Showing posts with label City Lit Theatre. Show all posts
Showing posts with label City Lit Theatre. Show all posts

Tuesday, July 2, 2024

World Premiere of THE HOUSE OF IDEAS to play Chicago's City Lit Theatre August 23 – October 6, 2024

ChiIL Live Shows On Our Radar

THE HOUSE OF IDEAS

by Mark Pracht

Directed by Terry McCabe

August 23 – October 6, 2024

The final play of Mark Pracht’s 

“Four-Color Trilogy” 

recounts the rise of Marvel Comics and the struggles of its creators 

to share the credit

City Lit Executive Artistic Director Brian Pastor announced full casting and production team for THE HOUSE OF IDEAS, the opening production of City Lit Theater’s 2024-25 season. THE HOUSE OF IDEAS is the third installment of Mark Pracht’s “Four Color Trilogy” of plays about significant moments in the development of comic books as an art form and an industry. The play recounts Marvel Comics’ emergence as an industry powerhouse, as writer Stan Lee and artist Jack Kirby struggle with sharing the credit for this newfound success. 

Terry McCabe, who on July 1 retired as City Lit’s Producer and Artistic Director,  will return to City Lit to direct this final installment of the trilogy which began under his leadership in 2022 with Pracht’s THE MARK OF KANE and continued in 2023 with THE INNOCENCE OF SEDUCTION. I'll be out to cover the opening of THE HOUSE OF IDEAS on Sunday, September 1st, following previews from August 23rd, so check back soon for my full review. The show runs through October 6th. 

Leading McCabe’s cast will be Bryan Breau as Stan Lee and Brian Plocharczyk as Jack Kirby. Breau was seen last fall at City Lit as the villainous Preacher in THE NIGHT OF THE HUNTER and is currently playing Vershínin in THREE SISTERS with Invictus Theatre. Plocharczyk returns to City Lit, where he last worked under McCabe as Hyde in THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE. Most recently, he’s made numerous appearances on television, in such series as CHICAGO FIRE, THE CHI, and EMPIRE. Martin Goodman, the founder and publisher of Marvel Comics, will be played by Brian Parry, known for his performances at Redtwist Theatre in such iconic roles as Richard Nixon (FROST/NIXON), the title role of Shakespeare’s KING LEAR, and Willy Loman in DEATH OF A SALESMAN.

Stan Lee’s wife Joan will be played by Kate Black-Spence, whose recent credits include Marlene in RASTUS AND HATTIE with 16th Street Theatre and Captain Hook in NEVERLAND with Prop Thtr. Carrie Hardin (the Duchess in THE DUCHESS OF MALFI for Babes with Blades) has been cast as Jack Kirby’s wife Roz. Ben Veatch (THE RISE AND FALL OF LITTLE VOICE and TEN 2023: TAKE A TEN, both with The Gift Theatre) will play The Observer.

Completing the cast and playing multiple roles are Megan Clarke (Janice Valleau in City Lit’s THE INNOCENCE OF SEDUCTION) as Flo Steinberg, Greer Grant, and Suzy Sutton; Sean Harklerode (William Gaines in THE INNOCENCE OF SEDUCTION and First Tempter in MURDER IN THE CATHEDRAL, both at City Lit) as Carmine Infantino, Cpl. Pinkerton, Robert Knight, Jim Mooney; Jimmy Hogan (City Lit’s TWO HOURS IN A BAR and Princeton in AVENUE Q for Music Theater Works) as Joe Simon, Nat Freedland, Jim Shooter, and Stan Goldberg; and Chad Wise (Founder and Artistic Director of The New Millenium Theatre Company) as Jack Liebowitz, Menahem Golan, Pvt. Dugan, and Jack Schiff.

Top Row L-R: Kate Black-Spence, Bryan Breau, Megan Clarke, Carrie Hardin, Sean Harklerode.

Lower Row L-R: Jimmy Hogan, Brian Parry, Brian Plocharczyk, Ben Veatch, Chad Wise. 

The production team will include G. "Max" Maxin IV  (Scenic, Lighting and Projection Design), Beth Laske-Miller  (Costume Design), Petter Wahlbäck (Composer and Sound Design), Jeff Brain (Props Design), Rachel Lee Flesher (Intimacy Coordinator), and Hazel Marie Flowers-McCabe (Stage Manager).

City Lit Season 44 subscriptions are available at $99.00, good for all performances, or $77.00 for preview performances. Subscriptions may be ordered online at www.citylit.org or purchased over the phone by calling 773-293-3682. Single tickets for the Season 44 are priced at $30 for previews and $35 for regular performances and will be on sale soon. Senior prices are $25 for previews and $30 for regular performances. Students and military are $12.00 for all performances.

Production Details

Previews: August 23 – 31, 2024

Press Opening: Sunday, September 1 at 3 pm

Regular Run: September 6 – October 6, 2024

Fridays and Saturdays at 7:30 pm, Sundays at 3 pm

Mondays, September 23 and 30, 2024 at 7:30 pm

Tickets $30 for previews and $35 for regular performances.

Senior prices are $25 previews and $30 regular performances. Students and military are $12.00 for all performances.

Tickets available online at  www.citylit.org or by phone at 773-293-3682.

All performances at City Lit Theater, 1020 W. Bryn Mawr, on the second floor (accessible via elevator) of the Edgewater Presbyterian Church.

The final installment of the “Four-Color Trilogy” about three key moments in the history of comic books, THE HOUSE OF IDEAS examines the rise of Marvel and the fraught relationship between the Lennon and McCartney of comic books, Stan Lee and Jack Kirby. Today, Marvel Entertainment stands near the center of our popular culture. It was in the 1960s that Marvel Comics began creating dozens of memorable characters and built a single cohesive world for them to inhabit. In comic books, this was revolutionary. But Stan Lee and Jack Kirby, the two men at the center of this renaissance, struggle with the idea of credit now that they’ve made it something worth struggling over.  

BIOS

Mark Pracht (Playwright) was raised near Colorado Springs, Colorado, and graduated from the University of Nebraska, Kearney. He has proudly worked in the Chicago theater community for over 20 years, mainly as an actor. At City Lit he has appeared as Milt Shanks in THE COPPERHEAD and The Creature in FRANKENSTEIN, among others. Elsewhere, he was Lanfield in BLIZZARD ’67 at 16th Street Theatre (2017 Equity Jeff Nomination for Best Ensemble), and “Mountain” McClintock in REQUIEM FOR A HEAVYWEIGHT at The Artistic Home, for which he received a 2019 Non-Equity Jeff Award for Performance in a Principal Role. Most recently, you may have seen his Jeff Award nominated performance last year as John Proctor in THE CRUCIBLE at Invictus Theatre. He served as the Artistic Director of Brown Couch Theatre Company, where he directed Diana Son’s STOP KISS. His short plays have been produced by Chicago companies like Strangeloop Theatre, and his full length play NEON was presented by the Shelterbelt Theatre in Omaha, Nebraska. THE HOUSE OF IDEAS completes (for now) “The Four-Color Trilogy” a project over fifteen years in development.

Terry McCabe (Director) Terry McCabe was City Lit’s artistic director from February 2005 and its producer from July 2016 until his retirement from these positions at the end of the 2023-24 season. He retired on July 1 of this year. He has directed plays professionally in Chicago since 1981. He was artistic director of Stormfield Theatre for four years, resident director at Wisdom Bridge Theatre for five years, and worked at Body Politic Theatre three separate times in three different capacities over a span of 14 years. His City Lit adaptations of HOLMES AND WATSON, GIDGET (co-adapted with Marissa McKown), THE HOUND OF THE BASKERVILLES, SCOUNDREL TIME, and OPUS 1861 (co-adapted with Elizabeth Margolius) were Jeff-nominated. He won two Jeff Citations for directing at Stormfield and has been thrice nominated for the Jeff Award for Best Director, for shows at Court Theatre, Wisdom Bridge, and Victory Gardens. He has directed at many Chicago theatres either long-gone or still with us, as well as off-Broadway at the Cherry Lane Theatre and at Vienna’s English Theatre. His book MIS-DIRECTING THE PLAY has been denounced at length in American Theatre magazine and from the podium at the national convention of The Literary Managers and Dramaturgs of the Americas but has been used in directing courses on three continents and is now available in paperback and Kindle e-book.

Brian Pastor (they/them, Executive Artistic Director) is a trans/non-binary producer, director, actor, and playwright in Chicago and the Executive Artistic Director of City Lit Theater. Brian previously spent ten and a half years on staff at City Lit, including nine as Managing Director. Brian has served as City Lit’s Resident Director, from 2019 until assuming their current position on July 1. For City Lit, they directed THE NIGHT OF THE HUNTER, THE PLAYBOY OF THE WESTERN WORLD, George Bernard Shaw’s ARMS AND THE MAN, Archibald MacLeish’s J.B., and their own acclaimed adaptation of Robert Kennedy’s THIRTEEN DAYS. Brian is a founder and Emeritus Artistic Director of Chicago’s Promethean Theatre Ensemble, where they directed THE LION IN WINTER, THE WINTER’S TALE, and GROSS INDECENCY: THE THREE TRIALS OF OSCAR WILDE (all Broadway World Award Nominated- Best Director), as well as HENRY V and THE DARK SIDE OF THE BARD. Brian also directed the world premiere of THE BLACK KNIGHT by Angeli Primlani, the inaugural show for Lifeboat Productions. As an actor, Brian has worked with Strawdog, Raven, WildClaw, Promethean, Accomplice, and City Lit, among others. Brian is the former Executive Director of Sideshow Theatre and the former Executive Director of Raven Theatre. They also served as a board and company member of The Mime Company and as a founding company member of Chicago dell’Arte. A Pittsburgh native, Brian has called Chicago home since their graduation from Northwestern University in 2003.

 

ABOUT CITY LIT THEATER COMPANY:

City Lit is the eighth oldest theatre company in Chicago, behind only Goodman, Court, Northlight, Oak Park Festival, Black Ensemble Theatre, Steppenwolf, and Pegasus theatres.  It was founded in 1979 with $210 pooled by Arnold Aprill, David Dillon, and Lorell Wyatt.  For its current season, its 44th , it operates with a budget slightly over $200,000.  It was the first theatre in the nation devoted to stage adaptations of literary material.  There were so few theatres in Chicago at the time of its founding that at City Lit’s launch event, the founders were able to read a congratulatory letter they had received from Tennessee Williams.

For four decades and counting, City Lit has explored fiction, non-fiction, poetry, memoirs, songs, essays and drama in performance. A theatre that specializes in literary work communicates a commitment to certain civilizing influences—tradition imaginatively explored, a life of the mind, trust in an audience’s intelligence—that not every cultural outlet shares.

City Lit is located in the historic Edgewater Presbyterian Church building at 1020 West Bryn Mawr Avenue. Its work is supported in part by the Gaylord and Dorothy Donnelley Foundation, the Illinois Arts Council Agency,  and the City of Chicago Department of Cultural Affairs and Special Events CityArts program.  An Illinois not-for-profit corporation and a 501(c)(3) federal tax-exempt organization, City Lit keeps ticket prices below the actual cost of producing plays and depends on the support of those who share its belief in the beauty and power of the spoken written word.


Saturday, August 6, 2016

ADULT NIGHT OUT: Babes With Blades Theatre Company’s The Promise of a Rose Garden at City Lit Theatre

Events and Deals Announced for  
Babes With Blades Theatre Company’s
The Promise of a Rose Garden,
Opening August 6, 2016


Post-show discussion, pay-what-you-can dates, and some big company announcements coming up during the run of the show.


Babes With Blades Theatre Company has long been a favorite of ours here at ChiIL Mama & ChiIL Live Shows. Their stage combat, grrrrrrrl centric takes on original works and classics are well worth a look. We love their mission statement "Babes With Blades Theatre Company uses stage combat to place women and their stories center stage."

Events and deals have been announced for Babes With Blades Theatre Company’s 19th world premiere production, The Promise of a Rose Garden, written by Dustin Spence, to be performed at City Lit Theatre, 1020 W. Bryn Mawr Ave., in Chicago. The show will run Thursdays-Saturdays at 8PM and Sundays at 3 from August 6 – September 10.

The Promise of a Rose Garden is directed by BWBTC’s incoming Co-Artistic Director Elyse Dawson, and the cast features Catherine Dvorak, Arti Ishak, Sam Long, Izis Mollinedo, Patti Moore*, Maureen Yasko*, Aaron Wertheim, and Kathrynne Wolf*.

The design and production team includes Leigh Barrett* (Production Manager), Milo Bue (Scenic Design), Brigidta De Souza (Stage Manager), Jason A. Fleece (Dialect Coach), Rachel Flesher (Violence Design), Barbara Lhota* (Props Design), Kimberly Morris* (Costume Design), Matthew Reich (Sound Design), and David Trudeau (Lighting Design).

*denotes BWBTC ensemble member

DEALS AND DISCOUNTS
All Performances August 7 – September 10 offer discounted admission to members of the Military with ID. $15 Tickets can be purchased online with code OORAH.

The Thursday performances of August 18, 25, and September 1 will offer pay-what-you-can admission.

Sunday, August 14 will be an Industry performance, offering $10 tickets to anyone with proof of industry affiliation.

EVENTS
On Sunday, August 14, BWBTC will make a major leadership announcement, followed by an informal mingle at That Little Mexican Café, 1055 W. Bryn Mawr.

Sunday, August 21: Stick around after the show for Servicewomen, Before and After: a post-show discussion about the lives of women who serve in the armed forces. Speakers will include Kimberly Green (Licensed Clinical Social Worker, Jessie Brown VA Medical Center) and Meosha Thomas (10 years active duty in the United States Navy; founder of One Savvy Veteran).

Before the Thursday, September 8 performance, join the company and sponsor David Woolley at 7pm at That Little Mexican Café for a party to celebrate 10 years of Joining Sword & Pen, BWBTC’s playwriting competition. Following the performance, playwright Dustin Spence will be presented with the Margaret M. Martin Award.

All closing weekend, September 8-10, BWBTC will be collecting monetary donations for One Savvy Veteran (http://www.onesavvyveteran.org/), a 501c3 non-profit organization founded by a woman veteran to meet the needs of fellow women warriors. They are a source of support, advocacy, benefit assistance and access to veteran-specific information and resources for women veterans in the Chicagoland area and surrounding suburbs.

Event information and updates can be found on BWBTC’s website here: http://babeswithblades.org/promise-promos-events/

Additional discounts and deals will be offered on BWBTC’s Facebook page: https://www.facebook.com/bwbtc

Tickets:
$22 general admission
$14 students and seniors
$10 previews
Available at babeswithblades.org or 773-904-0391.

About the Company

Babes With Blades Theatre Company uses stage combat to place women and their stories center stage. Through performance, script development, training, and outreach, our ensemble creates theatre that explores the wide range of the human experience, and cultivates broader perspectives in the arts community and in society as a whole.

Monday, April 25, 2016

Adult Night Out: Babes With Blades' 180 Degree Rule

Chi, IL LIVE Shows On Our Radar:
Babes With Blades Theatre Company’s 180 Degree Rule,
Opening April 25, 2016

**Do note, there is violence & violence of a sexual nature**

A love story wrapped in a mystery.

Come see the show inspired by the pioneering female film directors in early Hollywood...and the world that was stacked against them.

Here at ChiIL Live Shows and ChiIL Mama we've long been fans of Babes With Blades Theatre Company’s excellent productions. I'll be there for the press opening so check back soon for our full review. They're excellent about providing a showcase for women in stage combat roles as well as showcasing talents of female directors and writers. They excel at historical pieces and this show will be their 18th world premiere production!


About the Play
 A 1960s film professor searches for the missing film masterpiece of an obscure lesbian director - killed pre-World War II at the height of her talent - and speculates she was murdered because of her defiant flaunting of her sexuality with the studio’s “it” girl. But once the director’s former lover, now an aging, reclusive German movie star, is involved in the search, a more disturbing narrative unravels. Moving between 1930s Berlin and Hollywood and the late ’60s, this play shifts from film to live action, flashback to the present as it reveals the truth behind a doomed romance.

 “This is a murder mystery, but it’s also a memory play,” says director Rachel Edwards Harvith. “It involves characters reaching across time to find each other. Memory plays tricks on us. Sometimes we remember hard facts, and other times we fill in gaps with assumptions—over time those assumptions become rewritten history. This production has visual poetry layered in with scenes, weaving between time periods, as characters struggle to find the truth, detect the lies, and express love they have been afraid to show.”
Inspired by the pioneering female directors of early Hollywood, such as Dorothy Arzner, Alice Guy-Blaché, and Lois Weber, 180 Degree Rule’s  most extensive historical nod is to Arzner, an open lesbian who was notorious for affairs with her leading women, including Joan Crawford.  She worked throughout the 1920s-40s, creating films with independent, complex female protagonists – often with lesbian subtext.

180 Degree Rule is a 2013 graduate of BWBTC’s Fighting Words script development program, was a finalist in the 2013 Pride Series Women’s Work Competition (for works by women with lesbian characters or themes), and was hosted for a final public reading by Chicago Dramatists.
This production has been awarded grants by the Arch and Bruce Brown Foundation and the Dramatists Guild Fund.


Post-show discussion, pay-what-you-can dates, and lots of desserts are in store for audiences during the run of the show

Events and deals have been announced for Babes With Blades Theatre Company’s 180 Degree Rule, written by Chicago playwrights Barbara Lhota (playwright, The Double and BWBTC ensemble member) and the late M.E.H. Lewis, to be performed at City Lit Theatre, 1020 W. Bryn Mawr Ave., in Chicago. The show will run Thursdays-Saturdays at 8PM and Sundays at 3 from April 28 - May 21, plus Wednesdays May 11 and May 18 8pm.
180 Degree Rule is directed by Rachel Edwards Harvith (Associate Artistic Director, Chicago Dramatists) and the cast features Kate Black-Spence, Tommy Bullington, Chris Cinereski, Amy E. Harmon*, Lisa Herceg*, Kimberly Logan*, Jason Narvy, and Kelly Yacono.*

The design and production team of 180 Degree Rule includes Leigh Barrett* (Sound Design), Libby Beyreis* (Violence Design), Kurt Brandt (Props Design), Jason Fleece (Dialect Coach), Adam Greye (Stage Manager), Kaitlyn Grissom (Technical Director), Amy E. Harmon* (Production Manager), Beth Laske-Miller (Costume Design), Barbara Lhota* (Production Manager), Carter Martin (Film Director/Editor), G. Max Maxin IV (Projection & Scenic Design), Heather Meyers (Dramaturg), Tim Tavano (Director of Photography), and Laura Wiley (Lighting Design).

*denotes BWBTC ensemble member


EVENTS
The Thursday performances of May 5 and May 12 will offer pay-what-you-can admission.
Sunday, May 8, stick around after the show for a post-show dessert buffet, featuring an array of tasty treats, homemade by the BWBTC ensemble. Delicious and free!
Wednesday, May 11, join us for “Cookies and Collaboration,” a post-show discussion with playwright Barbara Lhota.
Wednesday, May 11 and Wednesday, May 18 will be Industry Nights, offering ½ price tickets to anyone with proof of industry affiliation.
All closing weekend, May 18-21, BWBTC will be collecting monetary donations for the Pro Bono Network (http://www.pro-bono-network.org/)
Additional discounts and deals will be offered on BWBTC’s Facebook page: https://www.facebook.com/bwbtc

180 Degree Rule is a 2013 graduate of BWBTC’s Fighting Words script development program, was a finalist in the 2013 Pride Series Women’s Work Competition (for works by women with lesbian characters or themes), and was hosted for a final public reading by Chicago Dramatists.
This production has been awarded grants by the Arch and Bruce Brown Foundation and the Dramatists Guild Fund.

Tickets:
$22 general admission
$14 students and seniors
$10 previews
Available at babeswithblades.org or 773-904-0391.

About the Company
Babes With Blades Theatre Company uses stage combat to place women and their stories center stage. Through performance, script development, training, and outreach, our ensemble creates theatre that explores the wide range of the human experience, and cultivates broader perspectives in the arts community and in society as a whole.

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