered, ABC World News Tonight, The CBS Morning Show, and Sirius XM Kids Radio New Year's Eve broadcast. His praise in print includes The New York Times, Newsweek, Time, People and Parade. He has four published books as a children's author, and also serves with several national educational initiatives. Visit ralphsworld.com for his children's music and waterdogmusic.com for his grown-up rock.

G. Riley Mills (playwright and lyricist) has written for the professional theater since 1987. He and Ralph Covert have twice been awarded Jeff Citations for Best New Work (1998 and 2001). Together they have two published books: Sawdust and Spangles (2007 NAPPA Honor Award winner) and A Nutty Nutcracker Christmas. Other Chicago productions include Death and Devils (Polarity Ensemble Theatre), Raising Blue (Prop Thtr), Streeterville (TimeLine Theatre Company) and The Great Egress (Mary-Arrchie). Mills is cofounder of the Chicago-based global communications training company Pinnacle Performance Company, and teaches effective communication to executives and CEOs across the globe. He co-founded the not-for-profit company called The Bookwallah Organization (bookwallah.org) that collects and distributes children's books to orphanages across the world.

Sean Graney's (director) previous Chicago Children's Theatre directing credits include Honus and Me and Hana's Suitcase. He is the Artistic Director and Founder of The Hypocrites, where his most recent project was directing Cinderella at the Theater of Potatoes by Andra Velis Simon, arranger/music director of The Hundred Dresses. Graney has directed over 30 productions since 1997. He has won three Jeff Citations for Outstanding Direction for All Our Tragic, Equus and Machinal. In 2004, Chicago Magazine identified him as Chicago's Best Avant-garde Director. He also directed Edward II (Chicago Shakespeare Theatre), The Elephant Man (Steppenwolf Young Audiences) and The Comedy of Errors, What the Butler Saw and Mystery of Irma Vep (Court Theater). 

Up next at the Ruth Page: World premiere of  The Year I Didn't Go to School: A Homemade Circus and Mermaid Theatre's  Brown Bear, Brown Bear

Has your child asked to take a gap year? Let them find out what it's really like with CCT's world premiere of The Year I Didn't Go to School: A Homemade Circus. Created and directed by Lookingglass Artistic Director Heidi Stillman and based on the popular Giselle Potter picture book, this all-new production will be a thrilling experience for all ages, filled with circus arts, February 28-March 26, 2017.

Brown Bear, Brown Bear & Other Treasured Stories by Eric Carle, presented by Mermaid Theatre of Nova Scotia, closes Chicago Children's Theatre's 11th season, May 2-28, 2017.

Both shows will be presented at the Ruth Page Center for the Arts, 
1016 N. Dearborn St., Chicago. For tickets and information, visit chicagochildrenstheatre.org or call (872) 222-9555.



In addition to presenting its 2016-17 mainstage season at the Ruth Page, CCT is busy transforming the former 12th District Police Station at 100 S. Racine Avenue in Chicago's West Loop into a beautiful, mixed-use performing arts and education facility designed to serve all Chicago families.

Now nearly complete and set to open in January, the adaptive reuse of the former police station at 100 S. Racine, aka "The Station," is Phase One of what will eventually be the new, expanded footprint for Chicago Children's Theatre.

Chicago Children's Theatre is calling its new home The Station in homage to its history as a former police station, and to underscore the building's focus on education and community engagement. This first phase encompasses five classrooms, a dedicated, year round space for Red Kite interactive theater for students with autism, a lobby with box office and concessions, and the flexible, 149-seat Pritzker Family Studio Theatre. 

The world premiere of Magic City, created by Chicago's internationally acclaimed shadow puppet theater Manual Cinema, will christen Chicago Children's Theatre's new performance space at The Station, January 27-February 19, 2017.

In sum, The Station will be a new destination for all of Chicago's children to immerse themselves in inclusion, unique arts education, community galvanizing, diversity and STEAM (science, technology, engineering, art and math) curricula. 

Chicago Children's Theatre is utilizing Chicago's finest theater and visual artists, as well as partnering with renowned institutions to offer courses and camps for children ages 0 to 14. The first eight-week session launches Monday, February 6, 2017. Registration is now open at chicagochildrenstheatre.org/classes for classes in storytelling, modern movement, hip-hop, aerial and circus arts and vocal instruction.

Phase Two of Chicago Children's Theatre's new building is anchored by a second, 299-seat mainstage theater, scheduled for completion in 2020.



About Chicago Children's Theatre
The company evolved out of Chicago's need for high-quality, professional year-round children's programming to match the quality and significance of theatrical powerhouses such as Steppenwolf Theatre Company, Goodman Theatre and Lookingglass Theatre. 

Likewise, CCT has always believed children should be treated as the sophisticated audiences that they are with high-profile and award-winning talent, inventive production values and compelling stories that challenge, educate and entertain.

Audiences have embraced Chicago Children's Theatre since its inaugural production, A Year with Frog and Toad, at the Goodman Theatre in 2006. Since then, the company's productions have featured everything from black-light scenery to live music to interactive four-dimensional sets to life-size puppets, with performances showcasing the heart of Motown to Vaudeville to contemporary, current and modern styles.

CCT has also built a national reputation due to its strong focus on new work, producing 14 world premieres in the last 10 years including The Selfish GiantThe Hundred DressesJackie and MeDot and ZiggyThe Houdini BoxThe Elephant and The Whale (in association with Redmoon), Mr. Chickee's Funny MoneyLeo Lionni's FrederickWonderland, Alice's Rock & Roll AdventureA Snowy Day with Beatrix PotterJabari Dreams of FreedomAnother Snowy Day with Beatrix Potter and
Moon Shot: A Race to Space (a Theater Unspeakable production, commissioned by Palo Alto Children's Theatre.) These enjoyed highly successful inaugural runs in Chicago, followed by new productions at family theaters across the U.S. 

CCT has always honored a strong commitment to low-income families and children with special needs. In partnership with Chicago Public Schools, the company offers free tickets to more than 5,000 Chicago-area low-income students each season. 

Meanwhile, the company has pioneered immersive theater designed for children on the autism spectrum via its Red Kite Project, and recently expanded programming for children with impaired vision or hearing and Down's syndrome. 

Chicago Children's Theatre also offers a full roster of after school theater classes and summer camps.

Led by Artistic Director Jacqueline Russell, Board Chair Todd Leland and Community Programs Artistic Director Frank Maugeri, Chicago Children's Theatre is supported by a dynamic Board of Directors comprised of dedicated individuals from the fields of entertainment, philanthropy and business. Officers include Jeff Hughes, President; Lynn Lockwood Murphy, Vice Chair and Secretary; David Saltiel, Vice Chair; and David Chung, Treasurer. 

Chicago Children's Theatre is sponsored in part by ComEd and Goldman Sachs Gives


Click HERE for more information, or call (773) 227-0180.

Wednesday, May 18, 2016

ADULT NIGHT OUT: Modern Faust, Feminine Twist. Catch The Hypocrites' Johanna Faustus

Chi, IL LIVE Shows On Our Radar:

Johanna Faustus
From Christopher Marlowe's The Tragical History of Doctor Faustus

Co-adapted by Emily Casey and Sean Graney

Directed by Sean Graney


Don't miss this limited run! Here at ChiIL Mama and ChiIL Live Shows, we've been fans of Sean Graney's adaptations and unique vision for years. He has a depth and insight embedded with a rare, playful streak, that makes his productions utterly unique and entirely compelling. The Hypocrites are one of our favorites on the Chicago theatre scene and we highly recommend checking them out.


What would you trade for happiness?
In the spirit of Sean Graney’s previous hits including 12 Nights and Romeo Juliet, six actors tell a modern Faust story. The performers are also the design team, with purposeful limited resources they will enact the tale using the barest elements. In this new adaptation, Faust is a woman questioning her choices that brought her to success but also isolation. 

Limited Engagement May 20 - May 29, 2016

Fri 5/20/2016
at 8:00 PM


Sat 5/21/2016
at 3:00 PM


Sat 5/21/2016
at 8:00 PM


Sun 5/22/2016
at 3:00 PM


Fri 5/27/2016
at 8:00 PM


Sat 5/28/2016
at 3:00 PM


Sat 5/28/2016
at 8:00 PM



Sun 5/29/2016
at 3:00 PM



Price: $36
The Den Theatre's Heath Main Stage
1329 N Milwaukee Ave, Chicago IL 60622
Box Office: 773-398-7028
Johanna Faustus is an hour-long modern Faust story told by six actors who also serve as the design team in the spirit of Graney’s previous hits 12 Nights and Romeo Juliet. The tale is enacted using the barest elements with purposeful limited resources. In this new adaptation, Faust is a woman questioning whether success can really bring power. What would you trade for satisfaction?
Starring and Designed by Breon Arzell, Kate Carson-Groner, Whitney Dottery, Dana Omar, Sasha Smith, and Lauren Vogel.

Johanna Faustus will conclude The Hypocrites’ 2015-16 season with a limited engagement May 20 – 29, 2015 at The Den Theatre’s Heath Main Stage, 1329 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood.

Emily Casey and Sean Graney

CREATIVE BIOGRAPHIES
Emily Casey’s (Co-Adapter) past credits include All Our Tragic (The Hypocrites, Getty Villa)Sailress Billi/Captain Cat Coran in HMS Pinafore (The Hypocrites and Actor’s Theatre of Louisville), Yum-Yum/The Mikado in The Mikado (The Hypocrites, Steppenwolf Garage, American Repertory Theatre), Pirates of Penzance (The Hypocrites, Actor’s Theatre of Louisville, American Repertory Theatre), Frederick (Chicago Children’s Theatre), The Casuals (Jackalope Theatre), Woody Sez (Northlight Theatre), Scapin (Hope Summer Repertory Theatre).  She holds a BA in Theatre from Hope College.  www.emily-casey.com

Sean Graney (Co-Adapter/Director) has directed over 30 productions for The Hypocrites since 1997, including the critically acclaimed All Our Tragic. He recently returned from a Fellowship at the Radcliffe Institute for Advanced Study at Harvard University. In 2004, Graney was a participant in the NEA/TCG Career Development Program for Directors. He has won four Joseph Jefferson Citation awards for the Direction and Adaptation for Sophocles: Seven Sicknesses, and Directing of Equus and Machinal. He has directed Edward II (Chicago Shakespeare Theater), The Hairy Ape (Eugene O’Neill Festival at Goodman Theatre), The Comedy of ErrorsThe Mystery of Irma Vep and What the Butler Saw (Court Theatre), Yankee Tavern (Milwaukee Rep) and The Elephant Man (Steppenwolf for Young Audiences). Graney currently serves as the Hypocrites’ Artistic Director.

About The Hypocrites
Artistic Director Sean Graney created The Hypocrites in 1997. The Hypocrites, one of Chicago’s premier off-Loop theater companies, specializes in startling and thoroughly entertaining adaptations of classic plays and stories, mounting bold productions that challenge preconceptions and redefining the role of the audience through unusual staging (such as promenade and in-the-round) and direct engagement. The mission is to explore recognizable stories—mixing the familiar and the strange—to make theater that thrills and provokes, defying expectations with humor, staging, and surprise. The company has a reputation in Chicago for creating exciting, surprising, and deeply engaging theater as it re-interprets well-known works for contemporary audiences, reveling in the absurd while revealing the core of what makes classics classic. 
The company has grown significantly in the past few years, receiving acclaim for productions at the Steppenwolf Garage, Goodman Theatre, Museum of Contemporary Art, DCASE Storefront and Chopin Theater. The company’s smash-hit production of Our Town, directed by David Cromer, transferred in 2009 to Off-Broadway, Los Angeles and Boston. The Pirates of Penzance has appeared at Actors Theater of Louisville and American Repertory Theater (A.R.T.). A.R.T. has also brought Romeo Juliet, 12 Nights and The Mikado (forthcoming). The American Theatre Wing, best known as the creator of the Tony Awards, presented The Hypocrites with one of the 2013 National Theatre Company awards. The critically acclaimed fall 2013 production of All Our Tragic was brought back by popular demand in June 2015. Graney’s critically acclaimed ALL OUR TRAGIC, an epic 12-hour adaptation of all 32 surviving Greek tragedies, was honored with six 2015 Equity Joseph Jefferson Awards, including Best Play (midsized), Best New Adaptation and Direction for Graney and the prestigious Ensemble Award. 

The Hypocrites on the Road 
The Hypocrites continue to make a national imprint, with remounts of Graney’s wildly popular musical adaptations from the Gilbert & Sullivan canon set for engagements across the U.S. THE PIRATES OF PENZANCE and THE MIKADO will play the The Olney Theatre Center near Washington, D.C. (July 14 – August 21, 2016). 

Thursday, October 11, 2012

ACT OUT: Chicago Children's Theatre 2012-13 Season Begins TODAY In New Digs





ITINERANT NO MORE, CHICAGO CHILDREN’S THEATRE’S 

2012-13 SEASON TO BE STAGED IN ONE CONVENIENT LOCATION: THE RUTH PAGE CENTER FOR THE ARTS

THREE FAMILY-FRIENDLY SHOWS ON TAP FOR 2012-13: HAROLD AND THE PURPLE CRAYON, BUD, NOT BUDDY AND THE PREMIERE OF THE ELEPHANT & THE WHALE WITH REDMOON

Woo hoo!    Harold and the Purple Crayon opens today!!    Check it out.   This book was one of my kids' childhood favs and I remember it from my early days, too.   We can't wait to see what magic Chicago Children's Theatre has planned for the musical adaptation.   Get your tickets today for this Chicago premier!   Ages 3 and up...and up....and up.

ChiIL Mama was thrilled to meet with Jacqueline Russell, Frank Maugeri and other key production staff for the upcoming season at Chicago Children's Theatre.   We're beyond stoked to see our favs play so well with others.   The collaboration between Redmoon's Frank Maugeri and Chicago Children's Theatre on The Elephant & The Whale is bound to be epic!

We hope to have more original video interviews here at ChiIL Mama/ChiIL Live Shows and we'll have loads of updates as each show opens.   Right now we're so excited to see Harold and the Purple Crayon opening this weekend.   Our readers will get a sneak peek at the early production sketches for this season's sets, costumes and so much more.


Chicago Children’s Theatre (CCT) and Artistic Director Jacqueline Russell are delighted to announce the company has a new home and will be an Artist In-Residence at the Ruth Page Center for the Arts, 1016 N. Dearborn St., Chicago for the entire 2012-2013 season.

In addition to welcoming its audience to one convenient destination all season, Chicago’s #1 presenter of top-quality professional children’s theater is thrilled to confirm three wildly imaginative productions for 2012-2013 – the Chicago premiere of a new musical version of Harold and the Purple Crayon, directed by Sean Graney (Oct. 11-Nov. 4, 2012), an adaptation of the Newberry Medal winning novel Bud, Not Buddy, directed by Derrick Sanders (Jan. 12-Feb. 24, 2013), and the world premiere of The Elephant & The Whale, created by Frank Maugeri, co-directed by Maugeri and Leslie Buxbaum Danzig, with a script by Seth Bockley and music by Kevin O’Donnell, produced in association with Redmoon (Apr. 10-May 26, 2013).


After seven years of being itinerant, we are so looking forward to our new residency at the Ruth Page Center for the Arts because it gives Chicagoland families one consistent location to experience a full season of exceptional theatrical programming,” said Chicago Children’s Theatre Artistic Director and Co-Founder Jacqueline Russell. “Ruth Page was home for our 2010 smash hit Jackie and Me so we can’t wait to bring our audience back for three consecutive productions sure to delight children of all ages.”

Also new for 2012-2013: The performance schedules for all three productions include family-friendly 6:30 pm Thursday shows, proceeded by pizza parties in the Ruth Page Center’s multi-purpose room starting at 5:30 pm. On Friday evenings, families are encouraged to kick off their weekend by wearing their PJs to the 6:30 pm show, and stay after for a fun post-show PJ Party with members of the cast.

In addition to its three-play season at the Ruth Page Center, Chicago Children’s Theatre will take its season-opener Harold and the Purple Crayon on a regional tour after its downtown run, with performances November 7-11 at the Beverly Arts Center, 2401 W. 111th St. in Chicago’s Beverly neighborhood, and November 14-18 at the North Shore Center for the Performing Arts, 9501 N. Skokie Blvd. in Skokie.

2012-2013 Family Membership Passes on sale now


For complete season information, visit chicagochildrenstheatre.org or call (773) 227-0180 x 11. For group inquiries, contact GroupTix at (773) 327-3778 or visit GroupTix.net.



More about Chicago Children’s Theatre’s 2012-2013 season:


Harold and the Purple Crayon
A Chicago Children’s Theatre Chicago premiere

Based on the books by Crockett Johnson
Text by Don Darryl Rivera, Lyrics by Robert Burgess, 
Music by Auston James
Directed by Sean Graney

October 11-November 4, 2012 
Recommended for ages 3 and up

Also touring to The Beverly Arts Center, 2401 W. 111th St., Chicago, November 7-11
And the North Shore Centre for the Performing Arts, 9501 Skokie Blvd., Skokie, November 14-18

Harold and the Purple Crayon teaches young audiences that anything is possible with a crayon and a big imagination. Meet Harold, a curious four year old boy who, armed with his trusty purple crayon, has the power to create a world of his own simply by drawing it. This imaginative musical uses breathtaking animation, inventive puppetry, and original music to bring Harold’s purple-hued world to life; it is perfect for introducing young children to theatre while simultaneously captivating their older companions.

Harold and the Purple Crayon will be helmed by CCT Artistic Associate Sean Graney, who directed the company’s productions of The Hundred Dresses, Honus and Me, and Hana’s Suitcase. Graney, Founding Artistic Director of The Hypocrites, is the recipient of a Career Development for Directors Program award from the National Endowment for the Arts and Theatre Communications Group, the winner of two non-Equity Joseph Jefferson Awards, and was named Chicago’s Best Avant-Garde Director by Chicago Magazine and 2004’s Chicagoan of the Year: Theater by the Chicago Tribune.


Bud, Not Buddy
Based on the Newberry winning novel by Christopher Paul Curtis
Adapted by Reginald Andre Jackson
Directed by Derrick Sanders

January 12-February 24, 2013 Press opening: Friday, January 18 at 7 pm
Recommended for ages 8 and up

Bud, Not Buddy follows the journey of a young African-American orphan as he searches for his father. Clues kept in a suitcase lead him to adventures in Depression-era Michigan, where he finds community among a group of jazz musicians and, ultimately, an unexpected sense of home.

Popular reading in the classroom, author Christopher Paul Curtis’ Bud, Not Buddy was the winner of the 2000 Newberry Medal and the Coretta Scott King Award. In 2010, Jackson's stage adaptation won the Distinguished Play Award from The American Alliance for Theater and Education.

Award-winning director Derrick Sanders – Founding Artistic Director of Congo Square Theatre Company, a Chicago Tribune Chicagoan of the Year in 2005, winner of multiple Joseph Jefferson Awards and Black Theater Alliance Awards, and director of CCT’s 2010 world premiere Jackie and Me – has a national reputation, having directed at countless Chicago, regional and New York theaters. He is known for his many collaborations with the legendary August Wilson, including in Chicago his award-winning productions of Joe Turner’s Come and Gone and Seven Guitars for Congo Square. His Off-Broadway directorial debut, Wilson’s King Hedley II for Signature Theatre, received two Lucille Lortel and Audelco nominations. He was also a part of August Wilson’s World premiere productions of Radio Golf and Gem of the Ocean on Broadway and at the Huntington Theatre, Mark Taper Forum and the Goodman.

The Elephant & The Whale
A Chicago Children’s Theatre world premiere, presented in association with Redmoon
Created by Frank Maugeri

Co-directed by Frank Maugeri and Leslie Buxbaum Danzig
Script by Seth Bockley

Music by Kevin O’Donnell
April 10 –May 26, 2013 Press opening Friday, April 12, 7 pm
Recommended for all ages

CCT’s seventh season will conclude with a world premiere collaboration with Redmoon’s Frank Maugeri to create The Elephant & The Whale, an all new family fable featuring sea shanties, wild mechanical objects, theatrical clowning, hand painted imagery, exquisite shadow puppets and an innovative sound design. This new work is conceived by Maugeri with an original story and songs by Seth Bockley with composer Kevin O’Donnell. Co-directed by Leslie Buxbaum Danzig (of 500 Clown), this epic tale invites audiences of all ages to discover the majesty of the largest animals on our planet, and a story of friendship conquering the sea itself. 


The year is 1901. On the largest steamship in the world, a captive African Gray Elephant is bound for America. Mid-Atlantic, the boat encounters a massive blue whale. What happens next is a love story spanning species, time zones and many nautical miles. The performance will feature a live band and three performers who crank contraptions, pedal panoramic painting apparatuses, operate wild puppets and manipulate shadow sequences all while they sing shanty-like songs to weave this original and epic tale.  


Redmoon Co-Artistic Director Frank Maugeri during his 15 year tenure with the company has created countless spectacle productions and events seen around Chicago. Highlights include serving as director, co-creator, and designer of the recent Astronaut’s Birthday, a large-scale animated, graphic novel projected on the Museum of Contemporary Art’s 80-foot façade; co-creation and design of the critically acclaimed The Feast: an intimate Tempest at Chicago Shakespeare Theater; seven of the famed All Hallow’s Eve ritual celebrations in Logan Square; over a dozen annual family-friendly Winter Pageant performances; Once Upon a Time (Jeff Award, After Dark Award) with its subsequent tour to France; Laika's Coffin and Cape and Squiggle for the Chicago Humanities Festival at MCA; Boneyard Prayer; and Redmoon’s longest running production The Cabinet, its remount and tour of Brazil.

Seth Bockley, the critically-acclaimed writer and adapter, is a playwright in residence at the Goodman Theater and book writer for the new musical February House. He is also an artist in residence at the University of Chicago, and was a recipient of Theater Communications Group's New Generations Grant for which he spent two years with Redmoon as Directing Apprentice. Leslie Buxbaum Danzig (co-director) co-created Lucky Plush Productions’ The Better Half, which premiered at MCA Chicago and tours in 2012-2013 throughout the US.  She was resident director with 500 Clown for 10 years, directed Redmoon’s Hunchback at New Victory Theater (NYC), and is Program Curator for the Gray Center for Arts and Inquiry at University of Chicago. Kevin O’Donnell (composer) is a Chicago-based musician; he has worked in Chicago theater for the last 10 years, during which time he has been nominated for 19 Jeff Awards (receiving 8), and 2 consecutive After Dark Awards (Outstanding Season).  He has worked around the country, both in theatre and as a musician, having recorded and toured with Andrew Bird, Kelly Hogan, Nickel Creek, and many others. 


About The Ruth Page Center for the Arts, Chicago Children’s Theatre’s home for 2012-2013

The Ruth Page Center for Arts, 1016 N. Dearborn St., is located just steps from Michigan Avenue’s Magnificent Mile. The historic 1927 building in which The Center resides sits on a lovely tree-lined street in the heart of Chicago’s Gold Coast neighborhood, near the CTA Red Line and the Clark, Broadway and Division bus lines. Under the aegis of The Ruth Page Foundation, the Ruth Page Center for the Arts has for over 40 years committed its resources to supporting dance and theater in Chicago through its initiatives and programs. Among these is its Artist In-Residence program where emerging and established artists and organizations can have a home, office space, rehearsal space, collaborative programming, and performance opportunities. Lookingglass Theater and Chicago Shakespeare Theater have both called the Ruth Page Center home before moving on to establish their own venues. In addition to Chicago Children’s Theatre, the 2012-2013 Ruth Page Artist-In Residence program includes ShawChicago Theatre Company, River North Dance Chicago, CDI/Concert Dance Inc, DanceWorks Chicago and the Ruth Page Civic Ballet. Chicago’s top dance companies also perform at the Ruth Page Center as part of its Subsidized Theater Rental Program. For more information, visit ruthpage.org.

About Chicago Children’s Theatre

Chicago Children’s Theatre focuses on the production of first-rate children’s theatre in Chicago, with top writing, performing and directorial talent and high-quality design and production expertise. Chicago Children’s Theatre aspires to enrich our community through diverse and significant theatrical and educational programming that engages and inspires the child in all of us.

Launched in 2005, Chicago Children’s Theatre strives to provide affordable and accessible theatre for families and area school children. To enhance the impact of any given production’s themes, Chicago Children’s Theatre offers educational materials and programs for families and educators.

This summer, Chicago Children’s Theatre is expanding its operations with the launch of the company’s first-ever Summer Theater Camp, July 16-27, 2012 at Franklin Fine Arts Center in Chicago’s Old Town neighborhood. Guided by artists and arts educators with extensive experience in the Chicago theater industry, CCT summer campers will learn to create their own stories and work as a team to turn those stories into one big theatrical adventure. For more information and to register visit chicagochildrenstheatre.org/summercamp or call 773.227.0180.

In addition to its mainstage programming for families, schools and groups, Chicago Children’s Theatre will also continue its Red Kite Project in 2012-2013, creating multi-sensory, interactive theater programming tailored specifically to the needs and interests of children on the autism spectrum. CCT’s Red Kite Project also includes Camp Red Kite, an annual summer arts camp tailored specifically to the unique interests and needs of children on the autism spectrum. For the most up-to-date information on every Red Kite development, including the upcoming summer session of Camp Red Kite, June 25-July 13 at Chicago’s Cleveland Elementary School, call 773.227.0180 x15 or visit www.theredkiteproject.org.

Led by Artistic Director Jacqueline Russell, and Board Chair Todd Leland, the company is supported by a committed Artistic Council of Chicago-based actors, directors, musicians and designers, and a dynamic Board of Directors comprised of dedicated individuals from the fields of entertainment, philanthropy and business. Officers include David Saltiel, President; J. Scot Pepper and Jacqueline Tilton, Vice Chairs; Lynn Lockwood Murphy, Vice Chair and Secretary; and David Chung, Treasurer.

Chicago Children’s Theatre’s 2012-2013 season is made possible in part by the generosity of its sponsors:  ComEd is the Official Lighting Sponsor. Goldman Sachs Gives is the Official Season Sponsor.  JPMorgan Chase is the Official Education Sponsor. Target is the Official School Field Trip Sponsor. United is the Chicago Premiere Sponsor as well as the Official and Exclusive Airline Sponsor. 

For more information about Chicago Children’s Theatre visit chicagochildrenstheatre.org or call 773.227.0180.

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