Wednesday, May 18, 2016

Goodman Theatre's New Education Building, The Alice Is Open!

GOODMAN THEATRE WELCOMES ITS FIRST AUDIENCES TO “THE ALICE” 
WITH FREE EVENTS,
MAY 19-21




***EXPERIENCE THE NEW ALICE RAPOPORT CENTER FOR EDUCATION AND ENGAGEMENT WITH “LORRAINE HANSBERRY DAY” ON MAY 19; YOUTH SPOKEN WORD + OPEN MIC ON MAY 20
AND A MAY 21 OPEN HOUSE OF CREATIVE FUN, INCLUDING 
FAMILY-FRIENDLY AND MEET-THE-ARTIST EVENTS***

Here at ChiIL Mama and ChiIL Live Shows, we're so excited about "The Alice". As a Chicago mom, theatre critic, and huge arts advocate, I'm beyond excited that these new facilities will enable The Goodman to expand their excellent educational arts programming. 

The children are our future, whether you are pre/post/or non parents of the birth to 18 year old bracket, raising a new generation of creative thinkers benefits us all. Theatre loving, arts loving kids make great problem solvers and assets to society. 

 
 
Build a play with your family, try your hand at stage combat, hear Chicago’s finest actors spill stage secrets—and more! Goodman Theatre proudly opens its Alice Rapoport Center for Education and Engagement (“the Alice”) with free opportunities for audiences to sample the variety of programming offered in the theater’s newly dedicated space for classes, lectures, discussions and special performance events. May 19 is “Lorraine Hansberry Day,” with events connected to the critically acclaimed current mainstage production, Hansberry’s The Sign in Sidney Brustein’s Window, directed by Anne Kauffman (on stage through June 5). A schedule of events appears below; reservations are recommended as space is limited: GoodmanTheatre.org/Engage-Learn or 312.443.3800.


Thursday, May 19 – “Lorraine Hansberry Day” in Chicago
12 Noon | Mayor Rahm Emanuel has proclaimed May 19, 2016 “Lorraine Hansberry Day,” in honor of what would have been the Chicago native playwright’s  86th birthday. The company of The Sign in Sidney Brustein’s Window kicks off the special day with a reading of the mayoral proclamation—followed by birthday cake for all.
12:30pm | A conversation with artists about Hansberry’s body of work, the background and themes of the Goodman’s revival of her rarely-produced play, and her significance among American playwrights.
6pm | A screening of the 1961 film A Raisin in the Sun, starring Sidney Poitier, Ruby Dee, Claudia McNeil and Diana Sands. Jackie Taylor, founder and executive director of the Black Ensemble Theater Company, introduces the film.
Friday, May 20
7pm | Listen to the Poem: Spoken Word and Open Mic
The Goodman Youth Poetry Ensemble delivers an electrifying performance featuring pieces from their past season and the work of other Chicago youth poets. Audience members are invited to share their own poetry works during an open mic session.
8pm | All tickets to this performance of The Sign in Sidney Brustein’s Window are $10 for students.
Saturday, May 21
9am and 10:30am | Play ’N 90 Workshop (two sessions)
An interactive family program in which 5-12 year-olds and their parents/guardians fashion a theatrical creation together—in only 90 minutes.
10am | Insider Access: "How Do Actors Learn All Those Darned Lines?"
Meet acclaimed actor Mary Beth Fisher (star of such Goodman productions as Vanya and Sonia and Masha and Spike and Luna Gale) and particiate in her creative process, bringing a script from page to stage.
12 Noon | PlayBuild Workshop
Realize your creative potential in this intergenerational collective workshop! Participants will create performance pieces using personal history and storytelling techniques.
2pm | Storytelling Workshop
Master the art of storytelling with teaching artists from the Goodman’s GeNarrations program. In this collaborative ensemble-based workshop, participants learn the basics of writing, editing and performing personal narrative stories.
3pm | Insider Access: “Slap! Kick! Punch!”
Have some energy to burn? Learn the art of stage combat, the technique used to perform physical combats without causing harm to actors, from a professional fight choreographer.
4:30pm | Insider Access: "Not Acting Our Age"
A lively discussion with a handful of Chicago actors age 55+ about their esteemed bodies of work and the thrill of a life in the theater.
In addition to these activities, all pre- and post-performance discussions—“PlayTalks” and “PlayBacks”—for The Sign in Sidney Brustein’s Window and Soups, Stews, and Casseroles: 1976 by Rebecca Gilman will take place in the Alice May 19 – 21, one hour prior to and immediately following each performance. Moderated by a Goodman artist, discussions include cast members and are free of charge for patrons.

About the Alice Rapoport Center for Education and Engagement (“the Alice”)
The Goodman becomes the first Chicago theater to establish a facility dedicated to education and engagement programs when it opens the Alice—the next phase in the Goodman’s decades-long commitment to educating Chicago youth and promoting lifelong learning for audiences of all ages. Named for the late Goodman Trustee Alice Rapoport, the Alice is a 10,000 square-foot, LEED certified (upon completion), $15 million expansion effort (of which 80% supports expanded programming) that deepens the theater’s practice of using its art as education—using the process of artistic creation to empower and inspire youth and lifelong learners. The new facility includes classrooms, a hands-on STEM learning lab, rehearsal spaces and more, and will enable the Goodman to impact hundreds more Chicagoans through its myriad education and engagement programs. Patrons access the Alice though the Goodman Theatre, entering at the south end of the mezzanine lobby. The Alice is named for the late Alice Rapoport, a Goodman Trustee, chair of the theater’s Education and Community Engagement Committee and passionate advocate for the theater’s outreach efforts.

Artist, educator and activist Willa J. Taylor, Walter Director of Education and Engagement, has led the Goodman’s programs since 2007. Taylor and her team of associates—Bobby Biedrzycki (Curriculum and Instruction Associate), Elizabeth Rice (School Programs Coordinator), Brandi Lee (Education and Community Engagement Associate) and Adrian Azevedo (Education and Engagement Assistant)—collaborate with the Goodman’s artistic and executive leadership to oversee programmatic efforts in the Alice.




About Goodman Theatre
Called America’s “Best Regional Theatre” by Time magazine, Goodman Theatre has won international recognition for its artists, productions and programs, and is a major cultural, educational and economic pillar in Chicago. Founded in 1925 by William O. Goodman and his family in honor of their son Kenneth (an important figure in Chicago’s cultural renaissance in the early 1900s), Goodman Theatre has garnered hundreds of awards for artistic achievement and community engagement, including: two Pulitzer Prizes, 22 Tony Awards (including “Outstanding Regional Theatre” in 1992), nearly 160 Joseph Jefferson Awards and more. Under the leadership of Artistic Director Robert Falls and Executive Director Roche Schulfer, the Goodman’s artistic priorities include new plays (more than 150 world or American premieres in the past 30 years), reimagined classics (including Falls’ nationally and internationally celebrated productions of Death of a Salesman, Long’s Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy), culturally specific work, musical theater (26 major productions in 20 years, including 10 world premieres) and international collaborations. Diversity and inclusion have been primary cornerstones of the Goodman’s mission for 30 years; over the past decade, 68% of the Goodman’s 35 world premieres were authored by women and/or playwrights of color, and the Goodman was the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Each year, the Goodman’s numerous education and community engagement programs—including the innovative Student Subscription Series, now in its 30th year—serve thousands of students, teachers, life-long learners and special constituencies. In addition, for nearly four decades the annual holiday tradition of A Christmas Carol has led to the creation of a new generation of theatergoers in Chicago.
Goodman Theatre’s leadership includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan Clifford is Chair of Goodman Theatre’s Board of Trustees, Swati Mehta is Women’s Board President and Gordon C.C. Liao is President of the Scenemakers Board for young professionals.

Visit the Goodman virtually at GoodmanTheatre.org, and on Twitter (@GoodmanTheatre), Facebook and Instagram.

ADULT NIGHT OUT: Modern Faust, Feminine Twist. Catch The Hypocrites' Johanna Faustus

Chi, IL LIVE Shows On Our Radar:

Johanna Faustus
From Christopher Marlowe's The Tragical History of Doctor Faustus

Co-adapted by Emily Casey and Sean Graney

Directed by Sean Graney


Don't miss this limited run! Here at ChiIL Mama and ChiIL Live Shows, we've been fans of Sean Graney's adaptations and unique vision for years. He has a depth and insight embedded with a rare, playful streak, that makes his productions utterly unique and entirely compelling. The Hypocrites are one of our favorites on the Chicago theatre scene and we highly recommend checking them out.


What would you trade for happiness?
In the spirit of Sean Graney’s previous hits including 12 Nights and Romeo Juliet, six actors tell a modern Faust story. The performers are also the design team, with purposeful limited resources they will enact the tale using the barest elements. In this new adaptation, Faust is a woman questioning her choices that brought her to success but also isolation. 

Limited Engagement May 20 - May 29, 2016

Fri 5/20/2016
at 8:00 PM


Sat 5/21/2016
at 3:00 PM


Sat 5/21/2016
at 8:00 PM


Sun 5/22/2016
at 3:00 PM


Fri 5/27/2016
at 8:00 PM


Sat 5/28/2016
at 3:00 PM


Sat 5/28/2016
at 8:00 PM



Sun 5/29/2016
at 3:00 PM



Price: $36
The Den Theatre's Heath Main Stage
1329 N Milwaukee Ave, Chicago IL 60622
Box Office: 773-398-7028
Johanna Faustus is an hour-long modern Faust story told by six actors who also serve as the design team in the spirit of Graney’s previous hits 12 Nights and Romeo Juliet. The tale is enacted using the barest elements with purposeful limited resources. In this new adaptation, Faust is a woman questioning whether success can really bring power. What would you trade for satisfaction?
Starring and Designed by Breon Arzell, Kate Carson-Groner, Whitney Dottery, Dana Omar, Sasha Smith, and Lauren Vogel.

Johanna Faustus will conclude The Hypocrites’ 2015-16 season with a limited engagement May 20 – 29, 2015 at The Den Theatre’s Heath Main Stage, 1329 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood.

Emily Casey and Sean Graney

CREATIVE BIOGRAPHIES
Emily Casey’s (Co-Adapter) past credits include All Our Tragic (The Hypocrites, Getty Villa)Sailress Billi/Captain Cat Coran in HMS Pinafore (The Hypocrites and Actor’s Theatre of Louisville), Yum-Yum/The Mikado in The Mikado (The Hypocrites, Steppenwolf Garage, American Repertory Theatre), Pirates of Penzance (The Hypocrites, Actor’s Theatre of Louisville, American Repertory Theatre), Frederick (Chicago Children’s Theatre), The Casuals (Jackalope Theatre), Woody Sez (Northlight Theatre), Scapin (Hope Summer Repertory Theatre).  She holds a BA in Theatre from Hope College.  www.emily-casey.com

Sean Graney (Co-Adapter/Director) has directed over 30 productions for The Hypocrites since 1997, including the critically acclaimed All Our Tragic. He recently returned from a Fellowship at the Radcliffe Institute for Advanced Study at Harvard University. In 2004, Graney was a participant in the NEA/TCG Career Development Program for Directors. He has won four Joseph Jefferson Citation awards for the Direction and Adaptation for Sophocles: Seven Sicknesses, and Directing of Equus and Machinal. He has directed Edward II (Chicago Shakespeare Theater), The Hairy Ape (Eugene O’Neill Festival at Goodman Theatre), The Comedy of ErrorsThe Mystery of Irma Vep and What the Butler Saw (Court Theatre), Yankee Tavern (Milwaukee Rep) and The Elephant Man (Steppenwolf for Young Audiences). Graney currently serves as the Hypocrites’ Artistic Director.

About The Hypocrites
Artistic Director Sean Graney created The Hypocrites in 1997. The Hypocrites, one of Chicago’s premier off-Loop theater companies, specializes in startling and thoroughly entertaining adaptations of classic plays and stories, mounting bold productions that challenge preconceptions and redefining the role of the audience through unusual staging (such as promenade and in-the-round) and direct engagement. The mission is to explore recognizable stories—mixing the familiar and the strange—to make theater that thrills and provokes, defying expectations with humor, staging, and surprise. The company has a reputation in Chicago for creating exciting, surprising, and deeply engaging theater as it re-interprets well-known works for contemporary audiences, reveling in the absurd while revealing the core of what makes classics classic. 
The company has grown significantly in the past few years, receiving acclaim for productions at the Steppenwolf Garage, Goodman Theatre, Museum of Contemporary Art, DCASE Storefront and Chopin Theater. The company’s smash-hit production of Our Town, directed by David Cromer, transferred in 2009 to Off-Broadway, Los Angeles and Boston. The Pirates of Penzance has appeared at Actors Theater of Louisville and American Repertory Theater (A.R.T.). A.R.T. has also brought Romeo Juliet, 12 Nights and The Mikado (forthcoming). The American Theatre Wing, best known as the creator of the Tony Awards, presented The Hypocrites with one of the 2013 National Theatre Company awards. The critically acclaimed fall 2013 production of All Our Tragic was brought back by popular demand in June 2015. Graney’s critically acclaimed ALL OUR TRAGIC, an epic 12-hour adaptation of all 32 surviving Greek tragedies, was honored with six 2015 Equity Joseph Jefferson Awards, including Best Play (midsized), Best New Adaptation and Direction for Graney and the prestigious Ensemble Award. 

The Hypocrites on the Road 
The Hypocrites continue to make a national imprint, with remounts of Graney’s wildly popular musical adaptations from the Gilbert & Sullivan canon set for engagements across the U.S. THE PIRATES OF PENZANCE and THE MIKADO will play the The Olney Theatre Center near Washington, D.C. (July 14 – August 21, 2016). 

Tuesday, May 17, 2016

Cool Chicago Summer Camps On Our Radar: Dancing Among The Stars With Design Dance and Adler Planetarium

Are you on the lookout for great, Chicago summer camps? Here at ChiIL Mama we're excited to announce the premiere of a stellar camp that merges dance with science (STEM)! My daughter has enjoyed taking Ballet for Team Gymnasts classes with Design Dance for years, so we were happy to partner up with them when they reached out to us about a sponsored post. This summer, they’re offering a brand new day camp called Dancing Among the Stars for ages 7-10! 



Curious about Dancing Among the Stars?  Join us for a free dance + science workshop on June 4th and see what it's all about! REGISTER HERE

Design Dance is blending dance with astronomy to teach kids about movement--of their bodies and of the universe. They even have astronomers from Adler coming to teach students about what they do! 


Design Dance Teaches Movement of the Body and the Stars with Adler Astronomers. 

Design Dance is a community of teaching artists that bring dance education to over 1,300 students in classrooms and community centers across Chicago. We're changing the game in arts education by integrated dance with literacy and science.

This summer, we're piloting "Dance Among the Stars": a completely innovative new summer camp with Prismatic and the support of the Adler Planetarium. Students ages 7-10 will learn about movement--of their bodies and of the stars. We're bringing in astronomers from the Adler Planetarium to speak with students and show them what real astronomers do and think about on a daily basis. 

"We learn by doing," says Adler astronomer, Dr. Grace Wolf-Chase. "In science, learning typically begins with observing the world or universe around us, but this summer, kids will experience astronomy through motion by becoming the very concepts and 'stuff' of the cosmos!"
Though the camp is open to boys and girls, we're excited about exposing our campers to female astronomers. Women currently only make up about 15% of engineers and 30% of physical scientists according to the National Science Foundation. For physicists and astronomers specifically, that number is closer to 12%.

The goal here is to create an engaging experience with science subjects, like astronomy, through a creative and physical medium. Dance allows students to take up space and gain self-awareness of their body and its relation to others.
Dancing Among the Stars will take place July 25-29th and culminates with a performance at the Adler Planetarium.

About Design Dance: 
Design Dance is a community of over 40 teaching artists that work in classrooms and community centers around Chicago to make every space a space for dance. Our mission is to cultivate courage, connection, and self-awareness in every student. Founded by Debra Giunta in 2008, Design Dance has grown to over 100 classes a week serving more than 1,300 students in the Chicagoland area a year. Students practice an array of styles including ballet, modern, hip hop, breakdance, and cultural dance. 
About Prismatic: Prismatic is a brand new nonprofit organization fostering confidence and resiliency by providing a creative catalyst to bridge the gap between common core curriculum and real-life application for all students, regardless of age or background. 


About Adler Planetarium: 
The Adler Planetarium--America's First Planetarium--is more than a museum; it is a laboratory, a classroom, and a community exploring the Universe together. Each year, over 550,000 visitors experience the museum's interactive exhibitions, live planetarium shows, hands-on,  minds-on STEM education programs, and world-class collections. Founded in 1930 by Chicago business leader Max Adler, the Adler Planetarium is a recognized leader in public engagement. The museum's scientists, historians, and educators inspire the next generation of explorers and invite you to explore space with us. 

**Check out more camp details at designdance.net/dats16 ** 

You can be in on the start of a brand new summer camp, Dancing Among the Stars, that will premiere this Summer, 2016! The camp specifically works to integrate science with dance in an exploration of the Solar System. We are especially excited because the program will conclude with a performance at the Adler Planetarium! 

Dancing Among the Stars 
for students Ages 7-10: July 25-29
Monday-Friday, 9am - 4pm, $375
Jesse White Community Center: 412 W. Chicago Ave

Join us for a week of dance and science, as we learn about the universe from real astronomers!   Students will explore their creativity with hands on projects and dance classes all about the solar system!  Campers will end the week with a performance at the Adler Planetarium!

*Aftercare available until 5:30pm at additional cost, call 312-361-0864 to enroll




Disclosure: ChiIL Mama is pleased to partner up with Design Dance and we have been compensated for sharing the details about this camp with our readers. As always, all opinions are our own.


Friday, May 13, 2016

ADULT NIGHT OUT: DISENCHANTED! AT THE BROADWAY PLAYHOUSE AT WATER TOWER PLACE 5/15

Chi, IL LIVE Shows On Our Radar:

DISENCHANTED! OPENS THIS SUNDAY NIGHT 
AT THE BROADWAY PLAYHOUSE 
AT WATER TOWER PLACE, CHICAGO (May 15, 2016)  
**The not-for-children musical revue DISENCHANTED! gives a saucy makeover to Snow White, Sleeping Beauty and other fairy-tale princesses.” **


ChiIL Mama will be there... will you?! We'll be ChiILin' out in Chi, IL with the delightfully disenchanted anti-princesses, so check back soon for our full review. I love a good, snarky, pop culture parody, so I'm really looking forward to this. 

Broadway In Chicago and Starvox Entertainment are pleased to announce that DISENCHANTED!, the hilarious hit musical, opens Sunday, May 15, at the Broadway Playhouse at Water Tower Place (175 E. Chestnut). Directed by Christopher Bond, DISENCHANTED! will play through June 5, 2016. 

DISENCHANTED! features Merritt Crews (Snow White), Madison Hayes-Crook (Cinderella), Daniella Richards (Sleeping Beauty), Miriam Drysdale (The Little Mermaid, Belle, Rapunzel), Ann Paula Bautista (Hua Mulan, Pocahontas, Baldroulbadour) and Uche Ama (The Princess Who Kissed the Frog). 


Poisoned apples. Glass slippers. Who needs 'em?! Not Snow White and her posse of disenchanted princesses in the hilarious hit musical that’s anything but Grimm. Forget the princesses you think you know – the original storybook heroines have come back to life to set the record straight. After multiple sold-out runs nationwide, these royal renegades tossed off their tiaras to bring their hilariously subversive, not-for-the-kiddies musical to you – and what you thought about princesses will never be the same! 


The idea for DISENCHANTED! was conceived by Giacino, a former history teacher. When teaching his class about the colonial settlement at Jamestown, Virginia, he couldn’t help but wonder: What would the ‘real’ Pocahontas – a circa 1616, rough-and-tumble 10-year-old Powhatan girl – think of the fringed deer-pelt miniskirt and long, flowing hair donned by her 20-year-old counterpart in her 1995 movie comeback? A musician at heart, Giacino penned a musical number skewering the ‘princess pop culture’ that transformed Pocahontas from a revered Native American heroine into a pin-up vixen of the silver screen. Soon, Giacino found himself discovering a number of other princesses who had a bone to pick with the way they have been portrayed, and DISENCHANTED! was born! 



The ‘storybook’ journey for DISENCHANTED! began with a sold-out, award-winning run at Orlando’s International Fringe Festival in 2011 (‘Best of Fest’ – Orlando Sentinel), and subsequent licensing of over a dozen productions nationwide, from New Jersey to California, all of which have been met with widespread critical acclaim. In addition to the sold-out New York engagement, this fairy tale is going international. A production in Santo Domingo, Dominican Republic has made its mark, as The National stated, ‘The Country will never be the same!’ The Dominican Republic production is now looking to continue its run throughout Latin America, while China’s leading commercial theatrical producer, Musical Theater China is planning a production in Beijing in the winter of 2015/16. 

During the New York engagement, the production defied the trend for Off-Broadway shows with its sold out performances and critical acclaim. NBC New York called the show “funny, irreverent, and great fun! The seriously talented cast of six strong, hysterical women give fairytales a new meaning!” while Time Out New York stated, “If you love fairy tales with a sassy modern twist, relief is here! 

The not-for-children musical revue DISENCHANTED! gives a saucy makeover to Snow White, Sleeping Beauty and other fairy-tale princesses.” The Huffington Post calls it, “funny and a touch wicked. DISENCHANTED!’s pop score delivers to great comic effect.” The New York Times describes DISENCHANTED! as “a girls’-night-out rebellion” and FOX 5 says "It's a hot ticket that delivers a new kind of fairy tale. You will laugh and then laugh some more at the sassy, irreverent humor." Broadway Box raves, “Think ‘Bridesmaids’ for Disney Princesses! This sidesplitting adult parody of the Disney princess posse and its mega-talented cast will make you blush and feel nostalgia all at once. Who could ask for anything more?” 


PERFORMANCE SCHEDULE 
Tuesdays at 7:30 PM
Wednesdays at 2 PM and 7:30 PM (no matinee on June 1)
Thursdays at 7:30 PM
Fridays at 7:30 PM
Saturdays at 2 PM and 8 PM
Sundays at 2 PM and 6:00 PM (no evening performance on May 22 and May 29) 

TICKET INFORMATION 
Individual tickets for DISENCHANTED! at the Broadway Playhouse at Water Tower Place are $35.75-$78.75. A select number of premium seats are available for most performances. Group tickets for 10 or more are available by calling Broadway In Chicago Group Sales at (312) 977-1710. Tickets are available at all Broadway In Chicago Box Offices (24 W. Randolph St., 151 W. Randolph St., 18 W. Monroe St. and 175 E. Chestnut), the Broadway In Chicago Ticket Line at (800) 775-2000, all Ticketmaster retail locations and online at www.BroadwayInChicago.com. 


ABOUT BROADWAY IN CHICAGO 

Broadway In Chicago was created in July 2000 and over the past 16 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining well up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including its newly named The PrivateBank Theatre, the Oriental Theatre, Cadillac Palace Theatre, the Auditorium Theatre of Roosevelt University and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place. 

WIN VIP Tickets ($200 value) to Chicago's Wear: A Babywearing Conference May 27-29th


Chicago Hosts First Ever 
World Babywearing Education Day
(Tickets are $20-exhibitor hall only, $40-one day pass, or $100-3 day pass) 

Hundreds of parents, babies and educators celebrate Inaugural World Babywearing Education Day and join growing natural parenting community at 3-day event


Disclosure: ChiIL Mama is pleased to partner up with Wear: A Babywearing Conference. They have provided VIP tickets/gift bag, etc. for our giveaway and media tickets for review purposes. As always, all opinions are our own.

Here at ChiIL Mama we're HUGE advocates of babywearing. I used multiple slings and backpacks with both of my kids from birth well into toddlerhood. Along with long term nursing, babywearing was an integral part of my parenting philosophy in those early years and invaluable for bonding and developing healthy, independent children. So, we were elated to hear Chicago is on the forefront of celebrating babywearing and educating American moms on the benefits with Wear: A Babywearing Conference.


ChiIL Mama ChiiLin' with newborn, Sage & 2 year old Dugan, back in the day. These two are a long term nursing & babywearing success story and have grown into independent, successful teens.


**ENTER HERE for your chance to win VIP Tickets to Wear which includes 2 passes to the conference ($200 value) with VIP express check-in, plus a gift bag! Enter early and often through midnight, Sunday, May 22nd.**

To celebrate the growing natural parenting and babywearing communities, the inaugural World Babywearing Education Day kicks off in Chicago on Thursday, May 26, 2016. World Babywearing Education Day leads up to Wear: A Babywearing Conference – a first-of-its-kind event for parents and medical practitioners who embrace the social and psychological benefits of babywearing – taking place Friday May 27 through Sunday May 29, 2016 at The Westin Hotel on Michigan Avenue.

“The natural parenting movement has grown significantly over the past 5 years,” Xza Higgins said, Wear Conference organizer and MommyCon Founder. “Babywearing is a big part of this philosophy. The purpose of World Babywearing Education Day and the WEAR conference is to normalize babywearing and de-bunk the myths surrounding it, educating families about its crucial role in child development. We also want to celebrate babywearing educators who work tirelessly to educate families on a local, national and international level.”


Babywearing is an ancient practice used worldwide. In North America, an increasing number of caregivers are now searching for babywearing information and products out of necessity and convenience, encouraged by findings that the use of carriers can support healthy physical and emotional development in infants and the adults who "wear" them.

“Over the past decades, we have witnessed a dramatic increase in the sophistication of investigatory methods of how both parents and children develop in co-dependence”, says Dr. Henrik Norholt, Chief Science Officer, Ergobaby Inc. “Modern measures comprise behavior, hormones, physiological regulation and brain imaging. We see a  common denominator amongst the multifarious  studies, investigating the effects of early parent-infant physical contact: Both the parents and the child are put on a more positive developmental trajectory as regards vital domains, such as socio-emotional skills, stress regulation, sleep organization, cognitive control, parent-child relations and parental mental health. Longitudinal studies demonstrate that such children stay ahead of the curve across childhood, so early positive effects are not just transient, but appear to be permanent and long-lasting.”


Wear: A Babywearing Conference includes more than 50 workshops, interactive sessions with industry experts and healthcare professionals, a range of high profile speakers including world-renowned child development researcher Dr. Henrik Norholt. Other prominent speakers include Jennifer Labit, CEO & Founder of Cotton Babies, speaking on Babies at Work, Jessica Martin-Weber of The Leaky Boob speaking about the bond of babywearing, and Karin Frost, Founder of Ergobaby sharing The Ergobaby Story. Other talks and workshops include Using Babywearing To Support Breastfeeding Goals, The Babywearing Guide to Hiking, Babywearing Posture: A Chiropractic Perspective, and Babywearing for Children on the Spectrum. There will also be a one-on-one consultation room; babywearing fitness classes, including Babywearing Yoga and Babywearing Bellydance; and a WEAR dance party.

About Wear: A Babywearing Conference
Wear: A Babywearing Conference is dedicated to providing the latest research, education and support for babywearing educators and families. We seek to preserve age-old indigenous babywearing practices, while showcasing the latest advances in babywearing innovation, design and fashion. Parents, educators, manufacturers, activists, lactation professionals, and many more gather to promote and support the values of education, inclusion, and infant bonding. 



To learn more about Wear: A Babywearing Conference, connect with MommyCon on Facebook, Twitter, and Instagram.

Disclosure: ChiIL Mama is pleased to partner up with Wear: A Babywearing Conference. They have provided VIP tickets/gift bag, etc. for our giveaway and media tickets for review purposes. As always, all opinions are our own.

Tuesday, May 10, 2016

Adam Sandler, David Spade, Nick Swardson and Rob Schneider LIVE at The Chicago Theatre 5/23

THE DO-OVER TOUR 
COMES TO 
THE CHICAGO THEATRE MAY 23
Netflix sends Adam Sandler and comic pals on tour ahead of movie release



I think my husband, teens, and I have managed to see every Adam Sandler movie ever made, some multiple times, mostly thanks to Netflix. Somehow Adam Sandler has made a hugely successful career out of playing more or less the same guy in every film, yet his characters do grow and learn a few life lessons during each story arc, and there's something compelling about Sandler that resonates with the modern, American "everyman" archetype. If you're a fan, you're in luck. This month you can catch the man's comedic stylings live and on Netflix. With the addition of David Spade and Nick Swardson hilarity is sure to ensue.



Netflix is sending Adam Sandler and his fellow THE DO-OVER stars David Spade and Nick Swardson on the road, along with longtime Sandler collaborator Rob Schneider, for The Do-Over Tour, where the comedians and longtime pals will deliver live performances for their fans. The seven-city tour kicks off May 19 in San Francisco. The Do-Over Tour comes to The Chicago Theatre Monday, May 23, 8pm. Tickets start at $45. THE DO-OVER will be available on Netflix May 27.


In THE DO-OVER, Adam Sandler plays “Max” and David Spade plays “Charlie,” old friends tired of their mundane lives who reunite at their 25th high school reunion for the ultimate mulligan: they decide to wipe the slate clean for a do-over. After faking their deaths and assuming new identities, could their lives be better the second time around?

THE DO-OVER, the second of four films in Sandler’s deal with Netflix, also stars Paula Patton, Sean Astin, Renée Taylor, Luis Guzmán, Kathryn Hahn, Michael Chiklis, Catherine Bell, Natasha Leggero, Torsten Voges and Matt Walsh.  It was directed by Stevin Brill from a script penned by Kevin Barnett and Chris Pappas.


Monday, May 9, 2016

SAVE THE DATES: CHICAGO CHILDREN'S THEATRE'S 2016-17 SEASON ANNOUNCED



 CHICAGO CHILDREN'S THEATRE ANNOUNCES 
2016-17 SEASON AT 
THE RUTH PAGE Center for The Arts


Offerings include (top, from left) Thodos Dance Chicago's A Light in the Dark: The Story of Helen Keller and Anne Sullivan, Another Snowy Day with Beatrix Potter, the world premiere of Moon Shot with Theatre Unspeakable, (bottom, from left) the return of the CCT hit musical The Hundred Dresses, the world premiere of  Heidi Stillman's circus-infused adaptation of  The Year I Didn't Go To School and Mermaid's Brown Bear, Brown Bear & Other Treasured Stories.

Chicago Children's Theatre, the largest professional theater company devoted exclusively to children and young families in Chicago, has announced its 2016-17 mainstage season line-up at the Ruth Page Center for the Arts.

Chicago Children's Theatre's 11th season kicks off with the company's first collaboration with a local dance company, Thodos Dance Chicago, to present its family-friendly dance story A Light in the Dark: The Story of Helen Keller and Anne Sullivan. Performances are October 11-23, 2016.

Two productions - a Youngers Stages show for children 2 to 6, and a Later Stages show for kids 10 and up - will run "in rep" in November. First, for the little ones, CCT will present Another Snowy Day with Beatrix Potter, Will Bishop's clever sequel to his 2015 CCT world premiere based on the stories of Beatrix Potter. 

Meanwhile, older kids will enjoy the world premiere of Theatre Unspeakable's Moon Shot, in which seven actors squeeze onto a 21-square foot table to recreate the story of America's Apollo 11 lunar landing. Another Snowy Day and Moon Shot will rotate performances, November 1-20, 2016 on the Ruth Page stage.

With the New Year comes a new take on an all-time favorite with the return of CCT's smash hit musical The Hundred Dresses. Adapted and created by Ralph "Ralph's World" Covert and G. Riley Mills, the original 2009 world premiere became one of the company's biggest hits ever. Sean Graney, artistic director of The Hypocrites, returns to direct this highly engaging and enlightening musical about a young girl who struggles to fit in with her new home and classmates, and what it takes to stand up to others-even when you're standing alone. Performances are January 17-February 19, 2017.

Next, if your child has ever asked to take a year off of school, let them find out what it's like with CCT's world premiere of The Year I Didn't Go to School: A Homemade Circus. Created and directed by Lookingglass Artistic Director Heidi Stillman and based on the popular picture book by Giselle Potter, this all-new production will be a thrilling experience for all ages, complete with circus arts. Performances are February 28-March 26, 2017.

Chicago Children's Theatre will culminate its 11th season with Brown Bear, Brown Bear & Other Treasured Stories by Eric Carle, presented by Mermaid Theatre of Nova Scotia, May 2-28, 2017.  Enjoy a whimsical menagerie drawn from the pages of the Eric Carle classic Brown Bear, Brown Bear, What Do You See?, told through the internationally acclaimed company's imaginative blend of innovative puppetry and striking scenic effects, on this, the 50th anniversary of the beloved book.

A wide variety of Chicago Children's Theatre 2016-17 multi-show Membership Passes went on sale today. Top options include a 3-show Younger Stages Pass for ages 2 to 6, including Another Snowy Day with Beatrix Potter, The Year I Didn't Go to School: A Homemade Circus and Brown Bear, Brown Bear... 

A 3-show Later Stages Pass for kids 6 and up includes A Light in the Dark, Moon Shot and The Hundred Dresses

Both packages start with early bird pricing of $57 for renewing CCT members (50% off single tickets), and $69 per person for new members (40% off single tickets.) 

In addition, CCT offers deeply-discounted, "First Look" preview subscription packages, including a 6-plays-for-$60 series offering maximum savings of 75% off single tickets, or just $10 a ticket. 

Benefits for all packages include reserved seating, flexible ticketing dates, discounts on CCT classes and camps, no processing fees and exclusive member invitations to CCT special events. 

CCT also offers a Flex Pass with eight admissions to use however you want, for $280. 

To buy memberships, subscriptions or passes, visit chicagochildrenstheatre.org or call (872) 222-9555.  

Single tickets to CCT productions will range from $10 to $39, and will go on sale 10 weeks before the opening date of each show. 

CCT also offers deeply discounted group rates for schools, playgroups, birthday parties and scouting groups. Email GroupSales@chicagochildrenstheatre.org or call 
(773) 227-0180 x 13 to learn more.

Chicago Children's Theatre continues to grow its commitment to serving all Chicago children by expanding its array of services for patrons with disabilities. Each 2016-17 production at the Ruth Page will include an Access Weekend, during which all performances will be presented with access services for children on the autism spectrum, children who are blind or have low vision, or children who are deaf or hard of hearing. For Access Weekend dates and more information, visit chicagochildrenstheatre.org/access.

All shows will be presented at Chicago Children's Theatre's current performance home, the Ruth Page Center for the Arts, 1016 N. Dearborn St. in Chicago's Gold Coast neighborhood. The Ruth Page is convenient to public transportation, surrounded by family-friendly restaurants, and is just steps from Chicago's Magnificent Mile.


But wait, there's more! New home for Chicago Children's Theatre to open in January 2017




In addition to presenting its 2016-17 mainstage season at the Ruth Page, behind the scenes, Chicago Children's Theatre is busy renovating the former, 12th District Police Station at 100 S. Racine Avenue in Chicago's West Loop into a beautiful, mixed-use performing arts and education facility designed to serve all Chicago families.

Slated to open in January, 2017, Phase One of the new Chicago Children's Theatre will be anchored by a flexible, 149-seat studio theater ready to host professional performances, student shows and Red Kite interactive theater experiences for students with autism. The new building, which also houses classrooms and support space, will be CCT's headquarters for all educational programming, which will start up immediately. Phase Two of the new Chicago Children's Theatre boasts a second, state-of-the-art, 299-seat mainstage theater, scheduled for completion in 2020.

Stay tuned for more exciting news in the coming months about Grand Opening festivities for the company's first-ever permanent home, plus two, must-see live family productions set to premiere in the new Chicago Children's Theatre studio theater in 2017.

FINAL SEASON AT THE RUTH PAGE:


A Light in the Dark: The Story of Helen Keller and Anne Sullivan
By Thodos Dance Chicago
Co-choreographed by Melissa Thodos and Ann Reinking
October 11-23, 2016
Later Stages - for ages 6 and up

Chicago Children's Theatre presents a fall run, just for kids, of Thodos Dance Chicago's A Light in the Dark: The Story of Helen Keller and Anne Sullivan, the critically acclaimed dance story about a caring teacher who helped guide a blind and deaf girl into a life as an internationally acclaimed writer and political activist. Choreographed by Melissa Thodos and Broadway legend Ann Reinking, A Light in the Dark uses movement and music to tell the true story of Helen Keller and her teacher Anne Sullivan.

Thodos Dance Chicago is a dynamic contemporary dance company praised for its athleticism and distinctive choreographic voice. The Chicago Tribune called A Light in the Dark "a warm evocation of the past, an old fashioned storytelling art not often seen in choreography today." Dance Magazine noted A Light in the Dark offers "new insight into Helen Keller's world." The Chicago Sun-Times called it "a powerful portrait of the meaning of communication, movement, independence, freedom and love."

Chicago Children's Theatre's first-ever collaboration with a dance company dovetails CCT's mission of making access and inclusion for all Chicago children core to its programming, particularly with this tale of a young blind and deaf girl who became an American icon. Post-show talks about disability awareness will be offered. This collaboration is funded by the Chicago Community Trust.

 

Theater Unspeakable's Moon Shot
Commissioned by Palo Alto Children's Theatre
Developed and Presented in Association with Chicago Children's Theatre
November 1-20, 2016
Later Stages - for ages 10 and up      

Big story. Small stage. Back by popular demand! Seven actors squeeze onto a 21-square foot table nearly as tight as NASA's original Mercury capsules to recreate the story of America's Apollo 11 lunar landing. Using only their bodies and their voices, this astounding troupe of Chicago actors brings to life one of the most daring times in the history of human exploration: the Space Race. From the Cold War to Sputnik, from Yuri Gagarin to Neil Armstrong, this action-packed show brings the company's tongue-in-cheek humor to a whole new atmosphere - one where the rules of gravity no longer apply.

This is the second collaboration between Theater Unspeakable and Chicago Children's Theatre, where Theater Unspeakable's SuperMan 2050, an epic Superman story with similarly pocket proportions, ran to audience acclaim in 2014.


  
Another Snowy Day with Beatrix Potter
Devised by Will Bishop - an original CCT production
Based on the stories of Beatrix Potter
December 1-20, 2016
Younger Stages - for ages 2 - 6

The Chicago Reader called Chicago Children's Theatre's world premiere this season of Will Bishop's A Snowy Day with Beatrix Party "exquisite...and the performers are too."

Hot on the heels of that highly successful run, this interactive show is back, but with a brand new tail (pun intended). Featuring iconic animal characters like Peter Rabbit and celebrating British country life, Beatrix Potter's beloved stories are told through a series of mechanical suitcase sculptures, which invite visitors to pull levers and turn cranks, revealing images that surprise and delight. 

 

The Hundred Dresses
Adapted and created by Ralph Covert and G. Riley Mills
Music by Ralph "Ralph's World" Covert
Directed by Sean Graney
From the book by Eleanor Estes
January 17-February 19, 2017
Later Stages - Ideal for ages 6 & up

One of Chicago Children's Theatre's all-time audience favorites, and the same show that prompted the Chicago Tribune to proclaim CCT had "delivered on its promise to elevate the experience of children's theater in this city" is back, ready to entertain and enlighten a whole new generation of Chicago kids. 
                                                                          
Based on the book by Eleanor Estes, The Hundred Dresses tells the story of Wanda Petronski, an imaginative young Polish girl who struggles to fit in with her new American home - and harder yet, her new classmates. With a rockin' musical score by Ralph "Ralph's World" Covert, The Hundred Dresses is a timeless tale that explores the bonds of friendship, the willingness to be yourself, and the courage that it takes to stand up to others-even when you're standing alone.


The Year I Didn't Go to School: A Homemade Circus
Created and directed by Lookingglass Artistic Director Heidi Stillman
Based on the book by Giselle Potter
February 28-March 26, 2017
All Ages

Parents, here's that rare chance to let your kids experience what it is like to be able to take a year off of school. And at Chicago Children's Theatre, it will only take about an hour. 

Created by Lookingglass Theatre's Heidi Stillman and based on the children's book by Giselle Potter, The Year I Didn't Go to School: A Wee Family Circus is an all-new production sure to thrill all ages. This new work combines circus arts with the story of seven-year-old Giselle, who shares some of the best things that happened to her the year she didn't go to school. For instance, she traveled around Italy with her family's theater troupe. She performed in an outdoor theater as a monkey, a panda and a lion. She ate spaghetti with fried egg on top. She slept in a truck. And wore cowboy boots. She spoke Italian ("Ciao!"), and kept a journal to remember everything that happened to her and her little sister,Chloë.

Don't miss this inspiring, autobiographical glimpse into a beloved children's writer's unusual childhood that no doubt helped foster her development as an artist and author.



Brown Bear, Brown Bear & Other Treasured Stories by Eric Carle
A Mermaid Theatre of Nova Scotia production
Based on the stories by Bill Martin Jr. and Eric Carle
May 2-28, 2017
Younger Stages - for ages 1-5

Brown Bear, Brown Bear and other Treasured Stories by Eric Carle bring together old favorites and new friends. This hour-long production showcases the imaginative blend of innovative puppetry and striking scenic effects that has won international acclaim for the Nova Scotia-based theatre. Enjoy a whimsical menagerie drawn from the pages of Brown Bear, Brown Bear, What Do You See?  

Celebrating its fiftieth anniversary, this story has introduced generations of toddlers to the delights of identifying colors and objects. Time Out Chicago called Brown Bear, Brown Bear "sweet-as-can-be doses of narrated fantasy, made more so by a whimsical score. Even kids unfamiliar with Carle's canon remain rapt, thanks in large part to the dramatic lighting, those glowing sets and the handiwork of (just) two puppeteers." 


About Chicago Children's Theatre
Since its launch in 2005, Chicago Children's Theatre has cemented its reputation as the city's largest professional theater company devoted exclusively to children and young families. 

The company evolved out of Chicago's need for high-quality, professional year-round children's programming to match the quality and significance of theatrical powerhouses such as Steppenwolf Theatre Company, Goodman Theatre and Lookingglass Theatre. 

Likewise, CCT has always believed children should be treated as the sophisticated audiences that they are with high-profile and award-winning talent, inventive production values and compelling stories that challenge, educate and entertain.

Audiences have embraced Chicago Children's Theatre since its inaugural production, A Year with Frog and Toad, at the Goodman Theatre in 2006. Since then, the company's productions have featured everything from black-light scenery to live music to interactive four-dimensional sets to life-size puppets, with performances showcasing the heart of Motown to Vaudeville to contemporary, current and modern styles.

Chicago Children's Theatre also has built a national reputation due to its strong focus on new work, producing 12 world premieres in just the last 10 years including The Selfish Giant, The Hundred Dresses, Jackie and Me, Dot and Ziggy, The Houdini Box, The Elephant and The Whale (in association with Redmoon), Mr. Chickee's Funny Money, Leo Lionni's Frederick, Wonderland, Alice's Rock & Roll Adventure, A Snowy Day with Beatrix Potter and Jabari Dreams of Freedom. These enjoyed highly successful inaugural runs in Chicago, followed by new productions at family theaters across the U.S. 

CCT has always honored a strong commitment to low-income families and children with special needs. In partnership with Chicago Public Schools and Target, the company offers free tickets and transportation to more than 5,000 Chicago-area low-income students each season.

Meanwhile, the company has pioneered immersive theater designed for children on the autism spectrum via its Red Kite Project, and recently expanded programming for children with impaired vision or hearing and Down's syndrome. Chicago Children's Theatre also offers a full roster of after school theater classes and summer camps.

Led by Artistic Director Jacqueline Russell, Board Chair Todd Leland and Community Programs Artistic Director Frank Maugeri, Chicago Children's Theatre is supported by a dynamic Board of Directors comprised of dedicated individuals from the fields of entertainment, philanthropy and business. Officers include Jeff Hughes, President; Lynn Lockwood Murphy, Vice Chair and Secretary; David Saltiel, Vice Chair; and David Chung, Treasurer. Chicago Children's Theatre is sponsored in part by ComEd, Goldman Sachs Gives and Target. 

For more information visit chicagochildrenstheatre.org, or call (773) 227-0180.

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