FACETS ANNOUNCES AWARD WINNERS FOR THE 39TH ANNUAL CHICAGO INTERNATIONAL CHILDREN’S FILM FESTIVAL

ChiIL Mama’s ChiIL Picks List

“Rickshaw Girl” 

Wins Best of the Fest Award 

and 

"Dostojee” 

Receives the Milos Stehlik Global Impact Award

The Chicago International Children’s Film Festival has long been a family favorite of ours. I volunteered in the box office at FACETS from 1990-to shortly before the pandemic. My kids grew up watching loads of world class CICFF films and even helping with concessions and ticket taking. We highly recommend checking out some of the 304 films, representing 54 nations. CICFF is one of only two Academy Award-qualifying international children’s film festivals in the world. Screenings are happening now through November 20 at FACETS, with in-person and national online screening options. 

FACETS 39th Annual Chicago International Children’s Film Festival (CICFF) announces the recipients of its Special and Jury Prizes today along with two new film programs – Award Winning Shorts Program for ages 8-10 and 11-14. CICFF, with selection by the 2022 Festival’s jury members, awarded 65 prizes from a field of 304 films, representing 54 nations, in several categories including live-action, animation, documentary films and television productions. Prizes are given by the Children’s, Youth, Professional and Special Juries and the Professional Jury Live-Action and Animated Shorts categories are Academy Award-qualifying. Tickets are currently on sale here: CICFF39.eventive.org .

Awards presented by the Festival maintain CICFF’s longtime standing as one of the top children’s film festivals in the world. CICFF juries are composed of independent filmmakers, film industry professionals, educators, parents and kids and teens who have graduated from FACETS Film 101 summer camp.

Also presented was the Milos Stehlik Global Impact Award, now in its fourth year, awarded to director Prasun Chatterjee for the feature film “Dostojee” (India) and Amy Bench for the short film “More Than I Want to Remember”(United States). FACETS created this award in 2019 to celebrate the memory of Milos Stehlik, founder and executive director of FACETS, who passed away in July 2019.

The full list of awards are listed below and can be found here .

CICFF39 – AWARD WINNING SHORTS PROGRAMS: 

For Ages 8-10:

A collection of some of the best award-winning short films from CICFF39. This selection represents a range of animation, live-action and documentary and includes winners from the Children's and Professional Juries, with the winners of the Best Production for Young Children and Best of Fest Awards. 

 

The films may be viewed virtually from November 10 - 20 and one may view the in-person screening times here and below: 

Saturday, Nov. 12 at 12:30 p.m. at Facets, 1517 W. Fullerton Ave. 

Sunday, Nov. 20 at 11 a.m. at Facets, 1517 W. Fullerton Ave. 

The program winners include:

• “Hush Hush Little Bear” 

• “Birth” 

• “HEY DUGGEE – The Action Hero Badge”

• “The Wind and The Trees” 

• “The Most Boring Granny in the Whole World”

• “Pete” 

• “Charlie and the Hunt” 

• “New Moon” 

• “Wishes in the Wind” 

 

(Ages 11-14+) 

A collection of some of the best award-winning short films from CICFF39. This selection represents a range of animation, live-action and documentary and includes winners from the Youth, New Dimensions and Professional Juries, with the winner of Milos Stehlik Global Impact Award and Best of Fest Awards.  

The films may be viewed virtually from November 10-20 and one may view the in-person screening times here and below:

 Sunday, Nov. 13 at 1 p.m. at Facets, 1517 W. Fullerton Ave.  

The program winners include:

 

Films:  

• “Call and Response” 

• “Slipping Away” 

• “Freedom Swimmer” 

• “Ice Merchants” 

• “More Than I Want to Remember” 

• “Abby” 

SPECIAL PRIZES AWARDED INCLUDE: 

2022 BEST OF FEST AWARD

“Rickshaw Girl,” Amitabh Reza Chowdhury (Bangladesh)

MILOS STEHLIK GLOBAL IMPACT AWARD

Feature: “Dostojee,” Prasun Chatterjee (India)

Short: “More Than I Want to Remember,” Amy Bench (United States)

 

BEST PRODUCTION FOR YOUNG CHILDREN (AGES 2-5)

“Hush Hush Little Bear,” Māra Liniņa (Latvia)

PROGRAMMER’S CHOICE AWARD

“New Moon,” Jeff Le Bars, Jérémie Balais (United States)

GIRL EMPOWERMENT AWARD

“Abby,” John Urbano (United States)

STEM AWARD

“The Wind and the Trees,” Todd Allan Stewart (Canada)

LIV ULLMANN PEACE PRIZE - Feature

Feature: “The Apple Day,” Mahmoud Ghaffari (Islamic Republic of Iran)

LIV ULLMANN PEACE PRIZE - Short

Short: “Letter to a Pig,” Tal Kantor (France)

MONTGOMERY PRIZE EMERGING DIRECTOR

“White Berry,” Sia Hermanides (Netherlands)

EMBRACE AWARD

“Adjustment,” Mehrdad Hassani (Islamic Republic of Iran)

 

PROMISE AWARD

“Me. My eleven years. WAR.,” Marusya Shuvalova (Ukraine)

 

PROMISE AWARD

“Yangtze,” Daniel Kim, Benjamin Kim (United States)

 

CHILDREN’S JURY PRIZES INCLUDE:

Children's Jury’s Prize – Animated Short Film

1st Prize, “Pete,” Bret Parker (United States)

2nd Prize, “Birth,” Roberto Valle (Spain)

 

Children’s Jury’s Prize – Animated Feature Film

1st Prize, “Perlimps,” Alê Abreu (Brazil)

 2nd Prize, “My Big Big Friend - The Movie,” Andres Lieban (Brazil)

 

Children's Jury’s Prize – Animated Television

1st  Prize, “HEY DUGGEE - The Action Hero Badge,” Grant Orchard, Sander Jones (United Kingdom)

 2nd  Prize, “Call and Response,” Morgane Duprat--Peter, Daphné Kutnowski, Yoann Bouabré, Sélena Aledji, Anthony Okoko, Laura Sadi Honniball (France)

 

Children’s Jury’s Prize – Documentary Short Film

1st Prize, “Dipsas Speaks,” Craig Daniel Leon (Ecuador)

2nd Prize, “Wishes in the Wind,” Lisa Marie DiLiberto (Canada)

 

Children’s Jury’s Prize – Documentary Feature Film

1st Prize, “YUNG PUNX: A Punk Parable,” Seth Kramer, Daniel A. Miller, Jeremy Newberger (United States)

2nd Prize, “Rosie’s Theater Kids,” Steven Cantor (United States)

 

Children's Jury’s Prize – Live-Action Short 

1st Prize, “Charlie and the Hunt,” Jenn Shaw (United States)

2nd Prize, “Eger, 1552,” Attila Szász (Hungary)

  

Children's Jury’s Prize – Live-Action Feature Film 

1st Prize, “Laura’s Star,” Joya Thome (Germany)

2nd Prize, “Tales of Franz,” Johannes Schmidt (Austria)

 

Children's Jury’s Prize – Live Action Television

1st Prize, “Theodosia,” Matthias Hoene, Matt Bloom, Alexander James Jacob (France)

2nd Prize, “Yard TV,” Pablo Uranga (Brazil)

YOUTH JURY PRIZES

 

Youth Jury’s Prize – Animated Short Film

1st Prize,   ”Ice Merchants,” João Gonzalez (Portugal)

2nd Prize,  “Slipping Away,” Gabriel Hénot Lefèvre (France)

 

Youth Jury’s Prize – Live-Action Short Film 

1st Prize,  “Invincible,” Vincent René-Lortie (Canada)

2nd Prize,  “Bleach,” Mattias Graham (Canada)

 

Youth Jury’s Prize – Documentary Short Film

1st Prize, (tie)

“Freedom Swimmer,” Olivia Martin-McGuire (United Kingdom)

“More Than I Want to Remember,” Amy Bench (United States)

2nd Prize, “BYkids: FAITH'S WORLD,” Faith Guilbault (United States)

 

Youth Jury’s Prize –  Animated Television

1st Prize,  “Call and Response,” Morgane Duprat--Peter, Daphné Kutnowski, Yoann Bouabré, Sélena Aledji, Anthony Okoko, Laura Sadi Honniball (France)

 

Youth Jury’s Prize – Documentary Feature Film

1st Prize,  “Afghan Dreamers,” David Greenwald (Afghanistan)

2nd Prize,  “This is My Black,” Stephen Adetumbi, Jarrett Roseborough (United States)

  

Youth Jury’s Prize – Live-Action Feature Film

1st Prize, “White Berry,” Sia Hermanides (Netherlands) 

2nd Prize, “Comedy Queen,” Ismael Ferroukhi (Morocco, France)

 

Youth Jury’s Prize – Live Action Television

1st Prize, “More Than This,” John Sheedy, Kate Gorman (Australia)

 

NEW DIMENSIONS JURY PRIZES INCLUDE

 

New Dimensions Jury’s Prize – Animated Short Film

1st Prize, Animated Short Film (tie)

“Good Night Mr. Ted,” Nicolás Sole Allignani (Argentina)

“The Seine’s Tears,” Yanis Belaid, Eliott Benard, Nicolas Mayeur, Etienne Moulin, Hadrien Pinot, Lisa Vicente, Philippine Singer, Alice Letailleur (France)

2nd Prize, “Ice Merchants,” João Gonzalez (Portugal)

 

New Dimensions Jury’s Prize – Documentary Feature Film 

1st Prize, “Dear Future Children,” Franz Böhm (Germany) 

2nd Prize, “The Last Election and other Love Stories,” Miguel Silveira (United States) 

 

New Dimensions Jury’s Prize – Documentary Short Film 

1st Prize, “Freedom Swimmer,” Olivia Martin-McGuire (United Kingdom) 

2nd Prize, “The Girl with the Accent,” Nadia Durry (United Arab Emirates) 

 

New Dimensions Jury’s Prize – Live-Action Short Film 

1st Prize, “Invincible,” Vincent René-Lortie (Canada) 

2nd Prize, “Sons of Toledo,” Monty Cole (United States)

 

PROFESSIONAL JURY PRIZES INCLUDE 

 

Professional Jury’s Prize – Animated Short Film  

1st  Prize, “Slipping Away,” Gabriel Hénot Lefèvre (France) 

2nd  Prize, “The Most Boring Granny in the Whole World,” Damaris Zielke (Germany) 

 

Professional Jury’s Prize – Animated Feature Film  

1st Prize, “Journey to Yourland,” Peter Budinský (Slovakia) 

2nd Prize, “The Websters Movie,” Katarína Kerekesová (Slovakia)

  

Professional Jury’s Prize – Animated Television

1st  Prize, “Call and Response,” Morgane Duprat--Peter, Daphné Kutnowski, Yoann Bouabré, Sélena Aledji, Anthony Okoko, Laura Sadi Honniball (France)

2nd  Prize, (tie)

“Giuseppe,” Isabelle Favez (Switzerland)

“Space Nova,” Pablo De La Torre (Australia)

 

Professional Jury’s Prize – Documentary Short Film

1st Prize, Freedom Swimmer, Olivia Martin-McGuire (United Kingdom)

2nd Prize, (tie)

How Hannie are You?, Deborah van Dam (Netherlands)

Maxim - The Greatest, Kaja Fedulova (Germany)

  

Professional Jury’s Prize – Documentary Feature Film

1st  Prize, “Afghan Dreamers,” David Greenwald (Afghanistan)

2nd  Prize, “Dear Future Children,” Franz Böhm (Germany)

 

Professional Jury’s Prize – Live-Action Short

1st  Prize, “Invincible,” Vincent René-Lortie (Canada)

2nd  Prize, “Margot's Sister,” Christine Doyon (Canada)

 

Professional Jury’s Prize – Live-Action Feature Film

1st Prize, Comedy Queen, Sanna Lenken (Sweden)

2nd Prize, Rickshaw Girl, Amitabh Reza Chowdhury (Bangladesh)

 

Professional Jury’s Prize – Live Action Television

1st Prize,  “More Than This,” John Sheedy, Kate Gorman (Australia)

2nd  Prize,  “Kabam!,” Elisabeth Hesemans (Netherlands)

About FACETS

FACETS  connects people to independent ideas through transformative film experiences. Founded by the late Milos Stehlik in 1975,  FACETS inspires audiences to engage with film not simply as entertainment, but as an exciting tool to bridge cultural divides, promote digital literacy, and expand perspectives through empathy-driven storytelling.  

FACETS presents the Chicago International Children’s Film Festival (CICFF), one of only two Academy Award-qualifying international children’s film festivals in the world. The 39th Annual Chicago International Children’s Film Festival (CICFF39) runs November 4 - 20 at FACETS in-person and via national online screening. Buyers should visit  CICFF39.eventive.org  to view all the ticket options and to purchase tickets.

FACETS’ CICFF39 is supported by the Alphawood Foundation Chicago, Comer Family Foundation, NEA Art Works, Illinois Arts Agency (partial support), Kirckland & Ellis LLP, Prince Charitable Trust, Allstate, Conant Family Foundation, Stuart & Jesse Abelson Foundation, Seabury Foundations (New Dimensions program), Sterling Bay, and WTTW.

CICFF 30th Anniversary Schedule & $40 Family Pass #ChiILPicksList

I've been a volunteer at Facets Multimedia for 23+ years.   And I've adored and attended the Children's Film Festival since long before I had kids of my own.  My tweens who are 10 & 12 grew up on the fest and are eagerly anticipating this year's lineup which features more tween features in addition to all the early childhood and elementary age favs.

Check back with ChiIL Mama like we vote in Chi, IL... early and often.   We'll have our ChiIL Picks List up shortly.

We sat down and picked the brains of projectionists and staff at Facets about their favorites and we'll be adding our own wish list as well.   What will you see? It's a multicultural feast of fam friendly cinema.

Of course you'll want to adapt the schedule to the ages & tastes of your kids.   If you plan to hit more than one show, buy a family pass.   It's a smokin' deal at just $40!   But go early to the screenings you want to see. Entry is limited by capacity.

This year's CICFF features the absolute best in new world cinema for kids of all ages. The programs we've designed to celebrate our 30th anniversary will empower and inspire the next generation of film lovers. Join us and take amazing journeys with a wealth of character-driven stories, painterly and cutting edge animation, and thoughtful resolutions. Every screening at the CICFF is a visual treat for the whole family.

The Family Pass is on sale now.

The best family entertainment deal in Chicago

Click here and get your family pass today!

CLICK HERE FOR SCHEDULE

This was one of our fav Halloween children's books when the kids were small.

Guessing Game... Can you guess the films these images came from?   Check the schedule & discover some of our top ChiIL Picks.

Like Japanese anime... French fare... Halloween themes... grrrrl power... martial arts... Fantastic Planet remastered?   There's something for everyone!!

Disney Live! Ticket Winner Announced #chidisneylive #giveaways

Congrats to Tonia G. who won ChiIL Mama's 4 tickets to Disney Live! out of 325 entries.   Woo hoo. 

We've still got loads of great giveaways going on.


Nationwide:

http://www.chiilmama.com/2013/03/win-full-set-of-seasons-12-3-h20-just.html   ($75 value--12 DVD full set of H2O seasons 1,2,3) 

through midnight 4/9 

http://www.chiilmama.com/2013/03/win-return-to-nims-island-blu-ray-combo.html ($26.99 value) 
through midnight 3/27

Chicago Tickets:

2 free movie tickets to Facets 3/15-21 to see The End of Love (adult night out or recommended for ages 15+) http://www.chiilmama.com/2013/03/parents-night-out-ticket-giveaway-end.html  ($18 value)  ending 3/12 midnight

Loads of sweet, live kids' concert giveaways (even brunch for 4 at Harmony Grill AND 4 tickets to Poochamungas at Schubas)  http://www.chiilmama.com/2013/03/kindie-land-freebies-win-tickets-to.html 


Enter like we vote in Chi, IL...early and often.   And ChiIL out with ChiIL Mama and some free rockin' live kids' shows, movie tickets, DVDs and Blu-Ray.

ACT OUT OPENING TONIGHT: Philip Glass’ The Fall of the House of Usher 4 Shows Only

#3 – Suzan Hanson as Madeline and Ryan MacPherson as Roderick 

All photos by Keith Ian Polakoff, courtesy of Long Beach Opera.

 Chicago Opera Theater presents the Chicago Premiere of

THE FALL OF THE HOUSE OF USHER

By Philip Glass

The Chicago Opera Theater opens its 2013 season, the inaugural season of new general director Andreas Mitisek, with Philip Glass’ The Fall of the House of Usher, in four performances only February 27-March 1.  This gothic tale of suspense, horror and the supernatural is based on a story by Edgar Allen Poe.  

ChiIL Live Shows will be there...will YOU?!   We've been promoting this production for months and it's finally here.   We'll be reviewing opening night, tonight, and can't wait.   We heard two numbers at a sneak peek at Facets Multimedia last weekend featuring the film, Koyaanisqatsi, with a score also by Philip Glass.   They had me at "goth-punk moving men"--four of my fav words all in one character description!

Andreas Mitisek Takes Audiences to the Edge of Madness in

His First Season as Chicago Opera Theater’s General Director

Philip Glass’ The Fall of the House of Usher, a gothic horror story which blurs the line between the real world and the supernatural, opens Chicago Opera Theater's 2013 Season, titled “Power of Love, Love of Power.”  This is Andreas Mitisek's inaugural season as General Director of Chicago Opera Theater since assuming the position in June 2012.  

Glass' haunting 1987 score for Edgar Allan Poe's macabre masterpiece, with lyrics by Arthur Yorinks, provides the perfect backdrop for this nightmarish journey to the edge of madness.  The Fall of the House of Usher, taking place at the Harris Theater for Music and Dance, 205 E. Randolph Drive, runs for four performances only: Saturday, February 23 at 7:30 p.m., Sunday, February 24 at 3 p.m., Wednesday, February 27 at 7:30 p.m. and Friday, March 1 at 7:30 p.m.  

#1 – Lee Gregory as William, Nicholas Shelton as the Servant, 

Ryan MacPherson as Roderick 

The Fall of the House of Usher is a co-production with Long Beach Opera (LBO), whose production opens January 27.  An opera in two acts, The Fall of the House of Usher takes the audience deep into the eerie realm of the House of Usher.  When William receives a letter from his long lost friend Roderick Usher, apparently suffering from illness and requesting William’s presence, he journeys to the sinister mansion where Roderick and his twin sister Madeline live as the last of the Usher bloodline.  At first William tries to aid his friend by reminding Roderick of his passion for art, music and literature, but William soon becomes swallowed up in a world where the border separating real and supernatural is blurred, and paranoia then takes control.  Taken from one of Edgar Allan Poe’s most popular tales, this unsettling story explores the line between truth and imagination, all set against Glass' haunting and suspenseful music.   COT has also performed Glass’ opera Akhnaten in 2000.

“Our 2013 Season emphasizes the tension between the power of love and the love of power,” explains Mitisek, who conducts both the COT and LBO performances.  “The Fall of the House of Usher is about internal and external collapsing worlds.  Glass’ music suspends reality and time, hypnotizing us on this journey to the edge of sanity.  It’s a 90-minute psychological roller coaster ride.”

Ken Cazan returns to COT to direct Usher after directing the acclaimed Death in Venice (2004), Bluebeard’s Castle (2007), Erwartung (2007) and Shining Brow (1997).  He is the Resident Stage Director for the Thornton School of Music at the University of Southern California.  One of America’s most sought-after directors, he has directed more than 100 productions for more than 40 opera companies, including the Santa Fe Opera, Central City Opera, Atlanta Opera, and Seattle Opera, among others.  Of Usher, Cazan says, “Things are rarely what they seem in Gothic horror tales.  What on the surface feels like a tragic and spooky story (which it is), instinctively, upon the first hearing and reading of Glass’ opera, felt like something very different to me.  William feels an unusual sense of passion for Roderick, whom he hasn’t seen since childhood.  William very forcefully speaks of taking Roderick away, of saving him.  And what of Madeleine, Roderick’s ailing ‘identical’ twin sister?  In the opera, William hears her without seeing her.  Does she really exist?”

TICKETS

The Fall of the House of Usher runs for four performances February 23, 24, 27, and March 1 at the Harris Theater for Music and Dance in Millennium Park.  Individual tickets to are on saleJanuary 21 and range from $45 – $125.  Tickets may be purchased through Chicago Opera Theater at www.chicagooperatheater.org, by phone at 312-704-8414, or through the Harris Theater at www.harristheaterhicago.org and 312-334-7777.  COT offers half-off tickets to students in sections A, B, C and D. 

Subscriptions to all three operas in Chicago Opera Theater’s 2013 season are available through March 1 and prices range from $95 – $356. Subscriptions include The Fall of the House of Usher, Astor Piazzolla’s María de Buenos Aires (April 20, 24, 26 and 28) and Giuseppe Verdi’s Joan of Arc (Giovanna d'Arco)(September 21, 25, 27 and 29).  New subscribers received 50% off in sections A, B and C. 

#2 – Lee Gregory as William, Ryan MacPherson as Roderick, 

Suzan Hanson as Madeline

CAST

COT DEBUT: Suzan Hanson (Madeline Usher) is a multi-faceted artist who combines work in opera and music-theater.  Her recent performances of Poulenc’s La Voix Humane was described as “fresh and forceful…[with] blazing dramatic fervor…” by The San Francisco Chronicle.  Hanson has performed with companies such as Arena di Verona, Arizona Opera, Carnegie Hall, Edinburgh, Long Beach Opera, Maggio Musicale (Florence), New Israeli Opera, Pittsburgh Opera Theater, and San Francisco Opera.  Often sought for new works, Hanson has originated many roles, including Hanako in Sound of a Voice.  She is a regular with LBO and has sung Pat Nixon in Nixon in China, Medea in Meda by Cherubini and Margarita inAinadamar by O. Golijov.  Hanson originated the role of Madeline in The Fall of the House of Usher in the World Premiere production by American Repertory Theater.

COT DEBUT: Lee Gregory (William) hails from Houston, Texas.  His recent performances include Silvio in I Pagliacci with Arizona Opera Company, Richard Nixon in Nixon in China with Eugene Opera, Schaunard in La bohème with Michigan Opera Theatre, and the title role in Il barbiere di Siviglia with Opera Theatre of the Rockies.  He reprises the role of William in COT’s production, having sung it with Nashville Opera.

COT DEBUT: Jonathan Mack (Physician) has performed over fifty roles during his eighteen seasons with the Los Angeles Opera, including Ferrando in Mozart’s Cosi fan tutte, Kudrjas in Janacek’s Katya Kabanova, Quint in Britten’s Turn of the Screw, and Orpheus in Offenbach’s Orpheus in the Underworld.  He has also worked with Netherlands Opera, Kentucky Opera, Vancouver Opera and Opera Columbus.

COT DEBUT: Ryan MacPherson (Roderick Usher) sings this season with Virginia Opera as Alfred in Die Fledermaus and returns to the Buxton Festival as Horace in Gounod’s La colombeand Kornélis in Saint-Saëns’ La princesse jeune.  He has performed with Dayton Opera, Utah Opera, Portland Opera and Nashville Opera, among others.  With New York City Opera he created the role of Iff, the Water Genie, in Wuorinen’s Haroun and the Sea of Stories.

COT DEBUT: Nick Shelton (Servant) has garnered unanimous accolades for his dark, piercing voice, refined musicianship, and commanding stage presence.  Recent season highlights include Jose Tripaldi in Golijov's Ainadamar with Long Beach Opera, of which Gazettes.com raved “that is some terrific voice!” and called him “a name to remember.”

CREATIVE TEAM

COT DEBUT: Set designer Alan E. Muraoka has been working in the entertainment industry as a production designer and art director for film and television, as well as a theatrical set designer for over 25 years.  He has been honored with two Emmy® Award nominations and three Art Directors’ Guild Award nominations.  His design credits include Dirty Girl andBaadAsssss!  He has collaborated with Mitisek at Long Beach Opera, designing Ricky Ian Gordon’s Orpheus and Euridice, staged in an Olympic swimming pool, and an opera adaptation ofThe Diary of Anne Frank staged in an underground parking garage. 

Costume designer Jacqueline Saint Anne is an Emmy Award-winning costume designer and former President of the Costume Designers Guild.  Saint Anne returns to COT with The Fall of the House of Usher, having debuted with Owen Wingrave in 2010.  This also marks Saint Anne’s second production with Long Beach Opera, where she debuted with The Cunning Little Vixen in 2009.  With Ken Cazan, she has designed for the Thornton Opera at USC: Don Giovanni, Gianni Schicchi, Three Decembers, The Rape of Lucretia and Summer and Smoke, among others.

COT DEBUT: Lighting designer David Martin Jacques’ collaborations with director Cazan include The Fall of the House of Usher with Long Beach Opera, West Side Story with the Vancouver Opera Company, and A Little Night Music, Gianni Schicchi, Oklahoma! and Seven Deadly Sins with Central City Opera.  Jacques also serves as Professor of Theatre and Head of Stage Design at California State University Long Beach.

Mitisek’s work as director, designer and conductor for site-specific productions in parking garages, swimming pools, night clubs and warehouses has become a successful hallmark of his work with Long Beach Opera, and he anticipates incorporating such innovative projects into the COT repertoire.  In addition to being named “LA Tastemaker” by LA Times Magazine in 2009and highlighted as one of “2012 People” by LA Weekly, in 2012 Mitisek was named by Opera News as one of the 25 people that will be a major force in the field of opera in the coming decade.  Recent LBO credits as director, designer and conductor include Golijov’s Ainadamar, Piazzolla’s Maria de Buenos Aires (which will be the second production of COT’s 2013 season), Lang’s Difficulty of Crossing a Field, Cherubini’s Medea and Glass’ Akhnaten. 

ABOUT PHILIP GLASS

Through his operas, his symphonies, his compositions for his own ensemble, and his wide-ranging collaborations with artists ranging from Twyla Tharp to Allen Ginsberg, Woody Allen to David Bowie, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times.  His operas – Einstein on the Beach, Satyagraha,Akhnaten and The Voyage, among many others – play throughout the world’s leading houses.  Glass has written music for experimental theater and for Academy Award-winning motion pictures such as “The Hours” and Martin Scorsese’s “Kundun.”  He was born in 1937, grew up in Baltimore, and studied at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud.

ABOUT CHICAGO OPERA THEATER

Founded in 1974 by Alan Stone, Chicago Opera Theater has carved a significant place for itself in the operatic life of Chicago and has reached an audience of hundreds of thousands through its main stage performances, community engagement, education programs in Chicago Public Schools, as well as its renowned Young Artist Program.  Chicago Opera Theater presents first-class productions of operatic repertoire, ranging from the great works of the 17^th, 18^th and 20^th centuries to intimate and innovative contemporary productions by top-tier, internationally renowned conductors, directors and designers.

PROGRAM INFO

Philip Glass

THE FALL OF THE HOUSE OF USHER

February 23, 24, 27, and March 1 at the Harris Theater for Music & Dance

Book by Arthur Yorinks and Philip Glass

Based on the Story by Edgar Allan Poe

Lyrics by Arthur Yorinks 

Conductor:                                            ANDREAS MITISEK

Director:                                               KEN CAZAN

Set Designer:                                       ALAN E. MURAOKA

Costume Designer:                               JACQUELINE SAINT ANNE

Lighting Designer:                                DAVID JACQUES

Sung in English with English supertitles.

Role                                                     Cast (Alphabetical)                                          

Madeline Usher (Soprano)                     SUZAN HANSON 

William (Baritone)                                 LEE GREGORY 

Physician (Tenor)                                 JONATHAN MACK

Roderick Usher (Tenor)                        RYAN MACPHERSON

Servant (Bass-Baritone)                                    NICHOLAS SHELTON 

GOTH-PUNK MOVING MEN:  Joshua Banks, Curtis Bannister, Nathan Gardner, Jamal Howard, Matt Messina, Jordan Phelps, Will Snyder.

The Fall of the House of Usher is generously supported by Orli & Bill Staley and The Andrew W. Mellon Foundation.

For more information on the Chicago Opera Theater and its programs please visit www.chicagooperatheater.org.