BENEFIT: CHICAGO PUPPET FESTIVAL’S FALL LIVING ROOM TOUR RETURNS TO UPSCALE PRIVATE HOMES NOVEMBER 8th -11th

Help Out:

Proceeds support the Chicago International Puppet Theater Festival’s Free Neighborhood Tour in January 2019

CHICAGO PUPPET FESTIVAL’S 

FALL LIVING ROOM TOUR BRINGS INTIMATE LIVE PUPPET SHOWS TO UPSCALE 

PRIVATE HOMES 

NOVEMBER 8-11

 

Imagine knocking on the door of a beautiful, architecturally significant Chicago home, being shown into a living room join a small, diverse group of arts loving Chicagoans, and being treated to a delicious meal coupled with a private, intimate performance of cutting-edge contemporary puppetry.

Don’t imagine it. Do it!

I had the great pleasure of covering the Fall Living Room Tour the year before last. Check out my exclusive video interviews with the puppeteers here, along with live show footage, and a full photo feature. It's good food, fellowship and fun for a great cause.   

The Chicago International Puppet Theater Festival invites Chicagoans to its Fall Living Room Tour, hosted at four beautiful private Chicago residences around the city, Thursday, November 8 through Sunday, November 11.


Production shot of Behold, Where Stands the Usurper’s Cursed Head by Chicago’s Cabinet of Curiosity

Each of these special benefit events begins with a lovely meal leading into incredibly intimate, living room performances of contemporary puppet shows including Behold, Where Stands the Usurper’s Cursed Head written by Mickle Maher, directed by Vanessa Stalling and Frank Maugeri, featuring acclaimed Chicago puppeteer Samuel Taylor, from Cabinet of Curiosity. 

Tarish “Jeghetto” Pipkins performing an excerpt of Just Another Lynching at the 2018 April Living Room Tour.

Blair Thomas in an excerpt from Buried Alive with Edgar Allan Poe at the April 2018 Living Room Tour




Following are details about the three 2018 Living Room Tour evening events to be staged in private homes in Hyde Park-Kenwood, Logan Square and Evanston, followed by a Sunday brunch event in a turn of the century mansion in Humboldt Park. Tickets to each event are $125. Purchase tickets online at chicagopuppetfest.org.

*Note: Exact addresses will be emailed upon purchase but are not shared publicly otherwise. Proceeds benefit The Chicago International Puppet Theater Festival and its Free Neighborhood Tour to Chicago communities.

Hyde Park-Kenwood
Thursday, November 8 at 7 p.m.
At the home of Michelle and Chad McClennan: a Queen Anne renovation in Chicago's historic Hyde Park-Kenwood neighborhood.
Co-hosted by Michelle McClennan, Kim Ohms, Rita Parida and Jane Nicholl Sahlins

Logan Square
Friday, November 9 at 7 p.m.
At the home of Molly Morter and Jim Jacoby: a turn of the century neighborhood church turned dramatic contemporary residence.
Co-hosted by Andrea Cochran, Molly Morter and Jim Jacoby, Molly and Tom Fleming, Aaron Manheimer and Kim Ohms

Evanston
Saturday, November 10 at 7 p.m.
At the Evanston home of Monica Kass Rogers and Todd Rogers and West Evanston’s leading concert series, The Pig & Weasel.
Co-hosted by Monica Kass Rogers, Todd Rogers, Kim Ohms and Rob Shatkin

Humboldt Park
Sunday, November 11 at 11 a.m.
At the home of Erin Sarofsky and Kevin McClintock: A restored turn of the century mansion.
Co-hosted by Liz Aviles, Elizabeth Black, Andrea Cochran, Kim Ohms and Angel Ysaguirre

Chicago International Puppet Theater Festival - Blair Thomas Private Shows. Watch what it's like to enjoy a Chicago Puppet Festival Living Room Tour performance in a private Chicago residence:


Chicago International Puppet Theater Festival - Blair Thomas Private Shows from The Doc Unit on Vimeo.




About the Chicago International Puppet Theater Festival

The Chicago International Puppet Theater Festival was founded to establish Chicago as a prominent center for the art of puppetry, and to cultivate a diverse audience for internationally significant, culturally transformative works of puppetry. 

In January 2017, the second biennial Chicago Puppet Festival featured 109 performances, workshops, panel discussions and family puppetry activities spanning 11 days at 22 venues across the city. The festival attracted a local, national and international audience of more than 14,000, drawing from 198 Illinois zip codes, 34 U.S. states as well as Hong Kong Australia, Sweden, Poland, Mexico and Canada.

Stay tuned for the official announcement about the third Chicago International Puppet Theater Festival, returning January 17-27, 2019. Mark your calendar for a 11-day event bringing the highest quality local, national and international puppet shows to Chicago, showcasing an entertaining and eclectic array of puppet styles from around the globe. Marionettes, shadow puppets, Bunraku puppets, tiny toy puppets, and distinctive, innovative contemporary puppetry will all be on display at dozens of Chicago civic venues large and small. For the latest updates, visit chicagopuppetfest.org, follow the festival on Facebook at facebook.com/ChicagoInternationalPuppetTheaterFestival, on Instagram at instagram.com/chipuppetfest and on Twitter @ChiPuppetFest.

The Chicago International Puppet Theater Festival, founded by Artistic Director Blair Thomas, is a mission-driven program of Chicago-based puppet theater company Blair Thomas & Co.

Act Out-The Hunchback Variations Highly Recommended! (review)

Music by MARK MESSING, Libretto by MICKLE MAHER
JANUARY 25–FEBRUARY 19, 2012  BUY TIX
at the Victory Gardens Biograph Theater 
The Hunchback Variations Opera!
(This past Saturday sold out. It will CLOSE in one & a half weeks.  We recommend getting tickets NOW.

PLEASE GO TO Theater Oobleck's WEBSITE FOR ADVANCE TIX and links to full reviews, video & audio previews, and an interview.)

Check out ChiIL Mama's original video interview with Mark "Mucca Pazza" Messing, who wrote the amazing score.   We caught up with Mark (and Oscar nominee, Brian Selznick) on the set of Houdini Box, now playing with Chicago Children's Theater.    Mark expounded on the creative process and how he wrote the scores for both shows simultaneously.   We'll have that up in the very very near future, so check back with ChiIL Mama like we vote in Chi, IL...early and often.

Photo by Jim Newberry, mask by Richard Henzel.

Here at ChiIL Mama/ChiIL Live Shows, we had a chance to catch Hunchback Variations opening night and we were blown away by the show.  Highly recommended!   Buzz in the lobby had other local playwrights and actors excitedly exclaiming it was one of their favorite, top 10 shows of all times, amazing and well executed.    Others were moved to tears.   At the after party, I spent hours with Oobleck regulars who had seen the show numerous times as a spoken piece, over the years, and who were astonished at how well the music upped the ante.


Favorite quotes overheard at the after party:
 
"I'm so glad I saw this opening night so I have the maximum possible time to spread the word."


"If you don't like this play, I'm sorry.   You can't be my friend anymore.   There are some plays and film that are like my soul poured out on the page and this is one of them.    If you don't get it, you don't get me."


"This could have so easily been a cheesy, over the top, parody.   I mean, come on....really.    Yeah, do you want to give us a grant to write an opera staring two deaf guys--Quasimodo and Beethoven, and an impossible sound from Cherry Orchard?   But it's not.   They took the piece very seriously and created something stunningly beautiful."

Hunchback Variations is truly a masterpiece that's been percolating for the 23 years of Oobleck's existance, waiting to see the light of day.   It's quirky and deep, hilarious and moving.   Oobleck has managed to create a multilayered piece where the instruments converse as surely as the main characters.   I love the delicious irony of such a successful collaboration themed on a failed collaboration!    There are sweet, absurdest moments, and witty word play.   Hunchback Variations ultimately becomes an ode to that illusive beast...creative process.    I loved the mucking through the swamp imagery.   I studied Chekhov's Cherry Orchard in college theatre, and I'm betting he would have enjoyed the angst and frustrating futility caused by his final play's unreproducible sound.

This piece is right on so many levels; intellectual without being intimidating.  Psychologically and cognitively the show is best suited for adults and teens at the youngest.  Though there is nothing objectionable if you're considering bringing the family.  There were a few tweens there on opening night, and I've been considering bringing my 10 year old son back to see it again.    Kids who are creative word and/or theatre geeks, or musically inclined are likely to enjoy The Hunchback Variations.  


Reader Recommended!

"“The setup is quintessential Oobleck—smart, eccentric, unpredictable, thought-provoking, and very funny...

"“The singing is beautiful. George Andrew Wolff’s bright tenor contrasts effectively with Larry Adams’s round, chesty bass, and both singers have first-rate diction so the text is always clear. The counterpoint between Wolff’s cheerful, well-groomed Beethoven and Adams’s morose, grotesque Quasimodo is mirrored by the bold give-and-take of pianist Tim Lenihan and cellist Paul Ghica..."

-- Albert Williams, Chicago Reader


WBEZ "Pick of the Week"
“Messing’s music preserves all of the wit of Maher’s original play, and deepens the characters…

“Beautifully performed: two wonderful singers, piano and cello accompaniment.”

--Jonathan Abarbanel, WBEZ's "Dueling Critics"

TimeOut Chicago: 4 of 5 Stars

“Mucca Pazza maestro Mark Messing, using Maher’s text as libretto, sets Beethoven and Quasi’s nettlesome forensics camp to a spiky score for piano and cello…

“The result is as serious as it is silly, with Messing’s music amping up the stakes..."--Kris Vire, TimeOut Chicago

The Hunchback Variations Opera

Music by Mark Messing, Libretto by Mickle Maher

January 25–February 19, 2012
Wednesday-Saturday at 8pm
Sunday at 4pm.
NO LATE SEATING.
VICTORY GARDENS BIOGRAPH THEATER
2433 N. Lincoln Avenue, Chicago map
Tickets: $20 suggested donation;
$10 if that’s what you’ve got;
free if you’re broke.
Buy advance tickets online*
or by calling the Victory Gardens box office at 773-871-3000.
PARKING AND TRANSPORTATION INFO

The Hunchback Variations is “a moving meditation on collaboration and the creative process.” –Jack Helbig, Chicago Reader, on the play’s 2001 debut

“This is not the stuff of standard theater, much less standard opera. It is the stuff of an absurdist masterpiece.” —Chicago Stage Review’s Venus Zarris, on a 2011 workshop production of The Hunchback Variations Opera

That’s right. It’s happening. Theater Oobleck is doing its first opera.

“Cerebral, comic, and just plain weird,” St. Louis Post-Dispatch, 2002) Mickle Maher‘s The Hunchback Variations (2001) has been one of the most successful productions in Oobleck’s 23-year history—presented to critical acclaim over the last decade in Chicago, St. Louis, Washington D.C., and Hamburg, Germany.

The Hunchback Variations takes the form of a panel discussion between Quasimodo, hunchback of Notre Dame, and Ludwig van Beethoven, composer, on their attempt to create a mysterious sound effect called for in Anton Chekhov’s The Cherry Orchard. Playing out over 11 scenes, or “variations,” the story details the duo’s collaboration—one doomed by their mutual deafness, their unpleasant working conditions, and the fact that Beethoven has not yet finished reading the The Cherry Orchard.

A deft deconstruction of the creative process, and a fearless investigation of artistic collaboration, Hunchback is driven by questions about the nature of music and sound and performance. So, what could be more natural than to throw it fully – collaboratively!—into the embrace of music and sound and performance by giving it over to the wildly innovative mind of composer Mark Messing, the genius behind the scores of numerous Redmoon productions, and co-founder of the mad, brilliant marching band, Mucca Pazza?

With George Andrew Wolff (tenor) as Beethoven, Larry Adams (bass) as Quasimodo, Tim Lenihan on piano, and Paul Ghica on cello.

Lighting design by Chris Wooten. Stage Management by Melinda Evans. Graphic design by Colm O’Reilly. Photography by Jim Newberry.

You can find Oobleck on Facebook, on Twitter, and on their Web Site.