Showing posts with label Chicago Premiere. Show all posts
Showing posts with label Chicago Premiere. Show all posts

Tuesday, October 29, 2024

Lyric Opera of Chicago Presents Special Events in Conjunction With the Chicago Premiere of Blue November 16 to December 1, 2024

Lyric Opera of Chicago presents special events 

in conjunction with the premiere of 

Blue

Jeanine Tesori and Tazewell Thompson's Blue, onstage at Lyric Opera of Chicago from November 16 to December 1, tells the powerful story of a Black family facing personal tragedy and systemic injustice. Its emotionally charged score explores themes of race, justice, and family, providing audiences with a reflection on societal struggles.

In conjunction with Blue's Chicago premiere, Lyric Unlimited, Lyric’s Learning & Civic Engagement department, is presenting a series of events that invite the public into spaces of reflection, healing, and dialogue. These experiences — ranging from musical and meditative sessions to thought-provoking discussions — extend beyond the opera performance, creating opportunities for the community to engage with Blue’s themes in new and impactful ways.

"Art has the power to engage and transform," says Sheran Goodspeed Keyton, Director of Civic Engagement at Lyric. "By extending our programming beyond the mainstage production of Blue, we create pathways for deeper connections within the community. Each event serves as a vital space for healing, conversation, and self-exploration, allowing participants to reflect on the opera’s themes while fostering a sense of unity and support among one another."


Of Thee I Sing! Songs of Love and Justice

Lyric Unlimited’s Artist-in-Residence Karen Slack presents Of Thee I Sing! Songs of Love and Justice on Tuesday, November 12 at 7:00 p.m. in the Daniel F. and Ada L. Rice Grand Foyer. The first in a three-recital series, Slack is joined by pianist Kamilla Arku and visual designer Angela L. Owens. This powerful program, created in response to George Floyd’s murder, features Langston Hughes’s The Kids Who Die and works by H.T. Burleigh, Undine Smith Moore, and others, exploring love and justice. A post-recital discussion with the artists will follow. Tickets are available now at lyricopera.org/Of-Thee-I-Sing.

Tonika Johnson Exhibition: Thoughts on Parenthood, Belonging, and Alternative Spaces

From November 13 to December 1, Lyric presents an exhibition by artist and activist Tonika Johnson, featuring three impactful art projects throughout the Lyric lobby. Thoughts on Parenthood is an interactive arts initiative that collects personal stories from Chicago parents, highlighting their dreams and challenges. Belonging focuses on the experiences of young people of color navigating racial profiling, while Alternative Spaces showcases how Black youth create free spaces to foster community and resilience.

For the opening night event of Blue on Saturday, November 16, audience members can use promo code BLUEVIP for a special $125 ticket. The evening begins with welcome drinks at 4:00 p.m., followed by a walking tour of Johnson’s exhibition hosted by Lyric Unlimited Artist-in-Residence Karen Slack at 4:30 p.m., and a reception presented by Luella’s Southern Kitchen and specialty desserts provided by Brown Sugar Bakery at 5:00 p.m. The program also includes the Shades of Blue pre-opera talk featuring Antonio C. Cuyler and Dr. Naomi André at 6:00 p.m., leading into the Chicago premiere of Blue at 7:30 p.m. In addition to the opening night, the exhibit will be open to the public from noon to 2 p.m. on November 13, 19, 20 and 26.

The RESET with Davin Youngs

On Friday, November 15, Lyric Opera of Chicago’s Music That Heals series kicks off with The RESET, a transformative sound healing experience led by artist Davin Youngs. Part of a series designed to calm, restore, and heal through the power of music, this immersive event combines improvisational singing, electronic beats, and sound healing instruments to create a unique space for relaxation and rejuvenation.

The RESET offers participants a chance to carve out their own healing spaces, serving as a counterbalance to the pain and family trauma portrayed in Blue. This restorative experience is designed not only for those attending the opera, but also for the broader community, creating a sacred environment for reflection. Tickets are $20.

Blue Opera Insights: A Deeper Look at Race and Justice

On November 18, Lyric Unlimited’s Scholar-in-Residence Dr. Antonio C. Cuyler moderates an important panel discussion on Blue at the DuSable Black History Museum and Education Center, as part of Lyric’s ongoing Opera Insights series. Featuring leading voices on police violence and accountability—including Yohance Lacour, Maira Khwaja, and Jamie Kalven from the Invisible Institute, and Olivia Obineme of Public Narrative — the discussion will delve into the painful realities at the heart of Blue and the ongoing fight for justice. This free event, followed by a talkback with Blue's principal artists, requires advance registration.

Gen Z in Action: Art, Activism, Advocacy and Advancement

On Saturday, November 23, Gen Z in Action: Art, Activism, Advocacy and Advancement will feature emerging Black arts leaders in conversation about the future of the arts, drawing on themes from Blue. Moderated by Lyric’s Anthony Jones, the panel will feature nonprofit leaders Kylie Davis, Empirical Research Fellow at Kellogg School of Management; Ronnie Taylor Jr., Youth Culture Coordinator at Center on Halsted; and Zakiya Collier, STEM Coordinator at the Chicago Urban League. Together, they will explore themes of identity, belonging, and how the arts can address systemic issues. The event will conclude with a discussion curated by Kennedy-King College students and current and retired officials from the Chicago Police Department.

D-Composed Presents D-Compressed

On Sunday, December 1, D-Composed, a Black chamber music collective, will host D-Compressed, a meditative musical experience that complements the closing performance of Blue. Part of Lyric's Music That Heals series, this intimate event blends yoga with chamber music, featuring works by Black classical composers fused with hip-hop, rap, jazz and gospel. Through live performances and guided meditations, D-Compressed invites participants to process the emotional weight of Blue's narrative while engaging with the healing power of music.

Just as Blue delves into a family’s struggle with systemic injustice, D-Compressed provides a safe space for attendees to confront their own emotions, find solace, and connect with their personal stories. This experience detoxifies negative energies, creating room for positive flow, ease, and enlightenment—mirroring the themes of healing and unity that are central to Blue. By fostering a collective moment of reflection, the program highlights the role of art in supporting emotional and communal renewal. Tickets are $20.

Shades of Blue Pre-Opera Talk Series

The Shades of Blue pre-opera talks, presented as in-depth discussions, offer a chance to delve into Blue's key themes before each performance. Led by Lyric Unlimited Scholar-in-Residence, Dr. Antonio C. Cuyler, these talks feature prominent voices from Chicago’s civic and academic communities, drawing connections between the opera’s portrayal of Black family life and contemporary social issues such as violence prevention, incarceration, and systemic injustice. Blue ticket holders are invited to participate in these free discussions, which take place an hour before each performance.

Pre-Opera Talks

Saturday, November 16: An extended 1-hour conversation, beginning at 6:00 p.m., with Dr. Cuyler and Dr. Naomi André, renowned musicologist and author of the seminal book Black Opera: History, Power, Engagement, discussing Blue's themes in the broader context of music and social justice.

Wednesday, November 20: Artist and activist Tonika Johnson will explore Chicago’s social divides and the connections to identity and belonging in Blue.

Friday, November 22: Dr. Franklin Cosey-Gay, director of University of Chicago Medicine’s Violence Recovery Program, will address violence prevention and public health issues as they relate to the family’s challenges in Blue.

Tuesday, November 26: Dr. Cuyler will join representatives from the Illinois Prison Project to discuss incarceration and advocacy, building on conversations started earlier this season around Beethoven’s Fidelio.

Sunday, December 1: Chicago Police Lieutenant Jermaine Harris will join WFMT host LaRob K. Rafael for a discussion on community-based violence prevention and policing, connecting Blue's themes to current reform efforts.

For more information on Blue and all of these related special events, visit lyricopera.org/blue.


About Lyric

Lyric Opera of Chicago is committed to redefining what it means to experience great opera. The company is driven to deliver consistently excellent artistry through innovative, relevant, celebratory programming that engages and energizes new and traditional audiences.

Under the leadership of General Director, President & CEO John Mangum and Music Director Enrique Mazzola, Lyric is dedicated to reflecting, and drawing strength from, the diversity of Chicago. Lyric offers, through innovation, collaboration, and evolving learning opportunities, ever-more exciting, accessible, and thought-provoking audience and community experiences. We also stand committed to training the artists of the future, through The Patrick G. and Shirley W. Ryan Opera Center; and to becoming increasingly diverse across our audiences, staff, programming, and artists — magnifying the welcoming pull of our art form, our company, and our city.

Through the timeless power of voice, the splendor of a great orchestra and chorus, theater, dance, design, and truly magnificent stagecraft, Lyric is devoted to immersing audiences in worlds both familiar and unexpected, creating shared experiences that resonate long after the curtain comes down.

Join us @LyricOpera on Instagram, TikTok, YouTube, Threads and Facebook. #LongLivePassion

For more information, visit lyricopera.org.

Thursday, April 11, 2024

Chicago premiere of THE THANKSGIVING PLAY Via Steppenwolf Theatre April 25 – June 2, 2024

 ChiIL Live Shows On Our Radar

Steppenwolf Theatre continues its 48th Season with 

the Chicago premiere of  

THE THANKSGIVING PLAY

By Larissa FastHorse

Directed by Jess McLeod



Featuring ensemble members Audrey Francis and Tim Hopper

with Paloma Nozicka and Nate Santana

April 25 – June 2, 2024 in Steppenwolf’s Ensemble Theater

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to continue its 48th season with the Chicago premiere of Larissa FastHorse’s The Thanksgiving Play, a biting comedy about everything right, wrong and woke in America, directed by Jess McLeod. The Thanksgiving Play will play April 25 – June 2, 2024 in Steppenwolf’s stunning in-the-round Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St. in Chicago. Single tickets starting at $20 are now on sale at steppenwolf.org or the Box Office at (312) 335-1650. 

The Thanksgiving Play features ensemble members Audrey Francis (POTUS – Director, The Doppelgänger) and Tim Hopper (Downstate, Chicago, Off-Broadway & London) with Paloma Nozicka (Steppenwolf debut) and Nate Santana (Ironbound).

Four (very) well-intentioned theatre people walk into an elementary school. The work at hand: a Thanksgiving pageant that won’t ruffle any feathers. What could possibly go wrong? In MacArthur Genius Larissa Fasthorse’s skewering and satirical comedy, well, just about everything. Rambunctious, thorny and not altogether politically correct, The Thanksgiving Play serves up the hypocrisies of woke America on a big, family-style platter. Come get ya some.

The creative team includes Andrew Boyce (Scenic Design), Raquel Adorno (Costume Design), Keith Parham (Lighting Design), Tosin Olufolabi (Sound Design), R&D Choreography (Violence Design), Jyreika Guest (Intimacy Consultant), Kory Danielson (Music Director), Dillon Chitto (Engagement Curator and Cultural Consultant), Kate DeVore (Vocal Coach), Patrick Zakem (Creative Producer), Elise Hausken (Production Manager), JC Clementz, CSA (Casting), Christine D. Freeburg (Production Stage Manager) and Kathleen Barrett (Assistant Stage Manager). 

ChiIL Mama’s ChiIL Picks List: 

Adult Shows With Family Themes On Our Radar


Production Details:

Location: Steppenwolf’s Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St., Chicago

Dates: Previews: Thursday, April 25 – Saturday, May 4, 2024

Press performance/Opening: Sunday, May 5, 2024 at 6 pm

Regular run: Tuesday, May 7 – Sunday, June 2, 2024

Curtain Times: Tuesday, Wednesday, Thursdays and Friday at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will not be a performance on Tuesday, April 30; there will be an added 2 pm matinee performance on Wednesday, May 8; there will be no performances on Saturday, May 11 (Steppenwolf Gala); there will not be a performance on Tuesday, May 28.

Tickets: Single tickets for The Thanksgiving Play ($20 - $86) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are also currently on sale: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30.


Accessible Performance Dates:

Audio-described and touch tour: Sunday, May 26 at 3 pm (1:30 pm touch tour, 3 pm curtain)

Open-captioned: Thursday, May 16 at 7:30 pm and Saturday, June 1 at 3 pm

ASL-interpreted: Friday, May 24 at 7:30 pm


Artist Biographies:

Larissa FastHorse (Playwright, Sicangu Lakota Nation) is an award-winning writer and 2020-2025 MacArthur Fellow. Her 2023 productions are The Thanksgiving Play (Second Stage at the Helen Hayes), Wicoun (Cornerstone Theater Company), Democracy Project (Federal Hall), Fake It Until You Make It (CTG Mark Taper Forum), For the People (Guthrie) and the national tour of Peter Pan (Networks). Selected past productions include What Would Crazy Horse Do? (KCRep), Landless and Cow Pie Bingo (AlterTheater), Average Family (Children’s Theater Company of Minneapolis), Urban Rez and Native Nation (Cornerstone Theater Company), as well as numerous productions of The Thanksgiving Play, making it one of the most produced plays in America. HoganHorsestudio.com

Jess McLeod (Director) is a director and social justice advocate specializing in risky new work about America. Steppenwolf: Venus. Chicago: Resident Director, Hamilton; Wolf Play, Hang Man (The Gift); Earth To Kenzie (Lyric Opera of Chicago); Do You Feel Anger?, Fulfillment Center (A Red Orchid); Landladies (Northlight); How We Got On (Haven), Short Shakes! Midsummer (CST), Marry Me A Little (Porchlight). Regional: Radical (IAMA); There’s Always The Hudson (Woolly Mammoth); Pride And Prejudice (Long Wharf), The Great Khan (San Diego Rep); Hype Man (Actors Theatre of Louisville). Jess has developed new plays and musicals at Roundabout, the Atlantic Theatre Company, the O’Neill, Williamstown and Berkeley Rep Ground Floor. She is an NYCLU/Creatives Rebuild Artist-In-Residence; Woolly Mammoth’s BOLD Resident Director; and Co-Chair, with Michael Korie, of the Dramatists Guild Foundation Musical Theatre Fellows Program. www.jess-mcleod.com

Audrey Francis (Logan) serves as Artistic Director of Steppenwolf Theatre, alongside Glenn Davis, where she has been an Ensemble member since 2017. She is an actor, director, educator and coach. Most recently, Audrey directed POTUS in Steppenwolf's 2023/24 season. Steppenwolf performing credits include The Herd, Between Riverside and Crazy, The Fundamentals, The Doppelgänger (an international farce) and Dance Nation. TV credits include Justified: City Primeval, Chicago Med, Chicago Fire and Empire. Film credits include Perpetrator, Knives and Skin, Later Days and Distant Learners. She has taught acting in New York, LA, Toronto, Sydney and Melbourne, as well as at The University of Chicago and The Theatre School at DePaul. Audrey is a professional acting coach for Showtime, NBC, Fox and Amazon, and is the co-founder of Black Box Acting.

Tim Hopper (Caden) is a member of the Steppenwolf Theatre Company ensemble. Recent roles at Steppenwolf include Andy in Downstate, which traveled to the National Theatre in London, and to Playwrights Horizons in New York. He also appeared at the Goodman Theatre in the title role of Uncle Vanya. Television appearances include Chicago Fire, the Amazon series Utopia, Fargo, The Americans, The Exorcist, Empire and Chicago Med. Film appearances include Perpetrator; Knives and Skin, School of Rock and To Die For, among others. Recipient of the 2018 Lunt-Fontanne Fellowship. Broadway: Present Laughter. Off-Broadway: New York Theatre Workshop, Theatre for a New Audience, Vineyard Theatre and the Atlantic Theater. Regionally, at Long Wharf; Williamstown and La Jolla Playhouse. Internationally, the Edinburgh Festival and Antwerp's De Singel Theatre.

Paloma Nozicka (Alicia) makes her Steppenwolf Theatre Company debut. Chicago (selected): Teddy Ferrara (Goodman Theatre); Native Gardens (Victory Gardens Theater); The Harvest (Griffin Theatre); In the Canyon, The Light Fantastic, Exit Strategy, Long Way Go Down (Jackalope Theatre Company). Regional: Citizen Detective (Geffen Playhouse); Boeing Boeing (TheatreSquared). Television: The Irrational, Chicago Med, Proven Innocent, Chicago PD, Empire. Nozicka was a 2023 Jeff Awards nominee for "Best New Work" for her play Enough to Let the Light In, and she is a playwright with the 2023/24 Geffen Playhouse Writer's Room. palomanozicka.com @palomiiiiiiita

Nate Santana (Jaxton) Steppenwolf: Ironbound. Chicago: Golden Boy, Balm in Gilead (Griffin Theatre); The Abuelas, White Tie Ball (Teatro Vista); Georgiana and Kitty: Christmas at Pemberley, The Legend of Georgia McBride (Northlight Theatre); Regional: Frankenstein, Sense and Sensibility (Indiana Repertory Theatre); References to Salvador Dali Make Me Hot (The Phoenix Theatre). Television: Chicago P.D., Suits, The Exorcist and Chicago Med.


Accessibility

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production (see dates above). Assistive listening devices and large-print programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/plan-your-visit/accessibility or e-mail access@steppenwolf.org.



Sponsor Information

The Thanksgiving Play is supported in part by Conagra Brands Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, Joyce Foundation, Lefkofsky Family Foundation, Ron and Paula Mallicoat, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Robert Rivkin and Cindy Moelis, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, ArentFox Schiff, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Steven and Nancy Crown,  CRC Group, Rich and Margery Feitler, Julius Frankel Foundation, FROST CHICAGO, Goldman Sachs, Shmaila Tahir and Asheesh Goel, Bob and Amy Greenebaum, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, Christopher and Eileen Murphy, The Orlebeke Foundation, PNC, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, Elliot A. Stultz, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions - from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays - have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown - Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. 

steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.


ALSO ON STAGE:

Saturday, February 10, 2024

Hellish, Hopeful, and Highly Recommended: Review of TimeLine Theatre’s Notes from the Field

ChiIL Mama’s ChiIL Picks List: 

Adult Shows With Family Themes On Our Radar 

TIMELINE THEATRE PRESENTS CHICAGO PREMIERE OF ANNA DEAVERE SMITH’S 

NOTES FROM THE FIELD

JANUARY 31 - MARCH 24, 2024


Mildred Marie Langford, Shariba Rivers, and Adhana Reid give voice to 19 real-life people in director Mikael Burke’s staging of Smith’s searing indictment of America’s school-to-prison pipeline


REVIEW:

By Bonnie Kenaz-Mara

A dirt floor, a sparse set, a chorus of 3 figures in black speaking in unison. 3 pairs of bare feet grounding, connecting, and rooting a series of disparate stories with a common thread of injustice, so something incredible can grow. Three powerful women channeling the true stories of 19 individuals fighting to overcome and transform America’s education and criminal justice systems. One must see performance that will blow the blinders off audience members and bring systemic racism, classism, and school/police failures into the spotlight. Notes from the Field is an eye opening compilation of heart wrenching stories, staged in a stark and moving way. Kudos to all the TimeLine cast and creatives for bringing critical, true stories into the spotlight, encouraging empathy, and inciting change. Highly recommended. ★★★★ Four out of four stars. 

Adhana Reid (from left), Shariba Rivers, and Mildred Marie Langford collectively become Sherrilyn Ifill from the NAACP. All production photos by Brett Beiner Photography.

Three is a magic number, and Mildred Marie Langford, Adhana Reid, and Shariba Rivers are transformation in action and bring the stage magic! By simple costume changes and impressively different body language, cadence and accents, these 3 masters of the craft embody 19 vastly different human beings, and bring their real experiences to our eyes and ears in a visceral, chill-inducing way.

We live in difficult times socially, politically, environmentally, and economically. Yet, we could also be on the cusp of exciting,historic change. Lots of elements in our society are failing, and one of the first steps to making positive changes is acknowledging the problems. 

Shariba Rivers as fisherman and former inmate Taos Procter shares his story 

of ending up in prison

I have many friends who are teachers, so for years I've heard a barrage of stories about our broken system. A close friend who taught in an alternative school in Chicago's Englewood neighborhood had a student in class with an ankle monitor and another who disappeared from her English class one day, and when she asked around she discovered he had murdered his two housemates and was arrested. So many students are dealing with unimaginable stress and untenable living situations, with few safety nets or services to help, before situations hit critical. Another close friend of mine teaches kids who have been kicked out of public school, in a near western burb. She's had many success stories, as well as the heartbreak of seeing more than one promising student get murdered, and several classmates kill each other! And then we have to take into account the lesser but relentless daily discipline problems, poverty, and life stressors. I still think the general public is oblivious or buying knee-jerk fear mongering without taking a good look at surrounding social problems and more effective solutions.

I'm the mother of 2 graduates of Chicago Public Schools and walking though metal detectors and past cops every day from 7th-12th grade was routine for them, along with active shooter drills, and even school bomb threats. My daughter was stopped by a squad car while walking to school her sophomore year. Her crime? She was a few minutes tardy, since the L train was late and she missed her connecting bus. They scared, grilled, and hassled her, accused her of being from another school and causing trouble, and eventually released her, much tardier than she would have been. She was a cute, little white girl. How different would it have been if she was a black boy, especially one who ran when they pulled up? How could that scary encounter have gone if she had ADHD, or had other physical or mental disabilities that made her unable to hear them or comply with their demands?

Here at ChiIL Mama, we can't praise TimeLine enough for producing the uncomfortable work that sparks difficult discussions. Chicago's new Mayor campaigned on a promise to remove police officers from Chicago Public Schools, so we're at an interesting moment where school counselors, and those trained in deescalation over incarceration may see more funding and support. At this juncture, Notes from the Field couldn't be more timely. There are so many nuggets of wisdom, common sense and compassion in this show. The idea that children in crisis need to be pulled closer, nurtured, and helped, not incarcerated and separated, truly resonates. It's easy to become numb to the constant negative news cycles, but elevating a crisis to the stage makes a unique impact.  

 
Adhana Reid as Chief Judge Abby Abinanti shares why it’s better to pull our children closer when they stray rather than push them away.

Despite some truly horrific situations, Notes from the Field ends on a hopeful note. Activists are making headway and the general public seems to be open to the possibility of change. TimeLine does an excellent lobby display tie-in for each of their shows, which includes concrete steps to take and contact information for the change makers, along with more history on the topic. Come early or stay after and check it out.

We're excited to see director Mikael Burke, making his TimeLine debut. Don't let his fabulous Oscar the Grouch coat fool you... Mikael Burke is no mere Muppet curmudgeon, hiding out on Sesame Street. We keep bumping into him everywhere, and seeing his work all over town. This ubiquitous up-and-comer is one to watch! 

Here at ChiIL Live Shows and ChiIL Mama, he's been a favorite of ours for years. We caught both of his recent critically acclaimed stagings, Blues for an Alabama Sky for Remy Bumppo and Tambo & Bones for Refracted Theatre Company, and we were wowed. With Mikael Burke at the helm, and three top Chicago actors—TimeLine Company Member Mildred Marie Langford, Adhana Reid and Shariba Rivers on stage, TimeLine Theatre’s Notes from the Field is in great hands. Don't miss this! 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 


Hellish, Hopeful, and Highly Recommended
★★★★ Four out of four stars. 
Bonnie Kenaz-Mara, ChiILMama.com


TimeLine Theatre’s Chicago premiere of Notes from the Field by Anna Deavere Smith. Performances are January 31 - March 24, 2024 at TimeLine’s longtime home, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood. 

Notes from the Field is a strikingly intimate evening of theater unlike anything you’ve experienced before, presenting snapshots from a variety of real people, documenting their intersections with the American dream and the obstacles that work to block them from it. Utilizing verbatim dialogue pulled from more than 250 accounts from students, faculty, prisoners, activists, politicians, and victims’ families, Notes from the Field takes audiences on an emotional journey through the faults and injustices of an American criminal justice system that seems more focused on incarceration over education.

Deeply human, profoundly moving, and full of moments of humor, compassion, and resilience, Notes from the Field is a masterful work by one of the most accomplished theater artists of our time that asks audiences to observe, be present, and join the call for urgent and necessary change. The New York Times called it "a searing and urgent work that confronts some of the most pressing issues of our time with honesty, intelligence, and compassion.”  

Originally performed by creator Anna Deavere Smith as a one-woman show, TimeLine’s Chicago premiere features TimeLine Company Member Mildred Marie Langford, Adhana Reid and Shariba Rivers to weave together narratives of change makers, activists, and those caught within and trying to change the school-to-prison pipeline.

Mildred Marie Langford as inmate Denise Dodson expresses what prison has taught her and how a better education could have given her a different path.

In sum, Smith gives voice to 19 real-life instigators of change, from household names to brave Americans who were unexpectedly thrust into the spotlight of history, including Sherrilyn Ifill, president of the NAACP Legal Defense and Educational Fund; Rev. Jamal Harrison Bryant, who eulogized Freddie Gray in Baltimore; Niya Kenny, the high school student who confronted a violent police deputy—all caught on film; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. She ends the play with the late Congressman John Lewis, who personifies both a violent time in American history with the civil rights movement, and the promise of what American character is all about.

TimeLine’s production team includes Eleanor Kahn (Scenic Designer, she/her), Christine Pascual (Costume Designer, she/her), Eric Watkins (Lighting Designer), Ellie Terrell (Properties Designer, she/her), Rasean Davonté Johnson (Projections Designer, he/him), Christie Chiles Twillie (Sound Designer, she/her), DeRon S. Williams (Dramaturg, he/him), Dina Spoerl (Dramaturgical Display Designer, she/her), Sammi Grant (Dialect Coach, she/her), Regina Victor (Associate Director, pharaoh/they/them) and Katie Klemme (Stage Manager, she/her). Understudies are Ashli Rene Funches (any pronoun), Stephanie Mattos (she/her) and Jenese Upton (she/her).

Adhana Reid as student Niya Kenny shares her personal experience with police interference in the classroom.

NOTES FROM THE FIELD: “EVERYONE SHOULD WATCH IT, AT LEAST ONCE” 

Originally performed as a one-woman show by creator Anna Deavere Smith, this 2017 Obie Award-winning production was hailed by The Guardian as “captivating political theatre, a devastating document of racial inequality and the most rousing of rallying calls. Everyone should watch it, at least once.” Deeply human, profoundly moving, and full of moments of humor, compassion, and resilience, it’s a masterful work that makes it impossible to look away from the urgent need for change.

Said TimeLine Artistic Director PJ Powers, “Notes from the Field is the latest installment of what Anna Deavere Smith has referred to as her life’s work: a series of plays she calls On the Road: A Search for American Character. It’s a provocation, highlighting on-the-ground difference-makers who, in their own way, are instigators of change, from household names to a few brave Americans who were unexpectedly thrust into the spotlight of history as outspoken voices for change.”


Shariba Rivers as educator Sari Muhonen explains how student discipline and assistance in Finland differs from the United States.

NOTES FROM THE FIELD PERFORMANCE SCHEDULE

Previews are Wednesday, January 31 through Friday, February 2 at 8 p.m.; Saturday, February 3 at 4 p.m.; Sunday, February 4 at 2 p.m.; and Tuesday, February 6 at 7:30 p.m. Press Night is Wednesday, February 7 at 7:30 p.m. Opening Night is Thursday, February 8 at 7:30 p.m. (sold out). Regular performances continue through March 24: Wednesdays and Thursdays at 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 4 p.m. and 8 p.m.; and Sundays at 2 p.m. Exceptions: No 4 p.m. show Saturday, February 10; and no performances on Saturday, March 16 and Sunday, March 17. There are three added performances: Tuesday, March 12 at 7:30 p.m. and matinees on Wednesday, March 13 at 2 p.m. and Thursday, March 14 at 2 p.m.

BUYING TICKETS

Single tickets to Notes from the Field are $35-$67. For tickets and information, visit timelinetheatre.com or call the TimeLine Box Office at (773) 281-8463 x6.

Preview tickets are $35. Single tickets to regular performances are $52 (all evening performances) and $67 (all matinee performances). Student discount is 35% off regular price with valid ID. TimeLine is also a member of TCG’s Blue Star Theatre Program and is offering $25 tickets to U.S. military personnel, veterans, first responders, and their spouses and family.

Ticket buyers ages 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Discounted rates for groups of 10 or more are also available. Visit timelinetheatre.com/discounts for more about available discounts.

LOCATION/TRANSPORTATION/PARKING

Notes from the Field will take place at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood, near the corner of Wellington and Broadway, inside Chabad East Lakeview, the former Wellington Avenue United Church of Christ building. TimeLine is served by multiple CTA trains and buses. There are multiple paid parking options nearby, plus limited free and metered street parking. Visit timelinetheatre.com/timeline-theatre for details and available discounts.

DISCUSSIONS

Post-Show Discussions: A brief, informal post-show discussion hosted by a TimeLine Company Member and featuring the dramaturg and members of the production team on Thursday, February 15; Sunday, February 18; Thursday, March 7; and Wednesday, March 13 (2 p.m. matinee).

Pre-Show Discussions: Starting one hour before the performance, a 25-minute introductory conversation hosted by a TimeLine Company Member and the dramaturg on Thursday, February 22, and Sunday, March 10.

Company Member Discussion: A post-show discussion with the collaborative team of artists who choose TimeLine’s programming and guide the company’s mission on Sunday, February 25.

Sunday Scholars Panel Discussion: A one-hour panel discussion featuring experts on the themes and issues of the play alongside a member of the production team in a moderated discussion, following the performance on Sunday, March 3.

All discussions are free and open to the public. For details, visit timelinetheatre.com

HEALTH AND SAFETY

Mask-wearing is no longer required at TimeLine performances. Exception: One scheduled Distanced Performance for each production. Anyone is welcome to attend the Distanced Performance, but due to very limited capacity, we ask that immunocompromised patrons be given the first chance to reserve. 

While masking is no longer required at most performances, TimeLine supports an individual’s choice to mask and will continue to make good quality masks available upon request. Protocols are subject to change based on current public health recommendations; for the most current information, visit timelinetheatre.com/health-and-safety.

UPCOMING PERFORMANCES

Following Notes from the Field, TimeLine’s 2023-24 subscription season finale is another riveting play that links past, present and future, the world premiere of Black Sunday by Dolores Díaz. Developed through TimeLine’s Playwrights Collective and directed by Sandra Marquez, Black Sunday is a startling look at conflicts of climate change, race, and gender in the days leading up to an infamous dust storm in 1930s Texas. Previews start May 8, 2024. Press opening is Wednesday, May 15 at 7:30 p.m. Performances run through June 29.

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently celebrating its 27th season, TimeLine has presented 90 productions, including 13 world premieres and 41 Chicago premieres, and launched the Living History Education Program and TimeLine South summer arts program, which bring the company's mission to life for students in Chicago Public Schools and beyond. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 60 Jeff Awards, including an award for Outstanding Production 11 times.

The company has long been bursting at the seams of its current leased home located at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood, where the theatre has been in residence since 1999. The company is currently working to develop its new home, located at 5035 North Broadway in Chicago’s Uptown neighborhood. Plans feature an intimate black box theater seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more.

TimeLine is led by Artistic Director PJ Powers, Executive Director Mica Cole, and Board President John Sterling. TimeLine Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation donors providing season support via TimeLine’s Annual Fund include: Abe and Ida Cooper Foundation; Crown Family Philanthropies; Joseph & Bessie Feinberg Foundation; Laughing Acres Family Foundation; Lloyd A. Fry Foundation; The MacArthur Fund for Culture, Equity, and the Arts at Prince; Polk Bros. Foundation; The Shubert Foundation; Van Dam Charitable Foundation; and Walder Foundation. TimeLine also acknowledges the support of a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events and a grant from the Illinois Arts Council Agency.

BIOGRAPHIES             

Anna Deavere Smith (Playwright) is an actress, teacher, playwright, and the creator of the acclaimed On the Road series of one-woman plays, which are based on her interviews with diverse voices from communities in crisis. A recipient of the National Humanities Medal from President Obama and two Obie Awards, her work has also been nominated for a Pulitzer and two Tonys. Onscreen, she has appeared in many films and television shows, including Philadelphia, The West Wing, Black-ish, and Nurse Jackie. She is University Professor in the department of Art & Public Policy at New York University, where she also directs the Institute on the Arts and Civic Dialogue. In 2019, she was elected to the American Academy of Arts and Sciences.

Mikael Burke (Director) is a Chicago-based director, deviser, and educator, making his TimeLine directing debut. A Princess Grace Award-winner in Theatre and Jeff Award-nominated director, Burke has worked with Goodman, Chicago Shakespeare, Remy Bumppo, Victory Gardens, Northlight, Raven, Jackalope, First Floor, The Story, and Refracted in Chicago, and regionally with Yale Rep, Forward Theatre, Milwaukee Chamber Theatre, Indiana Rep, Theatreworks Hartford, Urbanite, Theatreworks Colorado Springs, Asolo Rep, Geva, Phoenix Theatre Indianapolis, and Third Avenue Playworks. Burke previously served as Associate Artistic Director at both About Face Theatre and First Floor Theater, and adjuncts at DePaul and Roosevelt universities. Recent directing credits include the world premiere of The Salvagers by Harrison David Rivers (Yale Rep); Blues for an Alabama Sky by Pearl Cleage (Remy Bumppo); the Chicago premiere of Tambo & Bones by Dave Harris (Refracted); Clyde’s by Lynn Nottage (Theatreworks Hartford); and The Magnolia Ballet by Terry Guest (About Face; 2022 Jeff Award – Production, Short Run). He holds an MFA in Directing from The Theatre School at DePaul University. mklburke.com.

Mildred Marie Langford as activist Bryan Stevenson shares how speaking out can help make the change we need.

Mildred Marie Langford has been a TimeLine Company Member since 2012. She was last seen last season at TimeLine in the world premiere of Boulevard of Bold Dreams, as well as in A Raisin in the Sun (BTAA nomination), My Kind of Town and In Darfur (Black Excellence Award nomination). Other credits include The Bluest Eye (A Noise Within Theatre, Los Angeles), The Great Jheri Curl Debate (East West Players, Los Angeles), Intimate Apparel (Northlight; BTAA, Equity Jeff, and Black Excellence award nominations–Best Actress), Gunshot Medley: Part 1 (CAB/Rogue Machine Theatre, Los Angeles; Ovation award nomination–Lead Actress), Native Son (Antaeus Theatre Company/Kirk Douglas Theatre 2019 Block Party, Los Angeles), Domesticated, Animal Farm, Venus and The Crucible (Steppenwolf), The Royale (American Theater Company, BTAA winner–Best Featured Actress), Luck of the Irish (Next), A Raisin in the Sun (Milwaukee Rep) and Failure: A Love Story (Victory Gardens). TV and film credits include Grey’s Anatomy, Bosch, Delilah, Chicago Med, Masters of Sex, Magic Funhouse, and the indie film projects Cotton Candy Bubble Gum, Morning Steep, The Three Phases of Isa, Upload, Dignity, Your Beautiful Baby, Concrete Rose and Analysis Paralysis.

Adhana Reid as artist and activist Bree Newsome shares her story of taking down a Confederate flag in South Carolina.

Adhana Reid is making her Timeline Theatre debut. Her Chicago credits include School Girls; Or, the African Mean Girls Play (Goodman Theatre), Rocky Horror Picture Show (Haven Theatre), The MLK Project (Writers Theatre), Sheepdog (Shattered Globe), A Christmas Carol and The Color Purple (Drury Lane Theatre); Little Shop of Horrors (Mercury Theatre), Eclipsed (Pegasus), Big River (Theatre at the Center) and Spring Awakening (Marriott Theatre). adhanareid.com

Shariba Rivers as pastor Jamal Harrison Bryant urges his congregation to break the stigmas around them and fight back.

Shariba Rivers had her TimeLine debut last season with her critically acclaimed portrayal of Wiletta Mayer in Alice Childress’ Trouble in Mind. Other Chicago credits include The Nacirema Society (Goodman), The October Storm and Hoodoo Love (Raven), Sweat (Paramount), Small Jokes about Monsters (16th Street), The Tasters (Rivendell) and In the Canyon (Jackalope). Regional credits include Guess Who’s Coming to Dinner (Arts Center of Coastal Carolina), School Girls; Or, the African Mean Girls Play (TheatreSquared, Fayetteville, AK) and We are Continuous (Geva Theatre, Rochester, NY). Film/TV credits include Smoking Gun!, Chicago Med, Chicago Fire and Chicago P.D. (NBC), The Chi (Showtime) and Empire (Fox). sharibatheactor.com

For more information, visit timelinetheatre.com or Facebook, Twitter, or Instagram (@TimeLineTheatre on all platforms).

 
Mildred Marie Langford as educator Stephanie Williams tells an emotional story of her experience in an elementary classroom, in TimeLine Theatre Company’s Chicago premiere production of Notes from the Field, by Anna Deavere Smith and directed by Mikael Burke. Presented at TimeLine Theatre, January 31 – March 24, 2024. Production photo by Brett Beiner Photography.

Monday, February 5, 2024

Goodman Presents The Chicago Premiere of The Penelopiad by Margaret Atwood March 2 – 31, 2024

 ChiIL Mama’s ChiIL Picks List: 

Adult Shows With Family Themes On Our Radar

JENNIFER MORRISON STARS AS “PENELOPE,” LEADS AN ALL-FEMALE, ALL-CHICAGO CAST OF 13 IN 

MARGARET ATWOOD’S THE PENELOPIAD

DIRECTED BY SUSAN V. BOOTH, CHOREOGRAPHY BY JOANN M. HUNTER

***BOOTH’S FIRST PRODUCTION TO DIRECT AS NEW GOODMAN ARTISTIC DIRECTOR, THE CHICAGO PREMIERE APPEARS MARCH 2 - 31, 2024 IN THE ALBERT THEATRE***


(L-R Back Row) Hannah Whitley, Ericka Ratcliff, Laura Savage, Elizabeth Laidlaw, Allison Sill and Noelle Kayser. (L-R Front Row) Helen Joo Lee, Demetra Dee, Tyler Meredith, Jennifer Morrison, Maya Lou Hlava, Aja Alcazar and Andrea San Miguel.

Here at ChiIL Mama, we're so excited for Susan V. Booth's first mainstage production as Goodman Theatre's new Artistic Director. We're huge fans of Margaret Atwood's novels as well as women centered works. I'm especially jazzed for this one as I've just begun a 7 week writing workshop with Goodman called GeNarrations, a storytelling performance workshop for adults 55+ on the themes of The Penelopiad. I expect the workshop and this production will both hit close to home, as I'm a recent empty nester who just spent 20 years at home, raising children, while my husband literally traveled the world with film crews, having epic adventures! 

The Penelopiad by Margaret Atwood (The Handmaid’s Tale) will star Jennifer Morrison (Once Upon a Time, House) in the title role of the Chicago premiere. Atwood serves up a new perspective on literature’s most famous domestic vigil by shifting authorial control to Penelope, Odysseus’ long-suffering wife, in this unexpected remix of Homer’s ancient classic. Portraying Penelope’s 12 faithful maids are Aja Alcazar, Demetra Dee, Maya Lou Hlava, Noelle Kayser, Elizabeth Laidlaw, Helen Joo Lee, Tyler Meredith, Ericka Ratcliff, Andrea San Miguel, Laura Savage, Allison Sill and Hannah Whitley. Casting is by Lauren Port, CSA. This ancient tale told anew by “one of the most admired authors in North America” (NPR) features choreography by JoAnn M. Hunter (Broadway’s Bad Cinderella, School of Rock, On A Clear Day). The design team includes Neil Patel (Sets); Kara Harmon (Costumes); Xavier Pierce (Lighting); Willow James (Sound); Samuel Davis (Music Composition); Jeremy Ramey (Music Direction); and Neena Arndt (Dramaturg). Kimberly McCann is the Production Stage Manager and Jennifer Gregory is the Stage Manager. Goodman Theatre’s Women’s Board is the Major Production Sponsor of The Penelopiad; The BOLD Theater Women’s Leadership Circle is the Production Sponsor; the National Endowment for the Arts provides Production Support; and Winston & Strawn LLP is the Corporate Sponsor Partner. The Penelopiad appears March 2 – 31 in the 856-seat Albert Theatre. Tickets ($25 – 90; subject to change) are available at GoodmanTheatre.org/Penelopiad or by phone at 312.443.3800.

“When you think about stories of journeys, there is always someone left at home—and their story tends not to be told. I devoured Margaret Atwood’s funny, subversive novella on a plane ride, immediately struck by the paradigm shift of a story I thought I knew well,” said Susan V. Booth, who in 2022 was named Goodman Theatre’s eighth Artistic Director in 97 years, and is the first woman to assume the role. “I’m thrilled to direct this fantastic play as my first as Artistic Director. It just feels like an essential part of my inaugural season leading this theater.”

For the titular role of Penelope, Booth tapped stage and screen star Jennifer Morrison, who notes, “As a kid who grew up in Chicago, I was in awe of the productions at Goodman Theatre. It’s truly a childhood dream come true to return to my home town and perform here.” Morrison was raised in Arlington Heights and graduated from Loyola University Chicago. Best known for her roles on television and in films—including Dr. Allison Cameron in the series House and Tess in the film Warrior—she appeared on Broadway at the Circle In The Square Theatre in The Miracle Worker and at the off-Broadway MCC Theater in The End of Longing.

Jennifer Morrison

Choreographer JoAnn M. Hunter has more than 30 credits on Broadway, the West End and Australia. She most recently directed and choreographed SuperYou, The Musical (Lyric Theater in London) in the fall of 2023 and a live album concert at Carnegie Hall of SuperYou in 2022; Anyone Can Whistle with Ted Sperling (Carnegie Hall); 50 Years Of Broadway (Kennedy Center). Broadway: Bad Cinderella, Disaster, School of Rock, On A Clear Day, Broadway Bound. Love Life (City Center Encores 2025). National Tour/Regional: UnMasked, The Music of Andrew Lloyd Webber (World Premier- PMP); Ever After (Alliance Theatre); World Premiers of August Rush with John Doyle, Beatsville by Glenn Slater, Harmony (Alliance/Ahmanson Theatre); the world premiere of Marvin Hamlisch and Rupert Holmes’ The Nutty Professor. Upcoming projects: Bran Castle, Jo The Musical, The Mulan Project.

Margaret Atwood is the author of more than 50 books of fiction, poetry and critical essays. Her novels include Cat’s Eye, The Robber Bride, Alias Grace, The Blind Assassin, and the Maddaddam trilogy. Atwood's 1985 classic, The Handmaid’s Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and won the Booker Prize. In 2020 she published Dearly, her first collection of poetry in a decade, followed in 2022 with Burning Questions, a selection of essays from 2004-2021. Her next collection of short stories, Old Babes in the Wood, was published in March 2023. Atwood has won numerous awards, including the Arthur C. Clarke Award for Imagination in Service to Society, Franz Kafka Prize, Peace Prize of the German Book Trade, PEN USA Lifetime Achievement Award and Dayton Literary Peace Prize. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.

Susan V. Booth joined Goodman Theatre in the fall of 2022, having previously served as Artistic Director of Atlanta’s Tony Award-winning Alliance Theatre, premiering new work that went on to national, international and commercial life. She has directed at the Goodman, Hartford Stage, Ford's Theatre, La Jolla Playhouse, St. Louis Repertory Theatre, Cincinnati Playhouse, New York Stage and Film, Actors Theatre of Louisville, Northlight Theatre, Victory Gardens, Court Theatre and others. She has held teaching positions at Northwestern, DePaul and Emory Universities. She is past president of the Board of Directors for the Theatre Communications Group, the national service organization for the field.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large-scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

The Goodman was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

Wednesday, January 10, 2024

Shattered Globe Theatre’s Chicago Debut of Absurdist Comedy Flood at Theater Wit January 25-March 9, 2024

 ChiIL Mama’s ChiIL Picks List: 

Adult shows with family themes on our radar 

FLOOD!



Shattered Globe shores up for Chicago debut of Flood, 
Mashuq Mushtaq Deen’s absurdist comedy, 
January 25-March 9, 2024 

Shattered Globe’s Theatre’s cast for Flood features (top, from left) SGT Ensemble Member Linda Reiter (Edith) with H.B. Ward (Darren), (bottom) Sarah Patin (Edith Junior) and Carl Collins (Darren Junior). Photo credit: Jeffrey Kurysz


Batten down the hatches for Flood, Shattered Globe Theatre’s new comedy for the end of the world, in a Chicago premiere, January 25-March 9, 2024, at Theater Wit, 1229 W. Belmont Ave. Chicago. I'll be out for the press opening January 28th, so check back soon for my full review.

Flood marks the Chicago debut of playwright Mashuq Mushtaq Deen, in a production directed by Kenneth Prestininzi. Shattered Globe’s production is theatre of the absurd, charting the relationship between two parents and their adult children for a comedic dive into the murky waters of love, companionship, gender and generational divides. 

Imagine a nice, if dated, 19th floor hi-rise apartment. All Edith wants is to sit and have tea with her husband, Darren. “It’s not too much to ask, is it?” Maybe when he’s done building his masterpiece. Meanwhile, the kids don’t call enough, and when they do, they seem full of accusations. And outside their apartment? The waters are rising. And rising. And rising. 

The cast for Flood features Shattered Globe Ensemble Member Linda Reiteras Edith, H.B. Ward as Darren, with Carl Collins and Sarah Patin as their adult children, Darren Junior and Edith Junior, both unlike their parents in so many ways.


Shattered Globe’s creative team is Mashuq Mushtaq Deen (playwright), Kenneth Prestininzi (director), Lauren Nichols (set designer), Yvonne Miranda(costume designer), Jared Gooding (lighting designer), Danny Rockett (sound designer), Smooch Medina (projection designer), Jamie Auer (props designer), Tina Jach (production stage manager) and Becca Smith (production manager). Understudies (at press time) are Robert Koon and Rich Adrian Lazatin

"Flood is a provocative, pertinent new play with an absurdist and comedic outlook on generational divides amidst catastrophe. Shattered Globe is excited to produce the second production of Flood and to welcome playwright Mashuq Mushtaq Deen to Chicago as he continues to refine this funny and moving play,” said Producing Artistic Director Sandy Shinner

“The strong artistic bond that director Ken Prestininzi and Deen forged during the world premiere creates a shorthand for the work on this new production," Shinner added. "There is nothing like being in the room on the development of a new play, and our extremely talented design staff and actors are ready to go.I have no doubt that SGT is a second step to Flood being produced on many more stages around the country.” 

Shattered Globe is in residence at Theater Wit, 1229 W. Belmont Ave. in Chicago’s Lakeview community. Flood runs there January 25-March 9, 2024. The first preview, Thursday, January 25 at 8 p.m., is Pay-What-You-Can-Night. Previews continue Friday and Saturday, January 26 and 27 at 8 p.m. Previews are $10-$25. 

Performances continue through March 9: Thursday through Saturday at 
8 p.m., and Sunday at 3 p.m. There is an added 3 p.m. matinee on closing day, Saturday, March 9. Tickets to regular performances are $15-$52. 

Purchase tickets online at sgtheatre.org, by calling the Theater Wit box office, (773) 975-8150, or in person at Theater Wit. For group discounts, email groupsales@shatteredglobe.org or call (773) 770-0333. Shattered Globe also offers a waived ticket program to ensure maximum accessibility.

Access: Theater Wit is wheelchair accessible, and all patrons with mobility needs are invited to purchase access tickets with the code ACCESS20 at Theater Wit’s checkout page. Please also email boxoffice@theaterwit.org to make sure SGT can reserve the right seat for your access needs.

Assisted Listening Devices are available for all performances. Audio Description and a Touch Tour will be offered on Friday, February 9. The Touch Tour begins at 6:45 p.m., show at 8 p.m. Open Captions will be provided at the Sunday, March 3 matinee. Use code ACCESS20 for $20 tickets to take advantage of these accessibility offerings.

Note (at press time): Masks are optional but encouraged for most performances and will be mandatory at three designated performances: Sunday, February 4 at 3 p.m., Thursday, February 15 at 8 p.m. and Sunday, February 25 at 3 p.m.

Shattered Globe’s Flood rides in on the strong wake of the company’s smash hit season opener earlier this fall, Arthur Miller’s A View From the Bridge. SGT closes its 33rd season April 19-June 1, 2024, with Jump, a Midwest premiere by Charly Evon Simpson, directed by associate artistic director AmBer Montgomery.

Visit sgtheatre.org for more information, including content warnings, news of special events, accessible ticket options and SGT's full mask policy. Find and follow the company on social media @shatteredglobe on FacebookInstagram and Twitter

Artist biographies

Mashuq Mushtaq Deen (playwright, Flood, he/him) is a CORE writer at the Playwrights Center, and winner of the Lambda Literary Award for Draw the Circle, which was produced at PlayMakers Rep, Mosaic Theatre, and Rattlestick Playwrights Theatre (published by Dramatists Play Service). His other full-length plays include Flood, which had its world premiere starring Chicago’s Laura Fisher and Matt DeCaro at Kansas City Rep in 2022; The Vessel, commissioned by the NYU graduate acting program; The Betterment Society, which is published in “The Methuen Drama Book of Trans Plays”; The Shaking Earth, which has won two second place international awards (International Woodward Prize, and the India's International Sulthan Padamsee Prize), and has been nominated for both a Weissberger Award and a Venturous Fund award; and The Telegram, a live-staged radio play commissioned and produced by Keen Company. Deen is a member of the NYTW Usual Suspects and the Dramatists Guild. He is an alum of the Ma-Yi Writers Lab, the Public Theater Writers Group, and New Dramatists. He earned his MFA from the Actors Studio Drama School/New School for Drama. 

Kenneth Prestininzi (director, he/him) has collaborated as a director/dramaturg with Mia Chung, Quiara Alegría Hudes, Martyna Mayok, Mashuq Mushtaq Deen and many others. He directed the world premiere of Deen’s Flood at Kansas City Rep, and is staging the play’s second production at Shattered Globe in January 2024. His award-winning plays, musicals and directing work have been seen in Boston, Brighton, Edinburgh, Kalamazoo, Kansas City, Los Angeles, Mexico City, Morocco, New York City, Philadelphia, Prague, Providence, San Francisco and Washington, D.C. He teaches at the National Theater Institute and Connecticut College and was the Associate Chair of Playwriting at the Yale School of Drama for five years. Chicago productions include his original plays AmeriKafkaBeholder (Joseph Jefferson Award) and Chaste and Cookie Play (Trap Door Theatre). He is the founder of Salvage Arts Productions, is an alum of New Dramatists and studied with María Irene Fornés. 

Linda Reiter (Edith, she/her) was last seen on the Shattered Globe stage as Alfie/Ensemble in London Road. She has been a proud ensemble member for 32 years and has appeared in over 40 SGT productions. Reiter has garnered seven Jeff Awards and an additional nine nominations. Other Chicago credits include Rose (The Greenhouse Theater, Jeff Award for Solo Performance); Shakespeare in Love (Chicago Shakespeare Theater); The Testament of MaryImmoral Imperatives and Flyovers (Victory Gardens Theater); Lettice & Lovage (Court Theatre); Arcadia (Remy Bumppo Theatre); and Marriage Play (Goodman Theatre). Her TV credits include FargoChicago MedChicago PD and The Beast. Her voice can be heard on over 30 episodes of The Twilight Zone Radio Dramas

H.B. Ward’s (Darren, any/all) SGT credits include For Peter Pan on Her 70th Birthday and The Realistic Joneses. Other recent Chicago credits include Evening at the Talk HouseThe RoomCome the Hell On and The Butcher of Baraboo (A Red Orchid Theater); Rock n Roll (The Artistic Home, Jeff Award Nomination - Best Actor); Chimerica (TimeLine Theater); Song about Himself and There Is a Happiness that Morning Is (Theater Oobleck); Hot Georgia Sundays (Haven Theatre); Hank Williams: Lost Highway (American Blues Theater); Exit Strategy and The Living Newspaper Festival (Jackalope Theatre); and The Electric Baby (Rivendell Theatre). Ward has also acted in many films, including Saint Francis(Oscilloscope Laboratories), and on television, including Chicago Fire (NBC). 
Carl Collins (Darren Junior, he/him) is thrilled to join Shattered Globe in his first show since graduating from The Theatre School at DePaul University where he received his BFA in June. 

Sarah Patin (Edith Junior, they/them) is excited to make their Shattered Globe stage debut, after being a part of their Protégé Program in 2018. Chicago credits include The SpongeBob Musical (Kokandy Productions); Camelot(Music Theatre Works); Once Upon a Mattress (Theo); Sub-Culture(Interrobang Theatre); Our Town (Redtwist Theatre); and Faust (The Runaways Lab Theatre). Regional credits include The Taming of the Shrew,Godspell and A Free Man of Color (Swine Palace). Patin holds a BA in Theatre Performance from Louisiana State University. 

About Shattered Globe Theatre
Shattered Globe Theatre was born in a storefront space on Halsted Street in 1991. Since then, SGT has produced more than 80 plays, including nine American and world premieres, and garnered an impressive 44 Jeff Awards and 118 Jeff Award nominations, as well as the acclaim of critics and audiences alike. 

Shattered Globe Theatre, guided by Producing Artistic Director Sandy Shinner, seeks to discover new connections between storyartist and audience by exploring drama from bold, challenging perspectives, and continuously redefining what it means to be an ensemble theatre

Shattered Globe’s values are rooted in a commitment to racial equityrespect for all artists and support for the ensemble, while creating new opportunities to amplify traditionally marginalized voices and collaborate in all aspects of our work. Through initiatives such as the Protégé Program, Shattered Globe creates a space which allows emerging artists to grow and share in the ensemble experience.

Shattered Globe Theatre’s Ensemble has 31 members: Judy AndersonRosie ChevalierLouis ConteyDavid DastmalchianDemetra Dee, Joe ForbrichChristina GormanDaria HarperTina M. JachRebecca JordanSteve KleinedlerVivian KnouseAmBer MontgomeryTina Muñoz PandyaEileen NiccolaiJazzma Pryor,

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