Showing posts with label Elmhurst Art Museum. Show all posts
Showing posts with label Elmhurst Art Museum. Show all posts

Friday, July 12, 2019

ART BEAT: Save the Dates: Elmhurst Art Museum PresentsWhat Came After: Figurative Painting in Chicago 1978-98 This Fall Beginning September 14, 2019

What Came After: 
Figurative Painting in Chicago 1978-98
on view September 14, 2019 - January 12, 2020

Exhibition organized in conjunction with newly installed Chicago Imagists installation at Elmhurst College

(Left to Right) HOLLIS SIGLER (AMERICAN, 1948-2001), IT KEEPS HER GOING, 1991-92, OIL ON CANVAS WITH PAINTED FRAME, 53 X 66 INCHES | COLLECTION OF ROCKFORD ART MUSEUM, ILLINOIS, USA, GIFT OF FRANCIS AND JUNE SPIEZER | PHOTOGRAPH COPYRIGHT OF ROCKFORD ART MUSEUM

TONY PHILLIPS, THE SPACE BETWEEN, 1993, OIL ON CANVAS, 48 X 58 IN. |ARTIST COLLECTION

PHYLLIS BRAMSON, DECOYS, 1989, OIL ON CANVAS, 84 X 72 IN. | COURTESY OF THE ARTIST AND ZOLLA/LIEBERMAN GALLERY

Elmhurst Art Museum (150 South Cottage Hill Avenue) proudly presents What Came After: Figurative Painting in Chicago 1978-98 on view September 14, 2019 – January 12, 2020. Organized by Chicago-based, internationally exhibited artist Phyllis Bramson, What Came After is a survey of diverse interests in the figure as a subject, the human condition, and an interest in personal iconography.

According to Bramson, “Many have struggled with understanding and processing the term ‘Chicago Imagism’ since it was first used in the early 1970s, including artists that built on the ideas of their peers or sought to break free from expectations of that legacy. What Came After better defines and celebrates this later generation of artists, which have been called third generation Imagists, Post-Imagists, and the Chicago School.”

In addition to Bramson, artists represented in What Came After include Nicholas Africano, Susanne Doremus, Eleanor Spiess-Ferris, Richard Hull, Michiko Itatani, Paul Lamantia, Robert Lostutter, Jim Lutes, Tony Phillips, David Sharpe, Hollis Sigler, Ken Warneke, Margaret Wharton, and Mary Lou Zelazny. The show of 30 paintings will serve as an introduction to these artists for a broad audience, while also examining a specific time and place in Chicago’s recent history.

“We are thrilled to work with this group of artists, as well as Elmhurst College again, to dig deeper into Chicago’s rich cultural history. The exhibition builds on an ongoing conversation about Chicago Imagism, which has become broadly and internationally known, but often misunderstood,” said Elmhurst Art Museum Executive Director John McKinnon. “The painters in this exhibition have all been recognized in their own right, yet this period of history has often been overlooked.”

The exhibition’s original scholarship will include a brochure with essays by Bramson, Chicago curator Lynne Warren, and New York curator/critic Deven Golden. In these texts, the wide-ranging term of Chicago Imagism will be discussed as valuable yet limiting. Public programs will better define how the well-used term was formed, what it originally meant, and what it has come to mean through time. What Came After is dedicated to the late art critic James Yood, a champion of Midwest artists, who was involved in early conversations of this exhibition. 

What Came After is organized in conjunction with a new installation across Elmhurst’s museum campus at Elmhurst College’s A.C. Buehler Library. This new display was organized by Suellen Rocca, one of the original members of the Hairy Who collective and current Curator and Director of Exhibitions at Elmhurst College.


RELATED PUBLIC PROGRAMS

·         Panel Discussion: Despite Imagism

Saturday, September 14, 1:30pm

Presenters including artist Phyllis Bramson, curator Lynne Warren, curator/critic Deven Golden, and artists Richard Hull, Susanne Doremus, and Jim Lutes. Free with museum admission.

·         Family Days

Saturday, September 28, 1 - 4pm, and Monday, October 14 (Columbus Day), 1 - 4pm

Children and parents are invited to participate in hands-on activities inspired by the current exhibition. Available to all ages. Free with museum admission.

·         Tours of Elmhurst College’s Chicago Imagist collection with Suellen Rocca

Saturday, October 19, 1:30pm and Saturday, November 9, 1:30pm
See the newly reinstalled, internationally recognized Chicago Imagist collection at Elmhurst College with these exclusive tours by Suellen Rocca, one of the original members of the Hairy Who collective and current Curator and Director of Exhibitions at the College. Rocca will offer first-person accounts of Chicago’s cultural history, while also providing context and furthering the dialogue about art from Chicago during the 70s-90s. 

·         Lecture: What is Chicago Imagism?

Saturday, November 2, 1:30pm

Join us for a talk about Chicago Imagism and its legacy by art critic, curator, and essayist Deven Golden. This talk will look at the artist dialogue that led up to this period, what followed, and how things irrevocably changed as the 20th century came to an end.

·         Lecture: What Came After?

Saturday, November 23, 1:30pm

Curator Robert Cozzolino better defines how the well-used term of Chicago Imagism was formed, what it originally meant, and what it has come to mean through time.

·         Exhibition Tour with artist and exhibition organizer, Phyllis Bramson
Saturday, January 11, 1:30pm

What Came After is sponsored by the Explore Elmhurst Grant Program, with public programming sponsored by Terra Foundation for American Art.


About Elmhurst Art Museum
Elmhurst Art Museum is located at 150 South Cottage Hill Avenue in Elmhurst (IL), 25 minutes from downtown Chicago by car or public transportation (Metra). The Museum is both an international destination for Mies van der Rohe scholars and fans and a regional center where people from Chicago and the western suburbs learn to see and think differently through the study of the art, architecture and design of our time.  The Museum is one block from the Elmhurst Metra station and open Tuesday-Sunday from 11am -5pm. Admission is $15 ($12 for seniors) and free for students and children under 18.

Simultaneous with What Came After, Elmhurst Art Museum will be mounting McCormick House – Past, Present, Future, also September 14, 2019 – January 12, 2020. For the first time ever, the Museum will exhibit a full 1950s domestic representation of its Mies van der Rohe McCormick House (1952) as well as historic images showing how residents lived in the home and explanations about the current transitional state of its preservation.  

For more information, please call 630.834.0202 or visit elmhurstartmuseum.org.

ART BEAT: SAVE THE DATES: Elmhurst Art Museum Highlights Mies van der Rohe McCormick House Beginning September 15, 2019

Elmhurst Art Museum highlights its 
Mies van der Rohe McCormick House
this Fall with McCormick House – Past, Present, Future exhibition, house tours and related architecture-themed programming

LUDWIG MIES VAN DER ROHE, MCCORMICK HOUSE, LIVING ROOM, 1950s, HEDRICH BLESSING ARCHIVE, HB17555A, CHICAGO HISTORICAL SOCIETY

INSTALLATION VIEW OF MCCORMICK HOUSE: 1952 – 1959 CURATED BY ROBERT KLEINSCHMIDT AND RYAN MONTELEAGRE. PHOTO BY JIM PRINZ


For first time ever, McCormick House features a full 1950s domestic presentation; on view September 14, 2019 – January 12, 2020, with weekly tours starting Sept. 15    

For the first time ever, the Elmhurst Art Museum (150 South Cottage Hill Avenue) will exhibit a full 1950s domestic representation of its Mies van der Rohe McCormick House (1952), highlighting this rare single-family home in the Museum’s collection.  McCormick House – Past, Present, Future will present visitors with classic mid-Century furniture of the time period as well as historic images showing how residents lived in the home and explanations about the preservation and restoration process currently underway. Further, the walls will highlight a timeline of events and photos dating back to the building’s conception, including anecdotes and stories about the home’s residents.  McCormick House – Past, Present, Future will be on view September 14, 2019 – January 12, 2020 and is organized in conjunction with the Chicago Architecture Biennial.

As curated by veteran Chicago architect & interior designer Robert Kleinschmidt, the exhibition will prove how livable, inviting, and human a Mies-designed home can be with period décor. This work continues Kleinschmidt’s relationship with the house; last Fall, commemorating the separation of the House from the main museum building, he introduced a partial period installation in the home’s ‘children’s wing,’ captivating visitors. 

“After walking under the restored carport and crossing a new threshold, visitors have better appreciated Mies van der Rohe’s designs for the McCormick House,” says Elmhurst Art Museum Executive Director John McKinnon. “We are excited to further educate and inspire our public by addressing the house’s interior. Rob’s exhibition will help our guests understand its domestic scale through period furniture and illustrate its history as a residence.”



RELATED PUBLIC PROGRAMS

All are free with museum admission unless noted.



·         Weekly house tours

Sunday afternoons, starting Sept. 15, 1pm and 3pm

New weekly house tours will invite visitors to explore the McCormick House history with Museum docents and special guides, including a former resident.



·         Curator Tour: Robert Kleinschmidt

Saturday, September 21, 1:30pm

Architect Robert Kleinschmidt will guide a tour, sharing his designs for the domestic interior and his history with other projects by Mies van der Rohe.



·         Lecture: Preserving the Modern Home

Saturday, October 5, 1:30pm

Architectural historian Susan Benjamin utilizes stunning historic images to highlight notable modern houses in and around Chicago and the efforts of their passionate owners to preserve them. Benjamin is head of Benjamin Historic Certifications and co-author of Great Houses of Chicago: 1871-1921 (Acanthus Press, 2008) and Modern in the Middle: Chicago Houses, 1929-1975 (Monacelli Press, early 2020). 



·         Panel Discussion: Preserving Chicago’s Glass Houses

Saturday, October 26, 1:30pm

Dennis Rodkin, Crain’s Chicago Business columnist and “What’s that Building?” contributor to WBEZ Radio, leads a panel discussion about Chicago’s progressive architectural developments, including numerous steel and glass houses in the greater metro area such as Farnsworth House, McCormick House, Ben Rose House, Rockwell House, and others. Co-organized with The Farnsworth House, attendees will learn more about these unique residential designs, the visionary architects, and the preservation challenges the homes present.



·         Family Day

Saturday, November 16, 1-4pm
Families are invited to participate in an afternoon of art activities inspired by the museum’s current exhibition in Mies van der Rohe’s McCormick House.



·         Holiday Designer Pop-Up Shop

Friday, December 6, 4-8pm

In tandem with special holiday décor in the McCormick House, celebrate the time of year at this new pop-up shop featuring designer goods by local businesses and artisans.



About the McCormick House

In 1952, the renowned modern architect Mies van der Rohe (1886-1969) designed a home for Robert Hall McCormick III, a member of Chicago’s most prominent families, and his wife, the poet Isabella Gardner. The house was later lived in by families of Arthur and Marilyn Sladek, Ray and Mary Ann Fick, and then purchased by the Elmhurst Art Museum for a new arts complex. The house is a rare and important example of Mies van der Rohe’s mature style, incorporating elements of his celebrated designs for the Farnsworth House (1951) and 860-880 Lake Shore Drive (1951). The McCormick House—one of only three single-family homes designed by Mies in the United States—originally served two purposes: it was a home for the McCormick family and a prototype for a proposed group of smaller, affordable mass-produced modular homes in the western Chicago suburbs that McCormick and co-developer Herbert S. Greenwald were hoping to build. However, the cutting-edge, high-end buildings were not met with enough buyers to begin construction. The house became part of the Elmhurst Art Museum’s campus in 1994, and important restoration efforts have been recently undertaken.  In 2018, the McCormick House’s façade and Mies van der Rohe’s original carport design were revealed for the first time in nearly twenty-five years.


Simultaneous with the McCormick House – Past, Present, Future, Elmhurst Art Museum will be mounting What Came After: Figurative Painting in Chicago 1978-98—also September 14, 2019 - January 12, 2020—a survey of diverse interests in the figure as a subject, the human condition, and an interest in personal iconography.

About Elmhurst Art Museum

Elmhurst Art Museum is located at 150 South Cottage Hill Avenue in Elmhurst (IL), 25 minutes from downtown Chicago by car or public transportation (Metra). The Museum is both an international destination for Mies van der Rohe scholars and fans and a regional center where people from Chicago and the western suburbs learn to see and think differently through the study of the art, architecture and design of our time.


The Museum is one block from the Elmhurst Metra station and open Tuesday-Sunday from

11am -5pm. Admission is $15 ($12 for seniors) and free for students and children under 18. For more information, please call 630.834.0202 or visit elmhurstartmuseum.org.


Elmhurst Art Museum presents What Came After: Figurative Painting in Chicago 1978-98 on view September 14, 2019 - January 12, 2020

Exhibition organized in conjunction with newly installed Chicago Imagists installation at Elmhurst College

Pinterest