OPENING: We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as South West Africa, From the German Sudwestafrika, Between the Years 1884-1915 at Steppenwolf February 27 – March 23, 2019

ChiIL Live Shows on our radar

Steppenwolf for Young Adults Presents

We Are Proud to Present a Presentation 

About the Herero of Namibia, Formerly Known as 

South West Africa, From the German Sudwestafrika, 

Between the Years 1884-1915

Written by Jackie Sibblies Drury

Directed by Hallie Gordon and Gabrielle Randle

February 27 – March 23, 2019

 *Recommended for ages 14+*  

Following the Run, the Production Will Have a Public Tour to Six Chicago Neighborhoods 

in Partnership with BUILD, Inc, the Chicago Park District and Chicago Public Library

I'll be out for the press opening, March 2nd, so check back soon for my full review. As a parent of two CPS high school students, I can't rave enough about how wonderful the Steppenwolf for Young Adults (SYA) program truly is. We're eager to catch their latest, a hilarious and enlightening production with the longest show title I've ever seen.

Rehearsals are underway for Steppenwolf for Young Adults (SYA) second play of the 2018-19 season, which asks, “When you feel lost, how do you find your way?” Steppenwolf for Young Adults Artistic Director Hallie Gordon and Gabrielle Randle co-direct We Are Proud to Present A Presentation About the Herero of Namibia, Formerly Known as South West Africa, From the German Südwestafrika, Between the Years 1884 - 1915, which will include a tour to six Chicago neighborhoods in partnership with Steppenwolf Education City Connections partners, BUILD, Inc, the Chicago Park District and Chicago Public Library. Each stop on the tour is open to the public and will include a community workshop, a performance of the play and a post-show discussion.

Public performances at Steppenwolf for We Are Proud to Present a Presentation… will take place March 2 at 3pm & 7:30pm; March 8 at 7:30pm; March 9 at 3pm & 7:30pm; March 15 at 7:30pm; and March 16 at 3pm & 7:30pm in the Upstairs Theatre, 1650 N Halsted St. Single tickets to public performances ($15-20) are on sale now through Audience Services at 312-335-1650 or steppenwolf.org. Weekday performances are reserved for school groups only; more than 15,000 Chicago Public School students will see SYA productions each year. More info at steppenwolf.org/education. See show page for content advisory and details. 

We Are Proud to Present a Presentation…features Will Allan (Actor 3/Another White Man), Terry Bell (Actor 2/Black Man), Taylor Blim (Actor 5/Sarah), Jeffrey Owen Freelon Jr. (Actor 4/Another Black Man), Michael Holding (Actor 1/White Man) and Jennifer Latimore (Actor 6/Black Woman). Previously announced Daniel Kyri is no longer in the cast due to a scheduling conflict.

There’s more to history than what’s in the books. We Are Proud to Present a Presentation… tells the story of what happens when a group of actors explore the long forgotten––or possibly never remembered––history of German colonization of Namibia and its devastating effects. This gut-wrenching, intelligent, often funny—until it’s not— play asks us, what happens when we only have one side of the story?

“SYA is dedicated to creating work that is both provocative and drives us to think harder and deeper about who we are and the choices we make. We are so excited to be producing We Are Proud to Present a Presentation…a powerful story that explores themes of race, representation, storytelling and the power group-thinking can have on an individual. Our season theme is “When you feel lost, how do you find your way?” – a question that every character in this play must ask themselves. SYA hasn’t yet produced a play structured like this one, and we are thrilled that we have the opportunity to share it with our audiences,” shares co-director Hallie Gordon.

Tour Information
Working in collaboration with Steppenwolf Education’s City Connections partners, BUILD, Inc, the Chicago Park District and Chicago Public Library, We Are Proud to Present a Presentation…  will tour to six Chicago neighborhoods. At each stop on this week-long tour, the City Connections partner will host Steppenwolf Education teaching artists as they present a community workshop, a performance of the play and a post-show discussion. All workshops and performances are free and open to the public.

The tour schedule is as follows:
Mandrake Park Fieldhouse Chicago Park District: 3858 S. Cottage Grove 
Monday, March 18: 4:30pm workshop; 6pm performance

Tuley Cultural Center/Fieldhouse Chicago Park District: 501 E 90th Pl
Tuesday, March 19: 5pm workshop; 6:30pm performance

South Chicago Branch Chicago Public Library: 9055 S. Houston Ave
Wednesday, March 20: 4:30 workshop; 6:30pm performance

Albany Park Branch Chicago Public Library: 3401 W. Foster Ave
Thursday, March 21: 4: 30pm workshop; 6pm performance

Austin Town Hall Cultural Center/Fieldhouse Chicago Park District: 5610 W. Lake St Friday, March 22: 5pm workshop; 6:30pm performance

Hamilton Park Cultural Center/Fieldhouse Chicago Park District: 513 W. 72nd St
Saturday, March 23: 1pm workshop; 2:30pm performance

Relaxed/Sensory-Friendly Performances
Steppenwolf is pleased to present a Relaxed/Sensory-Friendly performance for We Are Proud to Present a Presentation…on Saturday, March 16 at 1pm for the Lobby and 3pm curtain. Relaxed/Sensory-Friendly performances feature a relaxed performance environment and minor adjustments to sensory effects such as lighting and sound cues. House lights will be left up at a low level  and it’s okay for audience members to make noise, move, and leave the theater. Social narratives and character guides will be shared in advance of guests’ visit, and a quiet area will be designated in a section of the lobby. For more information, please email access@steppenwolf.org.

We Are Proud to Present a Presentation… production team includes Arnel Sancianco (Scenic Design); Izumi Inaba (Costume Design); Heather Sparling (Lighting Design); Cooper Forsman (Sound Design); Breon Arzell (Movement Consultant); Michelle Medvin (Stage Manager); and JC Clementz (Casting Director).

City Connections Partners
BUILD is a pioneering, respected gang intervention, violence prevention and youth development organization based on Chicago’s West Side. Since 1969, BUILD has helped thousands of youth escape gangs and violence to become positive leaders of their communities and is recognized as an Effective Program by the US Dept of Justice and an Innovative Program by the US Dept. of Education.  BUILD's enrichment programs, including its partnership with Steppenwolf Theatre, foster the creativity and voice of young people in Austin, Garfield Park, Humboldt Park, Hermosa, Belmont-Cragin and Fuller Park.   

The Chicago Park District is the 2014 Gold Medal Award winner, recognized for excellence in park and recreation management across the nation. For more information about the Chicago Park District’s more than 8,800 acres of parkland, more than 600 parks, 26 miles of lakefront, 12 museums, two world-class conservatories, 16 historic lagoons, nearly 50 nature areas, thousands of special events, sports and entertaining programs, please visit www.chicagoparkdistrict.com or contact the Chicago Park District at 312-742-PLAY or 312-747-2001 (TTY). Want to share your talent? Volunteer in the parks by calling, 312-742-PLAY.
  
Chicago Public Library since first opening its doors in 1873, has served all Chicagoans with free and open places to gather, learn, connect, read and be transformed. The 81 locations provide the innovative library services, technologies and tools Chicagoans need to reach their goals and to establish Chicago as a competitive force in the global marketplace. Chicago Public Libraries are that special third place—beyond home and work—where people come to improve their lives, nourish their intellect or savor entertainment. The rich collections, state-of-the-art technology and cultural and public partnerships make Chicago Public Library a thriving, engaged leader in Chicago’s diverse neighborhoods.

Major foundation support for Steppenwolf Education is provided by the Polk Bros. Foundation and Alphawood Foundation. Steppenwolf Education is also supported in part by contributions from The Crown Family, Paul M. Angell Family Foundation, Sage Foundation, Lloyd A. Fry Foundation, Northern Trust Company, Field Foundation of Illinois, Dr. Scholl Foundation, the Helen Brach Foundation, ITW Foundation, Siragusa Foundation, Robert and Isabelle Bass Foundation, Inc. and Daniel F. and Ada L. Rice Foundation; as well as the Steppenwolf Associates, a community of dynamic young professionals.

Steppenwolf Education is a citywide partner of the Chicago Public Schools (CPS) School Partner Program.

Accessibility
Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance and the Downstairs and 1700 Theatres are each equipped with an induction hearing loop. All theaters feature wheelchair accessible seating and restrooms, and Front Bar features a push-button entrance, all-gender restrooms and accessible counter and table spaces.

Sponsor Information
United Airlines is the Official and Exclusive Airline of Steppenwolf.

Front Bar: Coffee and Drinks
Connected to the main lobby is Steppenwolf’s own Front Bar: Coffee and Drinks, offering a warm, creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Open Tuesdays – Sundays from 8am to midnight, Front Bar serves artisanal coffee and espresso is provided by La Colombe and food prepared by Goddess and Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post show service. www.front bar.com.

Steppenwolf Education’s unique approach combines play production with educational components to enhance arts education for young audiences, as well as their teachers and families, as well as a professional leadership program for early-career professionals. Every season Steppenwolf for Young Adults (SYA) creates two full-scale professional productions specifically for teens. Working closely with the Chicago Public and metropolitan area schools and other community partners, Steppenwolf Education annually ensures access to the theater for more than 15,000 participants from Chicago’s diverse communities. The initiative also includes post-show discussions with artists; classroom residencies led by Steppenwolf-trained teaching artists in almost 100 classrooms in public high schools; professional development workshops for educators; and the Young Adult Council, an innovative year-round after-school initiative that uniquely engages high school students in all areas of the theater’s operations, as well as other teen and community-based programs.

Year of Chicago Theatre 
Steppenwolf Theatre Company is proud to be part of the 2019 Year of Chicago Theatre, presented by the City of Chicago and the League of Chicago Theatres. To truly fall in love with Chicago, you must go to our theatres. This is where the city bares its fearless soul. Home to a community of creators, risk-takers, and big hearts, Chicago theatre is a hotbed for exciting new work and hundreds of world premieres every year. From Broadway musicals to storefront plays and improv, there’s always a seat waiting for you at one of our 200+ theatres. Book your next show today at ChicagoPlays.com.

Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble of 49 members represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County and Pass Over—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a sevenplay season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.     

Magnus Joins Music Director Lidiya Yankovskaya to Lead Chicago Opera Theater

As of January 2019, COT is a multimillion-dollar opera company led exclusively by women!

KUDOS TO ASHLEY MAGNUS, THE NEW STEFAN EDLIS AND GAEL NEESON GENERAL DIRECTOR

COT is now one of few multimillion-dollar opera companies led by women at both the board and executive level.

Formerly General Manager, Magnus Joins Music Director Lidiya Yankovskaya to Lead Opera Company

In late January, Chicago Opera Theater’s (COT) Board of Directors announced the promotion of Ashley Magnus to the role of Stefan Edlis and Gael Neeson General Director. Previously the company’s General Manager of Strategy and Development, Magnus will join Orli and Bill Staley Music Director Lidiya Yankovskaya at the helm, making COT one of few multimillion-dollar opera companies led by women at both the board and executive level. 

“In her time as General Manager, Ashley executed a successful multimillion dollar capital campaign, tripled recorded planned gifts and grew core annual fundraising by 28%,” stated Chicago Opera Theater Board President Susan Irion. “She has been an instrumental part of the COT leadership team and played a vital role in the development of the company’s long-term strategic goals. Her work in the industry and at COT positions her perfectly to achieve long-term success as COT’s Edlis Neeson General Director.”

Magnus began her career at Utah Symphony | Utah Opera as Production Coordinator for the opera department, and continued on to hold several leadership positions in events and development, including the role Director of Corporate Partnerships. She went on to earn an M.B.A. from the University of Utah, and specializes in business strategy, project management and the building of constructive community, individual and institutional partnerships. In 2013, she was selected to participate in Opera America’s Leadership Intensive. At Chicago Opera Theater, Magnus has managed all fundraising activities since 2015 and drives the strategy and implementation of the company’s long-term goals.

Magnus succeeds previous General Director Douglas R. Clayton. Clayton stated, “Having accomplished many goals since I joined Chicago Opera Theater in 2015, I’ve decided to step down to pursue other opportunities. I am excited to leave the company in Ashley’s and Lidiya’s capable hands and look forward to applauding the continued success and accomplishments of COT in the future.”

Magnus added, “Doug has been a huge asset in strategic planning and in setting the stage for a smooth transition. I'm thrilled to take the reins of Chicago Opera Theater in this exciting moment for the organization. Now, more than ever, COT represents the future of opera. We are dedicated to featuring local artists, to performing the work of living composers and to advancing opera as an art form that is forward-thinking, vibrant and very much alive.”

About Chicago Opera Theater
Chicago Opera Theater (COT) is a nationally recognized opera company based in Chicago, now in its 45th season. COT expands the tradition of opera as a living art form, with an emphasis on Chicago premieres, including new contemporary operas for a 21st century audience.

In addition to its programmed mainstage season, COT is devoted to the development and production of new opera in the United States through the Vanguard Initiative, launched in the Spring of 2018. The Vanguard Initiative mentors emerging opera composers, invests time and talent in new opera at various stages of the creative process and presents the Living Opera Series to showcase new and developing work.

Since its founding in 1973 by Alan Stone, COT has staged more than 125 operas, including over 65 Chicago premieres and more than 35 operas by American composers.

COT is led by Stefan Edlis and Gael Neeson General Director Ashley Magnus and Orli and Bill Staley Music Director Lidiya Yankovskaya. As of January 2019, COT is a multimillion-dollar opera company led exclusively by women. Maestro Yankovskaya is the only woman with the title Music Director at any of the top 50 opera companies in the United States. COT currently performs at the Studebaker Theater (Michigan & Congress) and the Harris Theater for Music & Dance (Michigan & Randolph).

For more information on the Chicago Opera Theater and its programs please visit chicagooperatheater.org.

Celebrate Mardi Gras on Fat Tuesday with Creole Stomp at Theatre at the Center 3/519

Shows On Our Radar:

Celebrate Mardi Gras on Fat Tuesday 

with Creole Stomp at 

Theatre at the Center on March 5

Check out “The Grateful Dead of Creole Music” 

Can't make it down to NOLA this March? How about Munster, IN? Creole Stomp has captured the ears and the feet of Louisiana music fans across North America, including a roof-raising performance at Theatre at the Center in 2018. Led by French-speaking Creole fiddler and accordionist Dennis Stroughmatt, Creole Stomp returns for one exclusive performance on Mardi Gras Fat Tuesday, March 5, 2019, to keep the performance filled with a rollicking mix of contemporary blues, swamp pop, and traditional Cajun and zydeco dance tunes.

Creole Stomp shows have become legendary for the heat and passion conveyed from the stage – music with emotion and energy that literally jumps from the band. In fact, over the years the band has become informally known as “The Grateful Dead of Creole Music,” for their well-oiled, dancer-driven, crowd pleasing marathon jams and improvisation. Traditional Louisiana Cajun two-steps, reels, and waltzes sizzle in the stew along with Creole blues and mazurkas.



Individual tickets are $35 for the 7:00 p.m. concert.   Student tickets are $20.  A Mardi Gras Buffet is available before the concert in the adjoining dining room for an additional $30 plus tax. A limited number of Special Edition T-shirts will be available at the show for sale at $20 each. A Cash Bar will also be available.  To purchase individual tickets, call the Box Office at 219-836-3255 or visit www.TheatreAtTheCenter.com. 

Founded in 1991, the 410 seat TATC is a year-round professional theater at its home: The Center for Visual and Performing Arts, 1040 Ridge Road, Munster, Indiana.   TATC is an accessible venue with plenty of free parking and is located off I80/94, just 35 minutes from downtown Chicago.

OPENING: CHICAGO OPERA THEATER PRESENTS “THE SCARLET IBIS” and The Life and Death(s) of Alan Turing

ChiIL Live Shows on our radar

Adult Night Out: 

CHICAGO OPERA THEATER PRESENTS “THE SCARLET IBIS” FEBRUARY 16, 21 AND 24 AT HISTORIC STUDEBAKER THEATER

Operatic Adaptation of James Hurst’s 1960 Short Story Premieres in Chicago Having Received Rave Reviews at 2015 Prototype Festival

COT Presents First Concert Performance of “The Life and Death(s) of Alan Turing” February 15 Following a Week-Long Workshop

Next week we'll be checking out both of these operas. Check back soon for our full reviews. *Do note, The Life and Death(s) of Alan Turing is the result of a week-long workshop through COT's Vanguard Initiative. This opera is still in progress, so it will not be reviewed as a complete work.

Chicago Opera Theater (COT) continues its 2018/2019 season with the Chicago premiere of the contemporary opera “The Scarlet Ibis.” Composed by Stefan Weisman with libretto by David Cote, “The Scarlet Ibis” was declared an “outstanding new chamber opera” by David Allen of The New York Times upon its debut at the 2015 Prototype Festival. Chicago Opera Theater presents the first full production of this operatic adaptation of James Hurst’s 1960 short story (apart from its festival debut), featuring the artistry of stage director Elizabeth Margolius and conductor David Hanlon. The opera stars Annie Rosen (who also performed in COT’s season-opening production of “Iolanta”) as Brother and Jordan Rutter as Doodle. 

The opening night and press performance takes place Saturday, February 16 at 7:30 p.m. at the Studebaker Theater (410 S. Michigan Ave.) Additional performances will take place Thursday, February 21 at 7:30 p.m. and Sunday, February 24 at 3 p.m.  

That same week, COT will present a week-long workshop culminating in the first full concert performance of “The Life and Death(s) of Alan Turing” by composer Justine F. Chen and librettist David Simpatico as part of Chicago Opera Theater’s Vanguard Initiative to promote the creation of new opera.

“COT’s mission to support the creation of new operatic work is exemplified in our February programming, with the first production of ‘The Scarlet Ibis’ since its debut at the 2015 Prototype Festival, and the first concert performance of ‘The Life and Death(s) of Alan Turing’ as part of our Vanguard Initiative,” said Stefan Edlis and Gael Neeson General Director Douglas R. Clayton. “COT is proud to provide an opportunity for Chicago to see such new and exquisite operas for the first time.”

Based on James Hurst’s classic American short story, “The Scarlet Ibis” is a moving tale about brotherhood, nature and family, set in North Carolina against the backdrop of World War I. It tells the story of a young boy named Doodle and his relationship with his brother, exploring the ways people ‘other’ those who are different and questioning what it means to be ‘normal.’ The piece was commissioned and developed through the HERE Artist Residency Program (HARP) and Dream Music Puppetry Program and co-produced by Beth Morrison Projects, premiering at the Prototype Festival in January 2015 in New York City.

“It’s thrilling to see ‘The Scarlet Ibis’ picked up for a second production following its premiere at our Prototype Festival,” said co-producer Beth Morrison. “Chicago Opera Theater is a forward thinking opera company, truly embodying what a 21st century opera company should be.”

Composer Stefan Weisman spoke to the development process of the opera stating, “One element of creating this opera that felt really unique was that the two leads are a countertenor and mezzo-soprano, both high voices for male characters. And they are played by two different genders. We are playing around with traditional notions of gender and power—the weaker of the two is the male singer, and the stronger is the female singer.”

Librettist David Cote continued, “The story is very much in the tradition of Flannery O’Connor, Tennessee Williams, even William Faulkner. The language is lush and flowery, the emotions run high and the ending is both beautiful and tragic. I’m not a Southerner, I grew up in small-town New Hampshire, but I drew on memories of living near a lake and playing in the woods to create the sense of nature and wonder in the opera.”

In addition to Rosen and Rutter, “The Scarlet Ibis” cast includes Quinn Middleman as Mother, Sharmay Musacchio as Aunt Nicey, Bill McMurray as Father and dancer Ginny Ngo.

Creative Team for The Scarlet Ibis
Composer: Stefan Weisman
Librettist: David Cote
Conductor: David Hanlon
Stage Director: Elizabeth Margolius
Lighting Design: Charlie Cooper
Scenic Design: Jack Magaw
Costume Design: Brenda Winstead

Performance Schedule
Saturday, February 16, 7:30 p.m.
Thursday, February 21, 7:30 p.m.
Sunday, February 24, 3 p.m.

Tickets for “The Scarlet Ibis” ($45 - $145) can be purchased by calling 312.704.8414 or by visiting chicagooperatheater.org. For tickets to see “The Life and Death(s) of Alan Turing,” visit cot.org/Turing.

About Stefan Weisman
Stefan Weisman’s music has been described as "personal, moody and skillfully wrought" (The New York Times). His compositions include chamber, orchestral, theater, dance and choral pieces, and he has specialized in vocal works that explore edgy and compelling topics. His operas include “Darkling” (American Opera Projects), “Fade” (Second Movement), and “The Scarlet Ibis” (produced by HERE and Beth Morrison Projects and premiered in the 2015 PROTOTYPE opera festival). He is a graduate of Bard College (BA), Yale University (MA), and Princeton University (PhD). Presently, he is on the faculty of the Bard High School Early College in Queens, New York. 

About David Cote
David Cote is a playwright, librettist and arts journalist based in New York City. His operas include “Three Way” with composer Robert Paterson (Nashville Opera and BAM); “The Scarlet Ibis” (Prototype Festival) and “Fade” with Stefan Weisman. Other works include his plays “Otherland” and “Fear of Art;” song cycle with Paterson, “In Real Life;” choral works with Paterson, “Did You Hear?” and “Snow Day.” Cote was born and adopted in New Hampshire and is a proud alum of Bard College. His fellowships include The MacDowell Colony, and he is a member of the New York Drama Critics Circle, ASCAP and the Dramatists Guild.

About David Hanlon
David Hanlon is a composer, conductor and pianist praised by Maestro Patrick Summers as “one of the major compositional voices of the young generation.” He has often written work for Houston Grand Opera, including his chamber opera “Past the Checkpoints” about undocumented immigrants, the chamber vocal piece “The Ninth November I Was Hiding,” about his grandfather's arrest during Kristallnacht and “Power,” based on a text by a high-schooler about bullying. Hanlon was recently commissioned by the Opera For All Voices consortium to write a new chamber opera with librettist Stephanie Fleischmann, and recently conducted the premiere of his and Fleischmann's chamber opera “After the Storm” at Houston Grand Opera.

About Elizabeth Margolius
Elizabeth Margolius is a Chicago-based Joseph Jefferson Award-nominated stage and movement director with a primary focus in developing and directing new and rarely produced music theater, operetta and opera. Margolius’ Chicago and regional stage and movement directorial credits include “Miss Holmes” for Peninsula Players, “Machinal” for Greenhouse Theater, “The Bridges of Madison County” for Peninsula Players, “The Boy Who Grew Too Fast” for SUNY/Albany Opera Program and “Uncle Philip’s Coat” for Greenhouse Theater. Margolius has been a guest director, master artist and guest/adjunct lecturer at numerous colleges, universities and festivals including the University of Nebraska, DePaul University and SUNY Albany.

The Life and Death(s) of Alan Turing

February 15, 2019 @ 7:30pm

DePaul University School of Music - 

Gannon Concert Hall

2330 N Halsted St, Chicago

110 minutes; One Intermission

Performed & Discussed in English

"This opera celebrates the power of memory, creativity, and the potential within us all to live fully and truly.” 

Chicago Opera Theater joins American Lyric Theater  to bring this new opera to life as part of the Vanguard Initiative. After a week of workshops, COT presents a full concert performance of Justine F. Chen and David Simpatico’s intense and beautiful new work.

Featuring the Bienen School of Music Contemporary and Early Vocal Ensemble of Northwestern University, tenor Jonas Hacker (Lyric Opera’s Fellow Travelers), and baritone Jonathan Michie in the title role, don’t miss your chance to see this one-of-a-kind concert.

As part of Chicago Opera Theater’s Vanguard Initiative to promote the creation of new opera, COT joins American Lyric Theater to present a full concert performance of “The Life and Death(s) of Alan Turing” by composer Justine F. Chen and librettist David Simpatico. The opera delves deep into the mind of the groundbreaking coder often credited to be the father of modern computer science. Turing’s work during World War II designing a machine to break the code utilized by the Nazi’s Enigma Machine is estimated to have saved millions of lives. A homosexual, he was charged with gross indecency in the 1950’s and is believed to have committed suicide because of his persecution. Featuring the Bienen Contemporary and Early Vocal Ensemble of Northwestern University, baritone Jonathan Michie in the title role, tenor Jonas Hacker (Lyric Opera’s “Fellow Travelers”) and conducting by COT’s Orli and Bill Staley Music Director Lidiya Yankovskaya, the performance will take place at 7:30 p.m. on February 15, 2019 at the DePaul School of Music’s Gannon Concert Hall (2330 N Halsted St.).

In addition to Michie and Hacker, the cast includes Diana Newman as Sara Turing, Vince Wallace as Fred Clayton/Judge, Elise Quagliata as Joan Clark, Arnold Geis as Steve Todd/Arnold Murray and David Salsbery Fry as Don Bailey/Bobby/Prosecutor.

About Justine Chen
Composer and violinist Justine F. Chen has been the recipient of many prestigious awards and commissions, including New York City Opera, New York City Ballet, The Juilliard School, American Composers Orchestra and New York Festival of Song. Justine has won grants from BMI, ASCAP, the Frances Goelet Charitable Lead Trust, Opera America and the American Composers Forum through their Jerome Fund for New Music. In 2010, she joined American Lyric Theater’s Composer Librettist Development Program as a resident artist. She earned her DMA, MM, and BM from Juilliard in violin and composition, and specializes in contemporary music performance.

About David Simpatico
David Simpatico’s work has been presented at major theatres around the globe, including London’s Hammersmith Apollo, Williamstown Theatre Festival and the New York Shakespeare Festival. Highlights include the stage adaptations of Disney’s “High School Musical” 1 and 2; “Whida Peru,” with a score by Josh Schmidt; and “The Screams of Kitty Genovese,” a rock-opera with a score by Will Todd. David also wrote the libretto for Pulitzer Prize-winner Aaron J. Kernis’ millennium symphony, “Garden Of Light.” David Simpatico joined American Lyric Theater’s Composer Librettist Development Program as a resident artist in 2010. David attended at Northwestern University and received his Masters of Creative Writing at Southern New Hampshire University.

About Chicago Opera Theater
Chicago Opera Theater (COT) is a nationally recognized opera company based in Chicago, now in its 45th season. COT expands the tradition of opera as a living art form, with an emphasis on Chicago premieres, including new contemporary operas for a 21st century audience.

In addition to its programmed mainstage season, COT is devoted to the development and production of new opera in the United States through the Vanguard Initiative, launched in the Spring of 2018. The Vanguard Initiative mentors emerging opera composers, invests time and talent in new opera at various stages of the creative process and presents the Living Opera Series to showcase new and developing work.

Since its founding in 1973 by Alan Stone, COT has staged more than 125 operas, including over 65 Chicago premieres and more than 35 operas by American composers.

COT is led by Stefan Edlis and Gael Neeson General Director Douglas R. Clayton and Orli and Bill Staley Music Director Lidiya Yankovskaya. As of fall 2018, Maestro Yankovskaya is the only woman with the title Music Director at any of the top 50 opera companies in the United States. COT currently performs at the Studebaker Theater (Michigan & Congress) and the Harris Theater for Music & Dance (Michigan & Randolph).


For more information on the Chicago Opera Theater and its programs please visit chicagooperatheater.org.

Review of “Magic Parlour” at Palmer House Hilton: Performance # 1,000!

ChiIL Live Shows on our radar

“My goal is not to fool you, but to encourage a sense of wonder,”

--Dennis Watkins, cool, entertaining, and fun magician/mentalist

GUEST REVIEW 
by catherine hellmann 

Attending a magic show is a blast. Attending a cocktail event at the gorgeous Palmer House-Hilton is a special event. Seeing magician Dennis Watkins perform his 1,000th sold-out show in the stunning Chicago venue is astounding. What a treat! 

Phone photos below by Chris Meza

As Dennis himself observed, after being given a special proclamation on behalf of Mayor Rahm Emanuel, “If selling out 1,000 shows is not magic, I don’t know what is!”

Dennis Watkins is a third-generation magician. As a boy, he dreamed of doing huge “tricks,” like the typical “saw-the-lady-in-half” routine or making “elephants vanish.” But his grandfather encouraged him that the most powerful magic is sleight of hand performance that “requires your thoughts, your choices, and your actions to create something miraculous.” To demonstrate this point, Mr. Watkins said his grandfather modeled the philosophy by using a spool of thread. Following his grandfather’s lead, he unwound a long piece of white string, then broke it into several pieces. He wadded the string up and appeared to swallow it, washing it down with a sip of water. Then the youngest Mr. Watkins placed half a dozen razor blades into his mouth! “Tastes like Schick!” he quipped, downing them with more water. To the relief and delight of our audience, the razor blades emerged from his mouth individually, tied to the now-restored piece of string! And he seemed no worse for the wear, unlike if I attempted this and wound up in the emergency room with a team of health professionals shaking their heads…”You did WHAT?!”

One aspect of The Magic Parlour which can’t be duplicated is Watkins’ wonderfully charming personality. I especially love his interactions with the crowd; his enthusiasm and playfulness is so funny and alluring. Having an audience member write down a secret word, he chided, “I do want the marker back; I am on a budget.” And he teased another audience member,”Write down your name, Matt, and let me know if you have any spelling questions. Oh, and it’s a magic marker!!” He is sure to show the crowd a great time. Taking out-of-town guests to the Palmer House for a magic show would be a sure bet for both impressing them and introducing them to the magic that exists in Chicago.



When I saw the show a couple years ago, Dennis had me roll a die while his back was turned. I covered the number while he guessed my number. He studied me, smiled, and observed,”You are a good liar.” I threw back,”I teach middle school.” He roared, along with the audience. His graciousness and adoration of what he does is so evident.

My date thought it was amazing when Dennis began a mind-reading segment by covering his eyes with coins, then two layers of duct tape (Again with the awesome humor: “I bought duct tape because it is the weekend!”) to prove he could not cheat at figuring out the inner thoughts of his volunteers. We were blown away at his prowess of "mentalism"!



Our “childlike wonder” was brought to life in The Magic Parlour performance by Dennis Watkins. If you have never seen this show, do yourself a favor and go. Take the family as a special treat. You will not be disappointed. Huzzah!

When not at the theater, Catherine Hellmann rides herd on 8th graders at work and two teens at home. She is continually sleep-deprived. 

ChiIL Live Shows on our radar

DENNIS WATKINS GIVES 1,000TH PERFORMANCE OF 

THE MAGIC PARLOUR 

REACHING MILESTONE FRIDAY, JANUARY 25 

AT THE PALMER HOUSE HILTON HOTEL

I've caught The Magic Parlour every few years, since it's early days in the eclectic basement digs of Chopin Theatre. Back in 2012 I had the great pleasure of interviewing mystifying magician, Dennis Watkins, in his home. Check it out here:


Dennis Watkins expounds on being Harry Houdini in Death and Harry Houdini for Chicago's House Theatre and being his own magical self in the long running Magic Parlour show. He's done the water torture cell escape upwards of 100 times now! He also discusses the history of the show as it's evolved since 2001 and his own family history of magicians.

Since then, Watkins has moved up in the world, out of the cellar and into the elegant Palmer House Hilton Hotel! The Magic Parlour is a top pick of ours for tourists and locals alike. Watkins is charismatic, charming, and utterly baffling, while remaining refreshingly free of ego. The Magic Parlour show and Potter's Palmer House local are classic Chicago and truly a treat. 



Over the past eight years, my husband, kids, and friends have joined me at various Magic Parlour performances, and all have been amazed and well entertained by Dennis Watkins' close magic. Watkins remains one of our favorite premiere prestidigitators. We're excited to celebrate his 1,000th performance this month, as star in the longest currently running magic show in Chicago. Highly recommended! 



Dennis Watkins, a renowned third-generation magician and mentalist, has baffled and bemused audiences with his performance of The Magic Parlour. Produced by The House Theatre of Chicago, Watkins reaches a milestone on January 25 when he presents his 1,000th performance in the longest currently running magic show in Chicago. 

Each week, intimate audiences of just 44 guests are treated to 90 minutes of tom-foolery through close-up magic and mystifying mentalism at the storied Palmer House, a Hilton Hotel, 17 E. Monroe. The 1,000th show will be performed Friday, Jan. 25 at 9:30 p.m. While seating is limited for this milestone performance, the open run show continues in its season of five shows weekly thereafter. 

To find more about Watkins and The Magic Parlour, visit TheMagicParlourChicago.com.

“When we conjured up The Magic Parlour, it was a once-weekly late-night show in Wicker Park. Finding our home at the Palmer House on New Year’s Eve 2011 helped us evolve this project into the sophisticated production it is today. The audience’s imagination is at the heart of a truly magical and personal experience,” says Watkins.

The Palmer House has a rich history filled with hosting nearly a century’s worth of legendary magic performers including Chicago native and world-renowned magician Harry Blackstone, Sr., Paul Rosini, Richard Cardini, Ching Ling Fu and others. Watkins’ unsurpassed milestone at the historic venue is a testament to his ability to meld the best of magic’s captivating draw with a modern show, keeping the allure of Chicago’s deep-rooted magic scene alive for locals and visitors alike. Available for only The Magic Parlour ticket holders, guests can toast the occasion with a magical cocktail and a special prix-fixe Magic Menu dinner at Lockwood Restaurant & Bar at Palmer House throughout February. 

I can attest, their food is fantastic! 

“I keep the show fresh by adding new material throughout each year, always diving deeper into the lessons about inspiring wonder my grandad imparted to me.  With both believers and skeptics participating, every show is a one-of-a-
kind happening,” explains Watkins.



The Magic Parlour is an upscale event and cocktail attire is encouraged. The show is open to guests ages 12 and older. Tickets for The Magic Parlour are $79 or $89 each, which includes wine, beer and soft drinks served during the performance. The prix-fixe Magic Menu at Lockwood Restaurant & Bar costs $41 per person, all inclusive, and dinner reservations can be reserved at the time of ticketing. Purchase tickets at www.themagicparlourchicago.com or by calling The House Theatre of Chicago Box Office at 773-769-3832. 



ABOUT MAGICIAN DENNIS WATKINS Dennis Watkins is a third-generation magician who travels the country bringing world-class magic to the world's largest companies, as well as exclusive private and society events. Watkins' critically-acclaimed one-man-show, The Magic Parlour, has been running at the Palmer House Hilton Hotel in downtown Chicago for seven years. Produced by The House Theatre of Chicago, The Magic Parlour is an intimate evening of classic magic and impossible mind-reading in a private suite at one of Chicago's most historic and noteworthy hotels.  As a Company Member with The House Theatre of Chicago, Watkins has written, acted, and directed and performed in over 21 world-premiere productions. He appears as one of America’s greatest magicians in The House’s production of Death & Harry Houdini, including a death-defying nightly performance of the Water Torture Cell. Houdini has played seven times in Chicago over The House’s 17-year history. With awards and honors from the Texas Association of Magicians, the Society of American Magicians, the International Brotherhood of Magicians, and the Desert Magic Seminar, Dennis specializes in creating unforgettable magical experiences for each and every one of his audiences. The Chicago-based magician was honored to be an invited guest on Penn & Teller’s Fool Us television show.

ABOUT THE MAGIC PARLOUR The Magic Parlour starring Dennis Watkins is an intimate evening of classic magic and mind-reading featuring the work of the third-generation magician. Guests to this intimate, magic-packed evening gather at Potter's in the Palmer House lobby before Watkins personally escorts them to the performance space. Once inside, the audience participates in much of the performance as Watkins wows the room with classic sleight of hand, unbelievable mind-reading and magical wisdom passed down from his grandfather.  Since finding its home at The Palmer House on New Year’s Eve of 2011, The Magic Parlour has enjoyed phenomenal success and unimagined growth.  With only 44 seats available per show, The Magic Parlour has entertained over 30,000 guests for nearly 1,000 ticketed audiences and dozens of private groups, facilitated three truly magical wedding proposals, and has been featured in two books (Chicago Magic: A History of Stagecraft and Spectacle and 100 Things to do in Chicago Before You Die).




ABOUT THE HOUSE THEATRE OF CHICAGO  The House is Chicago's premier home for intimate, original works of epic story and stagecraft. Founded in 2001, led by Artistic Director Nathan Allen, and driven by an interdisciplinary ensemble of Chicago’s next generation of great storytellers, The House aims to become a laboratory and platform for the evolution of the American theatre as an inclusive and popular art form. Since becoming eligible in 2004, The House has won 22 Joseph Jefferson Awards, became the first recipient of Broadway in Chicago’s Emerging Theater Award in 2007, and was awarded a 2014 National Theatre Company Grant by the American Theatre Wing, founder of the Tony Awards®. 

OPENING: DRUM ALONG AT U.S. DEBUT OF DJEMBE! THE SHOW AT CHICAGO’S APOLLO THEATER BEGINNING MARCH 19, 2019

ChiIL Live Shows on our radar

BANG A DRUM.  FEEL THE PASSION. ALL TOGETHER NOW!

FRESH, NEW INTERACTIVE THEATRICAL EVENT

DJEMBE! THE SHOW

MAKES U.S. DEBUT AT CHICAGO’S APOLLO THEATER

IN LIMITED ENGAGEMENT, BEGINNING MARCH 19, 2019

A drum on every seat invites audiences to play along on this ‘joyous musical journey’

led by Broadway and Chicago talent!

**DJEMBE! The Show is enjoyable for all ages with discounts for students and seniors**

This show looks like too much fun! Here at ChiIL Mama and ChiIL Live Shows we're all about powerful storytelling and inspiring music. And with Djembe! The Show, the audience gets to drum too. We can't wait to check it out. 

Following a smash-hit international tour, the new, interactive theatrical event, DJEMBE! The Show, makes its U.S. debut at the Apollo Theater (2540 N. Lincoln Avenue, Chicago), for a strictly limited engagement starting performances on March 19, 2019 (with an official premiere on Thursday, April 11, at 7:30 p.m.). DJEMBE! (JEM-bay) will engage audiences in a high-energy program of powerful storytelling and inspiring music, including iconic pop hits. Leading this lively musical journey will be the trio of Broadway talent Ben Hope (Once) as Emcee; critically-acclaimed Chicago musical theater artist Rashada Dawan (Caroline, or Change) on lead vocals; and Guinean master drummer and folklorist Fodé Lavia Camara, backed by an ensemble of world-class musicians.

DJEMBE! was originally created by British artist and social entrepreneur Doug Manuel and is co-written by Manuel and Director West Hyler (Jersey Boys, Cirque du Soleil’s Paramour on Broadway, iLuminate, Big Apple Circus). 

The accomplished creative team includes Tony Award™-winner Todd Rosenthal (Scenic Design), Obie Award™-winner Montana Levi Blanco (Costumes), Zach Blane (Lighting), Ray Nardelli (Sound), Resean Davonte Johnson (Projections), and musician and storyteller Seckou Keita (Lead African Artist).

This U.S. debut is proudly presented by Ashley DeSimone Productions in partnership with TSG Theatricals.

“Upon seeing this show, I was immediately reminded of how I felt at Blue Man Group when that show first launched: exhilarated, transported, alive. DJEMBE! is an uplifting journey that I think individuals, friends and families all want to experience right now.  Audiences can choose to interact musically with our storytellers, which is surprisingly fun and also unique,” said DeSimone.  “We are delighted to have our initial U.S. home be in Chicago.”

Added Manuel, “What’s particularly exciting is the transformative nature of the experience when there are more than four hundred people in the audience playing music together. Versions of DJEMBE! have already been used by companies including Google, McDonald’s, IBM, Nestle, and Procter & Gamble to illustrate the importance of collaboration and community.  World-class entertainment, but with an important message.  One of our biggest fans is Oprah Winfrey, who chose DJEMBE! to open one of her OWN SuperSoul sessions!”

Lead cast bios:

Ben Hope (Emcee) made his Broadway debut in 2012 as the original replacement for the lead role in the Tony Award-winning musical Once. He has also traveled the world playing such notable musical greats as Hank Williams, Buddy Holly, Elvis Presley, Woody Guthrie, and Johnny Cash, among other more traditional musical theatre roles. Hope is the leader of the NYC-based honky-tonk band Ben Hope & The Uptown Outfit and is honored to be among these incredibly talented musicians for his debut in Chicago area theater.

Born and raised on the South Side of Chicago, Rashada Dawan (Vocalist) toured for four years with Disney's The Lion King Las Vegas company and in the Gazelle National Tour as Shenzi (affectionately known as "the Whoppi Goldberg hyena"). Other credits include: Caroline, or Change (Firebrand Theatre), Elf (Paramount), A Red Line Runs Through It (Second City), The Nutcracker (Lincolnshire Marriott), Aida (MUNY), Big River (Boho Theatre), Once On This Island (Yellow Alligator Theatre), TV/Film: The Red Line (CBS), Proven Innocent (Fox), Empire (Fox), Easy (Netflix)  

Fodé Lavia Camara (Lead djembe drummer) is a master drummer, folklorist, percussionist and choreographer who exemplifies the new generation in the preservation of West African traditions and the influence of these traditions on the world. Among his performance credits, in 2000, after an international search, Camara was recruited to Senegal’s Ballets D’Afrique Noire for a 32-city tour of the United States as lead drummer in a production entitled Mandinka Epic. He teaches annually at Kumandi African Drum and Dance Camp and tours nationally and internationally as an instructor, choreographer, and guest artist.

DJEMBE! The Show will be performed at the Apollo Theater, 2540 N. Lincoln Avenue, Chicago, in a strictly limited engagement, March 19 - June 2, 2019: Tuesdays - Fridays at 7:30 p.m. and Saturdays at 8:00 p.m., with matinees on Wednesdays, Saturdays and Sundays at 2:00 p.m.

Tickets range in price from $39.00 - $69.00 and are now on sale at www.djembetheshow.com, the Apollo Theater box office, phone (773) 935-6100, and online at www.ticketmaster.com. Enjoy special pricing in the first week of preview performances (March 19-24) when all tickets are priced at $39.00. DJEMBE! The Show is enjoyable for all ages; single ticket discounts are available for students and seniors. Discounts for groups of 10 or more are available through Group Theater Tix, (312) 423-6612, www.grouptheatertix.com.

The Apollo Theater, located in the heart of Chicago’s Lincoln Park, has been home to many of the city’s biggest hits including, most recently, Million Dollar Quartet, which became the longest-running Broadway musical in Chicago history. Recently renovated and fully accessible, the Apollo Theater’s intimate 435-seat mainstage continues to deliver world-class theater as one of the city’s premiere off-Loop houses.

Ashley DeSimone runs her namesake producing office, Ashley DeSimone Productions, where she brings new plays and musicals to the stage, and manages Fortune Theatrical Ventures, an investment portfolio focused on global live entertainment projects for clients and theater fans who want to own what they love. DeSimone has produced theater on Broadway, Off Broadway, in the West End, at U.S. regional theaters and in markets all over the world.  www.ashleydesimoneproductions.com

The Seelig Group (“TSG”) is a private media and entertainment investment, production and advisory firm which manages both TSG Theatricals and TSG Entertainment. TSG Theatricals is a production company that acquires, develops, produces, and presents a broad portfolio of live entertainment for international markets. Since 2012, TSG Entertainment has been the exclusive co-financing partner of 20th Century Fox, resulting in a library of 90+ films. TSG Theatricals is managed by Chip Seelig, Jovan Hannah, and Ophelia Chua.    

Foresight Theatrical is an industry leader in general management services for Broadway and touring productions. Foresight has managed some of the most famous shows of all time, including Les Misérables, Spider-Man: Turn Off The Dark and the longest-running production in Broadway history, The Phantom of the Opera.  In addition, the current roster of productions includes the Tony Award-winning Kinky Boots in London and Australia, The Band's Visit, The Lifespan of a Fact, King Kong, The Prom, Girl From The North Country at The Public Theater and Moulin Rouge!

For more information on DJEMBE! The Show, click HERE.

WIN Entry into Super Car Garage With Chicago Auto Show Social Media Campaign

Chi, IL Live Shows on our radar:

It's show time... Chicago Auto Show, that is. I'll be ChiILin' with Ford on Wednesday night, then I'll be out for the press preview Thursday and the Social Media preview Friday. I'll also be covering the What Drives Her luncheon with A Girls Guide To Cars. Check back like we vote in Chi, IL... early and often for my photo filled recaps and real time social media.

With more than 1 million square feet of the industry's latest cars, trucks and SUVs, four indoor test tracks, interactive displays and cutting-edge technology, countless social media photo opportunities await. Chicago Auto Show organizers are planning a robust social media campaign to encourage fans to share their experiences via platforms such as Facebook, Twitter, Instagram and Snapchat. 

"The Chicago Auto Show is perfectly positioned to harness the power of our crowds due to the show's sheer size, and our social media team takes advantage of this focus group to identify trends that set the stage not just for Chicago, but for the nation," said Chicago Auto Show General Manager David Sloan. "In addition, we offer free hi-speed WiFi across the show floor to make connecting and sharing as easy as possible". 

A leader in social media, the 2018 Chicago Auto Show generated 50 million hashtag impressions, continued as the No. 1 national trend on Twitter and engaged more than 1,500 social media influencers during its Media Preview. 
This year, Chicago Auto Show organizers are giving fans plenty of chances to get into the action via social media. 

Tune in Live on Facebook
Beginning Thursday, Feb. 7, the Chicago Auto Show is giving fans a backstage pass and will livestream all of the new vehicle unveilings and press conferences via its official Facebook page. 
Live video streaming will continue throughout the 10-day show.  

Experience the #CAS19 BUZZHUB 
Located just off of the Grand Concourse, the #CAS19 BUZZHUB features a 21-foot wall with real-time trending feeds and giant #CAS19 block letters for those pose-worthy moments. Fans who spot the Social Squad and show them their social media post from the show floor will receive instant prizes. 

Instagram #instawinCAS 
It's simple. Follow @thechicagoautoshow on Instagram, like the latest photo and tag a friend. Beginning Feb. 9, daily winners will be selected to receive a Chicago Auto Show prize pack. Fans who follow the show's daily Instagram stories will also get an insider scoop on "CAS Hacks" including the hottest debuts, special themed days and even ways to save on tickets. 
#SupercarSweeps

The show has partnered with Wintrust to give lucky winners the chance to get inside of the Supercar Gallery. Fans who share a picture of their dream car with #SupercarSweeps and tag the Chicago Auto Show will be entered to win VIP access inside the Wintrust Supercar Gallery. 

Snap 2 Win 
• Add the Chicago Auto Show on Snapchat.
• Snap a picture or video from the show floor. 
• Use the Chicago Auto Show custom geofilter.
• Send the Chicago Auto Show account a snap via direct message. 
• The post may be featured in the Chicago Auto Show's daily story. 

Attendees can connect with the Chicago Auto Show's buzzing communities on Facebook, Twitter, Instagram, Snapchat and YouTube for a virtual backstage pass to learn about the hottest cars, special events and contests. 
For more information on the 2019 Chicago Auto Show, please visit www.ChicagoAutoShow.com, or watch this promotional video. 

About the Chicago Auto Show
The Chicago Auto Show is the largest auto show in North America, spanning more than 1 million square feet of production, concept and exotic vehicle exhibit space. In addition to hosting multiple world and North American vehicle debuts, the Chicago Auto Show's First Look for Charity raises more than $2.5 million annually for 18 vital Chicago organizations in a single night. The 2019 public show is Feb. 9-18. For more information, visit www.ChicagoAutoShow.com or www.Facebook.com/ChicagoAutoShow.

About the Chicago Automobile Trade Association
Founded in 1904, the Chicago Automobile Trade Association is one of the nation's largest metropolitan dealer organizations. It is comprised of more than 420 franchised new-car dealers and an additional 150 allied members. The group's dealer members employ about 19,000 people in the metropolitan area. The association has produced the world-famous Chicago Auto Show since 1935. For more information please visit www.CATA.info.

The Chicago Theatre Hosts Sesame Street Live! Make Your Magic Feb. 9-10, 2019

ChiIL Mama’s Chi, IL Picks List

Sesame Street Live! Make Your Magic

ChiIL Mama will be there... will you?! I'm sending one of my fabulous freelancers, Kim, and her family to review for you. Don't miss this two day only chance to catch your favorite Sesame Street pals Elmo, Abby Cadabby, Big Bird and more right here in Chi, IL.

Everyone’s invited on an amazing journey with Elmo to discover the “power of yet” in Sesame Street Live! Make Your Magic. Featuring favorite Sesame Street pals Elmo, Abby Cadabby, Big Bird and more in a brand-new, magical adventure live on stage. Sesame Street Live! Make Your Magic will visit Chicago on Saturday, Feb. 9, and Sunday, Feb. 10, for six performances at The Chicago Theatre. Sesame Street Live! Make Your Magic is produced by family entertainment giant, Feld Entertainment, in partnership with the non-profit educational organization Sesame Workshop.



Elmo is inspired to learn a magic trick when he meets magician extraordinaire Justin, who has come to Sesame Street to perform a magic show. But there’s one problem…Elmo doesn’t know how to do magic! Through Justin’s encouragement to practice, work hard and never give up, Elmo embarks on an extraordinary journey. He learns that it’s okay to make mistakes and that magic can be found anywhere when you believe in yourself and the power of what’s yet to be. 

Cookie Monster and Gonger uncover the science and fun of baking while Abby Cadabby experiences the transformative abilities of caterpillars. Big Bird learns about the magnifying magic of shadow puppetry while Rosita orchestrates a rhythmic beat using everyday objects around her. And artist Grover mixes up the pigment power of the three primary colors. With high-energy dance numbers and a soundtrack that’s sure to get everyone out of their seats, Sesame Street Live! Make Your Magic is an inspirational introduction to live theater and the art of illusion that the entire family will enjoy.



Tickets for Sesame Street Live! Make Your Magic start at $15 and can be purchased online at www.msg.com/chicagotheatre, Ticketmaster at 1-800-745-3000 or The Chicago Theatre box office. Accessible and companion seats are available via the Disabled Services Department at 1-888-609-7599.

Shows are Saturday, Feb. 9, and Sunday, Feb. 10, at 10:30 a.m., 2 p.m. and 5:30 p.m. During the Sesame Street Live! pre-show experience, families have the opportunity to meet and take photos with Elmo and two of his furry friends before the show (characters are subject to availability). The Meet & Greet Package also features premium show seating within the first five rows and on-site experience hosts. Limited Meet & Greet Packages are available, so buy yours today!

Stay current on the latest developments through social media:
Facebook:  www.facebook.com/SesameStreetLive  
Twitter: @SesameStLive #SesameStreetLive 
YouTube: www.youtube.com/SesameSteetLive 
Instagram: @SesameStreetLive


About The Madison Square Garden Company
The Madison Square Garden Company (MSG) is a world leader in live sports and entertainment experiences.  The company presents or hosts a broad array of premier events in its diverse collection of iconic venues: New York’s Madison Square Garden, The Hulu Theater at Madison Square Garden, Radio City Music Hall and Beacon Theatre; the Forum in Inglewood, CA; The Chicago Theatre; and the Wang Theatre in Boston.  Other MSG properties include legendary sports franchises: the New York Knicks (NBA), the New York Rangers (NHL) and the New York Liberty (WNBA); two development league teams –  the Westchester Knicks (NBAGL) and the Hartford Wolf Pack (AHL); and esports teams through Counter Logic Gaming, a leading North American esports organization, and Knicks Gaming, MSG’s NBA 2K League franchise.  In addition, the Company features the popular original production – the Christmas Spectacular Starring the Radio City Rockettes – and through Boston Calling Events, produces New England’s preeminent Boston Calling Music Festival.  Also under the MSG umbrella is TAO Group, a world-class hospitality group with globally-recognized entertainment dining and nightlife brands: Tao, Marquee, Lavo, Avenue, The Stanton Social, Beauty & Essex and Vandal.  More information is available at www.themadisonsquaregardencompany.com

About Feld Entertainment
Feld Entertainment® is the worldwide leader in producing and presenting live touring family entertainment experiences that bring people together and uplift the human spirit. Properties include Monster Jam®, Monster Energy Supercross, Disney On Ice, Disney Live!, Marvel Universe LIVE!, Sesame Street Live!, and DreamWorks Trolls The Experience (coming Fall 2018). Across the brand portfolio, Feld Entertainment has entertained millions of families in more than 75 countries and on six continents. Visit feldentertainment.com for more information.

About Sesame Workshop
Sesame Workshop is the nonprofit media and educational organization behind Sesame Street, the pioneering television show that has been reaching and teaching children since 1969. Today, Sesame Workshop is an innovative force for change, with a mission to help kids everywhere grow smarter, stronger, and kinder. We’re active in more than 150 countries, serving vulnerable children through a wide range of media, formal education, and philanthropically-funded social impact programs, each grounded in rigorous research and tailored to the needs and cultures of the communities we serve. For more information, please visit sesameworkshop.org.