Showing posts with label puppetry. Show all posts
Showing posts with label puppetry. Show all posts

Saturday, February 15, 2025

Lifeline Theatre KidSeries Presents the World Premiere of Leaf March 16 Through April 20, 2025

ChiIL Mama's Chi, IL Picks List 

Lifeline Theatre Presents the 

World Premiere of Leaf

Based on Sandra Dieckmann’s Debut Picture Book



The production runs approximately 50 minutes with no intermission

Lifeline Theatre’s KidSeries presents the world premiere of Leaf, based on the beloved picture book by Sandra Dieckmann, March 15 to April 20 at Lifeline Theatre, 6912 N. Glenwood Ave. Adaptor and Lifeline ensemble member Amanda Link teams up with director Nathaniel Niemi to bring audiences a timely world premiere featuring a polar bear on their quest to return home and the young crow who finds it within herself to help them. Leaf centers on our interconnectedness with each other and our planet, and the importance of sharing one’s story. 

"Adults will pick up on important themes like the dangers of climate change or fearing those who are different," says Link. "For the kids, I hope to spark their sense of wonder and awaken empathy." Link and Niemi are KidSeries regulars and have appeared in numerous Lifeline hits together, including the popular Click, Clack, Moo series. Now the pair take the reins on Link’s debut adaptation. "The vivid illustrations from the book have inspired a beautiful scenic design, inventive costuming, and dynamic puppets," says Niemi. "I can't wait for the kids to see our giant polar bear!" 

I'll be out for the press opening for Leaf on March 16th at 11:00 a.m. so check back shortly after for my full review. 

Opening is Sunday, March 16, at 1:00 p.m. Previews are Saturday, March 15 at 11:00 a.m. and 1:00 p.m. Regular performance times (March 22 through April 20) are Saturdays and Sundays at 11:00 a.m. and 1:00 p.m. 

Ticket prices are $20 for regular single tickets and $15 for preview tickets, with group rates for 8 or more available upon request. Tickets may be purchased by visiting www.lifelinetheatre.com or through the Lifeline Theatre box office, 773-761-4477. The book will be on sale in the lobby.

PLUS: Join Lifeline Theatre every Sunday at 12:00 p.m. during the run of Leaf (following the 11:00 a.m. show, or before the 1:00 p.m. show) for our Stories Come Alive! hour. Children will enjoy an interactive storytelling session and on-your-feet theatre games. The cost is $10 per child. Reservations are recommended, though not required. Contact Lifeline Theatre at 773-761-4477 for more information. 

ACCESSIBLE PERFORMANCES: The Sunday, March 23, 11:00 a.m. performance will feature open captioning for patrons who are deaf or hard-of-hearing. The Saturday, March 22, 1:00 p.m. performance will feature a pre-show touch tour of the set at noon, and live audio description for patrons who are blind or have low vision. The performance on Saturday, March 29, at 1:00 p.m. will be sensory-friendly for patrons with social and/or cognitive disabilities. For more information about Lifeline’s accessibility services, please contact our Accessibility Coordinator John Craig at 773-761-4477 x703 or at access@lifelinetheatre.com.

The complete cast and production team for Leaf includes

CAST: Jake Busse (Squirrel/Dad Crow), Amanda de la Guardia (Fox/Mom Crow), Bradley Halverson (Polar Bear/Hare), Shea Lee (Crow); with understudies Ariya Hawkins, Alexis Queen, and Michele Stine

PRODUCTION TEAM: Lifeline ensemble member Alan Donahue (Scenic and Props Designer), ensemble member Diane Fairchild (Lighting Designer), Jessica Gowens (Costume Designer), Emily Hayman (Sound Designer), ensemble member Anthony Kayer (Producing Director), ensemble member Amanda Link (Adaptor), Caitlin McLeod (Puppet Designer), Nathaniel Niemi (Director), Harrison Ornelas (Technical Director), Avery Spellmeyer (Lighting Supervisor), Amber Stephenson (Lighting Assistant), and Erik Strebig (Stage Manager)

Now in its 42nd season, Lifeline Theatre continues to explore, interpret, and reimagine books and other literary works to create stories that move us beyond the margins of our own lives. Lifeline Theatre – Big Stories, Up Close.

Lifeline Theatre’s KidSeries programs are partially supported by the Carol Oppenheim and Jerome S Lamet Charitable Fund; Illinois Arts Council; Anonymous; Goodman Theatre; Paul M Angell Foundation; S&C Electric Company Fund; The Gaylord and Dorothy Donnelley Foundation; The Shubert Foundation; The Chicago Community Trust; McMaster-Carr; The Saints; Rogers Park Business Group; Rogers Park Business Alliance; and the annual support of businesses and individuals.

Photo credit: Josh Bernaski


Thursday, January 16, 2025

FREE Chicago Puppet Fest Shows Now Through January 26th, 2025

ChiIL Live Shows On Our Radar

 Puppets are for everyone! Even if your wallet's a bit thin and you blew your entertainment budget for the month already, you can still puppet on a budget. 

7th Chicago International Puppet Theater Festival 

January 15-26th, 2025

Full Free Schedule Below

Marvel at incredible stories told through the lens of contemporary puppetry, performed by amazing puppet artists and companies from around the world!




Free Neighborhood Tours (2 different FREE shows/all ages)

January 15-26

All ages

Free

The Chicago Puppet Festival Free Neighborhood Tour is back bigger, better and twice as nice as before. This year, a festival “first”: two different family-friendly puppet shows will travel to venues around the city, offering more than a dozen free performances at venues large and small. Catch one show, or both…they’re free!

The Amazing Story Machine

Sandglass Theatre Company and Doppelskope

Vermont

45 minutes

All ages

sandglasstheater.org


Thursday, January 16 at 4:30 p.m.

Austin Town Hall Cultural Center, 5610 W. Lake St. (Austin)


Friday, January 17 at 4:30 p.m.

Marshall Field Garden Apartments/Art on Sedgwick, 1408 N. Sedgwick St. (Old Town)


Sunday, January 19 at 2 p.m.

345 Gallery, 345 N. Kedzie Ave. (Garfield Park)


Wednesday, January 22 at 6 p.m.

Center on Halsted, 3656 N. Halsted St. (Lakeview)


Thursday, January 23 at 7 p.m.

eta Creative Arts Foundation, 7558 S. South Chicago Ave. (Grand Crossing)


Friday, January 24 at 5 p.m.

Experimental Station, 6100 S. Blackstone Ave. (Hyde Park)


Saturday, January 26 at 10 am + 2 p.m.

Berger Park Cultural Center – Coach House, 6205 N. Sheridan Rd. (Edgewater)


Sunday, January 26 at 2 p.m.

South Shore Cultural Center Paul Robeson Theater, 7059 S. South Shore Dr. (South Shore)

The Grimm family is on the verge of unveiling The Amazing Story Machine, which runs on steam and dreams, and promises to revolutionize how stories are told. When the contraption malfunctions, they have to invent a way to tell stories on the spot. With help from the audience and a cast of unique puppet characters created by Vermont’s Sandglass Theatre Company, fairy tales like “The Hare and the Hedgehog,” “Hansel and Gretel,” and “The Brave Little Tailor” spring to life with a range of charming of puppetry styles and characters, and live, original music.

Hungry Garden

Poncili Creación

Puerto Rico

45 minutes

All ages

Instagram.com/poncilicreacion


Wednesday, January 22 at 6 p.m.

Theatre Y, 3611 W. Cermak Rd. (North Lawndale)


Thursday, January 23 at 10:30 a.m. + 7 p.m.

Reva and David Logan Center for the Arts , 915 E. 60th St. (Hyde Park)


Friday, January 24 at 4:30 p.m.

Segundo Ruiz Belvis Cultural Center, 4046 W. Armitage Ave. (Hermosa)


Saturday, January 25 at 12 p.m. and 2 p.m.

Chicago Cultural Center, 78 E. Washington St., GAR Hall & Rotunda 2nd Floor/North (Loop)

Boundless energy, surrealist puppets and controlled madness unite as brothers Pablo and Efrain Del Hierro, identical twins, though differentiated by their distinctly aggressive haircuts, spontaneously infuse inanimate objects with life. Drawing on tribal symbols such as masks and totems, they evoke ancient forms of storytelling as they travel the world with their surreal, crowd-pleasing performances. Hungry Garden brings ”creation and chaotic tranquility,” living up to the idea that the brothers say spawned their name, Poncili Creación.

Free Streaming Adult Cabaret (recommended for ages 16+): 


Nasty, Brutish & Short Credit: Richard Termine

Nasty, Brutish & Short

Rough House Theatre Co. and Links Hall

Chicago/International

Links Hall, 3111 N. Western Ave., Roscoe Village/Avondale Thursday, January 16, Saturday, January 18, Thursday, January 23, and Saturday, January 25 at 10:30 p.m. *Update: Thursday nights replaced the Friday night shows originally announced in October

60 minutes

16 and up

Tickets: $15-$20/ Streaming FREE

roughhousetheater.com/nbs

Here at ChiIL Mama and ChiIL Live Shows, we've caught Rough House Theatre Co's Nasty, Brutish & Short many times over the years, both in person at Links Hall and streaming. The 4 productions that fall during puppet fest are always the most fun each year, as the talent pool is deep and the fest cabarets feature 4 unique lineups filled excellent puppeteers from around the globe. It's a great chance to see short excerpts from some of the longer fest pieces. This year we have several Chicago based friends presenting pieces we can't wait to see. These late night cabarets sell out fast. And if you stream it from home or hotel, it's FREE!

Hit the Chicago Puppet Fest fan-favorite late night shows, where raucous, raunchy, dark, sassy, sad and mostly hilarious puppet theater plays to supportive, sold out houses. The best part? Fancy international out-of-town puppet artists will join cabaret host Jameson, his somewhat furry friends, plus legendary Chicago puppeteers for a wild night of puppet revelry and fellowship followed by friendly unwinding. All four Nasty, Brutish & Short cabarets will also be streamed live. Check website for details: roughhousetheater.com/nbs  

Volkenburg Puppetry Symposium

Panels 1 – 4 FREE In Person and Streaming





About the Ellen Van Volkenburg Puppetry Symposium

The Ellen Van Volkenburg Puppetry Symposium brings together practicing Festival artists with scholars to consider the intersection of puppetry with other disciplines and ideas. Before 1912, the year the Little Theater of Chicago was founded in the historic Fine Arts Building, the term “puppeteer” did not even exist. Little Theater director Ellen Van Volkenburg needed a program credit for the actors she had trained to manipulate marionettes while speaking the text of Shakespeare’s A Midsummer Night’s Dream, and she coined the word “puppeteer.” That marked the dawn of the movement that has brought us to the rich art form now practiced around the world.

This year’s theme is: Puppets Doing and Being. In her 2024 book, Reading the Puppet Stage: Reflections on the Dramaturgy of Performing Objects, Claudia Orenstein notes that puppets enact being alive by doing rather than through written dialogue. The 2025 Ellen Van Volkenburg Puppetry Symposium series explores the dramaturgical elements that distinguish puppet theater and actively engage audiences in endowing material with life.


Lessons in Puppetry by Myra Su, a free exhibit at The Puppet Hub

Puppetry Under the Sea, featuring puppets designed by the Chicago Puppet Studio for Drury Lane Theatre’s The Little Mermaid, a free exhibit at The Puppet Hub

The Puppet Hub

Fine Arts Building 410 S. Michigan Ave., 4th floor, Studio 433

FREE

All ages

Hours:

Thursday, January 16, 9 a.m.-5 p.m.

Friday, January 17, 9 a.m.-10 p.m.

Saturday, January 18, 9 a.m.-10 p.m.

Sunday, January 19, 9 a.m.-6 p.m.

Closed Monday, January 20

Tuesday, January 21, 9 a.m.-5 p.m.

Wednesday January 22, 9 a.m.-7 p.m.

Thursday, January 23, 9 a.m.-7 p.m.

Friday, January 24, 9 a.m.-7:30 p.m.

Saturday, January 25, 9 a.m.-7:30 p.m.

Sunday, January 26, 9 a.m.-6 p.m.

*Drury Lane Theatre’s The Little Mermaid was one of our favorite shows in a holiday season packed with excellent offerings. It was my great pleasure to catch it on opening night. Aside from adoring Sawyer Smith's epic Ursula, we were gobsmacked by the stellar puppets designed by the Chicago Puppet Studio. My son, Dugan (who has a BA in theatre arts from Northwestern), is friends with one of the eel puppeteers. I'm excited to get a closer look at these aquatic creations at the free exhibit, Puppetry Under the Sea.

In addition to the incredible pageant of international and U.S. puppetry artists, The Puppet Hub is back and open throughout the festival on the 4th floor of the Fine Arts Building. It’s the perfect place to relax between shows, get a bite to eat, meet up with friends, make new ones, and learn more about contemporary puppetry.

Attractions include the exhibits Lessons in Puppetry by Myra Su and Puppetry Under the Sea, featuring puppets designed by the Chicago Puppet Studio for Drury Lane Theatre’s The Little Mermaid, the Pop-Up Puppet Shop, and The Spoke & Bird Pop-Up Cafe, serving coffee, tea, winter soups and baked treats.   

Potential Energy: Chicago Puppets Up Close

Exhibit presented by the Chicago Department of Cultural Affairs and the Chicago International Puppet Theater Festival

Chicago Cultural Center, 78 E. Washington St., Michigan Avenue Galleries

December 21, 2024 - April 6, 2025

Daily, 10 a.m. - 4:45 p.m.

All Ages

Chicago is home to a rich and growing ecology of puppet artists whose work bridges disciplines and communities of makers. This sampling of puppets by local artists challenges expectations about puppetry and inspires the public to tell their own stories. Take the rare chance to look closely at sculptural works usually only seen in motion at a distance. Celebrate material and formal invention, trace networks of collaboration, and discover some of the exciting questions and possibilities that are animating Chicago puppet artists today. Potential Energy: Chicago Puppets Up Close is curated by Grace Needlman and Will Bishop, produced by Elise Butterfield and coordinated by Ashwaty Chennat.  


It's time once again for one of our favorite annual fests -- The Chicago International Puppet Theater Festival. Here at ChiILMama.com and ChiILLiveShows.com, we've been covering Puppet Fest extensively since their inaugural year back in 2015 with dozens of features and hundreds of photos and social media posts. We've done video interviews multiple times with Puppet Fest Founder and Artistic Director, Blair Thomas, and we know quite a few of the Chicago Puppeteers. We're also always jazzed to welcome new puppeteers from around the world. Chicago is truly the multicultural puppet hub of the world, and we're so lucky to host again, this January 15-26, 2025. We're in for 12 straight days of spectacular shows, intimate works, and special events at dozens of venues all over the city. 

There are edgy, adult offerings, family friendly shows, free community productions, in venues across the city. One of our favorite elements of the fest is the community. Puppet people are the best. The performers and audiences are such a unique subset of the theatre scene and we're here for it. Don't miss this! We've got highlights and favorites below, and you can follow our social media for last minute performance additions, changes, and more. Paper schedules are available at the venues and full details including video clips and ticket links are available at the official fest site at chicagopuppetfest.org. Tickets are on sale now. and we suggest you don’t wait. Despite Chicago’s cold January winters, tickets are always a hot commodity and some of the smaller venues will sell out fast!

The 2025 Chicago Puppet Fest will span 12 days and dozens of Chicago venues, presenting an international pageant of puppet artists sharing more than 120 puppetry activities!!! Get set for all-ages spectacle shows in landmark theaters, intimate works on smaller stages, and the always popular, adults-only, late night puppet cabarets.

Warm up to a wildly diverse range of classic and contemporary puppetry styles from around the world, created by puppet artists from China, India and Scotland, the first time for these countries to play a part in the Chicago Puppet Festival, along with Canada, Chile, China, France, Germany, Israel, Italy, Norway, Puerto Rico, Poland, South Africa, the U.S. and Chicago.

These stories and more await fans of the 7th Chicago International Puppet Theater Festival, all told by puppet artists from around the world, showcasing different forms of traditional and contemporary puppet styles, from bunraku to shadow puppetry, marionettes to object-based works. 

Festival funders: 7th Chicago International Puppet Theater Festival funders include Chicago Park District Night Out in the Parks Program, Ferdi Foundation, Gaylord and Dorothy Donnelley Foundation, Illinois Arts Council Agency, Jentes Family Foundation, John D. and Catherine T. MacArthur Foundation, Manaaki Foundation, Marshall Frankel Foundation, National Endowment for the Arts, Paul M. Angell Family Foundation, Paul Levy, Pritzker Foundation, Reva and David Logan Foundation, Royal Norwegian Consulate General, and Richard H. Driehaus Foundation. Individuals include Ginger Farley and Robert Shapiro, Justine Jentes and Dan Karuna, Cheryl Lynn Bruce and Kerry James Marshall, Julie Moller, Kristy and Brandon Moran, Nina and Steven Schroeder, John Supera, David Pritzker and Beatrice Barbareschi, Cheryl Henson, Jordan Shields and Sarah Donovan, and Deb and Andy Wolkstein. 

About the Chicago International Puppet Theater Festival

Originally founded in 2015 as a project of Blair Thomas & Co., the Chicago International Puppet Theater Festival has highlighted artists from nations including Belgium, Chile, France, Germany, Indonesia, Israel, Japan, Kenya, Korea, Mexico, Norway, Puerto Rico, Poland and South Africa as well as from Chicago and across the U.S. with the goal of promoting peace, equality, and justice on a global scale.

Already, the Chicago Puppet Festival is the largest of its kind in North America. Last year’s 2024 festival attracted a record 19,868 audience members to dozens of Chicago venues large and small to enjoy an entertaining and eclectic array of puppet styles from around the world.

In 2022, the Festival moved from a biennial to an annual event, and tripled its footprint in Chicago’s historic Fine Arts Building. It opened an expanded office suite, debuted the Chicago Puppet Studio, which designs and fabricates puppets for theaters and events around the U.S., and launched the Chicago Puppet Lab, an education space and developmental residency designed to incubate more works of boundary-breaking puppetry in Chicago, expand equity in the field of puppetry, and encourage interdisciplinary experimentation in puppet theater.

It’s fitting that the Fine Arts Building is home again to one of the most influential puppetry organizations in the world. In 1912, after Ellen Van Volkenburg famously founded the Little Theater of Chicago in the Fine Arts Building, she needed a name for the actors she had trained to manipulate marionettes while performing Shakespeare’s A Midsummer Night’s Dream. So she credited them in the show program with a new word, “puppeteer.” Many agree this marked the initial intersection of traditional puppetry with contemporary theater still practiced today, and now flourishing around the world.

Expanded operations are overseen by Artistic Director and Festival Founder Blair Thomas and Executive Director Sandy Smith Gerding, with Cameron Heinz, Business Manager; Ana Diaz Barriga, Marketing Coordinator; Taylor Bibat, Festival Coordinator; Lucy Wirtz, Events and Engagement Coordinator; Zachary Sun, Studio Coordinator; Tom Lee, Co-Director, Chicago Puppet Lab and Studio; Grace Needlman, Co-Director Chicago Puppet Lab; and Caitlin McLeod, Chicago Puppet Studio Project Manager.

Visit chicagopuppetfest.org for tickets and information about the 7th Chicago International Puppet Theater Festival, and sign up for the festival’s e-news. Follow the festival on Facebook, Instagram or Vimeo, hashtag #ChiPuppetFest.

Tickets range from free to $48 with most in the $15-$20 range. Discounts for students and seniors. Click here for the full Festival Schedule.



Wednesday, November 13, 2024

Studebaker Theater presents Manual Cinema's Christmas Carol, December 13-29, 2024

ChiIL Live Shows On Our Radar

Chicago’s historic Fine Arts Building and Studebaker Theater co-produce 

Manual Cinema’s Christmas Carol 

this holiday season

December 13–29, 2024

Tickets now on sale for the beloved one-of-a-kind rendition of the Charles Dickens classic at the historic Studebaker Theater

Featuring hundreds of handmade puppets, immersive sound design and live music, Manual Cinema’s Christmas Carol is a holiday show unlike anything you’ve ever seen.

*Rated PG due to themes of loss and death*

Chicago’s historic Fine Arts Building and Studebaker Theater are proud to continue their partnership with Manual Cinema this year with their co-production of Manual Cinema’s Christmas Carol. The beloved, one-of-a-kind rendition of Charles Dickens’ classic story returns for the holiday season at the Studebaker Theater, December 13–29, 2024. I'll be out for the press opening December 17th, so check back shortly after for my full review. Tickets are now on sale for $45-$65. For more information and to purchase tickets, visit fineartsbuilding.com/christmascarol.

“We are thrilled to continue our partnership with Manual Cinema this year as we co-produce Manual Cinema’s Christmas Carol at the Studebaker Theater this holiday season,” says Jacob Harvey, Managing Artistic Director of the Fine Arts Building and Studebaker Theater. “The Fine Arts Building is Chicago’s home for art in all forms. Manual Cinema’s innovative work incorporating theater, film, puppetry and music is a perfect fit for the Studebaker, which has hosted multidisciplinary artists for more than 125 years. We’re excited to invite audiences to experience the wonder and heart of their one-of-a-kind rendition of A Christmas Carol.”

Manual Cinema’s Christmas Carol runs December 13–29, 2024, at the Studebaker Theater (410 S. Michigan Avenue, Chicago). Tickets are now on sale for $45-$65, with student tickets available for $20 with proof of ID. Performances are Tuesdays through Sundays at 7:30 p.m., with matinees Saturdays at 3 p.m. and Sundays at 2 p.m. There are no performances on December 19 or 25. To purchase tickets and for more information, visit fineartsbuilding.com/christmascarol.

In Manual Cinema’s Christmas Carol, avowed holiday skeptic Aunt Trudy has been recruited to channel her late husband Joe’s famous Christmas cheer. From the isolation of her Chicago home, she reconstructs his annual Christmas Carol puppet show—over a Zoom call while the family celebrates Christmas Eve under lockdown. But as Trudy becomes more absorbed in her own version of the story, the puppets take on a life of their own, and the family’s call transforms into a stunning cinematic adaptation of Dickens’s classic ghost story. Featuring hundreds of handmade puppets, immersive sound design and live music, Manual Cinema's Christmas Carol is a holiday show unlike anything you've ever seen.

“Manual Cinema's Christmas Carol is an unconventional take on the Charles Dickens classic inspired by—and created during—the pandemic. It's also a production full of emotion that is very near and dear to our hearts. After two successful years at Writers Theatre, we're so thrilled that it has found a new home this holiday season at the beautiful Studebaker Theater in downtown Chicago!” says Drew Dir, Manual Cinema Co-Artistic Director, Storyboards and Puppet Design.

Manual Cinema’s Christmas Carol is adapted from the novel by Charles Dickens and devised by Manual Cinema, with additional writing by Nate Marshall. Storyboards and puppet design are by Drew Dir, with original score and sound design by Ben Kauffman and Kyle Vegter, and lighting design by Trey Brazeal.

The premiere of Manual Cinema’s Christmas Carol took place virtually on December 3, 2020, and was streamed live from Manual Cinema’s Chicago studio to viewers across the globe.

Manual Cinema is an Emmy Award-winning performance collective, design studio, and film/video production company founded in 2010 by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller and Kyle Vegter. Manual Cinema combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive stories for stage and screen. Using vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and a live music ensemble, Manual Cinema transforms the experience of attending the cinema and imbues it with liveness, ingenuity, and theatricality. The company was awarded an Emmy in 2017 for “The Forger,” a video created for The New York Times, and named Chicago Artists of the Year in 2018 by the Chicago Tribune. In 2020 they were included in 50 of Chicago theater’s "Rising Stars and Storefront Stalwarts" (Newcity). Their shadow puppet animations were featured in the 2021 film remake of Candyman, directed by Nia DaCosta and produced by Jordan Peele’s Monkeypaw Productions. In 2022 they premiered Leonardo! A Wonderful Show About A Terrible Monster, an adaptation of two books by celebrated children’s author Mo Willems, and a live adaptation of their 2020 streaming hit A Christmas Carol. In 2023 Manual Cinema completed production on their first self-produced short film, Future Feeling, and is currently touring with folk rock band Iron & Wine in 2024 creating live visuals on stage. For more information, visit manualcinema.com,

The Fine Arts Building is a home for art in all forms: from pioneers like Poetry magazine’s founding publisher Harriet Monroe, architect Frank Lloyd Wright, The Wonderful Wizard of Oz illustrator W. W. Denslow, sculptor Lorado Taft and the Chicago Little Theatre, to the ongoing legacies of painters, musicians, booksellers, puppeteers, dancers, photographers and craftspeople who inhabit the building today, the Fine Arts Building is buzzing with more than a century of Chicago creativity and innovation. A Chicago Landmark since 1978, the building features original manually-operated elevators, Art Nouveau murals from the late 19th century and the recently renovated Studebaker Theater, one of the city’s oldest and most significant live theatrical venues. For more information, visit fineartsbuilding.com.

The beloved, one-of-a-kind rendition of Charles Dickens’ classic story runs December 13–29, 2024 at the Studebaker Theater (410 S. Michigan Avenue, Chicago). Tickets are now on sale for $45-$65, with student tickets available for $20 with proof of ID. Performances are Tuesdays through Sundays at 7:30 p.m., with matinees Saturdays at 3 p.m. and Sundays at 2 p.m. There are no performances on December 19 or 25. To purchase tickets and for more information, visit fineartsbuilding.com/christmascarol.

Thursday, September 21, 2023

Jim Henson’s Emmet Otter’s Jug-Band Christmas November 14-December 31, 2023 at Chicago’s historic Studebaker Theater

Chi, IL Live Shows On Our Radar

Complete casting announced for the live theatrical adaptation of

Jim Henson’s Emmet Otter’s Jug-Band Christmas

Music and Lyrics by Academy Award Winner Paul Williams,

Book by Timothy Allen McDonald and Christopher Gattelli,

Directed and Choreographed by Tony Award Winner Christopher Gattelli

Starring Andy Mientus as Emmet Otter with Kathleen Monteleone as Ma


TICKETS NOW ON SALE FOR THE LIMITED RUN

November 14-December 31, 2023

at Chicago’s historic Studebaker Theater

Casting for the live theatrical adaptation of “Jim Henson’s Emmet Otter's Jug-Band Christmas” is now set for the Chicago premiere production, November 14-December 31, 2023, at the Studebaker Theater at the historic Fine Arts Building, 410 South Michigan Avenue. Based on the beloved television special originally created by the legendary puppeteer Jim Henson, this family-friendly musical features music and lyrics by Paul Williams (The Muppet Movie), with book by lead producer Timothy Allen McDonald (Roald Dahl's James and the Giant Peach) and director/choreographer Christopher Gattelli (Newsies). Packed with puppets created by Jim Henson’s Creature Shop and starring Andy Mientus (Broadway’s Spring Awakening, Les Misérables) in the title role and Kathleen Monteleone (Broadway’s Hands on a Hardbody) as Ma, Emmet Otter’s Jug-Band Christmas is a heartwarming celebration of the true spirit of the holidays. I'll be out for the press opening on November 20th so check back shortly after for my full review.

Tickets, starting at $43, are now on sale at the Studebaker Theatre box office (410 South Michigan Avenue), fineartsbuilding.com/studebaker/, and 312-753-3210. Private balcony boxes for up to 6 people are available for family-friendly pricing of $300, including fees. Group reservations (8 or more people) are currently available through Group Tix and Tours at www.grouptixandtours.com.

Direct from its triumphant New York City run, Jim Henson’s Emmet Otter’s Jug-Band Christmas brings the beloved television special to life, live on stage. Hailed by The New York Times for its “enchanting puppets” created by Jim Henson’s Creature Shop and “superb score” by Academy Award®–winning songwriter Paul Williams, this 75-minute tale takes us to Frogtown Hollow, where Ma and Emmet Otter risk what little they have to make each other’s holiday dreams come true. Directed by Tony Award® winner Christopher Gattelli (Newsies, SpongeBob: The Musical, “Schmigadoon”), this very merry musical is a heartwarming celebration perfect for the entire family.

Leading the cast are Andy Mientus (Broadway’s Spring Awakening, Les Misérables, TV’s “Smash” and “The Flash”) in the role of Emmet Otter, and Kathleen Monteleone (Broadway’s Hands On A Hardbody, TV’s “Good Behavior”) as Ma. The cast also includes Jordan Brownlee (Puppeteer/Doc Bullfrog), Nick Cearley (Charlie Muskrat), Kevin Covert (Mayor Fox), Adam Fane (Understudy), Matt Furtado (Puppeteer/Stan Weasel), Sharriese Hamilton (Mrs. Mink), Steven Hunyn (Wendell Porcupine, u/s Emmet Otter), Ben Mathew (Harvey Beaver), Leah Morrow (Swing), Anney Ozar (Puppeteer/Old Lady Possum), Emily Rohm (Gretchen Fox), James Silson (Puppeteer/Snake), Sawyer Smith (Madame Squirrel), and David Stephens (Puppeteer/Yancy Woodchuck).

Emmet Otter’s Jug-Band Christmas is a theatrical adaptation of Jim Henson’s television special and is based on the illustrated book Emmet Otter’s Jug-Band Christmas by Russell Hoban and Lillian Hoban. The acclaimed musical premiered at Goodspeed Opera House in 2008 and played Off-Broadway at the New Victory Theater in December of 2021.

This Production of Emmet Otter's Jug-Band Christmas was Licensed by Music Theatre International.

The music and lyrics for Emmet Otter’s Jug-Band Christmas are written by the legendary Paul Williams, the recipient of an Academy Award, two Golden Globe Awards and three Grammy Awards. His songs "The Rainbow Connection" and “Evergreen" are included in the American Film Institute's List of Top Movie Songs of All Time. The New York Times called Williams’s score for Emmet Otter’s Jug-Band Christmas “as playful as it is heart-whole beautiful.”

The book is co-written by lead producer Timothy Allen McDonald (Roald Dahl’s James and the Giant Peach, Between The Lines, and The Book Thief) and director/choreographer Christopher Gattelli (Tony Award Winner for his Newsies choreography, and choreographer of SpongeBob the Musical and AppleTV+’s Schmigadoon!). Of the 2021 run, The New York Times hailed “the message, which celebrates fellow feeling and mutual care, is especially welcome right now,” while Hollywood Soapbox called it “an important staple of any holiday season.”

Puppets are created by the iconic Jim Henson’s Creature Shop (My Neighbor Totoro, Fraggle Rock: Back to the Rock). Scenic design for Emmet Otter’s Jug-Band Christmas is by three-time Tony nominee Anna Louizos (In The Heights, High Fidelity, and The Mystery of Edwin Drood), with costume design by two-time Tony winner Gregg Barnes (Follies and The Drowsy Chaperone), lighting design by Obie Award winner and Tony Nominee Jen Schriever (Death of a Salesman and A Strange Loop), and sound design is by Emmy Award winner Matt Kraus (“Disney's Broadway Hits at Royal Hall”). The New York Times raved of the production “the sets are charming and transporting, the costumes elegant.” The orchestrations are by Dan DeLange (Oliver nominated production of Showboat, Goodspeed Musicals) and the music supervisor is Larry Pressgrove (Tony nominated production of [title of show]). Two-time Tony nominee Alexander Robertson (The Wiz; New York, New York; and The Piano Lesson) is Senior Associate Producer.

Follow Emmet Otter’s Jug-Band Christmas on Instagram, Facebook, Twitter and TikTok at EmmetOtterLive. The official website is www.EmmetOtterLive.com.

 

ABOUT THE ARTISTS

PAUL WILLIAMS (he/him, Composer/Lyricist) – Lyricist and composer Paul Williams has won an Oscar, two Golden Globe Awards, three Grammys, an Ivor Novello, and has been inducted into the Songwriters Hall of Fame. "The Rainbow Connection" and “Evergreen" grace the American Film Institute's List of Top Movie Songs of All Time. His song scores include The Muppet Movie and The Muppet Christmas Carol, Bugsy Malone, Ishtar, Emmet Otter's Jug-Band Christmas, and Phantom of the Paradise. Writing with Gustavo Santaolalla for the animated film, The Book of Life, Williams received a World Soundtrack Award for their “Apology Song" and the pair recently co-wrote "If It's To Be" for “Maya and The Three.” As President and Chairman of the Board of the American Society of Composers, Authors and Publishers (ASCAP), Paul Williams is also a leading spokesman for music creators in the digital age.

TIMOTHY ALLEN MCDONALD (he/him, Lead Producer/Co-Book Writer) – Librettist credits: Roald Dahl's James and the Giant Peach (Benj Pasek, Justin Paul), Jim Henson's Emmet Otter's Jug-Band Christmas (Paul Williams, Christopher Gattelli), Between The Lines (Elyssa Samsel, Kate Anderson), Roald Dahl's Willy Wonka (Leslie Bricusse, Anthony Newley), The Big One-Oh! (Dean Pitchford, Doug Besterman), The Book Thief (Jodi Picoult, Elyssa Samsel, Kate Anderson) and Breathe (inducted into the Library of Congress representing musical theatre authors' response to the COVID-19 pandemic). Tim is also the Founder of Junior Theater Festivals and Founder and CEO of iTheatrics, which adapts musicals for performance by young people all over the globe. 36 million people attend performances of these adapted musicals annually in North America - three times the annual audience for Broadway shows. iTheatrics adaptations are licensed by Concord Theatricals (Youth Edition musicals) and Music Theatre International (Broadway Junior musicals).

CHRISTOPHER GATTELLI (he/him, Director/Choreographer/Co-Book Writer) received the 2012 Tony, Drama Desk and Outer Critics Circle Awards for his choreography of Newsies. Additional Broadway choreography credits include The King and I, SpongeBob the Musical, My Fair Lady, South Pacific, Sunday in the Park with George, The Cher Show, Women on the Verge of a Nervous Breakdown, Casa Valentina, Amazing Grace, Godspell, The Ritz, Martin Short: Fame Becomes Me, 13, and High Fidelity. Christopher choreographed South Pacific and My Fair Lady at the Sydney Opera House, directed and choreographed Silence! The Musical Off-Broadway, Jim Henson's Emmet Otter's Jug-Band Christmas (Goodspeed), Departure Lounge (The Public Theater) and In Your Arms (New York Stage and Film and The Old Globe). Other select Off-Broadway credits: Altar Boyz, Bat Boy: The Musical, and Dogfight. West End and London credits include South Pacific, Sunday in the Park with George, and tick, tick...BOOM! Christopher's choreography is currently featured on the Apple TV+ musical comedy series “Schmigadoon!”, and TBS' “Miracle Brothers.” Christopher choreographed the Coen brothers' film Hail, Caesar! as well as Warner Brothers' Isn't It Romantic. Upcoming: the Netflix animated feature film The Monkey King, and Wonka.

Jim Henson’s Creature Shop™ provides digital puppetry, animatronic creatures, animation, and soft puppets to the international film, television, theater, live event and advertising industries. Recent credits include My Neighbor Totoro, Fraggle Rock: Back to the Rock (Apple TV+), Duff’s Happy Fun Bake Time (discovery+), The Dark Crystal: Age of Resistance (Netflix), Word Party (Netflix), and Earth to Ned (Disney+). Based in Los Angeles and New York with satellite shop capabilities internationally, the Shop is known for designing and building some of the world’s best-known characters including the Sesame Street puppets and the classic Muppets, as well as the iconic characters from Dinosaurs, Farscape, The Dark Crystal, Labyrinth, and many more. Other feature film credits include the highly anticipated Five Nights at Freddy’s, Where the Wild Things Are, Forgetting Sarah Marshall, Hitchhiker’s Guide to the Galaxy, and Five Children and It.

The shop is also known for its live performance work with artists like Coldplay, Cee Lo Green, Lady Gaga and Deadmau5. A recipient of more than 9 Emmy Awards for its outstanding work building puppets for Sesame Street, the Shop also received an Academy Award for its visual effects work on the film Babe. Other awards include a Scientific and Engineering Academy Award for the Henson Performance Control System, a powerful custom-based interface for puppeteers, and an Emmy Award for its work in developing the Henson Digital Performance Studio, a patented control system technology that enables puppeteers to perform computer-generated characters in real time. www.creatureshop.com

ANDY MIENTUS (he/him, Emmet Otter) is an actor and writer best known for his work on Broadway and television. He recently starred in the live action television adaptation of “Grendel” based on the award-winning Dark Horse comic book. Also on Netflix, he can be seen in “Dolly Parton’s Heartstrings: Two Doors Down” (GLAAD Media Award) and in the series recurring role of Hartley Rathaway (aka The Pied Piper) on the hit CW series “The Flash.” Andy made his television debut as composer Kyle Bishop on the NBC musical drama “Smash” and was also a series regular on the NBC/Universal series “Gone.” Other recurring roles include “Anger Management” (FX) and “Chasing Life” (Freeform). On Broadway, Andy starred as “Marius” in the revival of Les Miserables, and as Hanschen in Deaf West Theater’s revival of Spring Awakening, which he also co-conceived with director Michael Arden. Other stage credits include the National Tour of Wicked, the title role in Tommy at The Denver Center, Moisés Kaufman’s revival of Bent at Mark Taper Forum, the Off-Broadway revival of Carrie at MCC and recently tick, tick…BOOM! at Bucks County Playhouse. Andy made his London stage debut in the new musical The View Upstairs at Soho Theatre. He is a founding company member of The Forest of Arden and was associate director of their first commission, ALIEN/NATION, at Williamstown Theatre Festival. As a writer, he made his debut with the book and lyrics to Burn All Night at American Repertory Theater (ART), and with the middle grade fiction series The Backstagers from Amulet/Abrams. Andy’s YA novel, “Fraternity” was published in September 2022 by Amulet/Abrams and he is at work on a screen adaptation for Sony Pictures Television and RuCo. He can be heard on “The Jonathan Larson Project” (Ghostlight Records) and “R&H Goes Pop.” Andy trained at the University of Michigan immediately prior to making his professional debut in Spring Awakening, directed by Michael Mayer. IG: @AndyMientus

KATHLEEN ELIZABETH MONTELEONE (she/her, Ma) kick-started her career when she competed for the role of Sandy on NBC’s GREASE: You’re the One That I Want. Soon after, she landed the role of Elle Woods in the national tour of Legally Blonde The Musical and made her Broadway debut originating the role of Heather Stovall in Hands On A Hardbody. She’s been seen in TNT’s Good Behavior alongside Michelle Dockery and Comedy Central’s Goatface with Hasan Minhaj.Monteleone currently stars in the feature film American Reject (1091 Pictures), which she also wrote and produced. The film is inspired by Kathleen’s true story as a singing reality show hopeful. It features original music with a soundtrack including performances by Angelica Hale, Rebecca Black, Keala Settle and Juvenile. In 2022, Kathleen teamed up with Grammy Award-winning record and songwriting duo The Jam (Jordan Omley and Michael Mani) to release the EP titled “Look At Me Now.” Monteleone and her husband Frank co-own Full Armor Films, a development and producing company. They split their time between New Orleans and New York City with their four children. @kmontleon

ANNA LOUIZOS (she/her, Scenic Design) is a three-time Tony Award nominated set designer. Broadway: School of Rock (sets and costumes), In the Heights, The Mystery of Edwin Drood, Avenue Q, Holiday Inn, Honeymoon in Vegas, Cinderella, Dames at Sea, It Shoulda Been You, White Christmas and Holiday Inn, High Fidelity, Curtains, and others. Selected Off Broadway: Roundabout, Public, MTC, Is There Still Sex in the City?, tick tick... Boom, Altar Boyz, and others. Art Director: Sex and the City.

GREGG BARNES (he/him, Costume Design) – Broadway: Some Like It Hot (Tony nomination), Pretty Woman, Mean Girls (Tony nomination), Tuck Everlasting (Tony nomination), Something Rotten! (Tony nomination), Aladdin, Kinky Boots (Tony nomination, Olivier Award), Follies (Tony Award, Drama Desk Award), Legally Blonde (Tony nomination), The Drowsy Chaperone (Tony Award, Drama Desk Award, Olivier nomination), To Be Or Be Not To Be, Dirty Rotten Scoundrels, Flower Drum Song (Tony nomination), Side Show. Other: Dreamgirls (Olivier nomination), Pageant (Olivier nomination). TDF Young Master Award. Faculty NYU Undergraduate Drama 1983-2002.

JEN SCHRIEVER (she/her, Lighting Design) – Broadway: Death of a Salesman, 1776, A Strange Loop, Birthday Candles, Lackawanna Blues, What the Constitution Means to Me, Grand Horizons, Lifespan of a Fact, Eclipsed, Ghetto Klown. Off-Broadway: Selling Kabul, A Strange Loop (Playwrights); Power Strip (LCT3); Superhero (2ST); What the Constitution Means to Me (NYTW); Thom Pain, Night is a Room (Signature); Collective Rage, School Girls…. (MCC); Usual Girls, Bobbie Clearly, On the Exhale (Roundabout); Dan Cody’s Yacht (MTC). Opera: Die Fledermaus (MET); Pearl Fishers (ENO). Adjunct: Purchase College.

MATT KRAUS (he/him, Sound Design) – Broadway: Liza's at the Palace..., Kristin Chenoweth: My Love Letter to Broadway, Kathy Griffin Wants a Tony. Off Broadway: Caucasian Chalk Circle, 50 Shades! The Musical, Fat Camp, Lone Star Love, Cam Jansen, Voca People. Audio Coordinator for remote shoots of “The Tonight Show” and NBAs “2020 Bubble.” Regional: Paper Mill Playhouse, St. Louis Rep, Cincinnati Playhouse, Walnut Street, Ogunquit Playhouse, Pennsylvania Shakespeare Festival. Sound Designer for the iTheatrics Junior Theatre Festival 2008-2022. Matt has won an Emmy Award for his work as Sound Designer on “Disney's Broadway Hits at Royal Hall” which he has toured around the world.

iTheatrics is the world’s leading authority on educational musical theater. It develops new family friendly musicals (The Book Thief currently in production in the U.K.) iTheatrics also adapts Broadway and West End musicals which are licensed by Music Theatre International and Concord. An estimated 36 million people attend its shows annually in North America alone, which is triple Broadway’s attendance numbers. iTheatrics achieves its mission of making the world a better place one musical at a time by building sustainable musical theater programs in under-served schools with partners including the President’s Committee on the Arts and the Humanities, New York City’s Department of Education, The Kennedy Center for the Performing Arts, McGraw-Hill Education, Educational Theatre Foundation, and NBC Universal. It also produces Junior Theater Festivals Worldwide, which the New York Times hailed as "a rousing celebration of theatre." iTheatrics.com, JuniorTheaterFestival.com 

The Jim Henson Company has remained a leader in family entertainment for over 65 years and is recognized as an innovator in puppetry, animatronics, and digital animation. Henson’s most recent credits include the Oscar®-winning Guillermo Del Toro’s Pinocchio for Netflix, the Emmy®-winning Fraggle Rock: Back to the Rock for Apple TV+, and the feature film The Portable Door for MGM+. The Company is currently in post-production on a new reimagining of Alexander and the Terrible, Horrible, No Good, Very Bad Day starring Eva Longoria and Cheech Marin for Disney+. Other television credits include Slumberkins, Harriet the Spy and Fraggle Rock: Rock On, all for Apple TV+, Word Party for Netflix, Earth to Ned for Disney+, and the Emmy-winning Netflix Original series The Dark Crystal: Age of Resistance.

 

Saturday, January 28, 2023

REVIEW: Manual Cinema's Frankenstein Through January 29th, 2023

ChiIL Mama’s ChiIL Picks List

Frankenstein

Manual Cinema (U.S./Chicago)

Presented by the Chicago International Puppet Theater Festival

Studebaker Theater, 410 S. Michigan Ave., Chicago

January 27-29

Family Friendly - 12 and up

ADA accessible

66 minutes




Review
by Dugan Kenaz-Mara, Guest Critic

Note: This puppet show involves childbirth, violence, murder, and grief. Some parts are scary, so it may not be suitable for children. (The festival recommends 12 and up)

Manual Cinema’s Frankenstein is definitely a sight to behold! The show tells a beautiful story, starting with Mary Shelley’s life and contextualizing her idea for writing the book. From there it seamlessly transitions into the monster story everyone knows so well, all while tying back to her real life through visual and auditory motifs. They are able to tell a very emotional tale, causing the audience to laugh, cry, and gasp, all without speaking a single word. You even get your pick of characters to connect to emotionally, from a mother to a child, or even the creature himself.  


The puppeteers are very clearly experts in their craft, easily combining live-action performance, overhead projection, and standard puppetry to make a cohesive story that unites different styles. Mary Shelley’s life is mainly told through shadow puppetry, with the actors becoming silhouettes on a projected background. The Creature’s story is acted out with a puppet, filmed up close, and Victor’s side is performed live, shot in black and white with captions like a silent movie. And throughout all of the style-hopping, the puppeteers blend in their famous overhead projections to develop the setting and add in characters. Sometimes it’s hard to tell whether a silhouette on screen is an actor or a puppet, that’s how good it is!

Like any Manual Cinema performance, it is always a joy to watch the performers as they work. Getting a glimpse into the background of the work is fascinating. For example, learning how they move the puppets or how objects that look real on camera may be 2D in real life. And watching movie-quality transitions happen in real time is crazy as well. If you see the show keep an eye out for the part where Victor shares his research paper with other scientists.


While the puppetry was amazing, it is also necessary to applaud the rest of the design. The lighting, though subtle throughout the show, was incredibly impactful. The live accompaniment was also stunning, bringing the entire show to life. Overall, it is a very well-put-together performance and I would highly recommend seeing it. ★★★★ Four out of four stars. 

**Every time we talk about Manual Cinema my mom loves to point out how brilliant their overhead-projected rain is. This particular show features their rain frequently, so it’s almost worth seeing just for that…**

Dugan is an actor, designer, and photographer studying theatre and psychology at Northwestern University. Contrary to popular belief, he is not a time traveler.



The Chicago run is sold out, but you can come down to the Studebaker Theatre at least a half hour before showtime to get on the waitlist.

Three performances: Friday, January 27 at 7:30 p.m.; Saturday, January 28 at 7:30 p.m.; Sunday, January 29 at 3 p.m.

Tickets: $45/$35 students and seniors


Love, loss, and creation merge in unexpected ways when Manual Cinema presents its thrilling version of the classic Gothic tale, “Frankenstein.” This Chicago-based performance collective imaginatively combines shadow puppetry, cinematic techniques, sound effects, and live music in haunting shows like nothing else you’ve ever seen. With Frankenstein, Manual Cinema stitches together the original gothic novel with the biography of its author, Mary Shelley, to create an unexpected story about the beauty and horror of creation. 


Manual Cinema is an Emmy award winning performance collective, design studio, and film/ video production company founded in 2010 by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller and Kyle Vegter. Manual Cinema tours internationally, combining handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive stories for stage and screen. Using vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and a live music ensemble, Manual Cinema transforms the experience of attending the cinema and imbues it with liveness, ingenuity, and theatricality. Their shadow puppet animations were featured in the 2021 film remake of Candyman, directed by Nia DaCosta and produced by Jordan Peele’s Monkeypaw Productions. Recent productions include Leonardo! A Wonderful Show about a Terrible Monster, based on books by Mo Willems, and a new live version of Manual Cinema’s Christmas Carol, based on the acclaimed virtual production in 2020. manualcinema.com

Manual Cinema's 'Frankenstein'- Official Trailer (Long)


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