Showing posts with label The Raven Theatre. Show all posts
Showing posts with label The Raven Theatre. Show all posts

Sunday, December 22, 2024

REVIEW: 13 Suits: A Mother’s Monologues at Raven Theatre Through December 22, 2024

ChiIL Live Shows On Our Radar 

13 Suits: A Mother’s Monologues 

at Raven Theatre

Presented by The Outer Loop Theater Experience 

Written by Kathleen Kerrigan Duff & Michael Herman

Directed by Michael Herman, Aviva Katz, & Kate Mullis


REVIEW

By Bonnie Kenaz-Mara

In a season packed with a plethora of holiday performances, I was finally able to catch 13 Suits: A Mother’s Monologues last night. They only have one remaining Chicago performance, at 3pm this Sunday, but this gutting yet gorgeous celebration of life and loss deserves look, and a remount. 

13 Suits: A Mother’s Monologues is extraordinary in it's very ordinariness. Deaths due to drunk driving are shockingly common, yet everyone's grief is unique and soul crushing. It's especially tragic when the loved one is young, and the death is an accident; a cruel and senseless hit and run, at age 30. 

I thought it was ingenious to have this specific mother's loss portrayed by multiple mothers/ races/ languages to emphasize how interconnected we all are, and how universal loss and grief is. Drunk driving sobering statistics are effectively projected on the walls at several points, coupled with a narrator voice over to drive home the horror. The narrator also announced each flashback memory, cleverly tied in with the production's namesake, 13 Suits, given away to a thrift store after a young man's untimely death.  

The production employs simple, yet effective casting and staging, with surprise actors initially scattered throughout audience, and staging that breaks down the 4th wall. We all even share chocolate chip cookies together, as a tender and tasty communion. This intimate staging, interaction with the audience, and  proximity increases empathy, and the audience's connection to the loss. I'm reminded of a friend of mine who tragically lost her college age son. Kim has pivoted her grief into philanthropy in his name, as well as a regular series: Let's eat cookies and talk about death. 

13 Suits: A Mother’s Monologues deals with the weighty, uncomfortable subject of loss, grief, and our own mortality, and that's all the more reason to see it. This piece is a beautiful personal and universal exploration of grief. Through one mother's monologues and memories, we are able to at once celebrate and immortalize on stage, seminal moments in a young life cut short. And we also are silent witnesses to the permanent, gaping hole this loss and injustice has left in the lives of this young man's mother, sister, family, and friend group. This lovely ode to a life cut short takes the audience back to this man's high school years all the way up through 5 years after his passing. We're even shown the cruel irony of his $500 fantasy football league win, the comes months after his death, as life and his passions go on without him. 

Grief also runs on a non linear time line, and pops up to ravage survivors, in the small moments as much as the large. Few things are more gut wrenching to think about than losing a child, even an adult one. Our children are meant to outlive us. To add insult to fatal injury, this death, like this run, occurred right before Christmas. The cruel timing ruins Christmas for years for this man's family and friends, as the memories of this horrible, unexpected loss supplanted a season of joy and family togetherness with pain. 

We are privy to his life stories, sometimes funny, and entirely relatable.  This recounting of kind deeds, high points, and low, in an utterly ordinary life, attest to and celebrate his character, and makes the loss of this young man's life all the more personal and jarring. 

This insightful and powerful production walks us through a deep dive on loss, and how much we take for granted, when a simple twist of fate could end any of our live without notice. There are deep truths in this mother's musings. The death of her child not only ended his life but removed all chance of future memories and future generations. I was struck, too by the injustice of it all. The drunk driver who killed him was eventually just given a misdemeanor, slap on the wrist and no prison time. This lack of consequences for such a devastating loss for this family and friends is a frustrating devaluing of life. Even the guilty woman's insurance payout to the family for his death feels like a payoff, a slap in the face, and an entirely insufficient, insulting exchange for his loss of life. 

This seismic shift in the lives of family and friends after a tragic loss, is conducive to seeing in community, so live theatre is the perfect vehicle for this type of storytelling. And this subject is well worth seeing, discussing, and internalizing. Recommended. 

We'll be keeping an eye out for The Outer Loop's next offering, in community with Raven Theatre.

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

Based on actual events, 13 Suits: A Mother’s Monologues is a documentary theatrical experience, initially crafted from a mother’s reflections after losing her son. In a Laramie Project meets Vagina Monologues-style event, this immersive play also draws on dozens of personal accounts and stories, as well as powerful statistics, to help weave a timely and poignant cautionary tale… one of grief, loss, and healing, in the wake of seemingly insurmountable tragedy.

November 30 - December 5 - Previews

December 6 - December 22 – Performances

The show runs approximately 90 minutes. No intermission. Click HERE for tickets.


Up Next:

Talk Hard: Chicago

For the first time since 2016, Talk Hard is back live and in person. A new-work salon for playwrights, actors, directors, poets, musicians, singers, DJs, painters, writers, dancers, comedians, filmmakers, and all creatives, to get a peek at what others are making, build community, and show off any new piece they're working on in front of a supportive audience.

Talk Hard Chicago, presented by The Outer Loop, in community with Raven Theatre

This event will take place on the first Monday of every month. Upcoming Dates: Jan 6th, Feb 3rd, Mar 3rd, Apr 7th, May 5th, Jun 2nd

January 6, 2025 (monthly) - Raven Theatre - chicago, Il

RSVP to attend here!

Sunday, May 26, 2019

REVIEW: THE CROWD YOU’RE IN WITH Via AstonRep Theatre Company at The Raven Theatre Through June 16, 2019

ChiIL Live Shows on our radar
AstonRep Theatre Company 
THE CROWD YOU’RE IN WITH
By Rebecca Gilman
 Directed by Co-Artistic Director Derek Bertelsen
Though June 16, 2019 at The Raven Theatre


  (front, l to r) Javier Carmona and Nick Freed with (back, l to r) Lynne Baker, Maggie Antonijevic, Sara Pavlak McGuire and Martin Diaz-Valdes. Photo by Paul Goyette.

Review
by bonnie kenaz-mara

Sometimes adulting is tough. Sometimes you throw a barbecue and nobody eats. In The Crowd You're in With, Chicago back yard BBQ conversations touch on everything from whether to reproduce to toddlers in Dead Kennedys wear. I'm a long time fan of Rebecca Gilman's writing and she's crafted a clique of characters here that I love to hate. 

(left to right) Lynne Baker, Javier Carmona, Sara Pavlak McGuire, Maggie Antonijevic, Nick Freed, Erin O’Brien and Martin Diaz-Valdes. Photo by Paul Goyette.


These five, contemporary, thirty something friends include a backwards baseball cap wearing bro dude, Nick Freed (Dan) and his very pregnant wife, Maggie Antonijevic (Windsong)

The pregnancy set off procreation plans among her best friend, Sara Pavlak McGuire* (Melinda) and her husband, Martin Diaz-Valdes (Jasper). With an impending birth set to change the friend dynamic, this little group fights, flees before dinner, and splinters. The conversations are timely and life changing, and some touch on divorce worthy topics that should have been addressed in this couple's marriage long before. The two younger men lack maturity and are irritating at best and pretentious at worst. In their defense, the type is quite believable and played out with panache by Martin Diaz-Valdes and Nick Freed. The women, the unfortunately named Windsong and her BFF, Melinda, are more likable, though still fabulously flawed characters. 

(left to right) Sara Pavlak McGuire and Martin Diaz-Valdes
Photo by Paul Goyette.

I did enjoy the childless by choice landlords the most. This left leaning, political activist couple are the only ones who seem confident, stable, and happy with their life choices. They flee the barbecue early on, when hostilities escalate, but return later for food, and a delightful two on one conversation with Jasper. Those three are the only ones to actually eat, at what's best described as the BBQ aftermath and clean up stage. 

We're the first generation with easy access to birth control, making parenthood a true choice versus an inevitable conclusion to marriage. It's refreshing and powerful to see these debates play out on stage. Procreation is truly a life altering choice, and when and whether to become parents is a debate rarely seen addressed in productions.


  left to right) Javier Carmona, Lynne Baker and Martin Diaz-Valdes
Photo by Paul Goyette.

Add in a band, and the decision to carry on with a creative hobby that will admittedly never become a profession, and what was meant to be a lighthearted BBQ has some heavy implications. How do we transition into the world of being 24/7 parents without losing our former selves entirely? What are the implications when one or both potential parents aren't ready to step up? Can parents of a time intensive newborn or toddler still make time to hang with childless friends and can childless landlords legally or ethically keep their rental units and communal yards baby-free zones too?

 (left to right) Nick Freed and Martin Diaz-Valdes
Photo by Paul Goyette.

The dialogue and debates here are well crafted and ring true. If you enjoy being a fly on the wall, and watching five friends struggle to grow up without imploding long term friendships and relationships, then don't miss this. Recommended.

Bonnie Kenaz-Mara is a Chicago based writer-theater critic-photographer-videographer-actress-artist-general creatrix and Mama to two terrific teens. She owns two websites where she has published frequently since 2008: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 


THE CROWD YOU’RE IN WITH plays through June 16, 2019 at The Raven Theatre (West Stage), 6157 N. Clark St. in Chicago. Tickets are currently available at www.astonrep.com or by calling (773) 828-9129. 
 

 (left to right) Maggie Antonijevic and Lynne Baker
Photo by Paul Goyette.

A backyard barbeque is the perfect place to tackle life's big questions: Is the chicken done? Does the band need a new tune? Is this the right time to have a baby? Gilman's fresh and moving play takes an intimate look at modern families, friendships and the ins and outs of love. 

 (left to right) Maggie Antonijevic and Erin O’Brien
Photo by Paul Goyette.

The cast includes AstonRep Co-Artistic Director Sara Pavlak McGuire* with Maggie Antonijevic, Lynne Baker, Javier Carmona, Martin Diaz-Valdes, Nick Freed and Erin O’Brien. The production team for THE CROWD YOU’RE IN WITH includes Jeremiah Barr* (scenic/props design), Uriel Gomez (costume design), Samantha Barr* (lighting design), Melanie Thompson* (sound design), Aja Wiltshire* (assistant director) and Melanie Kulas (stage manager). 

*Denotes AstonRep Company Members. 

Cast (in alphabetical order): Maggie Antonijevic (Windsong), Lynne Baker (Karen), Javier Carmona (Tom), Martin Diaz-Valdes (Jasper), Nick Freed (Dan), Erin O’Brien (Darcy) and Sara Pavlak McGuire* (Melinda). Understudies: Lara Caprini* and David Coupe 


(left to right) Sara Pavlak McGuire and Martin Diaz-Valdes
Photo by Paul Goyette.

Location: The Raven Theatre (West Stage), 6157 N. Clark St., Chicago Dates: Previews: Thursday, May 16 at 8 pm and Friday, May 17 at 8 pm Press performance: Saturday, May 18 at 8 pm Regular run: Sunday, May 19 – Sunday, June 16, 2019 Curtain Times: Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3:30 pm Tickets: Previews: $12; Regular run: $25. Student/seniors $15. Tickets are currently available at www.astonrep.com or by calling (773) 828-9129. 

(left to right) Nick Freed, Maggie Antonijevic and Sara Pavlak McGuire
Photo by Paul Goyette.



(left to right) Nick Freed, Maggie Antonijevic and Sara Pavlak McGuire
Photo by Paul Goyette.

About the Artists 

Rebecca Gilman (Playwright) is an artistic associate at Goodman Theatre. Her plays include Luna Gale, A True History of the Johnstown Flood, Dollhouse, Boy Gets Girl, Spinning Into Butter, Blue Surge (all of which were originally produced by the Goodman), Soups, Stews, and Casseroles, 1976 and The Crowd You’re in With (also at the Goodman), The Glory of Living; The Sweetest Swing in Baseball and The Heart is a Lonely Hunter. Boy Gets Girl received an Olivier nomination for Best New Play. Gilman was named a finalist for the 2001 Pulitzer Prize for The Glory of Living. She is a member of the Council of the Dramatists Guild of America and a board member of the ACLU of Illinois. A graduate of the MFA in playwriting program from the University of Iowa, Gilman is now a professor of playwriting and screenwriting at Northwestern University as part of its MFA in Writing for the Screen and Stage program. In 2016, she was inducted into the Alabama Writers Hall of Fame.

Derek Bertelsen (Director) joined AstonRep in 2013 and he currently serves as Co-Artistic Director. Previous directing credits with AstonRep include Doubt, Next Fall, Wit, The Lieutenant of Inishmore, The Lyons, the world premiere of The Black Slot, The Laramie Project, and co-directing Eleemosynary with Jeremiah Barr. He produced the sold-out run of Four By Tenn, a festival of one-act plays by Tennessee Williams. He serves as Artistic Director of The Comrades. He's also directed for BrightSide Theatre, Wilmette Center for the Arts, Pride Films & Plays and assistant directed at Goodman, Bailiwick Chicago and Steppenwolf Garage. Regional credits include Festival 56, Shawnee Summer Playhouse, New Ground Theatre and five seasons at Timber Lake Playhouse.  



The cast of AstonRep Theatre Company’s THE CROWD YOU’RE IN WITH includes (top, l to r) Co-Artistic Director Sara Pavlak McGuire with Maggie Antonijevic, Lynne Baker (bottom, l to r) Javier Carmona, Martin Diaz-Valdes, Nick Freed and Erin O’Brien.


 About AstonRep Theatre Company:
AstonRep Theatre Company was formed in the summer of 2008. Since then, the company has produced 22 full-length productions and nine annual Writers' Series. AstonRep Theatre Company is an ensemble of artists committed to creating exciting, intimate theatrical experiences that go beyond the front door to challenge audiences and spark discussion where the show is not the end of the experience: it is just the beginning.

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