A&A BALLET HOSTS OPEN AUDITIONS FOR “THE ART DECO NUTCRACKER” IN CHICAGO SEPTEMBER 8
A&A BALLET (A&A), under the artistic direction of Anna Reznik and Alexei Kremnev, holds open children’s auditions for the second annual production of Alexei Kremnev's “The Art Deco Nutcracker,” Saturday, September 8 from 3-4:30 p.m. A&A welcomes dancers from ages four and up to audition for various roles, which will be performed at Chicago’s Studebaker Theatre at 410 S. Michigan Ave, November 30-December 2, 2018.
Auditions will be held at the American Rhythm Center in the Fine Arts Building at 410 S. Michigan Avenue, Chicago, on September 8th.
Audition attire: Girls-black camisole leotard, pink footed tights, pink canvas ballet and pointe shoes (age/level appropriate); Boys-black footed tights, white tight fitted t-shirt, black ballet shoes. The audition will include some basic dance movement and a combination to be performed in character. No preparation of audition material is necessary. Dancers will be notified via email within the week after the audition if they have been cast. A production fee will be required for dancers performing “The Art Deco Nutcracker” and varies depending on role. Rehearsals begin in September and will take place primarily on Saturdays at the American Rhythm Center. A pre-registration form may be downloaded at aacenterfordance.org.
Set in 1920s America, Kremnev's “The Art Deco Nutcracker,” featuring Tchaikovsky’s beloved score, is a fresh, yet traditional take on the beloved holiday favorite. “The Art Deco Nutcracker” is Kremnev's eighth full-length ballet. His work has been presented at the world-renowned Bolshoi Theatre in Moscow, Lincoln Center in New York, and the Opernhaus Zurich in Switzerland, among other prestigious venues across the globe. Tickets for Kremnev's “The Art Deco Nutcracker” go on sale at a later date to be announced.
A&A BALLET, based in Chicago’s historic Fine Arts Building on Michigan Ave., is devoted to training in strong, versatile dance technique, as well as the development of personality, independence and artistry. Led by internationally acclaimed artists and former Founding Artistic Directors of the Joffrey Academy and Joffrey Studio Company, Anna Reznik and Alexei Kremnev, A&A offers a wide variety of classes, professional performance opportunities, private instruction, choreography and training for dancers ranging from age 3 to adult. To date, A&A students have secured 60 full scholarships and nine apprentice and studio company positions with powerhouses including American Ballet Theater, Houston Ballet, Princess Grace Academy of Monaco, Bolshoi Ballet, Colorado Ballet, BalletMet and Sarasota Ballet. For more information visit aacenterfordance.org or call 312.545.2142.
Steppenwolf for Young Adults Kicks Off the 2018-19 Season with
The 2015 Tony Award Winner for Best Play
The Curious Incident of the Dog in the Night-Time
Adapted by Simon Stephens
Directed by Jonathan Berry
October 5 – October 27, 2018 in the Downstairs Theatre
Relaxed/Sensory-Friendly Performance October 27 at 3pm
Here at ChiIL Mama and ChiIL Live Shows, we're beyond excited about SYA's season opener. My daughter read the book for school and I joined her and read it too. We both loved it and can't wait to see Steppenwolf's take on this compelling story. I'll be out for the press opening on October 6th, so check back shortly after for my full review. Steppenwolf for Young Adults (SYA) begins rehearsals next week for its first play of the 2018-19 season, which asks, “When you feel lost, how do you find your way?” Steppenwolf Artistic Producer Jonathan Berry directs SYA’s production of The Curious Incident of the Dog in the Night-Time, featuring ensemble memberCaroline Neff. Public performances of The Curious Incident of the Dog in the Night-Time begin Friday, October 5, 2018 and run through Saturday, October 27, 2018 in the Downstairs Theatre, 1650 N Halsted St. Single tickets ($20-$30) are now on sale through Audience Services at 312-335-1650 orsteppenwolf.org. Weekday performances are reserved for school groups; more than 15,000 Chicago Public School students will experience the production. More info at steppenwolf.org/education.
The Curious Incident of the Dog in the Night-Time features Steppenwolf ensemble member Caroline Neff as Siobhan. Also featured are Terry Bell (Christopher), Scott Allen Luke (Roger /Policeman/Ensemble), Cedric Mays (Ed), Rebecca Spence (Judy/Ensemble), Meg Thalken (Mrs. Alexander/Ensemble), Christopher M. Walsh (Uncle Terry/Station Policeman/Ensemble) and Eunice Woods (Mrs. Shears/Ensemble).
Based on the critically acclaimed book by Mark Haddon, The Curious Incident of the Dog in the Night-Time focuses on Christopher, a young boy with an extraordinary brain and an exceptional talent for mathematics. When the neighbor’s dog Wellington is found dead, Christopher launches an investigation into the mystery surrounding the dog’s murder. As he searches for the truth on his first ever excursion by himself, he uncovers surprises about himself and his family, exploring the hidden secrets and challenges in everyday life.
“The beautiful beating heart of this story, for me, has always been the journey of a broken family struggling through a remarkably difficult moment and discovering how to be whole again. The Steppenwolf for Young Adults (SYA) production allows for us to be fully in conversation with the rewards and challenges inherent in these relationships, journeying with the remarkable Christopher as his world breaks apart and then reforms anew. I’m so thrilled to be working on this play with this incredible team of actors and designers, and can’t wait to share it with the SYA audiences,” comments director Jonathan Berry.
Relaxed/Sensory-Friendly Performances Steppenwolf is pleased to present a Relaxed/Sensory-Friendly performance for The Curious Incident of the Dog in the Night-Time on Saturday, October 27 at 3pm. Relaxed/Sensory-Friendly performances feature a relaxed performance environment and minor adjustments to sensory effects such as lighting and sound cues. House lights will be left up at a low level, and it’s okay for audience members to make noise, move, and leave the theater. Social narratives and character guides will be shared in advance of guests’ visit, and a quiet area will be designated in a section of the lobby. For more information, please email firstname.lastname@example.org.
Bios Jonathan Berry (Director) is an Artistic Producer at Steppenwolf and a director and teacher in Chicago. Steppenwolf productions include You Got Older, Constellations, The Crucible, Gary and A Separate Peace. Berry is a Steep Theatre ensemble member where productions include Birdland, Earthquakes in London, Posh, If There Is I Haven’t Found it Yet, The Knowledge, Festen, Moment and The Resistible Rise of Arturo Ui. He’s also an ensemble member at Griffin Theatre where productions include the Harvest, Winterset, Pocatello, Balm in Gilead, Golden Boy, Spring Awakening, Punk Rock, Port and On the Shore of the Wide World. He has served as the Assistant Director for Anna D. Shapiro’s Broadway productions of Of Mice and Men and This Is Our Youth. Other theatre credits include Dirty, Suicide, Incorporated, Othello(Gift Theatre); The Solid Sand Below, The World of Extreme Happiness for New Stages (Goodman Theatre); Kill Floor (American Theater Company); Little Shop of Horrors, Sideman (American Blues Theater); I am Going to Change the World(Chicago Dramatists); and The Casuals (Jackalope Theatre Company). He pursued his MFA in directing from Northwestern University. He has taught at University of Michigan, Northwestern University, University of Chicago, Columbia College and The School at Steppenwolf.
Simon Stephens (Playwright) is an English playwright whose plays have been widely produced in the UK, Europe, Australia and the US. Stephens is an Artistic Associate at the Lyric Hammersmith and has been an Associate Playwright of Steep Theatre since 2013, where the successful Jonathan Berry helmed production of Birdland played this spring. In addition to his Olivier and Tony Award for The Curious Incident of the Dog in the Night-Time, Stephens has received the 2001 Pearson Award for Best Play for Port; the 2005 Olivier Award for Best New Play for On the Shore of the Wide World; Theater Heute's Award for Motortown in 2007, Pornography in 2008 and Wastwater in 2011; and the 2009 Manchester Evening News Award for Best Production for Punk Rock. His play Heisenberg premiered in New York in 2015, opened on Broadway in 2016, and is currently enjoying productions all over the globe. Stephens visited Steep in 2012 and 2016, during which he performed public readings of his work Sea Wall and Song from Faraway, and Steep presented the first ever public reading of his play Blindsided, a new work commissioned by the Royal Exchange Theatre in Manchester, England.
Stephens' other works include Birdland, Bluebird, Herons, One Minute, Country Music, Harper Regan, I am the Wind, Three Kingdoms, Morning, a new version of Ibsen's A Doll's House, Carmen Disruption, The Funfair, a new version of Ödön von Horváth's Kasimir and Karoline, his version of Brecht and Weill's The Threepenny Opera, Nuclear War, Fatherland, his English language version of Obsession, and his new adaptation of Chekhov's The Seagull.
The Curious Incident of the Dog in the Night-Time production team includes Brandon Wardell (scenic and lighting design), Stephanie Cluggish (costume design), Pornchanok Kanchanabanca (sound design and original music), Joseph Burke (projection design) and Dan Plehal (Movement Consultant). Additional credits include Michelle Medvin (stage manager), JC Clementz (casting director) and Hallie Gordon (artistic producer).
Public performances of The Curious Incident of the Dog in the Night-Time are: Friday, October 5 at 7:30pm; Saturday, October 6 at 3pm and 7:30pm; Sunday, October 7 at 3pm; Friday, October 12 at 7:30pm; Saturday, October 13 at 3pm and 7:30pm; Friday, October 19 at 7:30pm; Saturday, October 20 at 3pm and 7:30pm; Friday, October 26 at 7:30pm; Saturday, October 27 at 3pm and 7:30pm. *The October 27 3pm performance will be a Relaxed/Sensory-Friendly performance. Weekday performances are reserved for school groups; more than 15,000 Chicago Public School students will experience the production. More info at steppenwolf.org/education.
Major foundation support for Steppenwolf Education is provided by the Polk Bros. Foundation and Alphawood Foundation. Steppenwolf Education is also supported in part by contributions from The Crown Family, Paul M. Angell Family Foundation, Sage Foundation, Lloyd A. Fry Foundation, Northern Trust Company, Field Foundation of Illinois, Dr. Scholl Foundation, the Helen Brach Foundation, ITW Foundation, Siragusa Foundation, Robert and Isabelle Bass Foundation, Inc. and Daniel F. and Ada L. Rice Foundation; as well as the Steppenwolf Associates, a community of dynamic young professionals. Steppenwolf Education is a citywide partner of the Chicago Public Schools (CPS) School Partner Program. Visitor Information Steppenwolf is located at 1650 N Halsted St near all forms of public transportation, bike racks and Divvy bike stands. The parking facility ($13 or $15, cash or card) is located just south of our theater at 1624 N Halsted. Valet parking service ($15 cash) is available directly in front of the main entrance starting at 5pm on weeknights, 1pm on weekends and at 12noon before Wednesday matinees. Limited street and lot parking are also available. For last minute questions and concerns, patrons can call the Steppenwolf Parking Hotline at 312-335-1774. Accessibility Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance, and the Downstairs and 1700 Theatres are each equipped with an induction hearing loop. All theaters feature wheelchair accessible seating and restrooms, and Front Bar features a push-button entrance, all-gender restrooms and accessible counter and table spaces.
Steppenwolf Education’s unique approach combines play production with educational components to enhance arts education for young audiences, as well as their teachers and families, as well as a professional leadership program for early-career professionals. Every season Steppenwolf for Young Adults (SYA) creates two full-scale professional productions specifically for teens. Working closely with the Chicago Public and metropolitan area schools and other community partners, Steppenwolf Education annually ensures access to the theater for more than 15,000 participants from Chicago’s diverse communities. The initiative also includes post-show discussions with artists; classroom residencies led by Steppenwolf-trained teaching artists in almost 100 classrooms in public high schools; professional development workshops for educators; and the Young Adult Council, an innovative year-round after-school initiative that uniquely engages high school students in all areas of the theater’s operations, as well as other teen and community based programs.
Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble represents a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programming includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.
THE HOUSE THEATRE OF CHICAGO ANNOUNCES CASTING FOR ITS WORLD PREMIERE SEASON OPENER,
BY BENNETT FISHER, DIRECTED BY MONTY COLE,
AUGUST 30 – OCTOBER 21
**ENTER BELOW! TWO OF OUR LUCKY READERS WILL WIN A PAIR (2) OF TICKETS UP TO $100 VALUE TO BOREALIS, GOOD FOR SUNDAY, SEPTEMBER 9TH AT 7PM**
Both Playwright and Director Make their Debut with The House in this Epic Adventure Through the Corporate Guts of Big Oil
Here at ChiIL Mama and ChiIL Live Shows, it's our great pleasure to partner up once again with The House Theatre of Chicago on a ticket giveaway for our readers. The House has a well deserved national reputation for epic productions and amazing feats of storytelling. They've long been favorites of ours and we make it a point to catch every show they mount. Whether you've never seen one of their shows or you're a regular, take a few minutes to enter at the bottom of this post, and you may be one of two lucky winners to enjoy a show "on the house".
The House Theatre of Chicago is proud to announce casting and the production team for the company’s season opener, Borealis. Director Monty Cole helms the professional premiere of playwright Bennett Fisher’s epic adventure through the corporate guts of Big Oil. Borealis runs August 30 through October 21 at Chopin Theatre’s Upstairs Theater, 1543 W. Division St., Previews begin Thursday, August 30 and play through Friday, September 7. Opening/press night is Saturday, Sept. 8 at 8 p.m. The performance schedule is Thursdays - Saturdays at 8 p.m. and Sundays at 3 p.m. (September 23 and October 7) or 7 p.m. (September 9, September 16, September 23, October 14 and October 21). Preview tickets are $20 and regular run tickets range from $30 to $50. $20 same-day tickets for students and industry professionals are available for all dates, seats permitting. For more information and to purchase tickets, please visit www.thehousetheatre.com or call 773.769.3832. When a redacted and ominous letter arrives from her brother on the oil fields, thirteen-year-old Cozbi sets off for Anwar, Alaska to find him. Armed with a book on corporate communication strategy and a sharp axe, Cozbi battles her way through an Arctic wilderness in pursuit of her missing brother. But she'll have to face more than a multi-tentacled HR rep to learn the truth. Part mythic journey, part workplace satire, Borealis is a dark and funny adventure about family obligation, career aspiration and what we leave behind to make our way to the top. Cozbi’s search-and-rescue tale to the inner workings of Big Oil travels between mundane cubicles crawling with monstrous executives to desk-jockeys trapped by the dangerous ice-bound surround and out to the slick, sea-soaked rigging platforms. The House employs an immersive design with huge pipelines traversing up, around and behind the audience creating unique pathways and playing spaces for actors. Borealis was first developed at the Kennedy Center MFA Playwrights workshop in 2014. It received further development at UC San Diego, the Unicorn Theater, Mixed Blood, Cutting Ball Theater, Custom Made Theater Company, the Alliance Theater (Kendeda Prize Finalist), and The House Theatre of Chicago and the Chicago Performance Lab through the Theatre and Performance Studies Program at the University of Chicago
Borealis_Headshot Block.jpg: (L to R) Johnny Arena+ (Ensemble #1), McKinzie Chinn (Burke), Desmond Gray (Absalom), Ben Hertel+ (Ensemble #2), Paige Hoffman+ (Ensemble #3: McKnight/Langley/Zebedee, Internal Understudy for Burke), Madhura Jugade (Abbot & Cozbi Understudy), Juan Munoz (Absolom & Ensemble #3 Understudy), Karissa J. Murrell Myers* (Abbot), Oly Oxinfry (Ensemble#1 and #2 Understudy), Tia Pinson (Cozbi) The cast of seven includes three House Company Members: Paige Hoffman+, Johnny Arena+, and Ben Hertel+. Returning guest artists include Desmond Gray (The Nutcracker, Hatfield & McCoy) and Tia Pinson (Hatfield & McCoy) as brother and sister, as well as new guest artists McKinzie Chinn and Karissa J. Murrell Myers*. The understudies are Madhura Jugade, Juan Munoz, and Oly Oxinfry. The Production and Design team includes Eleanor Kahn, scenic designer; Izumi Inaba^, costume designer; Lee Keenan+^, lighting designer; Sarah Espinoza, sound designer; Matthew Muñiz+, composer; Ellie Terrell, properties designer; Breon Arzell, choreographer; Gaby Labotka, fight choreographer; Abhi Shrestha, assistant director and Amalie Vega*, stage manager.
*Member Actor’s Equity Association +Company Member of The House Theatre of Chicago ^Member of United Scenic Artists, Local USA 829
ABOUT BENNETT FISHER, playwright Bennett Fisher is an artistic associate and former Shank Fellowship Playwright in Residence at Victory Gardens Theater in Chicago and a company member of Campo Santo and People of Interest and the Cutting Ball Theater. His other plays include Damascus (recently presented by Strawdog in Chicago, Samuel Goldwyn Award, O'Neill Conference finalist), Don't Be Evil, Candlestick, Campo Maldito, and the dialogue for the immersive theater experience The Speakeasy, currently running in San Francisco. His work has been presented and produced by the Bay Area Playwrights Festival, Strawdog Theater Company, La Jolla Playhouse's WOW Festival, the Alliance Theater, the Kennedy Center MFA Playwrights Workshop, Florida Repertory Theater, the Martin E. Segel Center, Burbage Theater Company, People of Interest, Ubuntu Theater Project, Theater Emory, the Unicorn Theater, Sleepwalkers Theater, New Conservatory, the Cutting Ball Theater, Custom Made Theatre Company, and others. Fisher has been commissioned by The House Theater of Chicago, Theater Emory, Campo Santo, and others. His screenplay version of Damascus was optioned by Bill Mechanic and Pandemonium and he is currently developing work with e1 based on the experience of the former CIA officer-turned-whistleblower John Kiriakou. As an actor, dramaturg, and director, he has collaborated with California Shakespeare Theatre, Stanford Summer Theatre, Just Theater, Crowded Fire, Pear Ave Theatre, Adirondack Shakespeare Company, Marin Shakespeare Company, and many others. He received his MFA from UC San Diego in 2016. ABOUT MONTY COLE, director Monty Cole is a director based out of Chicago and Los Angeles. Cole has directed for The Goodman Theatre, The Alley Theatre, Victory Gardens Theater, American Theatre Company, Definition Theater Company/ALTA, The House Theatre of Chicago, the Chicago Theater Marathon, California Institute of the Arts and others. Cole directed the critically acclaimed and Jeff Award winning production of The Hairy Ape for Oracle Productions. Cole is working with collaborator and choreographer Breon Arzell on revitalizing In Dahomey, the first black written and performed Broadway musical from 1903 for the Center for New Performance. Recently, Cole directed William Shakespeare's Hamlet at The Gift Theatre and Kiss by Guillermo Calderon at the Haven Theatre Company. Cole is currently finishing his MFA Directing degree at the California Institute for the Arts.
ABOUT THE HOUSE THEATRE OF CHICAGO The House is Chicago's premier home for intimate, original works of epic story and stagecraft. Founded and led by Artistic Director Nathan Allen and driven by an interdisciplinary ensemble of Chicago’s next generation of great storytellers, The House aims to become a laboratory and platform for the evolution of the American theatre as an inclusive and popular artform. The House was founded in 2001 by a group of friends to explore connections between Community and Storytelling through a unique theatrical experience. Since becoming eligible in 2004, The House has been nominated for 70 Joseph Jefferson Awards (22 wins), became the first recipient of Broadway in Chicago’s Emerging Theater Award in 2007, and was awarded a 2014 National Theatre Company Grant by the American Theatre Wing, founder of the Tony Awards. The 17th season of original work will begin with Borealis in the fall of 2018 and The House will continue its mission to unite Chicago in the spirit of Community through amazing feats of Storytelling.
ENTER HERE! TWO OF OUR LUCKY READERS WILL WIN A PAIR (2) OF TICKETS UP TO $100 VALUE TO BOREALIS, GOOD FOR SUNDAY, SEPTEMBER 9TH AT 7PM
Winners will be chosen at random and announced here and via our social media outlets on September 7th. Winners will also be e-mailed. Enter early and often through midnight September 6th.
Here at ChiIL Mama, we adore Marvel Studios’ “Avengers: Infinity War,”! It's a family fav that the adults in my family adore as much as the teens. Now you can own it and watch it any time! Celebrate with some fun clips below, including gag reel clips and more below, then pick up your Blu-ray 4K Ultra HD/Blu-ray today.
Disney’s fastest selling Digital release of all time, Marvel Studios’ “Avengers: Infinity War,” crashes into homes on Blu-ray 4K Ultra HD & Blu-ray on Aug. 14 and includes a wide-array of never-before-revealed bonus content.
Featurettes provide behind-the-scenes access to memorable moments when characters first meet, the rationale behind some unexpected on-screen pair-ups, explores the frighteningly powerful Thanos, the struggle on Titan and the massive battle in Wakanda. Deleted scenes and filmmaker commentary reveal even more on-set secrets from Marvel Studios’ monumental undertaking. And the gag real showcases a lighthearted collection of on-set antics from all your favorite Super Heroes.
This must-own addition to the in-home film collection is packaged in several ways so that fans can get the most out of their viewing experience including a 4K Cinematic Universe Edition (4K Ultra HD+Blu-ray+Digital) and as a Multi-Screen Edition (Blu-ray+Digital). And for those who wish to catch up on their MCU history, select retailers are also offering bundled packaging of “Avengers: Infinity War” to include “Marvel’s The Avengers” and “Avengers: Age of Ultron.”
FIFTH IN AWARD-WINNING SERIES OF CHILDREN'S ALBUMS
TO BE RELEASED
IN TANDEM WITH TWO COMPANION BOOKS IN OCTOBER
"Sukey is undeniably today's Mister Rogers."
-- Celebrity Parents Magazine
"Molloy has a strong, gentle, kindly voice, which she combines with light instrumentation to a wonderfully soothing effect."
-- Parents' Choice Award review of Sukey Molloy's I Am Sleepy!
With a bevy of awards proudly in hand, beloved children's musician Sukey Molloy puts a big smile on traditional favorites and mixes them with original songs, poetry, and a story for the October 5 release of her fifth album, Five Little Oysters! October 5 will also see the release of two companion audio picture books by Sukey Molloy: Five Little Oysters! and The Story of Little Flame in the Arctic. Featuring colorful felt art images, these books are designed to be read while listening and singing along to Sukey's songs, courtesy of a song download link provided in each book. There are certain songs that should be part of the childhood experience for every child. With her new album Five Little Oysters!, Sukey Molloy turns tradition upside down, shining a new light of fun, fun, fun on this classic repertoire with updated lyrics, a seemingly endless flow of irrepressibly humorous sound effects, and many delightful punctuations from the percussion department guaranteed to produce a parade of giggles. All of this hilarity is imbued with the magic of the up-close, cheery, participatory style that has become Sukey's calling card. Joining Sukey as co-producer of Five Little Oysters! is Grammy-winner Larry Alexander (Diana Ross, Bruce Springsteen, Bon Jovi, David Bowie), who has served in this capacity for all five of Sukey's albums. Together they have created a recording for children that will surely set the standard for years to come with its graceful flow from beginning to end and a clean, clear sound that echoes first-rate production values. The musical integrity of the album, the cultural significance of the classic material, and the sweet nuances of Sukey Molloy's original lyrics and melodies present a trio of impeccable assets. Five Little Oysters! kicks off with "It's Raining, It's Pouring," for which Sukey Molloy has adapted the lyrics to incorporate picture-perfect farm animal sounds and imagery, all set to a delightful Calypso beat. "Do Your Ears Hang Low" presents all of the little-known original verses frolicking in a carnival atmosphere. Whistles, cow moos, shuffling sandpaper blocks, cowbell, triangle, water stick, and bass drum partner with the physiologically absurd lyrics in describing almost every conceivable ear position, location, and characteristic! Other highlights include Sukey's version of "She'll Be Coming 'Round the Mountain" (with a mighty fine fiddling interlude); "I've Been Working on the Railroad," in all its rollicking, fee-fi-fiddley-eye-oh glory; and the all-time grandfather of counting songs, "This Old Man," followed by a remarkably selfless rendition of "Simple Gifts," done here with purity and reverence, just the way it should be. Sukey concludes the album by reading her perfectly enchanting "The Story of Little Flame in the Arctic." Whether singing or speaking, Sukey Molloy's crystal-clear voice imprints a smile on every track of this beautiful album. Sukey Molloy's award-winning body of work include the albums I Am Sleepy! with Sukey Molloy (2012; Parents' Choice Silver Award, Mom's Choice Gold Award), I Am Happy! with Sukey Molloy (2012; Creative Child CD of the Year Award, Mom's Choice Gold Award, Preferred Choice Award), I Like to Sing! with Sukey Molloy (2007; NAPPA Honors Award), Circle Songs! with Sukey Molloy (2005; Children's Music Web Award, Parent to Parent Adding Wisdom Award), and two Sukey's Circle! DVDs (2009 and 2010; NAPPA Honors Award, Mom's Choice Gold Award, Preferred Choice Award, NAPPA Rising Star Commendation). The Five Little Oysters! album will be available at Amazon, iTunes, sukeymolloy.com, and at retail outlets nationwide. The Five Little Oysters! and The Story of Little Flame books will be available at Amazon, Etsy, and sukeymolloy.com.
Album Details: Five Little Oysters! Label: PlayMove&Sing Inc. Release Date: October 5, 2018 For ages 1 - 5 SRP: $9.99 CD or digital download Run Time: 39 minutes Companion Audio Picture Books: Five Little Oysters! Written & illustrated by Sukey Molloy For ages 2 - 4 SRP: $17 Length: 22 pages Publisher: PlayMove& Sing Inc. ISBN: 978-1-5323-8123-2 The Story of Little Flame in the Arctic Written & illustrated by Sukey Molloy For ages 2 - 5 SRP: $17 Length: 28 pages Publisher: PlayMove& Sing Inc. ISBN: 978-1-5323-8124-9
BOM's THAT’S WEIRD, GRANDMA has been a fav of ours here at ChiIL Mama & ChiIL Live Shows for decades. Check it out! They incorporate the best of kids' unabashed creativity in writing scenes and give them a pro twist, with staging by adult actors. The combination is a high energy concoction of crazy fun and often snort out loud funny. They run some Sundays at 3pm and Mondays at 8pm, when most theatres are dark, so other actors can enjoy a lighthearted night out. Yet the show is short and early enough that older kids and teens should have no problem catching the show and still making it home in time for a school night curfew. Best of all, Barrel of Monkeys is excited to be an inaugural Teen Arts Pass (TAP) partner. TAP is a new initiative by Urban Gateways that gives young people ages 13-19 access to $5 tickets to see professional dance, music, and theater performances in and around Chicago. Learn more about the program and sign up here: http://teenartspass.urbangateways.org/ Barrel of Monkeys is thrilled to announce the 2018-19 season of its lauded original sketch show THAT’S WEIRD, GRANDMA, performing at the Neo-Futurist Theater, 5153 N. Ashland Ave. in Chicago’s Andersonville neighborhood. For tickets and additional information, visit barrelofmonkeys.org.
Now in its eighteenth year, THAT’S WEIRD, GRANDMA features adaptations of stories written during Barrel of Monkeys’ creative writing residencies in Chicago elementary schools. BOM teaching artists guide 3rd through 5th graders through a six-week curriculum that uses theater to bring out the storyteller in every child. Afterward, BOM’s ensemble of professional actors, comedians and musicians bring the young authors’ stories to life as raucous sketches, songs and movement pieces, performing first for students in their schools and then for the public.
The stories resonate with adults while celebrating the imaginations of young people. Rotating themes highlight the diversity of stories BOM students concoct, from hilarious dialogues between unlikely characters to poignant pleas for social change. Every week brings a new line-up of stories, and BOM invites audiences to vote on their favorites at each performance.
Comments Barrel of Monkeys’ Executive Director Corinne Neal, “We’re thrilled to be incorporating more weekend and evening performances this season, to better serve the adult sketch-comedy crowd in addition to our loyal audience of local families and adventurous theatre-goers. This show is truly for anyone with an inner child.”
THAT’S WEIRD, GRANDMA’s 2018-19 season includes:
October 7 – November 4, 2018 THAT’S WEIRD, GRANDMA: Ghost, Ghouls, and Talking Potatoes Directed by Artistic Director Brandon Cloyd Sundays at 3 pm Tickets: $5 – $20. Tickets go on sale Tuesday, August 28, 2018 at barrelofmonkeys.org.
Just in time for Halloween, gather ye ‘round for a line-up of scary (and silly) stories featuring creepy twins that appear in photos, talking potatoes getting lost in the woods, Malcolm X fighting zombies and other spooky scenarios imagined by Chicago elementary school students.
December 10 – December 22, 2018 THAT’S WEIRD, GRANDMA Rings in the Holidays Directed by Artistic Director Brandon Cloyd Mondays at 8 pm + weekend performances Tickets: $5 – $25
Barrel of Monkeys’ beloved holiday special returns with a mix of classic stories from the That’s Weird, Grandma repertoire alongside brand new sketches and songs. Make That’s Weird, Grandma your family’s newest holiday tradition!
January 20 – February 17, 2019 THAT’S WEIRD, GRANDMA: Star-Studded Stories Directed by Mary Tilden Sundays at 3 pm Tickets: $5 – $20
Witness pop culture legends live onstage – or at least pop culture legends as 3rd – 5th graders imagine them! BOM performers portray stars past, present and fictional through outrageous dialogues and choreographed musical numbers.
May 3 – May 25, 2019 THAT’S WEIRD, GRANDMA: Stories That Sing and Dance Directed by Artistic Director Brandon Cloyd Fridays and Saturdays at 7:30 pm Tickets: $5 – $20
Back by popular demand, BOM’s all-musical line-up returns with a mix of new and classic song-and-dance numbers performed to live accompaniment by the talented musicians of Barrel of Monkeys. Now performing in prime-time for the first time ever!
June 24 – August 12, 2019 THAT’S WEIRD GRANDMA: Fantastic Beasts and the Stories About Them Co-Directed by Artistic Director Brandon Cloyd and Bradford Stevens Mondays at 8 pm Tickets: $5 - $20
Meet the strange and wonderful creatures created by Barrel of Monkeys students, from talking animals to intergalactic lifeforms. BOM performers bring these beings to life through song, dance, and ridiculous costumes.
About the Artistic Director Brandon Cloyd joined Barrel of Monkeys in 2007 and has been deeply involved in many facets of the company ever since. Prior to joining BOM, Brandon graduated from Northwestern University with a Bachelor of Arts in Theatre and a minor in Business Institutions. Within BOM, Brandon has served as an actor, teaching artist, lead teacher, a member of Teacher Corps, as well as directing shows for schools and public performances of That's Weird, Grandma. Before becoming the company’s Artistic Director in September 2017, Brandon served as BOM After-School Program Coordinator at Loyola Park from 2014-2016 and Program Director from 2016-2017. Outside of Barrel of Monkeys, he worked as the Associate Director of Camp Echo, where he has spent 13 summers managing campers and staff at a co-ed sleep away camp in Upstate New York. Brandon has worked with other theatre companies including Urban Theatre Company, American Theater Company, Filament Theatre, InGen Productions, ACLE's Teatrino in Italy and Purple Crayon Players at Northwestern University.
About Barrel of Monkeys Since Barrel of Monkeys’ inception in 1997, its teaching artists have served more than 60 Chicago Public Schools. Over 15,000 elementary school students have participated in the Barrel of Monkeys programs, which aim to build students' writing skills, improve self-esteem, and instill confidence in their ideas and abilities.
Barrel of Monkeys is sponsored in part by Wintrust Financial, Allscripts, Inc., Ernst and Young and Punchkick Interactive. It receives generous support from the Illinois Arts Council Agency; the National Endowment for the Arts; a CityArts Grant from the City of Chicago Department of Cultural Affairs and Special Events; the Chicago Community Trust; Crown Family Philanthropies; Alphawood Foundation of Chicago; the Maurice R. and Meta G. Gross Foundation; Polk Bros Foundation; the Richard H. Driehaus Foundation; the Robert and Isabelle Bass Foundation, Inc.; The Saints; The Topfer Family Foundation, and many other generous individuals and foundations.
Steppenwolf for Young Adults to Present the Acclaimed Play
We Are Proud to Present a Presentation
About the Herero of Namibia, Formerly Known as
South West Africa, From the German Südwestafrika,
Between the Years 1884-1915
Written By Jackie Sibblies Drury
Directed by Hallie Gordon and Gabrielle Randle
March 2– March 16, 2019
Steppenwolf for Young Adults (SYA) announced today it will produce We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as South West Africa, From the German Südwestafrika, Between the Years 1884-1915 by Jackie Sibblies Drury as the second production in the 2018/19 season. SYA Artistic Director Hallie Gordon co-directs with Gabrielle Randle. SYA’s 2018/19 Season explores the question, “When you feel lost, how do you find your way?” We Are Proud to Present a Presentation…will be produced in place of the previously announced production of Radical, a new play inspired by the book White American Youth by Christian Picciolini. SYA Artistic Director Hallie Gordon shares, “After months of discussions with teachers, Young Adult Council members, artists and designers it became clear that adapting this book for the stage would not be of service to our young adult audiences at this time. I am so grateful to the author, playwright, and our incredible community of educators, teens and artists for sharing their voices, and to the Steppenwolf family for trusting me to know when to push forward and pull back.” “SYA is dedicated to creating work that is both provocative and drives us to think harder and deeper about who we are and the choices we make. We are so excited to be producing We Are Proud to Present a Presentation…a powerful story that explores themes of race, representation, storytelling and the power group-thinking can have on an individual. Our season theme is “When you feel lost, how do you find your way?” – a question that every character in this play must ask themselves. SYA hasn’t yet produced a play structured like this one, and we are thrilled that we have the opportunity to share it with our audiences,” adds Gordon. When a group of actors gathers together to give a presentation about a long-forgotten—or possibly never remembered—genocide, they realize that summaries based on history books aren’t nearly enough to capture the complexity of human extermination—or human interaction. We Are Proud to Present a Presentation…tells the story of what happens when, in an effort to dig deeper, the nobly intentioned ensemble crashes into their own simmering fears and unconscious prejudices, coming face to face with the potential for brutality in all of us. Public performances for We Are Proud to Present a Presentation…will take place March 2 (3 & 7:30pm); March 8 (7:30pm); March 9 (3 & 7:30pm); March 15 (7:30pm); March 16 (3 & 7:30pm) in the Upstairs Theatre. Performances Tuesday – Friday at 10am are reserved for school groups only and available by visiting steppenwolf.org/education. This season, more than 15,000 Chicago Public School students, teachers and community will see a Steppenwolf for Young Adults production. Single tickets to public performances ($15-20) go on sale at a later date. Bios Hallie Gordon (Co-Director) is an Artistic Producer at Steppenwolf and the Artistic Director for Steppenwolf for Young Adults, where she has directed many productions for the program including Monster by Walter Dean Myers; George Orwell’s 1984 and Animal Farm; The Book Thief; To Kill a Mockingbird; and the world premiere of Toni Morrison’s The Bluest Eye at Steppenwolf and Off-Broadway. In Steppenwolf’s season she has directed The Rembrandt and Taylor Mac’s Hir. She is an ensemble member for Rivendell Theatre where she directed the critically acclaimed Dry Land and Eat Your Heart Out. Gabrielle Randle (Co-Director) is a performance scholar, director, and dramaturg based in Chicago. She has a BA in Drama from Stanford University and an MA in Performance as Public Practice from The University of Texas at Austin. She has worked as a dramaturg, producer, and director across the United States including Off-Broadway and internationally on three continents. In Chicago she has worked with Sideshow Theatre Company (Associate Artist), Chicago Dramatists, Victory Gardens Theater, Wirtz Center for the Performing Arts, and Court Theatre. She is a third year PhD student at Northwestern in The Interdisciplinary PhD in Theatre and Drama. Tour to Juvenile Justice Facilities Working in collaboration with Storycatchers Theatre, Steppenwolf Education will tour its production of We Are Proud to Present a Presentation… to three Juvenile Justice Facilities in Illinois. This will be the third tour collaboration between Steppenwolf and Storycatchers Theatre, an organization that guides young people to transform their traumatic experiences into powerful musical theatre, inspiring them to develop the courage and vision to become leaders and mentors. By creating support for youth within the criminal justice system, Storycatchers prepares them to change their lives and emerge successfully from court involvement. For more info, visit storycatcherstheatre.org. The Curious Incident of the Dog in the Night-Time Opening the 2018/19 SYA Season is The Curious Incident of the Dog in the Night-Time adapted by Simon Stephens, based on the book by Mark Haddon and directed by Jonathan Berry, October 5 – October 27, 2018 in the Downstairs Theatre. Based on the critically acclaimed book by Mark Haddon, The Curious Incident of the Dog in the Night-Time focuses on Christopher, a young boy with an extraordinary brain and an exceptional talent for mathematics. When the neighbor’s dog Wellington is found dead, Christopher launches an investigation into the mystery surrounding the dog’s murder. As he searches for the truth on his first ever excursion by himself, he uncovers surprises about himself and his family, exploring the hidden secrets and challenges in everyday life. Public performances of The Curious Incident of the Dog in the Night-Time are October 5 (7:30pm); October 6 (3 & 7:30pm); October 7 at 3pm; October 12 (7:30pm); October 13 (3 & 7:30pm); October 19 (7:30pm); October 20 (3 & 7:30pm); October 26 (7:30pm); October 27 (3 & 7:30pm). *The October 27 3pm performance will be a Relaxed/Sensory Friendly performance. Tickets to public performances are available at 312-335-1650 or at steppenwolf.org. Relaxed/Sensory-Friendly Performances Steppenwolf is proud to present Relaxed/Sensory-Friendly performances for The Curious Incident of the Dog in the Night-time on Saturday, October 27 at 3pm, and We Are Proud to Present… at a TBD date. Relaxed/Sensory-Friendly performances feature a more relaxed environment and minor adjustments to sensory effects such as lighting and sound cues. This performance is open to all but designed to create a safe and welcoming experience for guests who may include, but are not limited to, individuals on the autism spectrum, as well as people with sensory processing and/or integration sensitivities. For more information, please email email@example.com. Major foundation support for Steppenwolf Education is provided by the Polk Bros. Foundation and Alphawood Foundation. Steppenwolf Education is also supported in part by contributions from The Crown Family, Paul M. Angell Family Foundation, Sage Foundation, Lloyd A. Fry Foundation, Northern Trust Company, Field Foundation of Illinois, Dr. Scholl Foundation, the Helen Brach Foundation, ITW Foundation, Siragusa Foundation, Robert and Isabelle Bass Foundation, Inc. and Daniel F. and Ada L. Rice Foundation; as well as the Steppenwolf Associates, a community of dynamic young professionals.
Steppenwolf Education is a citywide partner of the Chicago Public Schools (CPS) School Partner Program. Accessibility Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance, and the Downstairs and 1700 Theatres are each equipped with an induction hearing loop. All theaters feature wheelchair accessible seating and restrooms, and Front Bar features a push-button entrance, all-gender restrooms and accessible counter and table spaces.
Steppenwolf Education’s unique approach combines play production with educational components to enhance arts education for young audiences, as well as their teachers and families. Every season Steppenwolf for Young Adults (SYA) creates two full-scale professional productions specifically for teens. Working closely with the Chicago Public and metropolitan area schools and other community partners, Steppenwolf Education annually ensures access to the theater for more than 15,000 participants from Chicago’s diverse communities. The initiative also includes post-show discussions with artists; classroom residencies led by Steppenwolf-trained teaching artists in almost 100 classrooms in public high schools; professional development workshops for educators; and the Young Adult Council, an innovative year-round after-school initiative that uniquely engages high school students in all areas of the theater’s operations, as well as other teen and community based programs.
Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble represents a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programming includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees.
***ACCLAIMED CHICAGO ACTOR LARRY YANDO RETURNS AS EBENEZER SCROOGE FOR THE 11TH YEAR; TICKETS GO ON SALE TO THE GENERAL PUBLIC AUGUST 10***
My daughter went through this audition process several years ago and the Goodman staff was so friendly and welcoming, they made it a fun process. Do come early and expect long lines for the initial sign up. Leave loads of extra time for parking and bring activities. We recommend ducking out for doughnuts during the window between sign up and your audition time.
Calling all aspiring Tiny Tims! Goodman Theatre announces open call auditions on Saturday, September 8, from 9am – 2pm for six of the young performer roles in A Christmas Carol—now in its 41st year. Chicagoland actors from ages 5 - 17 are invited to audition for the roles of Tiny Tim, Boy Scrooge, Peter Crachit, Emily Cratchit, Belinda Cratchit and Turkey Child. Performers should come prepared to deliver a memorized poem or monologue, one minute or less in length; sing one verse of a song a cappella, preferably a holiday song or Christmas carol; and bring a photo and résumé listing previous theatrical and related experience/training, address and contact information. Prior experience is not required; the Goodman welcomes actors of all races, ethnicity, national origin, religion, mental and physical abilities, sexual/affectional orientation, gender and its expression. Day-of, in-person registration takes place from 8:30 – 10:30am at the Goodman Theatre (170 N. Dearborn; please note: this is an accessible facility) on a first-come, first-served basis; registration will end at 10:30am sharp. Visit goodmantheatre.org or call 312.443.5586 for more information.
Parents/guardians: note commitment dates of October 23 – November 16 (rehearsals) and November 17 – December 30 (performances; opening night is November 25).
Prepare for auditions by taking a peek into the audition experience here:
Nearly 1.5 million theatergoers have attended “the crown jewel of the holiday season” (Daily Herald) since the Goodman established it as an annual offering in 1978. The 41st production of A Christmas Carol at Goodman Theatre, features Chicago favorite actor Larry Yando in his 11th turn as Ebenezer Scrooge. Directed by Henry Wishcamper for the sixth year, A Christmas Carol follows Scrooge as he journeys through his past, present and future to discover the true meaning of hope, redemption and friendship—with plenty of music, costumes and “Bah, Humbugs!” along the way. Tickets to A Christmas Carol ($25 - $89; subject to change) go on sale to the general public on August 10 at GoodmanTheatre.org/Carol, by phone at 312.443.3800 or at the box office (170 North Dearborn). Discounted Group Tickets for 15+ are available at 312.443.3820.
About Goodman Theatre
AMERICA’S “BEST REGIONAL THEATRE” (Time magazine), Goodman Theatre is a premier not-for-profit organization distinguished by the excellence and scope of its artistic programming and civic engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics (celebrated revivals include Falls’ productions of Death of a Salesman and The Iceman Cometh). Goodman Theatre artists and productions have earned two Pulitzer Prizes, 22 Tony Awards, over 160 Jeff Awards and many more accolades. In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle” and its annual holiday tradition A Christmas Carol, which celebrates its 40th anniversary this season, has created a new generation of theatergoers. The Goodman also frequently serves as a production partner with local off-Loop theaters and national and international companies by providing financial support or physical space for a variety of artistic endeavors.
Committed to three core values of Quality, Diversity and Community, the Goodman proactively makes inclusion the fabric of the institution and develops education and community engagement programs that support arts as education. This practice uses the process of artistic creation to inspire and empower youth, lifelong learners and audiences to find and/or enhance their voices, stories and abilities. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of such programming, most offered free of charge, and has vastly expanded the theater’s ability to touch the lives of Chicagoland citizens (with 85% of youth participants coming from underserved communities) since its 2016 opening.
Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.
Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. David W. Fox, Jr.is Chair of Goodman Theatre’s Board of Trustees, Cynthia K. Scholl is Women’s Board President and Justin A. Kulovsek is President of the Scenemakers Board for young professionals.
ChiIL Mama's thrilled to partner up with Marriott Theatre for Young Audiences on an excellent giveaway. One of our lucky readers will WIN 4 free tickets ($75 Value), valid for any performance to Pinkalicious (subject to availability) until August 19, 2018. Enter below through midnight August 5th.PINKALICIOUS runs on most Wednesdays through Sundays at 10 a.m. with certain performances at 12:30 p.m.
Want to bring friends? You may also order additional tickets to the same performance at 20% off. This discount is only available on full price tickets and must be ordered at the same time this certificate is being redeemed.
Here at ChiIL Mama we love to ChiIL out at Chi, IL productions for the whole family. We caught Pinkalicious at the Broadway Playhouse years ago, and it's a favorite of ours, with a great message and catchy score. We've been covering Marriott Theatre for Young Audiences for nearly a decade and their professional productions are always impressive. Theatre in the round is fabulously fun, and their hour run time on kids' shows makes this doable for squirmy littles and a pleasure for parents too. Check it out.
Starring in PINKALICIOUS will be a cast of Chicagoland all-stars, including Landree Fleming (a top fav of ours here at ChiIL Mama) as Pinkalicious, Lillian Castillo as Mrs. Pinkerton, Wade Elkins as Peter, Adam LaSalle as Mr. Pinkerton, and Allison Sill as Allison and Dr. Wink!
Terry James, Executive Producer
Aaron Thielen, Lead Artistic Director
Andy Hite, Artistic Director
You’ll be tickled pink!
Additional performances recently added!
ChiIL Mama's Chi, IL Picks List:
Family Friendly Theatre Fun
Experience a young girl’s journey to find her true colors with the musical adaptation of the popular children’s book by Victoria Kann and Elizabeth Kann, PINKALICIOUS at The Marriott Theatre for Young Audiences, 10 Marriott Drive in Lincolnshire, from July 14 through August 12, 2018. Filled with a series of adventures and important life lessons, this fun and whimsical tale will be directed and choreographed by Amanda Tanguay (The Emperor’s New Clothes, The Velveteen Rabbit), with musical direction by Michael Mahler (Mary Poppins, My One and Only, The Music Man, composer/lyricist of October Sky, Hero).
This is the tale of Pinkalicious, a little girl who can’t stop eating pink cupcakes despite warnings from her parents. Her pink indulgence lands her at the doctor’s office with Pinkititis, an affliction that turns her pink from head to toe – a dream come true for this pink loving enthusiast. But when her hue goes too far, she must figure out a way to get out of this pink predicament.
“Different than most productions of PINKALICIOUS, we have drawn inspiration from children’s instruments to enhance the amazing score and script,” says Director Amanda Zimmerman. “With various character journeys taking place and the use of instruments on-stage, this production provides the perfect theatrical experience for the whole family to engage, interact, and learn together.”
This production will feature set and properties design by Rachel Rauscher, costume design by Jesus Perez, lighting design by Nick Belley and Aaron Lorenz, and sound design by Robert E. Gilmartin.
PINKALICIOUS runs on most Wednesdays through Sundays at 10 a.m. with certain performances at 12:30 p.m. Visit MarriottTheatre.com or call 847.634.0200 for exact schedule, as show times and dates may vary. Single ticket prices are $18.23 per person. Groups of 20 or more receive a discount by calling 847.634.5909. Free parking is available at all shows. To reserve tickets, call the Marriott Theatre Box Office at 847.634.0200 or visit www.MarriottTheatre.com.
ChiIL Mama's thrilled to partner up with Marriott Theatre for Young Audiences on an excellent giveaway. One of our lucky readers will WIN 4 free tickets, valid for any performance to Pinkalicious (subject to availability) until August 19, 2018. Enter below through midnight August 5th.PINKALICIOUS runs on most Wednesdays through Sundays at 10 a.m. with certain performances at 12:30 p.m.
Want to bring friends? You may also order additional tickets to the same performance at 20% off. This discount is only available on full price tickets and must be ordered at the same time this certificate is being redeemed.
Disclosure: Thanks to Marriott Theatre for providing us with complimentary tickets for our giveaway. As always, all opinions are my own.