OPENING: Ballet Free Nutcracker Returns To House Theatre 11/3-12/30

Chi, IL LIVE Shows On Our Radar:

THE HOUSE THEATRE OF CHICAGO ANNOUNCES CAST FOR ITS ANNUAL FAMILY-FRIENDLY THEATRICAL ADAPTATION OF THE HOLIDAY CLASSIC 

THE NUTCRACKER

NOVEMBER 3 – DECEMBER 30 

AT THE CHOPIN THEATRE

This Year’s Clara will be Performed by Haley Seda, Daughter of Jon Seda, Chicago Actor Currently Starring on Chicago PD

The ballet free House Nutcracker has been an annual family favorite of ours here at ChiIL Mama for years. We highly recommend this music filled, contemporary, family friendly feast of holiday theatre fun. It has a dark, edgy side, with scary, giant rat puppets, a soldier's grieving family, and a brave young girl ready to face her fears and save her family from themselves. And it has plenty of what the holidays should center on, like beloved toys, Christmas trees, fresh baked cookies, friends and family and epic adventure. Whether it's your first time to see The House Nutcracker or already a beloved holiday tradition, don't miss this! 

The House Theatre of Chicago once again brings holiday cheer for the whole family with its eighth annual engagement of the all-original, ballet-free The Nutcracker playing at The Chopin Theatre upstairs theatre, 1543 W. Division, November 3 – December 30. Company Members Jake Minton, Phillip Klapperich, Kevin O’Donnell and Tommy Rapley created the adaptation. New to the 2017 holiday production, based on E.T.A. Hoffmann’s story, is director and Company Member Chris Mathews with original direction and choreography by Tommy Rapley. Previews take place November 3 – 9 following the regular schedule, excluding matinees.

Performances are Thursdays – Saturdays at 7:30 p.m. and Sundays at 7 p.m. with 3 p.m. matinees Saturdays and Sundays. Preview tickets are $15 with regular run tickets $25 – $50. Student and industry same-day discounted tickets are available for $15 for all dates, based on availability. 

Tickets may be purchased by calling 773.769.3832 or by visiting www.thehousetheatre.com. 

The House Theatre of Chicago brings the wholly original, ballet-free version of The Nutcracker back because it truly has something for everyone. The show is fast-paced, beautifully choreographed, family-friendly, and moving for even those of us that might be on the Grinch’s side from time to time. This fantastical, “smart [and] layered” (Chicago Reader, 2016) expansion of the holiday classic that “simultaneously evokes smiles, tears, mirth and cringes“ (PerformInk, 2016) centers on young Clara’s journey to save Christmas in the face of grief. With the help of a magical nutcracker, the brave girl risks the darkness, fights the Rat King and saves her family. “The play’s willingness to embrace that darker side of life makes the triumph of the light side all the brighter” (NewCity, 2016).  A modern holiday tradition weaving together riveting dialogue, astonishing puppetry, original song and spellbinding spectacle to tell a heartwarming, darkly moving story of magic and hope -- a fun outing fit for the whole family. The run time for The Nutcracker is approximately 2 hours, including one 15 minute intermission.

The production premiered at the Steppenwolf Theatre in 2007 under the Visiting Company Initiative and has enjoyed highly acclaimed new productions at The House since 2010, as well as simultaneous productions in Chicago and Miami in 2012. In 2016, The House revamped the show during a workshop at the Chicago Performance Lab. Repeat fans of the show have enjoyed new musical additions and new audience members continued to delight in the production’s creativity and heart.

ABOUT THE ARTISTS

The Nutcracker is adapted from “The Nutcracker and the Mouse,” a story by E.T.A. Hoffmann by Jake Minton, Phillip Klapperich, Kevin O’Donnell, and Tommy Rapley.

The cast for The Nutcracker includes newcomers Haley Seda (Clara) and Company Member Ben Hertel (Hugo) and welcomes back 2016 cast members Rachel Shapiro (Phoebe), Desmond Gray (Fritz), Torrey Hanson (Drosselmeyer), Amanda de la Guardia (Martha), Nicholas Bailey (David) and Ian Maryfield (Monkey).

The creative and production team for The Nutcracker includes Company Members Chris Mathews (Director), Tommy Rapley (Original Director and Choreographer), Jake Minton (Writer), Phillip Klapperich (Writer), Kevin O’Donnell (Composer), Collette Pollard (Scenic Designer), Lee Keenan (Lighting Designer), Debbi Baer (Costume Designer) and Michael Griggs (Sound Designer). Guest artists include Mieka van der Ploeg (Associate Costume Designer/Costume Manager), Tracee Bear (Assistant Costume Designer), Grover Hollway (Associate Sound Designer), Matthew Muniz (Music Director/Orchestrations) and Hillary Aarons (Choreographer).

ABOUT THE HOUSE THEATRE OF CHICAGO 

The House is Chicago's premier home for intimate, original works of epic story and stagecraft. Founded and led by Artistic Director Nathan Allen and driven by an interdisciplinary ensemble of Chicago’s next generation of great storytellers, The House aims to become a laboratory and platform for the evolution of the American theatre as an inclusive and popular artform.

The House was founded in 2001 by a group of friends to explore connections between Community and Storytelling through a unique theatrical experience. Since becoming eligible in 2004, The House has been nominated for 60 Joseph Jefferson Awards (23 wins), became the first recipient of Broadway in Chicago’s Emerging Theater Award in 2007, and was awarded a 2014 National Theatre Company Grant by the American Theatre Wing, founder of the Tony Awards. The 16th season of original work will begin September 2017 and The House will continue its mission to unite Chicago in the spirit of Community through amazing feats of Storytelling.  

The House Theatre of Chicago once again brings holiday cheer for the whole family with its eighth annual engagement of the all-original, ballet-free The Nutcracker playing at The Chopin Theatre upstairs theatre, 1543 W. Division, November 3 – December 30. Company Members Jake Minton, Phillip Klapperich, Kevin O’Donnell and Tommy Rapley created the adaptation. New to the 2017 holiday production, based on E.T.A. Hoffmann’s story, is director and Company Member Chris Mathews with original direction and choreography by Tommy Rapley. Previews take place November 3 – 9 following the regular schedule, excluding matinees. The press opening is Friday, Nov. 10 at 7 p.m. Performances are Thursdays – Saturdays at 7:30 p.m. and Sundays at 7 p.m. with 3 p.m. matinees Saturdays and Sundays. Preview tickets are $15 with regular run tickets $25 – $50. Student and industry same-day discounted tickets are available for $15 for all dates, based on availability. Tickets may be purchased by calling 773.769.3832 or by visiting www.thehousetheatre.com. 

OPENING: The House Theatre Nutcracker Is Back With New Tunes And Emmy Nominated 16 Year Old, Ariana Burks In The Lead

THE HOUSE THEATRE OF CHICAGO’S FAMILY-FRIENDLY THEATRICAL ADAPTATION OF THE HOLIDAY CLASSIC 

THE NUTCRACKER 

RETURNS, NOVEMBER 4 – DECEMBER 30, 

AT THE CHOPIN THEATRE

The Annual Fan Favorite Offers New Music Additions After This Summer’s Partnership with the Chicago Performance Lab and Stars 16-year old Ariana Burks as “Clara” 

The House Nutcracker has been a long time family fav of ours here at ChiIL Mama. It's a beloved annual holiday tradition and we can't wait to catch the revamped 2016 version with some new tunes and Ariana Burks as Clara! 

Click here for a trip through the way back machine with our past photo features and House Nutcracker coverage.

The House Theatre of Chicago once again brings holiday cheer for the whole family with its seventh annual engagement of the all-original, ballet-free The Nutcracker playing at The Chopin Theatre upstairs theatre, 1543 W. Division, November 4 – December 30. Company Members Jake Minton, Phillip Klapperich, Kevin O’Donnell and Tommy Rapley created the adaptation. Company Member Rapley reprises his role as director and choreographer of the holiday production based on E.T.A. Hoffmann’s story. 

Previews take place November 4 – 10 following the regular schedule, excluding matinees. The press opening is Friday, Nov. 11 at 7:30 p.m. Performances are Thursdays, Fridays and Saturdays at 7:30 p.m. and Sundays at 7 p.m. with 3 p.m. matinees Saturdays and Sundays. Preview tickets are $15 with regular run tickets $25 – $45. Student and industry same-day discounted tickets are available for $15 for all dates, based on availability. Tickets may be purchased by calling 773.769.3832 or by visiting www.thehousetheatre.com.

The House’s fantastical expansion of this holiday classic centers on young Clara’s journey to celebrate Christmas in the face of grief after the death of her brother, Fritz. When Fritz returns to her as a magical nutcracker come to life, this brave little girl fights the Rat King and saves her family. The House’s modern holiday theatrical production weaves together riveting dialogue, astonishing puppetry, original song and spellbinding spectacle to tell a heartwarming, darkly moving story of magic and hope—a fun outing fit for the whole family. 

Freshly revamped during workshop time at the Chicago Performance Lab this past summer, repeat fans of the show have new musical additions to look forward to and new audiences will delight in the production’s creativity and heart. In addition, making her The House Theatre debut is 16-year old Ariana Burks as “Clara.”  The production premiered at the Steppenwolf Theatre in 2007 under the Visiting Company Initiative and has enjoyed highly acclaimed new productions at The House from 2010 through 2015, as well as simultaneous productions in Chicago and Miami in 2012. 

AGES: 5 to 105! Read more in the Parent's Guide from co-writer Jake Minton

RUN TIME: 2 hours, including one 15 minute intermission

ABOUT THE ARTISTS

The Nutcracker is adapted from “The Nutcracker and the Mouse,” a story by E.T.A. Hoffmann by Jake Minton, Phillip Klapperich, Kevin O’Donnell, and Tommy Rapley.

The cast for The Nutcracker includes Company Member Joey Steakley (Hugo) and returning guest artists Rachel Shapiro (Phoebe) and Desmond Gray (Fritz). New cast members this year are Torrey Hanson (Drosselmeyer), Amanda de la Guardia (Martha), Nicholas Bailey (David), Ariana Burks (Clara) and Ian Maryfield (Monkey).

ABOUT ARIANA BURKS, “Clara”

Ariana Burks is an Emmy nominated, young actress with many film/theatre credits to date including most recently The Compass at Steppenwolf. Other theatre credits include “Little Inez” in Hairspray at Paramount, Alice in Wonderland: Alice's Rock and Roll Adventure with Chicago Children’s Theatre, “Emma” in The Black & White Ball  at FWD Theatre, “Elf” in Rudolf the Red-Nosed Reindeer  at the Broadway Playhouse, “Belinda/Fan” in A Christmas Carol at the Goodman and “Little Inez” in Hairspray at Drury Lane.  Burks's film and television credits include Chicago Fire on NBC, Prank Stars on the Disney Channel and The Jr. Cuisine Cooking Show (Emmy Nominated) on PBS.

ABOUT THE HOUSE THEATRE OF CHICAGO 
The House is Chicago's premier home for intimate, original works of epic story and stagecraft. Founded and led by Artistic Director Nathan Allen and driven by an interdisciplinary ensemble of Chicago’s next generation of great storytellers, The House aims to become a laboratory and platform for the evolution of the American theatre as an inclusive and popular artform.

The House was founded in 2001 by a group of friends to explore connections between community and storytelling through a unique theatrical experience. Since becoming eligible in 2004, The House has been nominated for 66 Joseph Jefferson Awards (23 wins), became the first recipient of Broadway in Chicago’s Emerging Theater Award in 2007, and was awarded a 2014 National Theatre Company Grant by the American Theatre Wing—founder of the Tony Awards. The 15^th anniversary year of original work began in September 2016 with the world premiere of The Comedical Tragedy of Mister Punch. The House  continues its mission to unite Chicago in the spirit of Community through amazing feats of storytelling.

REVIEW: Puppets With Panache Perform A Comedical Tragedy for Mister Punch

ADULT NIGHT OUT:

A Puppet-Filled Portrait of a Prodigy in Peril

A COMEDICAL TRAGEDY FOR MISTER PUNCH

The House’s Anniversary Season Opener Tells the Graphic and Haunting Tale of the Creation of Legendary Puppets Punch and Judy

All Production Photos by Michael Brosilow

WRITTEN BY KARA DAVIDSON AND DIRECTED BY SHADE MURRAY,
SEPTEMBER 2 – OCTOBER 23



**This production is recommended for ages 12 years old and older.**

The excitement was palpable at last night's opening of the world premiere of A Comedical Tragedy for Mister Punch. I brought the whole family and the teens and adults all loved it! This show is phenomenal kick off to The House Theatre's 15th season. 

We highly recommend A Comedical Tragedy for Mister Punch. It's not only wildly and wonderfully entertaining, but a compelling commentary on the value of street art and in fact, art's place in society. We love the character of Charlotte (Sarah Cartwright), the young orphan, and we're thrilled she's a bright and scrappy girl, when there's still such a lack of great role models who are young girls in major roles. Adrian Danzig is also brilliant as the gruff loner puppeteer, Pietro. Don't miss THIS!!








JEFF RECOMMENDED!

... and that's how it's done.

House Theatre has long been one of our top favorites on the Chicago scene, and they consistently bring stellar story telling to the table in creative ways. We're completely enamored with this script and the clever staging that brings the iconic Punch and Judy puppets to life as human sized players. This production at once explores the cathartic violence that characterizes the infamous Punch and Judy genre and shatters it, with a young girl who's ready to move the narrative beyond the wife beating, baby killing, bad boy schtick. Highly recommended!

Come one, come all. Come small, come tall. ‘Tis time, dear Punch. 

Dear Punch, ‘tis time.”

The House Theatre's attention to detail is stunning, from their programs, which are always works of art in themselves, to the set design and props. We adore the collectable postcards that turn into 3 different finger puppets. The House even thoughtfully provided baskets of scissors and tape so the audience could assemble theirs on the spot! 

Do note, this is not a children's show. Everyone has different levels of comfort with violence, so younger children could enjoy this production with parental guidance, but the storyline is truly aimed at teens and adults. 

Dangerously dark and decidedly violent, this production is best enjoyed by adults and teens. Read the Parents' Guide for content warnings. 

Chi, IL LIVE Shows On Our Radar:
THE HOUSE THEATRE OF CHICAGO LAUNCHES ITS 15^TH SEASON WITH THE WORLD PREMIERE PUPPET-DRIVEN

A COMEDICAL TRAGEDY FOR 
MISTER PUNCH

Whenever The House Theatre announces a new show or a favorite remount I get all excited like a little kid at Christmas. Their season opener is no exception. They had me at the title. I mean really, The House Theatre prowess AND puppetry are two of our favorite things. And, extra bonus, Adrian Danzig, Chicago dad and one of our favorites for physical comedy, stars as Pietro the puppet master in this world premiere. We've known him since his son was in preschool with my 13 year old daughter and we've adored his work in 500 Clown, Go Dog Go with Chicago Children's Theatre, and so much more.

The House Theatre of Chicago is proud to announce its 2016 – 2017 season opening production, the world premiere of Kara Davidson’s A Comedical Tragedy for Mister Punch. Influenced by the long history of puppets, Punch and Judy, and directed by Shade Murray, the production runs September 2 – October 23 at the Chopin Theatre’s Upstairs Theater, 1543 W. Division St.

RUN DATES: September 2-October 23, 2016

TIMES: Thursdays - Saturdays at 8pm, Sundays at 7pm (no shows 9/15 and 9/22)

GROUPS: Save up to 30%! Start here! 

PRICES: $15 - $35

Regular run tickets range from $30-35. $15 same-day tickets for students and industry professionals are available for all dates, seats permitting. For more information and to purchase tickets, please visit www.thehousetheatre.com or call 773.769.3832. 

RUN TIME: 2 hours, 15 minutes with one intermission

Charlotte, a young orphan, has made a home for herself thieving on the streets of London. She soon falls into employment as the assistant to an eccentric Italian puppeteer, Pietro. A master of the violent Punch and Judy puppet show, Pietro becomes a reluctant mentor to Charlotte. She is inspired and charmed by his bold, cheeky, and witty creations. The two become an efficient pair under Pietro's gruff and focused attention. As their partnership flourishes, Charlotte's vivid imagination calls the puppets to life to conjure her own versions of the classic tales. But Pietro may not let his protégé cut the strings easily. Reality blurs as live actors, hand puppets, shadow puppetry and marionettes share the stage to illustrate a dark reality of imperfect adults, corrupt authority, class discrepancy, and violence.

Davidson’s A Comedical Tragedy for Mister Punch takes audiences back to the arrival of the Punch and Judy show in 18th-century England, before it became a popular seaside and country fair entertainment staple. The production features puppet creations from Jesse Mooney-Bullock, designer of the puppets for The House’s The Hammer Trinity. Today, many Punch and Judy shows are censored, removing Punch's cruel and murderous nature, opting for themes that are more palatable for youthful ears. But Mister Punch can't escape his peppered past. Why do we cheer for this scoundrel? How does Mister Punch, a character who has been depicted as a merciless hero-villain for over two hundred years, get away with abuse and murder? Perhaps something meaningful lies underneath Mister Punch's colorful yet ruthless exterior. 

The cast includes: Adrian Danzig, “Pietro;’ Johnny Arena*, “Punch;” Sarah Cartwright, “Charlotte;” Will Casey, “Officer” and others; Joey Steakley*, “Joey” and others; Carolyn Hoerdemann, “Judy” and others; Echaka Agba, “Polly” and others; Michael E Smith*, “Crocodile” and others and Owais Ahmed, “Flirt” and others. Understudies include: Ben Hertel, Joseph “Joey” Galizia, Vahishta Vafadari, Carlos Almedo and Gillian Butcher.

*House Company Member

The design team includes: Lee Keenan*, scenic designer; Izumi Inaba, costume designer; Mike Durst, lighting designer; Kevin O’Donnell*, sound designer; John Fournier, composer; Jesse Mooney-Bullock, puppet designer; David Woolley, choreographer; Jon Beal, assistant choreographer; Adam Goldstein, dialect coach; Brian DesGranges*, stage manager; and Eleanor Kahn, props master.

ABOUT KARA DAVIDSON, writer

Kara Davidson has been working with the House as an actor since 2013, but is excited to be stepping into the role of playwright this season! Two of her original full-length scripts were previously produced in the Twin Cities with Dovetail Theatre Company (of which she was a co-founder), and she is thrilled that Mister Punch will be making its world premiere on a Chicago stage. Previous (and current) productions with The House include Death and Harry Houdini (2013 and current), The Hammer Trinity, and Rose and the Rime. Around Chicago, Kara has also worked with Lookingglass, Chicago Shakespeare, and Manual Cinema, among others, and she regularly writes and performs for The Plagiarists "Salon" series. She holds degrees in Theatre Performance and French from the University of Nebraska.

ABOUT SHADE MURRAY, director

Shade Murray is an ensemble member of A Red Orchid Theater, where he has directed the world premieres of Brett Neveu’s Pilgrim’s Progress and Ike Holter’s Sender, as well as productions of Marisa Wegrzyn’s Mud Blue Sky and The Butcher of Baraboo, Annie Baker’s The Aliens, Nick Jones’ Trevor, Mike Leigh’s Abigail’s Party and Kimberly Akimbo by David Lindsay-Abaire.  He also performed in the A Red Orchid production of The Mutilated. Other directing credits include Steppenwolf Theatre Company, Steep Theater, Second City, Writers’ Theater, The Inconvenience, Strawdog, and elsewhere. Murray is a lecturer at University of Chicago and teaches at DePaul University and Actors’ Studio Chicago.

ABOUT PUNCH AND JUDY

The first record of the puppet, that eventually grew to be the infamous Punch, was made by Samuel Pepys in the late 17^th century. He wrote his observations on the Italian puppet show playing in London’s Covent Garden in his journal. At the time Punch, short for Punchinello, was a puppet on strings but eventually, along with his wife Judy, evolved after nearly a hundred years to become glove puppets dressed in a jester-like fashion.

Puppeteers favored street performances at first, where the title of “Punch and Judy” was born, but eventually found their way to the seaside to perform to those on vacation. Today, various iterations of the show with roots in Commedia dell’ Arte, clown and slapstick comedy can still be found at the seaside, street festivals and carnivals around the world.

Charlotte, a young orphan, has made a life for herself thieving on the streets of London. She wiggles her way into employment for an eccentric Italian puppeteer, Pietro, collecting coins from his crowds and watching out for the law. They quickly become an efficient pair under Pietro's gruff and focused attention. As their partnership flourishes, so does Charlotte’s vivid imagination. Soon, the violent Punch and Judy puppets jump to life as she conjures up her own spins on the classic tales. But Pietro may not want his protégé pulling the strings.

Our "merry little play" reveals the dark underbelly of 18th century London as Charlotte’s reality blurs with the frantic world of Punch and Judy. Filled with live actors, hand puppets, shadow puppetry, and marionettes, the story uncovers the dangers lurking in an unjust world. 

  

Show Dates:

Sep 2 2016 to Oct 23 2016

Location:

Chopin Theatre, 1543 W Division St, Chicago

ALSO NOW PLAYING:

STARRING DENNIS WATKINS!

The Magic Parlour is one of our top favorites of all times, and nothing short of astonishing. Dennis Watkins is out of the dunk tank and into the parlour! Death and Harry Houdini (with its nerve wracking water torture chamber trick) has finished another acclaimed run, but you can still catch the star, prolific prestidigitator, Dennis Watkins, in his snazzy solo show at the iconic Palmer House Hilton in downtown Chicago. I caught The Magic Parlour back when the show was playing in the shabby chic basement of the Chopin Theatre. Several years back they moved to fancier digs, and this intimate show has grown in popularity. We took the whole family last year and even the jaded teens adored it. Dennis is the real deal, and a joy to see in action. Prepare to be mystified. Oh SO highly recommended. ChiIL Mama's Chi, IL Picks List. 

Performances begin again September 2 with more performances this year than ever before!

TIMES: Friday nights at 7:30 and 9:30pm, Saturdays at 4:30, 7:30 and 9:30pm

PRICE: $79

AGES: Recommended for ages 12 and up!

PRIVATE EVENTS: Start here!

RUN TIME: The show runs about 75 minutes. 

An intimate evening of classic magic with Houdini himself, in the historic Palmer House Hilton Hotel. Award-winning, third-generation magician Dennis Watkins delivers an evening of sophisticated tom-foolery in one of the Windy City's most unique entertainment experiences. Dennis Watkins. Experience the premier magic show in Chicago, featuring mystifying feats of prestidigitation, sleight of hand, mentalism, and more. The Magic Parlour is replete with mind-blowing magic and mind reading in an intimate suite at the historic Palmer House Hilton Hotel.

Guests convene at Potter's on the lobby level and will be escorted to the private performance venue. 

"A SOPHISTICATED NIGHT-CAP. You’ll be mightily impressed! " 

-Chris Jones, Chicago Tribune

“A perfect evening of illusion and laughter… The Magic Parlour TRANSFORMED a roomful of tired adults into WIDE-EYED, WIDE AWAKE innocents. And that in itself is Watkins’ most impressive trick." 

-Chicago Theater Beat

“This late-night magic show is exactly what it should be: funny, lively, intimate, and UTTERLY BAFFLING.” 

-The Chicago Reader

Check out our Yelp reviews for more glowing recommendations from mystified patrons

Show Dates:

Sep 2 2016 to Jul 1 2017

Location: The Palmer House Hilton Hotel

17 East Monroe Street, Chicago IL 60603

ABOUT THE HOUSE THEATRE OF CHICAGO The House is Chicago's premier home for intimate, original works of epic story and stagecraft. Founded and led by Artistic Director Nathan Allen and driven by an interdisciplinary ensemble of Chicago’s next generation of great storytellers, The House aims to become a laboratory and platform for the evolution of the American theatre as an inclusive and popular art form.

The House was founded in 2001 by a group of friends to explore connections between Community and Storytelling through a unique theatrical experience. Since becoming eligible in 2004, The House has been nominated for 60 Joseph Jefferson Awards (21 wins), became the first recipient of Broadway in Chicago’s Emerging Theater Award in 2007, and was awarded a 2014 National Theatre Company Grant by the American Theatre Wing, founder of the Tony Awards. Now in its 14th year of original work, The House continues its mission to unite Chicago in the spirit of Community through amazing feats of Storytelling.

OPENING: I, Malvolio at Chicago Shakespeare Theater & Tug of War Review

Tonight, ChiIL Mama will be ChiILin' out at The Chicago Shakespeare Theatre with England's hilarious Tim Crouch. As I've mentioned many times before, Twelfth Night has been a favorite of mine since I was in the show myself in college. As many wildly varied adaptations as I've seen, I can't say I've ever seen it done as an hour long solo show from Malvolio's point of view. I'm very much looking forward to it. Get your tickets fast, as this is a short one week run.

Shakespeare 400 Chicago continues with 

Celebrated UK theater-maker, Tim Crouch’s reimagining of Twelfth Night

Hilarious and thought-provoking rant by Twelfth Night's slandered steward

5 performances only as part of Shakespeare 400 Chicago, June 2–5

On the occasion of the 400th Anniversary of Shakespeare’s legacy in 2016, Chicago Shakespeare Theater welcomes one of Britain’s most innovative and respected theater makers, Tim Crouch, in his inventive one-man show I, Malvolio as part of the Shakespeare 400 Chicago festival line-up. Following the international success of Crouch’s I, Caliban, I, Peaseblossom and I, Banquo—a collection of plays shedding light on some of Shakespeare’s more shadowy characters—I, Malvolio plucks the pompous steward out of Shakespeare’s  Twelfth Night and unravels a hilarious and thought-provoking story of cruelty, self-hatred and revenge. 

Conceived, written and performed by Crouch and designed by Olivier Award-winner Graeme Gilmour, I, Malvolio is performed in the theater Upstairs at Chicago Shakespeare for five performances only, June 2–5, 2016.  

Performance Listing

Thursday, June 2 – 7:30 p.m.
Friday, June 3 – 7:30 p.m.
Saturday, June 4 – 3:00 p.m. and 8:00 p.m.
Sunday, June 5 – 2:00 p.m.

For more information about the production, visit www.chicagoshakes.com/malvolio.

I, Malvolio | Tim Crouch Theatre at Chicago Shakespeare Theater | Photo by Bruce Atherton and Jana Chiellino

Reimagining the much-maligned steward pining for his mistress in Shakespeare’s Twelfth Night, I, Malvolio is a charged, hysterical and sometimes unsettling rant from a man adrift in front of a cruel audience. Crouch’s Malvolio asks the audience to explore the delight we take in other people’s suffering. Part clown, part theater-hating disciplinarian, Malvolio is ultimately a man sorely wronged. Both heart-breaking and ingenious with a crass sense of humor, I, Malvolio takes the audience on a one-hour ride, humanizing the character with raw honesty.

The Guardian gives I, Malvolio five stars—saying “Tim Crouch is at the top of his game, sharing a text that plays as much with intelligence as slapstick.” 

The New York Times declares “I, Malvolio improbably finds its own delicate sweet (and sour) spot between comedy and self-subverting analysis.” 

The Times (UK) praises “this is a treasure…Immaculate, moving, funny, wise.” 

Crouch’s Malvolio is described by the Scotland Herald as “a pompous ass who falls somewhere between the buffoonery of Boris Johnson, the absurdism of Vic Reeves and the misguided self-importance of the late Princess Diana’s former butler Paul Burrell.” 

The production has amused and affected audiences on stages around the globe in Sydney, Singapore and New York. Described as “one of the smartest artists making theatre in Britain now” by Kulturflash, Tim Crouch is a multi-talented theater maker who writes, performs and produces new work. Crouch’s work is noted for rejecting theatrical conventions and for engaging the audience in an active role during the performance. He has collaborated with some of the UK’s finest theater companies, including the Royal Shakespeare Company, the National Theatre, the Royal Court Theatre and the British Council. 

Currently, he is adapting and directing Spymonkey’s highly anticipated premiere of The Complete Deaths, which will be presented by Chicago Shakespeare as part of Shakespeare 400 Chicago, November 30–December 11, 2016.

More of ChiIL Mama's ChiIL Picks List:

Chi, IL Live Shows On Our Radar 

REVIEW:  

Tug of War is a 6 hour epic and we highly recommend it! The live band on stage, melding of anti war ballads, and tales of soldiers, kings, passion and power plays makes this production a must see. I never thought I'd hear Pink Floyd ballads and Shakespeare sharing a stage! Chicago Shakespeare makes it work and then some. Ancient history comes alive and it's stunning how little has truly changed in the world in over 400 years. The "Tug of War" is indeed mighty and nearly inescapable. 

We particularly loved the minimalist set design reminiscent of tire swings, junk yards, and children's playground games like capture the flag and king of the hill. The costume design was also fantastically ragtag and we adored the kings' capes with their names running around the bottom hem and their likenesses on their backs. This production is highly entertaining and a fabulous alternative to binge watching TV at home. Try out this historical Game of Thrones. There's something cathartic about seeing so much live theatre for hours on end that has to be experienced at least once.

Take a day for this full on Shakespeare immersion. Great for an adult day out or for families with tweens and up. My 15 year old son has now completed the Chicago theatre trifecta with me in the last couple of years. Together we enjoyed the award winning 12 hour All Our Tragic by The Hypocrites, the 9 hour Hammer Trinity by House Theatre and now Chicago Shakespeare Theatre's Tug of War. This show makes ChiIL Mama's ChiIL Picks List. Highly recommended.

THE PLAY:

Get ready for the ultimate game of thrones... Artistic Director Barbara Gaines takes us on a riveting gallop through two centuries, distilling six Shakespeare masterworks into two action-packed dramas that trace the rise and fall of kings, and the uncommon courage of common men. Power plays, ego, lust, humor and, yes, even love: no writer surpassed Shakespeare in portraying the forces that drive leaders to war—or the wisdom and valor of the common soldier. Twenty-two actors including a four-member band, form the company that will satisfy your craving for a multi-episode immersion into some of the most brilliant stories of the cyclical human condition. The adventure begins with Edward III, Henry V and Henry VI, Part 1 in Foreign Fire, where France is the prize. The action continues in Fall 2016 when turmoil seizes England in Tug of War: Civil Strife.

This fabulous, free program has been a favorite of ours since it's inception. Bring a picnic, a chair and as many friends, neighbors and family members as you can rally. Shakespeare in the Parks is a multigenerational must see and great for Chicago's communities. ChiIL Mama will be there... will YOU?! Highly recommended. ChiIL Mama's ChiIL Picks List: Family Friendly Fun for all ages.

ABOUT CHICAGO SHAKESPEARE THEATER
Chicago Shakespeare Theater (CST) is a leading international theater company and the recipient of the Regional Theatre Tony Award®. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to creating extraordinary production of classics, new works and family programming; to unlocking Shakespeare’s work for educators and students; and to serving as Chicago’s cultural ambassador through its World’s Stage Series. Through a year-round season encompassing more than 650 performances, CST attracts 225,000 audience members annually. One in four of its audience members is under eighteen years old, and today its education programs have impacted the learning of over one million students. CST is proud to take an active role in empowering the next generation of literate, engaged cultural champions and creative minds. During 2016, CST has spearheaded the Shakespeare 400 Chicago festival in addition to announcing the creation of an innovative performance venue, The Yard at Chicago Shakespeare. www.chicagoshakes.com

ABOUT SHAKESPEARE 400 CHICAGO
Shakespeare 400 Chicago is a yearlong international arts festival in 2016 celebrating the vibrancy, relevance and reach of Shakespeare. As the world commemorates the four hundred years since Shakespeare’s death in 1616, Shakespeare 400 Chicago engages more than 500,000 Chicagoans and visitors to the City through 850 events. Spearheaded by Chicago Shakespeare Theater and with leading support from the Julius Frankel Foundation, John D. and Catherine T. MacArthur Foundation and the Pritzker Military Museum & Library, this quadricentennial celebration is anticipated to be the world’s largest and most comprehensive celebration of Shakespeare’s enduring legacy. Current and upcoming highlights include: Chicago Shakespeare Theater’s production of Tug of War: Foreign Fire, adapted and directed by Artistic Director Barbara Gaines (ongoing to June 12); CST’s Chicago Shakespeare in the Park production of Twelfth Night (July 14–August 14); David Carl in NY Fringe Festival hit, Gary Busey’s One Man Hamlet (July 12–17) and the Shakespeare’s Globe production of The Merchant of Venice starring Jonathan Pryce (August 4–14).www.shakespeare400chicago.com