Monday, September 25, 2017

TICKETS NOW ON SALE: IRVING BERLIN’S WHITE CHRISTMAS ARRIVES AT CHICAGO'S CADILLAC PALACE 11/21-12/3/17

Chi, IL LIVE Shows On Our Radar:

STOP DREAMING, 
CHICAGO IS GUARANTEED A WHITE CHRISTMAS!
NOVEMBER 21-DECEMBER 3, 2017


”This cozy trip down memory lane should be put on your wish list.” – The New York Times

“A holiday juggernaut. One well-loved Berlin tune after another.” – Los Angeles Times

“An instant classic!” – The Boston Herald

There's a fall chill in the air and it won't be long before the holidays arrive again in Chi, IL. Want to make some family memories with a multigenerational crowd pleaser this season? ChiIL Mama's got an eye on this gem, packed with Irving Berlin classics.



Broadway In Chicago and the producers of IRVING BERLIN’S WHITE CHRISTMAS are delighted to announce that individual tickets for IRVING BERLIN’S WHITE CHRISTMAS will go on sale on Friday, Sept. 22, 2017. The stage adaptation of the beloved classic film is coming to Broadway In Chicago’s Cadillac Palace Theatre (151 W. Randolph) this holiday season. Bring your loved ones for a heart-warming celebration of Americana during a limited two-week engagement that runs Nov. 21 - Dec. 3, 2017.


  
IRVING BERLIN’S WHITE CHRISTMAS tells the story of two showbiz buddies putting on a show in a picturesque Vermont inn, and finding their perfect mates in the bargain. Full of dancing, romance, laughter, and some of the greatest songs ever written, including “Count Your Blessings Instead of Sheep,” “Happy Holiday,” “Sisters,” “Blue Skies,” and the unforgettable title song, IRVING BERLIN’S WHITE CHRISTMAS promises to be a merry and bright experience for the entire family!



The New York Times exclaims “this cozy trip down memory lane should be put on your wish list.” The New York Daily News hailed IRVING BERLIN’S WHITE CHRISTMAS as “a holiday card come to life.” 

IRVING BERLIN’S WHITE CHRISTMAS features Music and Lyrics by Irving Berlin with Book by David Ives and Paul Blake and is based upon the Paramount Pictures film written for the screen by Norman Krasna, Norman Panama, and Melvin Frank.

This brand new production of IRVING BERLIN’S WHITE CHRISTMAS is produced by Work Light Productions. The creative team includes direction and choreography by Randy Skinner, scenic design by Anna Louizos, scenic supervision and adaptation by Kenneth Foy, lighting design by Ken Billington, and sound design by Peter Fitzgerald and Erich Bechtel. The tour is produced by agreement with R&H Theatricals, an Imagem Company. 

For more information on IRVING BERLIN’S WHITE CHRISTMAS, visit www.whitechristmasthemusical.com.

PERFORMANCE SCHEDULE
Tuesdays at 7:30PM
Wednesdays at 2:00PM & 7:30PM
Thursdays at 7:30PM
Fridays at 7:30PM
Saturdays at 2:00PM & 7:30PM
Sundays at 2:00PM 
*No performance on Thursday, Nov.23
*Additional matinee performance on Friday, Nov. 24



TICKET INFORMATION
Individual tickets for IRVING BERLIN’S WHITE CHRISTMAS at the Cadillac Palace Theatre range from $18-$85 with a select number of premium seats available. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710.  Tickets are available at all Broadway In Chicago Box Offices (24 W. Randolph St., 151 W. Randolph St., 18 W. Monroe St. and 175 E. Chestnut), the Broadway In Chicago Ticket Line at (800) 775-2000 and online at www.BroadwayInChicago.com.  For more information, visitwww.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 17 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining well up to 1.7 million people annually in five theatres.  Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including The PrivateBank Theatre, Oriental Theatre, Cadillac Palace Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium Theatre of Roosevelt University.

For more information, visit www.BroadwayInChicago.com.

Facebook @BroadwayInChicago ● Twitter @broadwaychicago ● Instagram @broadwayinchicago ● #broadwayinchicago

Friday, September 22, 2017

OPENING: A Year With Frog & Toad Kicks Off Chicago Children's Theatre's Twelfth Season

ChiIL Mama's Chi, IL Picks List:

CHICAGO CHILDREN’S THEATRE COMES OUT OF ITS SHELL
WITH A NEW TAKE ON A YEAR WITH FROG AND TOAD,
SEPTEMBER 19-OCTOBER 29 AT THE STATION

“Even jaded older folks may find themselves thinking with gratitude about the companions that have seen them through many seasons of life.” – Chicago Tribune


Matthew C. Yee (on guitar) plays Frog and Andy Nagraj plays Toad in Chicago Children's Theatre's A Year with Frog and Toad. 
All production photos by Charles Osgood

Limited engagement through October 29, 2017
Based on the books by Arnold Lobel
Book and Lyrics by Willie Reale
Music by Robert Reale
Directed and Choreographed by Stuart Carden
Music Direction and Musical Reductions by Andra Velis Simon

A musical for the whole family!


A Year With Frog & Toad will always hold a special place in our hearts as it was the first show Chicago Children's Theatre performed, and the first professional theatre production my kids ever saw at the ripe old ages of 3 and 5. This was way back in 2006, when my teens were toddlers, and they still loved the CCT 2013 remount at ages 10 & 12. That's saying something! This show is timeless fun for "kids" of all ages.


A Year with Frog and Toad is the Tony-nominated musical based on Arnold Lobel’s beloved Frog and Toad books. Lobel’s well-loved animal characters jump from the page to the stage in this whimsical musical that follows two best friends – the cheerful, popular Frog and the rather grumpy Toad – through four, fun-filled seasons. Part vaudeville, part make believe, all charm, A Year with Frog and Toad tells the story of a friendship that endures, weathering all seasons.

Acclaimed Chicago director Stuart Carden and music director Andra Velis Simon are creating a highly entertaining, all-new production of the Tony-nominated musical based on Arnold Lobel’s beloved Frog and Toad book series.

Join two best friends – cheerful Frog and grumpy Toad – on a trip through spring, winter, summer and fall filled with adventure, for a joyful, all-ages musical about a friendship that endures all seasons, despite their differences.



A multi-talented cast of Chicago actor-musicians - led by Andy Nagraj as Toad and Matthew C. Yee as Frog - will not only recreate Lobel’s delight stories on stage, but also play a variety of musical instruments on every song.




CCT’s twelfth season opens with a brand new take on A Year with Frog and Toad, the all-ages show that successfully launched the company in 2006 at Chicago’s Goodman Theatre. Acclaimed Chicago director Stuart Carden will direct and choreograph CCT’s all-new, reimagined production of the Tony-nominated musical based on children’s author and illustrator Arnold Lobel’s beloved Frog and Toad books. A multi-talented cast of actor-musicians will not only share Lobel’s beloved stories but also play a variety of instruments on every song. Andra Velis Simon is music director.

Lobel's beloved amphibians hop from the page to the stage in this heartwarming musical that follows two best friends – the cheerful, popular Frog and the rather grumpy Toad – through four fun-filled seasons. Waking from hibernation in the spring, Frog and Toad go swimming, rake leaves, go sledding and learn life lessons, celebrating their differences that make them unique and special. Full of joy and energy, top musical numbers include “Cookies,” “Getta Loada Toad,” “I’m Coming Out of My Shell” and “Merry Almost Christmas.” Part vaudeville, part make believe, all charm, A Year With Frog and Toad tells the story of a friendship that endures, weathering all seasons.



Performances are September 19-October 29, 2017 in the new, 149-seat Pritzker Family Studio Theatre at Chicago Children’s Theatre, The Station, 100 S. Racine Ave., Chicago. Performance times are Tuesday through Friday at 10 a.m., Saturday at 10:30 a.m., 12:30 p.m. and 3 p.m., and Sunday at 10:30 a.m. and 12:30 p.m.

Savvy, culturally inclined families know they can save lots of money with a variety of Chicago Children’s Theatre 2017-18 multi-show Subscription Packages, now on sale at chicagochildrenstheatre.org or by calling (872) 222-9555. Choose between pre-built packages or a Choose Your Own package for maximum flexibility. Younger Audience Fixed Packages, recommended for ages 2 to 6, include A Year with Frog and Toad, plus The Beatrix Potter Holiday Tea Party and My Wonderful Birthday Suit! Older Audience Fixed Packages, recommended for ages 6 and up, include A Year with Frog and Toad, along with An Epic Tale of Scale and Last Stop on Market Street.

Fixed Packages are $100. Benefits of subscription packages include flexible ticketing exchange, a 10% discount and no processing fees on additional tickets, and discounts on CCT classes and camps.

Single tickets to A Year with Frog and Toad are $33, and are on sale now at chicagochildrenstheatre.org or by calling (872) 222-9555.

CCT also offers deeply discounted group rates, as low as $10 per ticket, for schools, playgroups, birthday parties and scouting groups. CPS schools may be eligible for financial assistance. Email GroupSales@chicagochildrenstheatre.org or call (872) 222-9555 to learn more.




More about CCT’s new production of A Year with Frog and Toad

A diverse and talented cast of professional Chicago actors will play Frog, Toad and all of their animal friends.

Audiences will recall Matthew C. Yee (Frog) from his memorable turns as the father in last season’s world premiere The Year I Didn’t Go To School: A Homemade Circus and as The Mad Hatter in CCT’s 2015 smash hit musical Wonderland: Alice’s Rock and Roll Adventure.

Making his CCT debut is Andy Nagraj (Toad), a frequent performer at Court, Writer’s, Northlight, Silk Road Rising and TimeLine Theatre.

Shawn Pfautsch, a founding member of The House Theatre of Chicago where his credits include Death and Harry Houdini and the title role in Cyrano, reprises the role of Snail following his unforgettable performance in CCT’s 2013 remount of A Year with Frog and Toad.

Also making their Chicago Children’s Theatre debuts are Lauren Vogel (Bird #1, Mouse, others), who has performed regionally and in Chicago at The Hypocrites, A Red Orchid and TrapDoor Theatre and Jazelle Morris (Bird #2, Turtle, others), who has performed at Steppenwolf and Black Ensemble Theater.
The production team includes John Musial (scenic design), Rachel Healy (costume design), Lee Fiskness (light design), Ellie Terrell (prop design) and Ari Clouse (stage manager).

“A child of the 1970s, I grew up with the Frog and Toad stories when they were first published. My mother shared these delightful, thoughtful and funny stories with me at an age when I was just starting to make friends and figuring out what it meant to be a friend,” said Stuart Carden. “Now, with twin five-year-olds I am so happy to reconnect with Arnold Lobel's timeless stories and share them with a whole new generation of kids. Our production will be a wonderfully immersive experience for audiences as the theater will be wrapped in the vibrant natural world illustrated in the book, allowing children and adults alike to feel as if they've stepped into the meadows and forests of Frog and Toad's world. Also new, the superb music director Andra Velis Simon is customizing the infectious Dixie-land jazz score for this production and will lead our cast of actor-musicians as they play music on every song."

Carden returns to Chicago Children’s Theatre where he directed The Miraculous Journey of Edward Tulane and the world premiere musical Frederick. Carden works around the country directing and producing theater including five seasons at Writers Theatre in Chicago and two seasons at City Theatre in Pittsburgh as associate artistic director. Notable directing projects include: PigPen Theatre Co.’s new folk musicals The Hunter and the Bear (Writers Theatre) and The Old Man and The Old Moon (The Old Globe, ArtsEmerson, New Victory Theatre, Williamstown Theatre Festival, Writers Theatre), Marco Ramirez's The Royale at City Theatre and The Repertory Theatre of St. Louis, Nina Raine's Tribes in a co-production with Philadelphia Theatre Company and City Theatre Company; US premiere of David Greig's Yellow Moon, Randall Colburn's Hesperia, and Giles Havergal's adaptation of the Graham Greene novel Travels with My Aunt at Writers Theatre; Annie Baker’s Circle Mirror Transformation, Sarah Ruhl’s In the Next Room, Curt Columbus and Marilyn Campbell’s adaptation of Crime and Punishment, and Martin McDonagh’s The Lieutenant of Inishmore at The Repertory Theatre of St. Louis; David Harrower’s Blackbird, Stephen Massicottes’ Mary's Wedding, Jeffrey Hatcher’s A Picasso and Tristine Schyler’s The Moonlight Room at City Theatre; Shishir Kurup’s The Merchant on Venice, David Henry Hwang’s Golden Child, and the premieres of Yussef el Guindi’s Back of the Throat and 10 Acrobats in an Amazing Leap of Faith at Silk Road Rising; and Martin McDonagh’s The Pillowman, US premiere of Martin Crimp’s adaptation of The False Servant, and Marie Jones’ Stones in his Pockets for Pittsburgh Irish and Classical Theatre. Carden lives in Oak Park with his wife, contemporary art curator Neysa Page-Lieberman and their twins Dashiell and Griffin. He is an alum of Carnegie Mellon University's M.F.A. Directing program and a member of SDC. stuartcarden.org   

Andra Velis-Simon is a music director, adapter/arranger, vocal coach and pianist based in Chicago. Regionally, her work has been seen at the Oregon Shakespeare Festival, A.R.T. in Cambridge, Brooklyn Academy of Music, Actors Theatre of Louisville, Berkeley Rep, Olney Theatre Center in Maryland, and Three Oaks in Michigan. In Chicago: The Goodman (The Iceman Cometh and Camino Real); Porchlight (On a Clear Day You Can See Forever); Theater Wit (Mr. Burns: a post-electric play and 10 out of 12); Chicago Children’s Theatre (The Hundred Dresses, A Year with Frog and Toad and Goodnight Moon); The Hypocrites (Cinderella at the Theater of Potatoes, American Idiot, Pirates of Penzance, The Mikado, and HMS Pinafore); and many others. Velis-Simon is the Resident Music Director for Firebrand Theatre, and an adjunct faculty member at Columbia College Chicago, where she has taught musical theater performance courses since 2008. 



More about Frog and Toad, the book series and the musical
Frog and Toad are the main characters in a series of easy-reader books written and illustrated by Arnold Lobel in the 1970s. Each book contained five simple, humorous, often poignant short stories about their adventures together. Frog and Toad are Friends (1970) received a Caldecott Honor award and was named one of the Top 100 Picture Books of all time in a 2012 poll by School Library Journal. Frog and Toad Together (1972) won a Newbery Honor award.

The musical A Year with Frog and Toad, adapted by brothers Robert (music) and Willie Reale (books and lyrics), was commissioned by Lobel’s daughter, Adrianne Lobel. It debuted in 2002 at the Children’s Theatre Company, Minneapolis, and was remounted off-Broadway later that year at New Victory Theater. It ran briefly on Broadway at the Cort in 2003, won three Tony nominations (Best Musical, Best Book of a Musical, Best Original Score) and broke new ground by bringing professional children’s theater for the 3-to-10-set to Broadway. 




Access Weekend for A Year with Frog and Toad
Chicago Children’s Theatre continues to grow its commitment to serving all Chicago children at The Station by expanding its array of services for all patrons with disabilities.

Each 2017-18 production will include an Access Weekend, during which all performances are presented with services for children on the autism spectrum or with Down Syndrome, children who are blind or have low vision, or children who are deaf or hard of hearing.
Access Weekend for A Year with Frog and Toad is October 7 and 8. Services include:

Pre-show Touch Tour of the set plus real-time audio description during the show for guests who are blind or have low vision:
Saturday, October 7, 9 a.m.

Live open captioning for guests who are deaf or hard of hearing:
Saturday, October 7, 10:30 a.m., 12:30 p.m. and 3 p.m.

Sensory friendly performance for children on the autism spectrum or with Down Syndrome: 
Sunday, October 8, 10:30 a.m. and 12:30 p.m.
Note: Modifications are made to production elements like lighting, sound and music to avoid sensory overload, with a nearby Quiet Room.

For more information about Access services, visit chicagochildrenstheatre.org/access or contact Access and Inclusion department at access@chicagochildrenstheatre.org.






Everything's Happening At




After 11 years of itinerancy, starting this fall all of Chicago Children's Theatre's family-friendly performances, classes, camps and community outreach initiatives will take place year-round at Chicago Children's Theatre's new permanent home, The Station,a beautifully renovated, former Chicago police station in Chicago's West Loop.

 “Everything is happening at The Station” is the happy slogan for Chicago Children’s Theatre’s first full season in its new home, The Station, in the heart of Chicago’s West Loop community.

After 11 years of itinerancy, all of the company’s family-friendly performances, classes and camps will finally take place in one location, Chicago Children’s Theatre’s new permanent home, a repurposed former Chicago police station at 100 S. Racine Ave., starting this fall.


Also on tap for Chicago Children’s Theatre’s 2017-18 season
After A Year with Frog and Toad, children of all ages are cordially invited to enjoy tea or hot cocoa with CCT’s friends from the English Lake District at The Beatrix Potter Holiday Tea Party, December 2-17. Spend the day with Peter Rabbit, Mr. Jeremy Fisher and Simpkin the cat as they delight audiences in this interactive trunk and puppet show, directed by Will Bishop and designed by Grace Needlman.


                               
With the New Year comes My Wonderful Birthday Suit!, a world premiere written and directed by Gloria Bond Clunie, January 16–February 18, 2018. When hurtful words about skin color slip out, best friends discover how to appreciate outer beauty while learning to seek the remarkable gifts inside each of us, complete with music, surprise and the wisdom of the splendiferous Thinking Tree.



In the spring, The Station itself transforms into an all-immersive, two-story theatrical environment titled An Epic Tale of Scale, written and directed by Henry Wishcamper and Jo Cattell, collaboratively designed by CCT Community Programs Artistic Director Frank Maugeri, with original music by Gabriel Ruiz. Think The Magic School Bus meets Sleep No More, and you’re close for an encounter that surely defies description. Experience An Epic Tale of Scale, March 10-April 8.



And talk about a finale! Chicago Children’s Theatre, in a co-commission with Children’s Theatre Company of Minneapolis, will debut Last Stop on Market Street, a world premiere musical based on the contemporary children’s book by Matt de la Peña and illustrator Christian Robinson, winner of the 2016 Newbery Medal, Caldecott Honor Book and Coretta Scott King Illustrator Honor Book. Playwright Cheryl L. West is creating this first-ever stage adaptation of Peña’s tale about a young CJ and his wise grandmother who teaches him to find beauty in everyday city life. CCT welcomes back the father and son songwriting duo, Motown music legend Lamont Dozier and his son Paris Ray Dozier, the team behind the music in CCT’s 2015 smash hit Mr. Chickee’s Funny Money, to create another original score. Henry Godinez directs. Andra Velis Simon is music director. Performances are April 24-June 3.



About the new Chicago Children’s Theatre, The Station
Chicago Children’s Theatre has transformed the former 12th District Police Station, located in the heart of Chicago’s West Loop neighborhood at 100 S. Racine Avenue, at the intersection of Racine and Monroe Street, into its first permanent home. The new Chicago Children’s Theatre, The Station, opened its doors in January 2017, and already serves as a beautiful, mixed-use performing arts, education and community engagement facility that welcomes all Chicago families.

In addition to presenting shows in the Pritzker Family Studio Theatre, The Station boasts four classrooms for a year-round roster of classes and camps for toddlers to teens. Fall classes were just posted. Go to chicagochildrenstheatre.org/education for the full roster of educational offerings and to register.

Additionally, CCT now has its own dedicated space at The Station for Red Kite programming for children on the autism spectrum and other special needs. These children have opportunities to participate in Red Kite Adventures and CCT’s annual Camp Red Kite, the only summer arts camp of its kind in Chicago. Visit chicagochildrenstheatre.org/redkiteproject to learn more and register.


About Chicago Children’s Theatre
Since its launch in 2005, Chicago Children’s Theatre has cemented its reputation as the city’s largest professional theater company devoted exclusively to children and young families. The company evolved out of Chicago’s need for high-quality, professional year-round children’s programming to match the quality and significance of theatrical powerhouses such as Steppenwolf Theatre Company, Goodman Theatre and Lookingglass Theatre. Likewise, CCT has always believed children should be treated as the sophisticated audiences that they are, showcasing high profile and award-winning talent, inventive production values and compelling stories that challenge, educate and entertain.

Audiences have embraced Chicago Children’s Theatre since its inaugural production, A Year with Frog and Toad, at the Goodman Theatre in 2006. Since then, CCT’s productions have featured everything from black-light scenery to live music to interactive four-dimensional sets to life-size puppets, with performances showcasing the heart of Motown to Vaudeville to contemporary, current and modern styles.

CCT has also built a national reputation due to its focus on new work, producing 16 world premieres in the last 11 years including The Selfish Giant, The Hundred Dresses, Jackie and Me, Dot and Ziggy, The Houdini Box, The Elephant and The Whale (in association with Redmoon), Mr. Chickee’s Funny Money, Leo Lionni’s Frederick, Wonderland, Alice’s Rock & Roll Adventure, A Snowy Day with Beatrix Potter, Jabari Dreams of Freedom, Another Snowy Day with Beatrix Potter, Manual Cinema’s The Magic City and The Year I Didn’t Go To School: A Homemade Circus. These enjoyed successful inaugural runs in Chicago, many followed by productions at theaters across the U.S.

CCT has always honored a strong commitment to low-income families and children with special needs. In partnership with Chicago Public Schools, the company offers free tickets to more than 5,000 Chicago-area low-income students each season.

Led by Co-Founders, Artistic Director Jacqueline Russell and Board Chair Todd Leland, and Community Programs Artistic Director Frank Maugeri, Chicago Children’s Theatre is supported by a dynamic Board of Directors comprised of dedicated individuals from the fields of entertainment, philanthropy and business. Chicago Children's Theatre is sponsored in part by ComEd, Goldman Sachs Gives and JP Morgan Chase.

For more information, visit chicagochildrenstheatre.org or call (773) 227-0180.

Monday, September 18, 2017

The Yard Towers Above With Dynamic Design at Chicago Shakespeare Theatre on Navy Pier

Here at ChiIL Mama and ChiIL Live Shows we're beyond excited about The Yard at Chicago Shakespeare. We've long been fans of the excellent productions CST puts on, from in house and around the world. Now with the addition of The Yard's dynamic design space, Chicago is home to one of the most flexible theaters in the world! We can't wait to take a tour and see the nine seating towers in a myriad of configurations for different productions over the coming season.



Chicago Shakespeare Theater (CST) opens its new, innovative third theater on Navy Pier, The Yard at Chicago Shakespeare, with the inaugural performance—James Thierrée’s The Toad Knew—on September 19. Introducing a new trend in theatrical architecture, The Yard combines adaptive reuse with innovation in flexible design.

“The Yard is forward-thinking and responsive—and a fitting expression of the theater that Chicago Shakespeare has become,” said Criss Henderson, Chicago Shakespeare Executive Director. “The versatility of the space means that it is perfectly suited to the widest range of our work: from large-scale musicals and new commissioned works, to international imports and programs for young audiences, and, of course, bold imaginings of Shakespeare’s plays and the classics.”



Chicago Shakespeare Theater opens an innovative, third theater space: The Yard at Chicago Shakespeare, designed by Charcoalblue and Adrian Smith + Gordon Gill Architecture. The Yard features a first in flexible design: nine audience seating towers which can be rearranged in a wide array of configurations, with audience capacities ranging from 150 to 850. Photos © James Steinkamp Photography.


Chicago Shakespeare opens innovative theater on Navy Pier
The Yard at Chicago Shakespeare
Ribbon Cutting Ceremony: Tuesday, September 12
Inaugural performance, James Thierrée's The Toad Knew: Tuesday, September 19




Adaptive Reuse and Sustainability
When planning the expansion, Chicago Shakespeare leadership took both an economically and environmentally sustainable approach by deciding to repurpose elements of the underutilized former Skyline Stage on Navy Pier, transforming it into a fully enclosed, indoor theater. The new, 33,000 square-foot expansion connects through a spectacular, two-level glass lobby to Chicago Shakespeare's existing building--home to the 500-seat Courtyard Theater and 200-seat theater Upstairs at Chicago Shakespeare.

Collaborating with CST Executive Director Criss Henderson, the team behind the forward-thinking design includes: top Chicago-based firm Adrian Smith + Gordon Gill Architecture (AS+GG), winner of the 2015 American Architecture award and designers of the Jeddah Tower in Saudi Arabia, soon-to-be the tallest building in the world--along with award-winning, UK-based theater consultancy firm Charcoalblue, whose projects include venues for the Royal Shakespeare Company, the National Theatre of Great Britain and St. Ann's Warehouse in Brooklyn.



Construction on The Yard began in March 2016, and was completed in a whirlwind 18 months by Bulley & Andrews. More than 200 architects, engineers and designers, and 400 construction workers contributed to the complex build, which incorporated 2,500 tons of concrete, 375 tons of steel and 15 miles of electrical conduit. Eighteen 95-foot-long micropiles were driven into the lake's bedrock below Navy Pier to support the additional weight of the new structure. The fully enclosed, year-round theater chamber was constructed below the iconic white tent with exacting engineering specifications, resulting in less than 6 inches of clearance at the narrowest point between the steel beams and tent canopy. The existing stage house and backstage support areas of the former Skyline Stage were all refurbished for reuse.

The decision to employ adaptive reuse in the architectural design reduced building costs dramatically, bringing the total cost to $35 million-far less than half of the projected estimates for entirely new construction.

AS+GG Founding Partner Gordon Gill noted, "At the foundation of my philosophy is the idea that 'Form Follows Performance' -- and nowhere is that more clear than in The Yard at Chicago Shakespeare. Its ability to adjust and adapt to the needs of the art is genuinely innovative...and we've accomplished it in a sustainable cost-conscious way, which I believe will make it a model for theaters to come."

Significantly reducing energy costs for the Theater, the two-story lobby curtain wall has been fabricated with 3,200 square feet of electrochromic SageGlass®, which adjusts the windows' level of opacity depending upon the level of sunlight (akin to transition lenses used in eyeglasses). When the glass is at its most opaque, the Theater's curved façade is virtually mirror-like -- reflecting the stunning views of the Chicago skyline and lakefront.





Innovation in Flexible Design
The Yard features a first in flexible design: nine audience seating towers -- each the size of a London double-decker bus, stood upright -- which can be rearranged in a wide array of configurations, with audience capacities ranging from 150 to 850. Between productions, compressed air skid technology (commonly utilized in industrial and aeronautical settings) lifts each of the 35,000-pound towers 3/8 of an inch off of the ground on a bed of air, allowing them to be moved by a three-person team.

"Nothing is more thrilling to theater-makers than flexibility," noted Artistic Director Barbara Gaines. "The adaptable platform of The Yard gives artists a theatrical 'blank slate' in which to shape their work without the physical constraints of a fixed footprint--and gives audiences an exciting, new perspective from their seats for each production."

The Yard's towers have been pioneered especially for this design under the direction of Chicago Shakespeare's Criss Henderson and Charcoalblue's Andy Hayles, and fabricated by Montreal-based ShowCanada (best known for its work with Cirque du Soleil and on large-scale theatrical events like the Olympic Opening Ceremonies). These complex structures (each measuring 12' deep x 18' wide x 37' tall) house extensive theatrical technology, and connect into a network of HVAC components and sprinkler systems to provide maximum audience comfort and safety. Additional modular main-floor seating risers and custom-built stage decking complete each configuration.

This dynamic design makes The Yard one of the most flexible theaters in the world.

"This theater is going to be unique in the world," said Andy Hayles, Managing Partner of Charcoalblue. "You can't really appreciate it unless you come again and again to experience how different this room can feel for each production. It's not just going to be what is on the stage, but where is the stage."

Chicago Mayor Rahm Emanuel stated, "The Yard, an innovative, immersive theater, will create electrifying performances and inspire all who walk through its doors," said Mayor Rahm Emanuel. "I am thrilled that Chicago Shakespeare now houses three world-renowned venues that will attract audiences from our city and cities around the world."

The Yard at Chicago Shakespeare Transforms for Each Production in 2017/18 Season 

Highlighting the versatility of the dynamic new venue, each production in The Yard in the 2017/18 Season will feature a unique configuration that is especially suited to the needs of the artists and audiences:



James Thierrée's The Toad Knew will debut The Yard's largest proscenium configuration. The nine tri-level seating towers are configured in a horseshoe shape and-together with main floor seating-accommodate nearly 850 audience members, offering ideal sightlines for the large-scale theatrical spectacle.
For Teatro Línea de Sombra's  Amarillo from Mexico City, The Yard will be configured as an intimate, small proscenium venue seating 350-with its large stage accommodating the epic theatrical gestures of this touring production, including an expansive upstage wall for projection.

This holiday season, The Yard will be the site of the highly anticipated return of Q Brothers Christmas Carol, transformed into a cabaret configuration to give 400 audience members the opportunity to sit with beverages at tables or to watch the performance from traditional, raked theater seating. The space behind the towers will be activated with additional bars and lounge seating-perfect for the party atmosphere of the production.

This year, Short Shakespeare! A Midsummer Night's Dream will be performed for an extended run in The Yard, allowing thousands of additional students and families to engage with this education program. When configured as a thrust stage, the intimate seating arrangement surrounds the stage on three sides, with runway aisles for actor entrances and exits.

Rounding out the season in The Yard is a supernatural Macbeth, directed by Aaron Posner and Teller, with a large-scale end-stage configuration. With magic-infused theatrical effects, the placement of the audience in relation to the stage is a major consideration for the artists. With the flexibility of the Yard, the theater will be able to support the vision of the creative team for this project as never before.




Our City, Our Shakespeare Campaign Reaches 90% of Goal
The Our City, Our Shakespeare campaign is a $55 million capital and endowment initiative that provides: $20 million for the construction of The Yard; $15 million for theatrical equipment, including the seating towers; and $20 million for artistic and endowment funds-supporting the company's artistic, educational and international programming.

"The Theater's milestone capital and endowment campaign has reached 90% of its goal. As we now enter the public phase of this $55 million fundraising initiative, we look forward to expanding the generous community of donors who will safeguard the future of this leading Chicago cultural institution" shared Steve Solomon, Chicago Shakespeare Board of Directors Chair and Vice President of Corporate Relations of Exelon.

Funds raised to date include 15 gifts over $1 million, with the lead individual grant pledged by Carl and Marilynn Thoma. Other seven-figure gifts have been generously pledged by: Best Portion Foundation; Duane and Susan Burnham; in memory of Doris Conant; Dover Foundation; Virginia and Gary Gerst; Jentes Family Foundation; Anna and Robert Livingston; Malott Family Foundation; Ray and Judy McCaskey; The Robert R. McCormick Foundation; Pritzker Foundation; Burton X. and Sheli Z. Rosenberg; John W. and Jeanne M. Rowe; Donna Van Eekeren Foundation; one anonymous donor and a partnership gift from Navy Pier.

ABOUT CHICAGO SHAKESPEARE THEATER
A global theatrical force, Chicago Shakespeare Theater (CST) is known for vibrant productions that reflect Shakespeare's genius for storytelling, musicality of language, and empathy for the human condition. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, Chicago Shakespeare has redefined what a great American Shakespeare theater can be, putting forward a company that delights in the unexpected and defies theatrical category. A Regional Tony Award-winning theater, CST produces acclaimed plays at its home on Navy Pier, throughout Chicago's schools and neighborhoods, and on stages around the world. In 2017, the Theater unveils a radical new stage, The Yard at Chicago Shakespeare. Together with the Jentes Family Courtyard Theater and the Thoma Theater Upstairs at Chicago Shakespeare, The Yard positions CST as the city's most versatile performing arts venue.


Chicago Shakespeare's year-round season features as many as twenty productions and 650 performances-including plays, musicals, world premieres, and visiting international tours-to engage a broad, multigenerational audience of 225,000 community members. Recognized in 2014 in a White House ceremony hosted by First Lady Michelle Obama, CST's education programs support literacy and creativity for 40,000 students each year. Each summer, 30,000 family audiences welcome the free Chicago Shakespeare in the Parks tour into their neighborhoods across the far north, west and south sides of the city. The Theater is the leading producer of international work in Chicago, and has toured its own plays across North America and abroad to Africa, Asia, Australia, Europe, and the Middle East, garnering multiple accolades, including the prestigious Laurence Olivier Awards, among others. Emblematic of its role as a global theater, during 2016 CST spearheaded the Shakespeare 400 Chicago international arts and culture festival, which engaged an estimated 1.1 million people through 863 events at 231 locations across the city-all in celebration of Shakespeare's rich, 400-year legacy.

Thursday, September 14, 2017

Chi IL Picks List: Fright Fest Is Back This Weekend at Six Flags Great America 9/16 - Halloween

Six Flags Great America Launches 
Longest Fright Fest Ever 
and a New Fall Festival




Disclosure: Thanks to Six Flags Great America for providing my family with press comps, so we could come out and shoot and review. We were not compensated in any other way. As always all opinions, photos and adventures are our own.

  
What: Fright Fest presented by SNICKERS®
When: Weekends and select days beginning September 16 through October 31,including Halloween
Where: Six Flags Great America ● 1 Great America Parkway, Gurnee, IL
Who: Nox, the demon overlord of Fright Fest, will raise his minions to wreak terror on all guests when all hell breaks loose at 6pm each night!


ChiIL Mama & the family will be ChiILin' at Fright Fest again this year, so check back soon for our photo filled 2017 feature.




Six Flags Great America is wrapping up the year with two incredible celebrations – Fright Fest and Last Call Fall Festival. The demon overlord, Nox, summons the dead for the longest Fright Fest in the history of this Halloween event. With seven sinful weekends, featuring six haunted houses and ten hair-raising shows, Fright Fest will show no mercy as hundreds of monsters descend on this scream park each night.


Last Call Fall Festival 
Beer, Food, Rides! Come enjoy the fall weather with a craft beer, unique food offerings and of course, coasters!
When: Saturdays and Sundays November 4 - 19
Where: Six Flags Great America ● 1 Great America Parkway, Gurnee, IL



While Fright Fest runs until Halloween we will have additional operating days following Fright Fest. To culminate the longest season in Six Flags Great America history we will be hosting Last Call Fall Festival. This event will include craft beer, unique food items, and coasters.



“We all know fall means Fright Fest, but now we have even more to offer!” says Six Flags Great America park president, Hank Salemi. “Our guests and season pass holders want more time at the park, so we are delivering by adding an extra weekend of Fright Fest and three weekends of our all-new Last Call Fall Festival.”



4 Things to Do Before the Sun Goes Down
The entire family can enjoy a beautiful fall day at the park before the monsters come out to play. Join us for not-so-scary daytime fun starting at 11 a.​m. each day. Let the kids (under age 12) dress in their costumes and embark on a trick-or-treat adventure, collecting candy around the park. 


Take a photo with our friendly monsters who happen to look a lot like your favorite Looney Tunes characters dressed in their seasonal outfits, next to a fall backdrop of tombstones, scarecrows, and pumpkins. We also have fun Halloween sing-a-longs and ghoulish dance parties. Visit before the sun sets and you'll also get to ride all your favorite coasters and family attractions – it's a whole different experience after dark!









Fright by Night
Fright Fest at SFGA has long been a family favorite of ours. It's mild fun during the day, so younger kids can come out to play, and full on fright by night, from 6pm on. 






Monstertainment (Free with park admission) 
The Ringmaster’s Cabaret
The Nightmare Rhythm Machine
Zombie Jamboree
 Love at First Fright
 Kids Club Monster Dance Party
 Susan Rosen hypnotist
 LightMosFEAR
 The Witching Hour
 The Uprising Parade
 The Cavalcade of the Odd



Haunted Attractions (Extra fee required)
 Big Top Terror
 Infestation!
 Gates of Hell
 Apocalypse
 Manslaughter Manor
 Massacre Medical
Center

Free Scares (Free with park admission) Underworld
Henchmen Alley
 Lost Souls
 Nightmare Hollow
 The Massacre Ball
 Forbidden Forest
 Slasher Circus
 Rotten Hill
 Dread Haven
 Aftermath
 Ride Cemetery

 
Special Events
 Coaster Challenge benefitting Special Olympics Illinois – Sunday, September 24

 Fright Fest on Columbus Day – Monday, October 9 from 11:00 a.m. – 7:00 p.m.

 Fright Fest on Halloween – Tuesday, October 31 from 6:00 p.m. – 11:00 p.m.

 Last Call Fall Festival – Saturdays and Sundays November 4 – 19



Fright Fest runs weekends from September 16 through October 31 including Columbus Day and Halloween. The best way to visit Fright Fest and the all-new Last Call Fall Festival is to purchase a 2018 Season Pass which includes unlimited visits now through the 2018 season. 2018 Season Passes can be purchased online at sixflags.com and must be activated and processed by November 19, 2017.

About Six Flags Great America and Hurricane Harbor
Two great parks, one destination! Located between Chicago and Milwaukee, Six Flags Great America offers endless adventures for the entire family with 15 heart-pounding roller coasters, a 20-acre water park, spectacular shows, four children’s themed areas with over 30 rides and a nighttime parade.
About Six Flags Entertainment Corporation

Six Flags Entertainment Corporation is the world’s largest regional theme park company with $1.3 billion in revenue and 20 parks across the United States, Mexico and Canada. For 56 years, Six Flags has entertained millions of families with world-class coasters, themed rides, thrilling water parks and unique attractions. 



For more information, visit www.sixflags.com
#FrightFest #NoMercy
Follow us at twitter.com/SFGreat_America Like us at facebook.com/SFGreatAmerica


Disclosure: Once again, thanks to Six Flags Great America for providing my family with press comps, so we could come out and shoot and review. We were not compensated in any other way. As always all opinions, photos and adventures are our own.

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