Save The Dates: Chicago Shakespeare Theater To Feature 10 Productions Over 12 Months

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Chicago Shakespeare Theater's 2024/25 Season 

features a powerful lineup of thrilling theatrical events, international partnerships, and productions of Shakespeare

Artistic Director Edward Hall and Executive Director Kimberly Motes Announce Inaugural Season for Chicago Shakespeare Theater

Artistic Director Edward Hall and Executive Director Kimberly Motes' inaugural season for Chicago Shakespeare Theater (CST) will feature 10 productions over 12 months that bring internationally acclaimed artists and companies to Chicago, launch North American, US, and regional premieres, and create dynamic Shakespeare productions for multi-generational audiences. CST brings the Royal Shakespeare Company back to Chicago after 30 years in a new, ongoing partnership and welcomes Teatro La Plaza from Peru.

The season of nearly 350 performances will begin with two summer productions: the US premiere of The Lord of the Rings – A Musical Tale, in a new staging by Paul Hart, as well as an adaptation of the beloved children’s book Corduroy, directed by Amber Mak. Edward Hall leads the fall season with Henry V and the Royal Shakespeare Company (RSC) returns to Chicago with their new co-artistic director Tamara Harvey’s inaugural production of Pericles. The winter begins with the Broadway hit Jaja’s African Hair Braiding, written by Jocelyn Bioh and directed by Whitney White, followed by the hilarious and uplifting Avaaz, created by Michael Shayan. The season continues with an expanded run of 40 student matinee performances of Short Shakespeare! A Midsummer Night’s Dream, adapted and directed by Edward Hall; Peru’s Teatro La Plaza brings their inventive and eye-opening interpretation of Hamlet; next comes the North American premiere of the Olivier Best New Musical Award winner Sunny Afternoon—Ray Davies and Joe Penhall’s story of the groundbreaking British rock band, The Kinks; then the award-winning playwright Lolita Chakrabarti reframes her celebrated play Hymn in Chicago.

“It is a huge pleasure to introduce this first season of work which looks forward to a year of adventure, entertainment, and thought-provoking theater made by artists in the US and across the globe,” says Edward Hall. “The range and scale of work is something to be celebrated by audiences everywhere as we illuminate the vitality of Shakespeare’s genius alongside leading contemporary writers of our day.”

“We have been energized and inspired by the audiences, artists, donors, students, and community leaders we have met over the past six months as well as by our board and staff,” says Kimberly Motes. “This season is an expression of their encouragement and the dynamism of Chicago as a city of world class theater, arts, and culture. It’s a joy to celebrate a multitude of powerful creative voices reflective of the many communities in our city.”

The 2024/25 Season

As part of a continued commitment to introducing young audiences to the magic of live theater, Chicago Shakespeare begins this summer with Corduroy (June 18–July 14, 2024 | Jentes Family Courtyard Theater). Based on the cherished children’s books Corduroy and A Pocket for Corduroy by Don Freeman and adapted for the stage by Barry Kornhauser, this 60-minute play had its world premiere at the Tony Award-winning Children’s Theatre Company in Minneapolis in 2018. Corduroy’s button has gone missing and he can’t go home with the kindhearted Lisa without it. Audiences follow the beloved bear on a rollicking and delightfully destructive journey through the department store as he searches high and low in this imaginative tale of friendship and belonging. Esteemed Chicago director Amber Mak returns to CST after last summer’s smash-hit production of Disney’s Beauty and the Beast, bringing a wealth of experience directing shows for young audiences.

“Corduroy has been a beloved book for over 50 years as an enduring, lovable story of friendship, home, and being accepted just as you are today,” says Mak. “I am excited to bring these characters from the book to life on the Pier in a very fun, whimsical, and imaginative adventure that multi-generational audiences can experience together.”

Beginning in July, The Lord of the Rings – A Musical Tale (July 19–September 1, 2024 | The Yard), based on the books by J.R.R. Tolkien, comes to the stage in a US premiere production directed by Paul Hart, who created the acclaimed new staging in 2023 at the UK’s Watermill Theatre. This adventure through the multi-dimensional world of Middle-earth has been beloved by generations of readers and adapted into an Academy Award-winning film trilogy by Peter Jackson. As the Hobbits celebrate Bilbo Baggins’ eleventy-first birthday in the Shire, he gifts his nephew Frodo his most precious belonging—a gold ring. This fateful moment launches Frodo on a legendary and perilous quest across Middle-earth to the darkest realms of Mordor to vanquish evil with his loyal Fellowship. With book and lyrics by Shaun McKenna and Matthew Warchus and original music by Academy Award winner A.R. Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä, and Tony Award winner Christopher Nightingale (Matilda the Musical), this theatrical event celebrates the magical world of Middle-earth, making for an unforgettable experience for longtime fans and newcomers alike.

“Sharing the Watermill’s wonderful expression of The Lord of the Rings on stage with audiences across the globe beginning this summer in Chicago, with the US premiere of Paul Hart’s and Chicago Shakespeare Theater’s collaborative re-imagining, is a dream come true for all of us at Middle-earth Enterprises,” says Fredrica Drotos, of Middle-earth Enterprises.

Following his groundbreaking production of Richard III this season, Artistic Director Edward Hall opens the start of the fall season with Henry V (September 6–October 6, 2024 | Jentes Family Courtyard Theater). This gripping tale of youthful ambition and adventure explores the thrill and destructive power of war, examining nationalism at its most dangerous and seductive. From the evocative opening line, “O for a Muse of Fire,” Henry V includes some of Shakespeare’s most famous speeches and stirring poetry. Hall’s approach reflects his belief in Shakespeare as a modern writer for our modern world, exploring the themes of conflict, patriotism, and legacy through a contemporary lens. Prior to taking the helm of CST as artistic director in October 2023, Hall staged acclaimed productions of Shakespeare’s plays in London’s West End, New York, and on tour around the globe as the founder and artistic director of Propeller Shakespeare.

“Henry V remains one of the most revealing plays about war, nationalism, the consequences of both, and our need for common causes to bind us together,” says Hall. “There has never been a more prescient moment to explore our reflex for conflict through the prism of a story that contains some of the greatest writing in the English language.”

One of the world’s preeminent theater companies, the Royal Shakespeare Company returns to Chicago for the first time in 30 years as part of a new, ongoing partnership with CST. Direct from a run in the Swan Theatre at the company’s home in Stratford-upon-Avon, UK comes the mystical Pericles (October 20–December 8, 2024 | Jentes Family Courtyard Theater). In her and Daniel Evans' first season as the RSC’s co-artistic directors, Tamara Harvey directs this major new production of Shakespeare’s moving tale of love, hope, and miracles. When Prince Pericles flees for safety, he finds himself on an epic voyage through storms, shipwrecks, abduction, and loss. This exclusive limited engagement marks CST’s 100th international production of bringing the world’s great artists to Chicago.

"It’s a joy to be renewing our relationship with Chicago Shakespeare Theater in 2024, in this moment of transformation for both companies,” said RSC co-artistic directors Tamara Harvey and Daniel Evans. “The RSC’s connection with Chicago dates back to 1913 and many of our audiences and company remember welcoming CST to Stratford-upon-Avon as part of our Complete Works Festival in 2006. As the RSC’s new co-artistic directors, we share Edward Hall’s passionate commitment to collaboration across borders and to providing a platform for exhilarating theatre that speaks with immediacy to the world we live in today. Bringing this production of Pericles directly from our inaugural season marks the beginning of an exciting new chapter between our two companies. We can’t wait to share it with CST’s audiences.”

Straight from a twice-extended Broadway run, Jaja’s African Hair Braiding (January 14–February 2, 2025 | The Yard) will have its regional premiere at CST in a co-production with Arena Stage and Berkeley Repertory Theatre. This comedic play, which had its world premiere at Manhattan Theatre Club in 2023, offers a glimpse into one sweltering summer day in the lives of a group of West African immigrant women who find community in a Harlem hair salon. Love blossoms, dreams flourish, and secrets are revealed in this dazzling production. Written by acclaimed playwright Jocelyn Bioh (School Girls, or the African Mean Girls Play, Nollywood Dreams), the production is directed by Chicago native and Obie Award winner Whitney White (Our Dear Dead Drug Lord, What to Send Up When It Goes Down). Jaja's African Hair Braiding is presented in association with Madison Wells Live and LaChanze.

"I am thrilled and honored that audiences beyond Broadway will get to come to 'the shop' and meet the vibrant women of Jaja's African Hair Braiding,” says Bioh. “This play means so much to me as both a native New Yorker and as a first-generation Ghanaian American as it speaks to the heart of what makes our country so beautifully unique: its rich diversity of people and culture. There is a real universality to these women's experiences, and I can't wait for audiences to connect and fall in love with each of them."

Also beginning performances in January, following a sold out, critically acclaimed East Coast debut, Avaaz (January 21–February 9, 2025 | Carl and Marilynn Thoma Theater Upstairs) is a “powerful, defiant, celebratory” (Washington Post) exploration of family and the immigrant experience, written and performed by Emmy Award nominee Michael Shayan and directed by Tony Award nominee Moritz von Stuelpnagel. Shayan—playing the role of his own larger-than-life Iranian-Jewish mother, Roya—welcomes audiences into her home to celebrate the Iranian New Year and shares her quintessential American journey from Tehran to “Tehrangeles,” California, formerly known as Westwood. Rich in extravagant humor and heart, Avaaz is at once deeply personal and universal. This production, hailed as “ingenious” and “masterful” by BroadwayWorld and DC Theater Arts, is designed by a Tony and Emmy Award-winning creative team. It successfully premiered at the Olney Theatre Center and its time at Chicago Shakespeare marks the continuation of a US tour. A Fellow with the Sundance Institute and Lambda Literary, Shayan was recently recognized on Out Magazine’s OUT100 list of the most impactful and influential LGBTQ+ people. A Harvard-trained writer, performer, and illusionist, Shayan offers a perspective rarely seen on stage. von Stuelpnagel’s credits include the upcoming Judgment Day at CST and Present Laughter and Hand to God on Broadway.

“It’s an honor to take Avaaz across the country with Moritz and this incredible team, particularly at a time of overwhelming anti-immigrant sentiment,” says Shayan. “Avaaz offers a different narrative and grapples with complex truths in a fabulous, decadent, larger-than life party on stage. I can’t wait to share the magic of ‘Tehrangeles’ with audiences in Chicago and beyond!”

Chicago Shakespeare will increase the number of student performances from 30 to 40 and welcome 20,000 middle and high school students from across the region to Short Shakespeare! A Midsummer Night’s Dream (February 4–March 8, 2025 | Jentes Family Courtyard Theater). Adapted and directed by Edward Hall, Shakespeare’s beloved romantic comedy captures the exhilaration, foolishness, and delight of young love, as the chaos of magic and enchantment turns the world upside down. In addition to the five-week run of school matinees, this 75-minute production will offer public performances on Saturdays.

“It’s a joy to be creating this Short Shakes production as part of CST’s ongoing commitment to providing the best theater for young people,” says Hall. “I have had some of my most exciting experiences in the theater making work in this forum and look forward to sharing a comedy that warms the heart and delights the soul, inspiring young audiences and artists of the future.”

In partnership with the Chicago Latino Theater Alliance (CLATA), CST introduces Teatro La Plaza from Lima, Peru to Chicago audiences with an original and energetic reimagining of Shakespeare’s Hamlet (March 13–23, 2025 | Carl and Marilynn Thoma Theater Upstairs). Blending Shakespeare’s text with personal anecdotes from their lives, a group of young performers with Down syndrome take the stage in a lively and profound theatrical experience directed by Teatro La Plaza’s founder Chela de Ferrari. Together, the performers explore the central question “To be or not to be?” using pop music, dance, and wry humor to create an original and joyful celebration of self-expression.

“CLATA is excited to see Teatro La Plaza's Hamlet at Chicago Shakespeare Theater, not only because this is such a different adaptation of Hamlet but also because it's a very unique representation of Latine actors that also deserves to be experienced,” says Jorge Valdivia, CLATA’s executive director. “There is so much that we can learn from this unique adaptation. We’re thrilled about our ongoing partnership with CST and seeing our city give Teatro La Plaza a warm welcome.”

Winner of four Olivier Awards including Best New Musical, Sunny Afternoon  makes its North American premiere (March 21–April 27, 2025 | The Yard). It tells the story of the rise to stardom of The Kinks through their own prolific catalog of chart-topping songs including “You Really Got Me,” “Lola,” and “All Day and All of the Night.” With an original story, music, and lyrics by The Kinks’ legendary Ray Davies and a script by Joe Penhall, this musical is an unforgettable rock-and-roll journey through the soaring triumphs and devastating lows of an iconic band that influenced generations. Edward Hall returns to this show after directing the world premiere at London’s Hampstead Theatre and in the West End.

“Anyone who knows The Kinks knows we’re a series of catastrophes turning into glorious triumph,” says Davies. “This is not an interpretation…it’s coming from my perspective and very personal to me. Most of the stories come from the family in the front room where everyone played an instrument, and everyone collaborated. Yet what’s come through is that it’s a kind of timeless story. Yes, there’s a setting, but hopefully the songs transcend time. It’s about characters and situations and people trying to get through their lives.”

In the spring, Olivier Award-winning playwright Lolita Chakrabarti returns to Chicago with her celebrated play Hymn (April 29–May 25, 2025 | Jentes Family Courtyard Theater). Originally set in London in its premiere at the Almeida Theatre, Chakrabarti will reframe the play for CST to be set in Chicago. This soul-affirming story charts the lives of two middle-aged Black men as they form a deep bond in an intimate exploration of the loyalties and betrayals of brothers, fathers, and sons. Chakrabarti’s Red Velvet enjoyed an acclaimed run at CST in 2017; other notable credits include Life of Pi, now on tour across North America, and Hamnet, a stage adaptation of Maggie O’Farrell’s novel that premiered at the Royal Shakespeare Company last year.

“I wanted to write a story of two Black men who find love with each other—a familial, platonic love,” says Chakrabarti. “My own male friends have often surprised me with their sensitivity, femininity, fussiness, insecurities, fun, kindness, and warmth—the list goes on. Hymn was born out of my desire to tell a different story. To reframe this play for Chicago is very exciting indeed, and I believe it will lend itself beautifully to this city’s rich culture.”

Chicago Shakespeare Theater will also continue its longstanding commitment to creative community engagement this summer with Shakes in the City, an evolution of Chicago Shakespeare in the Parks. Pop-up performances of Twelfth Night, directed by Tyrone Phillips, and opportunities to engage with artists will activate green spaces, neighborhood festivals, and events across the city. This new iteration of the program builds upon CST’s 12-year history of summer programming in community spaces and aims to broaden engagement with audiences across Chicago.

“I couldn’t be more excited to work on this new chapter of CST’s community programming and partner in its reimagining,” says Phillips, who directed a production of Twelfth Night in the Courtyard Theater last fall. “Chicago is my home, and I love creating here. This is a city that gets what it means to be a human, what it means to be a neighbor, and to bring this warm and joyful play that is fundamentally about community directly to people across the city in this new way is really special.”

For information on purchasing tickets, visit www.chicagoshakes.com or call the Box Office at 312.595.5600. A variety of flexible season ticket packages are on sale now, offering savings over single tickets and guaranteeing seats at every production. Discounted tickets are available for groups of 10 or more.

About Chicago Shakespeare Theater

A Regional Tony Award recipient, Chicago Shakespeare Theater (CST) produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside education programming for students, teachers, and lifelong learners, and engagement with communities across the city. Located on Chicago’s iconic Navy Pier, CST’s campus features the Jentes Family Courtyard Theater, The Yard, and the Carl and Marilynn Thoma Theater Upstairs. Onstage, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural center—inviting audiences, artists, and community members to share powerful stories that connect and inspire.

Edward Hall (Artistic Director, Carl and Marilynn Thoma Chair) joined CST in October 2023 and directed his debut production as Artistic Director, Richard III, earlier this year. He previously directed the Jeff Award-winning Rose Rage trilogy at CST in 2003. An internationally recognized director, Hall has built his love of Shakespeare around original interpretations of the Bard’s plays, staging acclaimed productions in London’s West End and on tour around the globe. He led the UK’s Hampstead Theatre for nearly a decade, transforming it into one of the nation’s most successful theaters for new work development, with over 100 world premieres. He was the founder and Artistic Director of Propeller Shakespeare for twenty years touring across the US, Europe, Asia, and beyond. He has served as an Associate Director at the National Theatre and Old Vic in London. His extensive film and television credits include The Heist Before Christmas starring Timothy Spall, Blithe Spirit starring Dame Judi Dench, multiple HBO and BBC series, and the season 4 finale for Downton Abbey. He is a member of The Arts Club Of Chicago.

Kimberly Motes (Executive Director) joined CST in October 2023 after serving for over seven years as Managing Director for the Tony Award winning Children's Theatre Company (CTC), the nation’s largest and most acclaimed theatre dedicated to multigenerational audiences. She produced 46 plays/musicals including 15 commissioned new works and six coproductions/transfers, increased contributed income, completed a $25 million capital campaign, and achieved the highest ticket sales in its history. Motes held leadership roles in Minnesota including Senior Vice President of Institutional Advancement at the University of St. Thomas, Vice President of Institutional Advancement for the College of Saint Benedict, Managing Director at Theater Latté Da, and Executive Director at the Cowles Center for Dance and the Performing Arts. Kimberly spent 13 years in Washington, DC where she was the Director of Development at Arena Stage and led adult arts education programming and a ballet training program at the John F. Kennedy Center for the Performing Arts. She has served on grant panels for the National Endowment for the Arts and the Minnesota State Arts Board. She is a member of the Economic Club of Chicago.

SUMMER FAMILY FUN ON NAVY PIER BASED ON THE BELOVED STORYBOOKS

Corduroy

Based on the books entitled 

Corduroy & A Pocket for Corduroy by Don Freeman

Adapted for the stage by Barry Kornhauser

Directed by Amber Mak

Jentes Family Courtyard Theater

June 18–July 14, 2024 

A MUSICAL TALE OF MAGIC AND

ADVENTURE IN AN UNFORGETTABLE US PREMIERE

The Lord of the Rings - A Musical Tale

Based upon the books by J.R.R. Tolkien

Book & lyrics by Shaun McKenna & Matthew Warchus

Music by A.R. Rahman, Värttinä, & Christopher Nightingale

Directed by Paul Hart

The Yard

July 19–September 1, 2024 

ARTISTIC DIRECTOR EDWARD HALL

STAGES SHAKESPEARE’S ROUSING EPIC

Henry V 

By William Shakespeare

Directed by Edward Hall

Jentes Family Courtyard Theater

September 6–October 6, 2024

THE RSC RETURNS TO CHICAGO

AFTER 30 YEARS IN A NEW PARTNERSHIP

Pericles

From the UK

By William Shakespeare

Directed by Tamara Harvey

Jentes Family Courtyard Theater

October 20–December 8, 2024

DIRECT FROM BROADWAY: REGIONAL PREMIERE OF ACCLAIMED NEW PLAY

Jaja’s African Hair Braiding

Written by Jocelyn Bioh

Directed by Whitney White

The Yard

January 14–February 2, 2025

CELEBRATING THE IRANIAN-JEWISH IMMIGRANT EXPERIENCE THROUGH TRADITIONS AND HUMOR

Avaaz 

Written & performed by Michael Shayan

Directed by Moritz von Stuelpnagel

A production from the Olney Theatre Center

Carl and Marilynn Thoma Theater Upstairs

January 21–February 9, 2025

75-MINUTE SHAKESPEARE MAKES

THE PERFECT INTRODUCTION TO THE BARD’S BELOVED COMEDY

Short Shakespeare!

A Midsummer Night’s Dream

By William Shakespeare

Adapted & directed by Edward Hall

Welcoming thousands of young people for weekday student matinees with public performances Saturdays at 11am

Jentes Family Courtyard Theater

February 4–March 8, 2025

SHAKESPEARE’S ICONIC PLAY

INTERPRETED BY AN ENSEMBLE

OF ACTORS WITH DOWN SYNDROME

Teatro La Plaza’s

Hamlet

From Peru

In partnership with Chicago Latino Theater Alliance (CLATA)

Written & directed by Chela De Ferrari

Carl and Marilynn Thoma Theater Upstairs

March 13–23, 2025

NORTH AMERICAN PREMIERE

OF HIT MUSICAL CHRONICLES PIONEERING ROCK BAND, THE KINKS

Sunny Afternoon

By Joe Penhall with original story, music, & lyrics by Ray Davies

Directed by Edward Hall

The Yard

March 21–April 27, 2025 

SOULFUL STORY OF MALE FRIENDSHIP

TRANSPORTED TO CHICAGO SETTING

Hymn

Written by Lolita Chakrabarti

Jentes Family Courtyard Theater

April 29–May 25, 2025

SHORT SHAKESPEARE! ROMEO AND JULIET Via Chicago Shakespeare Theater February 24–March 16, 2024

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Chicago Shakespeare Theater presents

SHORT SHAKESPEARE! ROMEO AND JULIET

75-minute adaptation of the tragic romance offers a perfect introduction to Shakespeare

Welcoming thousands of students from across Chicagoland and beyond to weekday matinees

Public performances Saturdays at 11:00 a.m., February 24–March 16

Chicago Shakespeare Theater presents a perfect introduction to Shakespeare’s work for young audiences with a 75-minute abridgement of Romeo and Juliet, adapted and directed by Mikael Burke. This production reimagines Shakespeare’s tale of young love found—and tragically lost—in the 1980s. During a four-week run of weekday matinees, Chicago Shakespeare will welcome thousands of middle and high school students from across the region to the Courtyard Theater. In addition, performances are open to the public on Saturdays at 11:00 a.m., February 24–March 16, 2024. After each performance, the actors remain on stage for a question-and-answer session about the production. Tickets for public performances start at just $26 for students ages 18 and under.

Verona burns under summer's heat—and the division of two prominent families. Against a backdrop of violence and an endless cycle of vengeance, this adaptation of Shakespeare’s text poses a profound question—can true love survive in a divided community? Combining Shakespeare's original verse, dynamic staging, and a high-energy 1980s setting, Short Shakespeare! Romeo and Juliet offers a new lens for young people to experience this enduring tale.

Adapter and director Mikael Burke said, “It's a cautionary tale that proves if we can't figure out how to disentangle love from violence in our world, violence will always win. And every time it does, we stand to lose the greatest and purest things in life. That was true 400 years ago and is certainly still true today. Love and violence are scarily and upsettingly tied together in this play in a way we don't always consider, but Shakespeare really commands us to pay attention to how closely these two things are related—and hopefully compel us to action.”

Burke is a Princess Grace Award winner and Jeff Award nominee, with credits at Goodman Theatre, TimeLine Theatre Company, Remy Bumppo Theatre Company, and more in Chicago, as well as regionally with Yale Repertory Theatre, Theatreworks Hartford, Forward Theatre, Milwaukee Chamber Theatre, Indiana Repertory Theatre, and more. He previously served as the associate artistic director at About Face Theatre and is an adjunct faculty member at DePaul and Roosevelt Universities.

The company of Romeo and Juliet features Kenneth La'Ron Hamilton as Romeo and Felicia Oduh as Juliet. The company also includes Adeoye (Prince/Apothecary), Bobby Bowman (Gregory/Lord Montague), Ronald L. Conner (Lord Capulet), Jack DeCesare (Paris/Abraham), Barbara Figgins (Nurse), Rasell Holt (Mercutio), Carolyn Kruse (Lady Capulet), Ian Maryfield (Tybalt), Alex Benito Rodriguez (Benvolio), Donovan Session (Sampson/Peter), and Jonah D. Winston (Friar Laurence). Understudies include Diego Longoria, Carlos Olmedo, Bradford Stevens, Pricilla Torres, and Sarafina Vecchio.

Creating the world of Romeo and Juliet are Choreographer Frankie DiCiaccio, Scenic Designer Alyssa Mohn, Costume Designer Gregory Graham, Lighting Designer Eric Watkins, and Original Music and Sound Designer Ethan Korvne. Also joining Burke on the creative team are Intimacy Director Courtney Abbott, Fight Choreographer Rachel Flesher, Verse Coach Tyler Meredith, Assistant Director Christina Casano, Casting Director Bob Mason, Stage Manager Danny Fender, and Assistant Stage Manager Lucy Whipp.

Chicago Shakespeare’s Short Shakespeare! series is part of the Theater’s nationally recognized Team Shakespeare education programs, which have impacted two million students to date. Chicago Shakespeare brings Shakespeare’s work to life in the school curriculum—through live performance, professional learning for educators, comprehensive teaching resources, and opportunities for students to perform Shakespeare. These initiatives—in concert with the free citywide Chicago Shakespeare in the Parks tour and summer family musical series—exemplify the Theater’s steadfast commitment to young audiences.

Accessible and enhanced performances for Short Shakespeare! Romeo and Juliet include:

ASL-interpreted & Open-captioned performance – Saturday, March 9, 2024, at 11:00 a.m. All dialogue and lyrics are translated into American Sign Language by two certified interpreters. Also, a text display of the words and sounds heard during a play, will be synced live with the action onstage.

Short Shakespeare! Romeo and Juliet will be presented to the public on Saturdays at 11:00 a.m. from February 24–March 16, 2024, in Chicago Shakespeare’s Courtyard Theater. Single tickets ($26 for audience members age 18 and under; $42 for adults) are on sale now. Special discounts will be available for groups of 10 or more. For more information or to purchase tickets, contact Chicago Shakespeare Theater’s Box Office at 312.595.5600 or visit the Theater’s website at www.chicagoshakes.com.

ABOUT CHICAGO SHAKESPEARE THEATER

Regional Tony Award-recipient Chicago Shakespeare Theater produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming serving tens of thousands of students, teachers, and lifelong learners each year. Founded in 1986, the Theater’s onstage work has expanded to as many as twenty productions and 650 performances annually. Chicago Shakespeare is dedicated to welcoming the next generation of theatergoers; one in four of its audience members is under the age of eighteen. As a nonprofit organization, the Theater works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On the Theater’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire. www.chicagoshakes.com.

Chicago Shakespeare Theater's ILLINOISE January 28–February 18, 2024

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Chicago Shakespeare Theater announces the cast and creative team of

ILLINOISE

A new kind of musical based on Sufjan Stevens’ acclaimed concept album

With music and lyrics by Grammy and Oscar-nominated Sufjan Stevens

Story by Tony Award winner Justin Peck and Pulitzer Prize winner Jackie Sibblies Drury

Directed and choreographed by Justin Peck

Running January 28–February 18, 2024

Chicago Shakespeare Theater announces today the cast of the highly anticipated Illinoise, a new kind of musical based on Sufjan Stevens’ acclaimed concept album. Illinoise embraces Grammy and Oscar-nominated Stevens’ landmark album in a genre-bursting theatrical experience that inspires hope. With a story crafted by Tony Award winner Justin Peck (New York City Ballet, Steven Spielberg’s West Side Story) and Pulitzer Prize-winning playwright Jackie Sibblies Drury (Fairview), and original choreography by Peck, Illinoise glows around a campfire as virtuosic dancers, singers, and a live band lead audiences on a mighty journey.

Beginning performances in The Yard at Chicago Shakespeare on January 28, 2024, the cast features Kara Chan, Ben Cook, Jeanette Delgado, Gaby Diaz, Robbie Fairchild, Christine Flores, Jada German, Zachary Gonder, Rachel Lockhart, Dario Natarelli, Tyrone Reese, Craig Salstein, Ahmad Simmons, Byron Tittle, Ricky Ubeda, and Alejandro Vargas. The band includes vocalists Shara Nova and Tasha Viets-VanLear, and instrumentalists Christina Courtin, Sean Forte, Domenica Fossati, Daniel Freedman, Kathy Halvorson, Nathan Koci, Eleonore Oppenheim, Brett Parnell, Brandon Ridenour, Kyra Sims, and Jessica Tsang.

With inclusion on several “best of the decade” lists, including those of Paste, NPR, and Rolling Stone, Sufjan Stevens’ acclaimed 2005 concept album Illinois enjoys cult status for its lush orchestrations and wildly inventive portrayal of the state’s people, landscapes, and history—complete with UFOs, zombies, and predatory wasps. This ambitious work weaves together delicate folk narratives about blossoming queerness, orchestral anthems destined for cinematic montages, and jazz tunes about the state’s ghost towns. Featuring new arrangements of the entire album by composer and pianist Timo Andres, this bold, new kind of musical adds live music and impressionistic choreography to revisit these themes of self-discovery. Following a premiere production at the Fisher Center at Bard in summer 2023, Illinoise marks its official press opening at Chicago Shakespeare Theater, before a New York run at Park Avenue Armory in March.

Featured in the cast of Illinoise is Gaby Diaz, winner of So You Think You Can Dance Season 12, whose film credits include West Side Story, tick, tick…BOOM!, Spirited, and the upcoming Maestro. Diaz starred Off-Broadway in Only Gold, for which she won the Chita Rivera Award. Also in the company are Ben Cook, who appeared in the film West Side Story and on Broadway in Ragtime, Billy Elliot (for which he was nominated for a Helen Hayes Award), Tuck Everlasting, Mean Girls, and West Side Story; Robbie Fairchild, whose performance in An American in Paris was nominated for a Tony Award and won the Drama Desk, Outer Critics Circle, and Chita Rivera Awards, and who starred in the film Cats and the Netflix series Soundtrack; and Ricky Ubeda, winner of So You Think You Can Dance Season 11, who appeared in FX’s Fosse/Verdon, in the films West Side Story and Maestro, and on Broadway in West Side Story, On The Town, Cats, and Carousel.

The cast of Illinoise also includes Kara Chan (Twyla Tharp Dance, American Ballet Theatre), Jeanette Delgado (Miami City Ballet, West Side Story film), Christine Flores (Dance Heginbotham, Pam Tanowitz Dance), Jada German (Twyla Tharp Dance, Metropolitan Opera), Zachary Gonder (Carmen at Lyric Opera, Pam Tanowitz Dance), Rachel Lockhart (Juilliard’s Choreographic Honors program, Jacob’s Pillow), Dario Natarelli (New York City Center Encores!, Maestro film), Tyrone Reese (Juilliard School), Craig Salstein (Miami City Ballet, American Ballet Theatre, associate choreographer for West Side Story and Maestro films), Ahmad Simmons (Fosse/Verdon on FX, Hadestown, West Side Story, Carousel, and Cats on Broadway), Byron Tittle (Dorrance Dance, In the Heights film), and Alejandro Vargas (Juilliard School). The band includes vocalists Shara Nova and Tasha Viets-VanLear, and instrumentalists Christina Courtin, Sean Forte, Domenica Fossati, Daniel Freedman, Kathy Halvorson, Nathan Koci, Eleonore Oppenheim, Brett Parnell, Brandon Ridenour, Kyra Sims, and Jessica Tsang.

In addition to Stevens, Peck, and Drury, the creative team includes Music Director and Supervisor Nathan Koci, Music Arranger and Orchestrator Timo Andres, Scenic Designer Adam Rigg, Lighting Designer Brandon Stirling Baker, Sound Designer Garth MacAleavey, Costume Designers Reid Bartelme and Harriet Jung, Props Designer Andrew Diaz, Mask Designer Julian Crouch, Associate Director and Choreographer Adriana Pierce, Associate Music Director Sean Forte, Production Stage Manager Rick Steiger, Production Manager Brian Freeland, Executive Producer Nate Koch, General Management by NVK/Jenna Ready and Joanna Pisano, and Booking Agent ArKtype/Thomas O. Kriegsmann. Illinoise was originally commissioned, developed, and produced at the Fisher Center at Bard, is a co-commission of the Fisher Center at Bard, Park Avenue Armory, Chicago Shakespeare Theater, Southbank Centre, TO Live, and the Perelman Performing Arts Center, and is produced in association with ArKtype/Thomas O. Kriegsmann.

Also onstage at Chicago Shakespeare Theater in early 2024 is Richard III, playing in the Courtyard Theater February 2–March 3, 2024. In his first production as artistic director, Edward Hall directs Tony Award-nominated actor, Paralympic champion, and bilateral above-knee amputee Katy Sullivan in the title role. A divided kingdom is fertile ground for the charismatic and unscrupulous Richard to seize power and exact revenge—and no one is safe from his tyranny. Full of scathing dark comedy and high-stakes family drama, this tale grapples with violence, power, and the gray area between good and evil. This will mark the first major US production of Richard III to feature a woman with a disability in the title role.

Accessible and enhanced performances for Illinoise include:

ASL duo-interpreted performance – Friday, February 9, 2024, at 7:00 p.m. All dialogue and lyrics are translated into American Sign Language by two certified interpreters.

Audio-described performance with optional touch tour – Sunday, February 11, 2024, at 2:30 p.m. A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision. Touch Tours provide patrons the opportunity to experience, firsthand, a production’s design elements.

Open-captioned performance – Wednesday, February 14, 2024, at 1:30 p.m. and 7:00 p.m. A text display of the words and sounds heard during a play, synced live with the action onstage.

More information at www.chicagoshakes.com/illinoise and www.illinoiseonstage.com, or social media at @chicagoshakes and @IllinoiseOnStage.

Illinoise will be presented January 28–February 18, 2024, in The Yard at Chicago Shakespeare Theater. Single tickets starting at $45 are on sale now. Special discounts are available for audience members under the age of 35 and for groups of 10 or more. For more information or to purchase tickets, contact the Box Office at 312.595.5600 or visit www.chicagoshakes.com.

ABOUT SUFJAN STEVENS

Sufjan Stevens is a singer, songwriter, and composer living in New York. His preoccupation with epic concepts has motivated two state records (Michigan and Illinois), a collection of sacred and biblical songs (Seven Swans), an electronic album for the animals of the Chinese zodiac (Enjoy Your Rabbit), a full length partly inspired by the outsider artist Royal Robertson (The Age of Adz), a masterwork memorializing and investigating his relationship with his late mother (Carrie & Lowell), and two Christmas box sets (Songs for Christmas, vol. 1–5 and Silver & Gold, vol. 6–10). BAM has commissioned two works from Stevens, a programmatic tone poem for the Brooklyn-Queens Expressway (The BQE) and an instrumental accompaniment to slow-motion rodeo footage (Round-Up). He has collaborated extensively with the New York City Ballet choreographer Justin Peck (Year of the Rabbit, Everywhere We Go, Countenance of Kings, Principia, The Decalogue, and Reflections). Stevens’ Planetarium, a collaborative album with Nico Muhly, Bryce Dessner, and James McAlister imbued with themes of the cosmos, was released in 2017 to widespread critical praise. Stevens also contributed three much-lauded songs to Luca Guadagnino’s critically acclaimed film Call Me By Your Name, including the Oscar and Grammy-nominated song “Mystery of Love.” In 2020, he shared Aporia, a collaborative new age album made with his stepfather Lowell Brams, and his eighth studio album, The Ascension, a reflection on the state of humanity in freefall and a call for a total transformation of consciousness. In early 2021, he released Convocations, a five-volume, two-and-a-half-hour requiem mass for present times. The most recent studio album by Stevens—A Beginner’s Mind—features songs inspired in part by popular films. It was released in the fall of 2021 and is a collaboration with singer-songwriter Angelo DeAugustine. In October 2023, Stevens’ tenth solo studio album, Javelin, was released.

ABOUT JUSTIN PECK

Justin Peck is a director, choreographer, filmmaker, and dancer based in New York City. He is the Resident Choreographer and Artistic Associate of the New York City Ballet, the second person in the institution’s history to hold this title. He has developed and created over 50 dance and theater works that have been presented on stages around the world, including Lincoln Center, the Palais Garnier, Sydney Opera House, Brooklyn Academy of Music, and Broadway (most notably with his 2018 Tony Award-winning production of Carousel). His work has been performed by companies such as the Paris Opera Ballet, Australian Ballet, Dresden Semperoper Ballet, Hong Kong Ballet, Boston Ballet, Juilliard, National Ballet of Canada, Miami City Ballet, Pacific Northwest Ballet, LA Dance Project, Dutch National Ballet, the School of American Ballet, Joffrey Ballet, and Houston Ballet among many others.

Peck works extensively as a filmmaker with credits including direction of music videos for The National, Chris Thile, and Dan Deacon; choreographing the 2021 film West Side Story in collaboration with director Steven Spielberg; and being commissioned by The New York Times to direct 10 films celebrating the best acting performances of the 2018 year, which included performances by Julia Roberts, Ethan Hawke, Lakeith Stanfield, Glenn Close, Emma Stone, and Toni Collette.

Peck celebrates the art of collaboration and is honored to have worked across mediums with a wide array of luminaries, including Sufjan Stevens, Raf Simons, Elizabeth Moss, Steven Spielberg, Caroline Shaw, Jeffrey Gibson, Renee Fleming, Shepard Fairey, Sofia Coppola, Stephen Sondheim, Shantelle Martin, Humberto Leon, Bradley Cooper, Nico Muhly, John Baldessari, Dries Van Noten, Damien Chazelle, Anthony Roth Costanzo, Marcel Dzama, and Jody Lee Lipes. Peck danced with New York City Ballet from 2006-2019, eventually achieving the rank of soloist in 2013. He has performed a vast repertoire of works by George Balanchine, Jerome Robbins, Alexei Ratmansky, Lynn Taylor-Corbett, Christopher Wheeldon, and many others.

Peck’s honors include the Tony Award for Best Choreography for the Broadway production of Carousel (2018), the National Arts Award (2018), the Golden Plate Honor from the Academy of Achievement (2019), the Bessie Award for Outstanding Production for Rodeo: Four Dance Episodes (2015), and the World Choreography Award for the film West Side Story (2022).

ABOUT JACKIE SIBBLIES DRURY

Jackie Sibblies Drury’s plays include Marys Seacole (OBIE Award), Fairview (Pulitzer Prize), Really, Social Creatures, and We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as South West Africa, From the German Südwestafrika, Between the Years 1884-1915. The presenters of her plays include Donmar Warehouse, The Young Vic, Lincoln Center Theater's LCT3, Soho Rep., Berkeley Rep, New York City Players & Abrons Arts Center, Victory Gardens, Trinity Rep, Woolly Mammoth, Undermain Theatre, InterAct Theatre, Actors Theater of Louisville, Company One, Bush Theatre, and T: The New York Times Style Magazine. Drury has developed her work at Sundance, Bellagio Center, Ground Floor at Berkeley Rep, Soho Rep. Writer/Director Lab, New York Theatre Workshop, Bushwick Starr, LARK, and MacDowell Colony, among others. She has received a PEN/Laura Pels International Foundation for Theater Award, a Steinberg Playwright Award, a Susan Smith Blackburn Prize, a Jerome Fellowship at The LARK, a United States Artists Fellowship, a Helen Merrill Playwriting Award, and a Windham-Campbell Literary Prize in Drama.

ABOUT CHICAGO SHAKESPEARE THEATER

Regional Tony Award-recipient Chicago Shakespeare Theater produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming serving tens of thousands of students, teachers, and lifelong learners each year. Founded in 1986, the Theater’s onstage work has expanded to as many as twenty productions and 650 performances annually. Chicago Shakespeare is dedicated to welcoming the next generation of theatergoers; one in four of its audience members is under the age of eighteen. As a nonprofit organization, the Theater works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On the Theater’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire. www.chicagoshakes.com.

JOYFUL CARIBBEAN-INFLUENCED COMEDY

Twelfth Night 

by William Shakespeare 

directed by Tyrone Phillips

Courtyard Theater 

Now through December 3, 2023 

SPELLBINDING FOLK MUSICAL FROM SCOTLAND

Islander

A WorldStage production from Scotland

conceived and directed by Amy Draper

associate direction by Eve Nicol

book by Stewart Melton

music and lyrics by Finn Anderson

Upstairs at Chicago Shakespeare

Now through December 17, 2023 

STUDENTS IN CONVERSATION WITH SHAKESPEARE

Chicago Shakespeare SLAM

in high schools across the region and onstage

at Chicago Shakespeare

December 11, 2023

A NEW KIND OF MUSICAL

Illinoise

music & lyrics by Sufjan Stevens  

based on the album Illinois 

story by Justin Peck and Jackie Sibblies Drury 

directed and choreographed by Justin Peck  

The Yard at Chicago Shakespeare

January 18–February 28, 2024 

RE-EXAMINING SHAKESPEARE’S INFAMOUS KING

Richard III

by William Shakespeare

directed by Edward Hall

starring Katy Sullivan

Courtyard Theater 

February 2–March 3, 2024

ABRIDGED SHAKESPEARE FOR STUDENTS

Short Shakespeare! Romeo and Juliet

by William Shakespeare

adapted and directed by Mikael Burke

Courtyard Theater 

February 22–March 20, 2024

RIOTOUSLY FUNNY WORLD PREMIERE STARRING JASON ALEXANDER

Judgment Day

by Rob Ulin

directed by Moritz von Stuelpnagel

The Yard at Chicago Shakespeare 

April 23–May 26, 2024

CAN YOU CRACK THE CODE?

The Enigmatist

written and performed by David Kwong

Upstairs at Chicago Shakespeare 

May 29–June 30, 2024

Scottish ISLANDER at Chicago Shakespeare Theater's WorldStage Series November 29–December 17, 2023

 

ChiIL Live Shows On Our Radar

Chicago Shakespeare Theater presents a WorldStage production 

from Scotland

ISLANDER

A spellbinding new musical with a Scottish folk-inspired score Upstairs at Chicago Shakespeare, November 29–December 17, 2023

Chicago Shakespeare Theater presents Islander, a new folk musical from Scotland, fresh off of a critically acclaimed off-Broadway run. Originally conceived and directed by Amy Draper, with tour staging and associate direction by Eve Nicol, a book by Stewart Melton, and music and lyrics by Finn Anderson, Islander uses live sound looping technology to create a spellbinding musical experience. The production plays in a limited engagement in the theater Upstairs at Chicago Shakespeare as part of the Theater’s WorldStage Series, November 29–December 17, 2023.

Staged with a contemporary folk-inspired score and epic storytelling, two performers reveal a world of characters, live-mixing and layering their voices to create a dazzling, unexpected soundscape as dramatic as the Scottish coastline. Eilidh is the only child on Kinnan Island, where most of the dwindling population has moved to the “Big Land.” As the island’s residents debate its future, a baby whale beaches itself, and Eilidh discovers a mysterious girl along the shore. This modern myth takes audiences on a journey that transcends loss, recovers hope, and finds community.

The winner of Best New Musical at Edinburgh Festival Fringe, Islander was given five stars by BritishTheatre, who called it “A flawless gem…a modern folk tale that is hard not to fall in love with.” During its off-Broadway run, The Daily Beast touted that “Islander is really gorgeous—sharp, moving, funny, and one of the best musicals in New York.”

The company is double cast, with two performers performing each of the two roles at alternating performances. Sharing the role of Eilidh are Lois Craig and Sylvie Stenson, and sharing the role of Arran are Stephanie MacGaraidh and Julia Murray. In addition to their primary roles, they bring a multitude of other characters to life. The creative team also includes Scenic Designer Emma Bailey, Lighting Designer Simon Wilkinson, Costume Designer Hahnji Jang, and Sound Designer Sam Kusnetz. Islander is produced in association with Setasea LLC, Helen Milne Productions, Theatre Royal Plymouth, and Dundee Rep Theatre.

Chicago Shakespeare Theater’s WorldStage Series exemplifies a landmark commitment to bring the world’s great theaters to Chicago and Chicago Shakespeare to the world. The series has welcomed some of the globe’s most exciting theatrical events, affording theatergoers prime opportunities to experience different cultural traditions and must-see international shows without leaving Chicago. To date, the WorldStage Series has featured more than 1,300 artists from 22 countries spanning six continents, sharing compelling stories in 24 languages.

Accessible and enhanced performances for Islander include:

Open-captioned performance – Wednesday, December 6, 2023, at 7:30 p.m. A text display of the words and sounds heard during a play, synced live with the action onstage.

ASL duo-interpreted performance – Friday, December 8, 2023, at 7:30 p.m. All dialogue and lyrics are translated into American Sign Language by two certified interpreters.

Audio-described performance – Sunday, December 10, 2023, at 2:00 p.m. A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision.

More information at www.chicagoshakes.com/islander or on social media at @chicagoshakes.

Islander will be presented November 29–December 17, 2023, in the theater Upstairs at Chicago Shakespeare. Tickets start at $65 and are on sale now. Special discounts are available for groups of 10 or more. For more information or to purchase tickets, contact the Box Office at 312.595.5600 or visit the Theater’s website at www.chicagoshakes.com.

ABOUT CHICAGO SHAKESPEARE THEATER

Regional Tony Award-recipient Chicago Shakespeare Theater produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming serving tens of thousands of students, teachers, and lifelong learners each year. Founded in 1986, the Theater’s onstage work has expanded to as many as twenty productions and 650 performances annually. Chicago Shakespeare is dedicated to welcoming the next generation of theatergoers; one in four of its audience members is under the age of eighteen. As a nonprofit organization, the Theater works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On the Theater’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire. www.chicagoshakes.com.

Chicago Shakespeare Theater’s WorldStage Series returns with Wise Children’s WUTHERING HEIGHTS January 27–February 19, 2023

Chicago Shakespeare Theater’s WorldStage Series returns with 

Wise Children’s

WUTHERING HEIGHTS

adapted and directed by 

groundbreaking theatermaker Emma Rice

 

The acclaimed international co-production from the United Kingdom in a limited engagement in 

The Yard at Chicago Shakespeare,

January 27–February 19, 2023

 

Chicago Shakespeare Theater’s WorldStage Series returns with groundbreaking theatermaker Emma Rice’s exuberant reimagining of Emily Brontë’s gothic masterpiece, Wuthering Heights. The production combines live music, dance, puppetry, and a dash of impish irreverence to create an intoxicating revenge tragedy for our time. Hailed a Critic’s Pick by The New York Times, this wildly imaginative theatrical event from the UK is a co-production with the National Theatre, Wise Children, Bristol Old Vic and York Theatre Royal in association with Berkeley Repertory Theatre. Wuthering Heights runs as a special limited engagement in The Yard at Chicago Shakespeare, January 27–February 19, 2023.

The production marks a return of Emma Rice’s boundary-pushing work to Chicago Shakespeare, previously seen in her celebrated Tristan & Yseult with Kneehigh Theatre in 2014 and the presentation of Wise Children’s musical comedy Romantics Anonymous, streamed live from Bristol Old Vic in 2020. Both productions were part of Chicago Shakespeare Theater’s WorldStage Series, which has featured more than 1,300 artists in 96 productions from 22 countries spanning six continents to date. Wuthering Heights marks the return of in-person WorldStage performances after a two-year hiatus of international touring due to the pandemic.

The wild moors of Yorkshire are the setting for an epic story of love, revenge, and redemption. An orphaned Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights—where he finds a kindred spirit in Catherine. As they grow up together, a fierce love ignites between them—and when forced apart, a brutal chain of events is unleashed.

London’s The Telegraph declares that the production "unleashes the fire and the fury of Brontë’s masterpiece in a full-throttle show," and BroadwayWorld calls it "audacious, ingenious, and visually stunning…Rice’s ambition is unbounded." The New York Times raves "this music-filled version is an embrace, an envelopment: a feat of storytelling that wraps itself around the audience, pulling us into its silliness and sorrow."

The company features Sam Archer (Lockwood/Edgar Linton/The Moors), Leah Brotherhead (Catherine), Georgia Bruce (Isabella Linton/Little Linton/The Moors), Ricardo Castro (Robert/The Moors), Katy Ellis (Zillah/The Moors), Stephanie Elstob (Swing), Lloyd Gorman (Mr. Earnshaw/ The Moors), TJ Holmes (Dr. Kenneth/The Moors), Jordan Laviniere (The Leader of The Yorkshire Moors), Tama Phethean (Hindley Earnshaw/Hareton Earnshaw/The Moors), Eleanor Sutton (Frances Earnshaw/Catherine Linton/The Moors), and Liam Tamne (Heathcliff). The production’s live music is performed by Sid Goldsmith, Music Director Pat Moran, and Vincent De Jesus, with TJ Holmes and Lloyd Gorman.

In addition to adaptor and director Emma Rice, the creative team includes Composer Ian Ross, Scenic and Costume Designer Vicki Mortimer, Sound and Video Designer Simon Baker, Lighting Designer Jai Morjaria, Choreographer Etta Murfitt, Puppetry Designer John Leader, Fight Director Kev McCurdy, and Music Director Pat Moran.

Chicago Shakespeare Theater’s WorldStage Series exemplifies a landmark commitment to bring the world’s great theaters to Chicago and Chicago Shakespeare to the world. The series has welcomed some of the globe’s most exciting theatrical events, affording theatergoers prime opportunities to experience different cultural traditions and must-see international shows without leaving Chicago.

Chicago Shakespeare makes its facility and performances accessible to all patrons through its Access Shakespeare programs. Accessible performances for Wuthering Heights include:

Audio-described Performance – Sunday, February 12, 2023, at 2:00 p.m.

A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision.

Open-captioned Performances – Wednesday, February 15, 2023, at 1:00 p.m. and 7:30 p.m.

A text display of the words and sounds heard during a play, synced live with the action onstage.

ASL Duo-interpreted Performance – Friday, February 17, 2023, at 7:30 p.m.

All dialogue and lyrics are translated into American Sign Language by two certified interpreters.

More information at www.chicagoshakes.com/wutheringheights or on social media at @chicagoshakes or #WutheringHeights.

Wuthering Heights will be presented January 27–February 19, 2023, in The Yard at Chicago Shakespeare Theater. Single tickets ($59–$106) are on sale now. Special discounts are available for groups of 10 or more. For more information or to purchase tickets, contact the Box Office at 312.595.5600 or visit the Theater’s website at www.chicagoshakes.com. Chicago Shakespeare’s most up-to-date health protocols can be found at www.chicagoshakes.com/health.

About Emma Rice

Emma Rice is the proud and excited artistic director of her company, Wise Children. She adapted and directed the company’s Bagdad Cafe (The Old Vic), Angela Carter’s Wise Children (The Old Vic/UK tour), and Enid Blyton’s Malory Towers (Bristol Passenger Shed/UK tour). For the ENO she directed Orpheus in the Underworld. As artistic director of Shakespeare’s Globe (2016-18), she directed Romantics Anonymous, Twelfth Night, A Midsummer Night’s Dream, and The Little Matchgirl (and Other Happier Tales). For the previous 20 years, she worked for Kneehigh as an actor, director, and artistic director. Her productions for Kneehigh include The Flying Lovers of Vitebsk, Tristan & Yseult, 946: The Amazing Story of Adolphus Tips, The Wild Bride, The Red Shoes, The Wooden Frock, The Bacchae, Cymbeline (in association with RSC), A Matter of Life and Death (in association with National Theatre), Rapunzel (in association with Battersea Arts Centre), Brief Encounter (in association with David Pugh and Dafydd Rogers Productions), Don John (in association with the RSC and Bristol Old Vic), Wah! Wah! Girls (in association with Sadler’s Wells and Theatre Royal Stratford East for World Stages), and Steptoe and Son. Other work includes the West End production of The Umbrellas of Cherbourg, Oedipussy (Spymonkey), The Empress (RSC), and An Audience with Meow Meow (Berkeley Repertory Theatre). In 2019 Rice received the UK Theatre Award for Outstanding Contribution to British Theatre.

About Wise Children

Created and led by Emma Rice, Wise Children launched in April 2018 and is an Arts Council England National Portfolio Organisation. Based in Bristol, the company makes groundbreaking work with exceptional artists, and tours across the world. In the dark days of 2020, Wise Children led the field in livestreaming, becoming the first UK company to broadcast a fullstaged production, without social distancing, from a UK theatre after lockdown. Alongside shows, the theatre runs a unique professional development programme, The School for Wise Children, training a new and more diverse generation of theatre practitioners. www.wisechildren.co.uk

About Chicago Shakespeare Theater

Regional Tony Award-recipient Chicago Shakespeare Theater produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming serving tens of thousands of students, teachers, and lifelong learners each year. Founded in 1986, the Theater’s onstage work has expanded to as many as twenty productions and 650 performances annually. Chicago Shakespeare is dedicated to welcoming the next generation of theatergoers; one in four of its audience members is under the age of eighteen. As a nonprofit organization, the Theater works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On the Theater’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire. www.chicagoshakes.com

Q Brothers Christmas Carol is Back at Chicago Shakespeare Theater Through December 23, 2021

ChiIL Mama’s Chi, IL Picks List 

Q BROTHERS & Chi Shakes bring all the joys to The Yard!

Chicago Shakespeare Artists and Audiences come together for the holiday season

Q BROTHERS CHRISTMAS CAROL

Hip hop holiday hit returns in limited engagement. 

December 7-23, 2021

This is one of our all time top favorites in the Christmas genre. Chicago's own world renowned Q Brothers are truly a treat to see in action. We highly recommend Q BROTHERS CHRISTMAS CAROL and we adore The Yard, Chi Shakes' newest space. This show has multigenerational appeal and may well be one of the funniest holiday shows out there. We've caught every year this show has been performed since they workshopped the first version of this show back around 2012 or 13 and it's become a beloved family tradition of ours. Don't miss this!

Chicago Shakespeare Theater is once again the ultimate destination for the holiday season. The 80-minute hip hop holiday hit Q Brothers Christmas Carol, created by Chicago sensations the Q Brothers Collective (GQ, JQ, Jax, and Pos) and developed with Creative Producer Rick Boynton, is back in a limited engagement in The Yard at Chicago Shakespeare, December 7-23, 2021. The Theater will again host the popular virtual Holiday Artisan Market, December 2-5, 2021, in support of local theatermakers and community artists. Nearly 20 Chicago-area artisans will showcase more than 250 handcrafted wares in an online pop-up shop—perfect for holiday gift-giving. One hundred percent of proceeds will directly benefit the artisans.

The wildly entertaining Q Brothers Christmas Carol remixes the Charles Dickens classic, mashing up musical styles ranging from reggae and dancehall music, to dubstep and epic rock ballads. Fully decked out in the holiday spirit with stage-side cocktail tables and theater seating, the Theater is strewn with more than two miles of twinkling lights as the Ghosts of hip hop Past, Present, and Future lead Scrooge on a journey of rhythm, rhyme, and redemption.

The internationally acclaimed Q Brothers Collective fuses hip hop and theater—adapting classic stories with a wholly original style of performance that has amassed a cult following of fans in Chicago and beyond. The Q Brothers Collective pioneered the concept of "ad-rap-tation" with their Off-Broadway hit The Bomb-itty of Errors. Their award-winning collaborations with Chicago Shakespeare Theater Creative Producer Rick Boynton include Othello: The Remix—which premiered at Shakespeare’s Globe and toured to sold-out houses in London, Australia, South Korea, the United Arab Emirates, and Off Broadway—and Funk It Up About Nothin’, which garnered the Jeff Award for Outstanding Ensemble and the Dress Circle Award for Best Musical Production at the Edinburgh Festival Fringe.

Q Brothers Christmas Carol features the members of the Q Brothers Collective portraying all of the roles in the timeless story: GQ (Scrooge), JQ (Marley / Belle / Present / Lil’ Tim), Jax (Fred / Dick Wilkins / Mama Cratchit), and Pos (Bob Cratchit / Past / Martha Cratchit)—joined by DJ Clayton Stamper spinning live beats live onstage. The creative team features Scenic and Costume Designer Scott Davis, Lighting Designer Jesse Klug, Sound Designer Stephen Ptacek, Associate Sound Designer Ralph Loza, and original Wig and Make-up Designer Melissa Veal, with Choreography by Anacron. Q Brothers Christmas Carol is written by the Q Brothers Collective (GQ, JQ, Jax, and Pos) with music by JQ. A Chicago Shakespeare production, Q Brothers Christmas Carol is presented by CST and Richard Jordan Productions.

In its ongoing commitment to accessibility, Chicago Shakespeare offers accessible performances for Q Brothers Christmas Carol:

Audio-described performance – Sunday, December 12, 2021, at 3:00 p.m.

A program that provides spoken narration of the play’s key visual elements for patrons who are blind or have low vision.

Open-captioned performance – Wednesday, December 15, 2021, at 7:00 p.m.A text display of the words and sounds heard during a play, synced live with the action onstage.

Run time is 80 minutes (no intermission). Single tickets ($38–$56) are on sale now with special discounts available for groups of 10 or more. For more information, visit chicagoshakes.com/qchristmas or engage on social at #QChristmas.

HOLIDAY ARTISAN MARKET

Virtual pop-up shop with 100% of proceeds benefiting local artists, December 2-5, 2021

Back by popular demand, Chicago Shakespeare’s Holiday Artisan Market will feature more than 250 one-of-a-kind goods from nearly twenty local artists. All of the participating artisans are members of the creative sector—including onstage performers, backstage technicians, designers, and community partners from the Theater’s annual Chicago Shakespeare in the Parks program. From jewelry and ceramics to knitwork and more, the virtual Holiday Artisan Market is not only a one-stop-shop for bespoke and beautifully made gifts, but also celebration of the talent and resilience of our city’s creative community.

Featured artisans include:

Taí Ramírez, a youth musician with Segundo Ruiz Belvis Cultural Center who appeared in Chicago Shakespeare in the Parks DREAM in 2021, with her whimsical jewelry creations.

Actor Nick Harazin who has appeared in in six Chicago Shakespeare productions, sharing his woodworking skills with unique wooden jewelry and furniture pieces.

Brittany Taylor, member of Greater Englewood Chamber of Commerce’s Business Development Cohort, and her hand-poured Black Luxe candles.

Three-time Chicago Shakespeare in the Parks Green Show performer Noelle Klyce and cozy items from her crochet line Hook Me Up, Design Co.

Chicago Lighting Designer Travis Shupe and his hand-thrown pottery creations, which are both functional and beautiful.

Theatrical costume maker Maggie Hoffman (SIX, Macbeth, Nell Gwynn) delights with holiday-themed goods in her PaisleyAndGlue shop.

Participating artisans to date include: Maggie Hoffman – PaisleyAndGlue; Emma Lyons – Emma Lyons Art; Beth Uber – Betherella; Dail Kirkpatrick – Dail Kirkpatrick Art; Nikki Way; Brittany Taylor – Black Luxe Candle Co; Taí Ramírez – Atabey; Cass Westover – Homegrown Wrappings; Elizabeth Flauto – Elizabeth Millinery; Nicholas Harazin – Kindred Woodworks; Travis Shupe – Ceramics by Travis; Jen Smith – JenSmithGlass; Karen Avery; Robin Power; Catherine Daniels – CDaniels Design.

The pop-up shop will be live December 2-5, 2021 at chicagoshakes.com/market with one hundred percent of proceeds going directly to the artisans.

ABOUT CHICAGO SHAKESPEARE THEATER

A Regional Tony Award recipient, Chicago Shakespeare Theater produces a year-round season—featuring plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming, each year serving tens of thousands of students, teachers, and lifelong learners. Founded in 1986, the Theater’s onstage work has expanded to as many as twenty productions and 650 performances annually. Dedicated to welcoming the next generation of theatergoers, one in four audience members is under the age of eighteen. As a nonprofit organization, Chicago Shakespeare works to embrace diversity, prioritize radical inclusion, provide equitable opportunities, and offer an accessible experience for all. On the Theater’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire us. chicagoshakes.com

COME TOGETHER FOR AS YOU LIKE IT Beginning October 6th at Chicago Shakespeare Theater

ChiIL Live Shows On Our Radar

Upcoming Season Productions and Programs for 2021/22

Academy Award-nominee David Strathairn stars in Remember This: The Lesson of Jan Karski

Broadway-bound World Premiere musical The Notebook from Ingrid Michaelson & Bekah Brunstetter

Shakespeare’s All’s Well That Ends Well directed by Shana Cooper in the Courtyard Theater

Leading director Sheldon Epps stages new take on The Tempest

Covid Precautions: vaccine proof, ID, and masks indoors at all times

The return of in-person performances has finally arrived, at Chicago Shakespeare Theater’s home on Navy Pier! Here at ChiIL Live Shows, CST has long been a favorite of ours, and we can't wait to catch the debut of As You Like It infused with the hit songs of The Beatles, beginning October 6, 2021. Check back soon for our full review.

Shakespeare’s romantic comedy joins a dynamic line-up of productions and programs for the Theater’s 2021/22 Season, which includes Academy Award-nominee David Strathairn in Remember This: The Lesson of Jan Karski, the Broadway-bound World Premiere musical The Notebook from Ingrid Michaelson and Bekah Brunstetter, Shakespeare’s All’s Well That Ends Well staged by Shana Cooper, visionary director Sheldon Epps’ startling new take on The Tempest, and a wide range of special theatrical events all year long. On the Theater’s three stages, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare has established itself as a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect us.

“We’re overcome with joy to be producing live theater again and sharing powerful artistic experiences with our audiences back where they belong at Chicago Shakespeare,” shared Artistic Director Barbara Gaines. “And we couldn’t wait! There’s never been a more important moment for all of us to come together—to gather with one another, to share music and laughter—and to bring back the magic we’ve missed over these many months apart.”

Chicago Shakespeare audiences return to the Courtyard Theater with a vibrant adaptation of Shakespeare’s romantic comedy As You Like It (October 6–November 21, 2021) adapted and directed by Daryl Cloran. Set in the ‘60s, the exuberant celebration of love features nearly 20 musical numbers from The Beatles songbook, performed live onstage, including “She Loves You,” “I Want to Hold Your Hand,” “Let It Be,” and “Here Comes the Sun.” The company includes Melanie Brezill (Celia) Adam Wesley Brown (Forest Lord/Hymen), Tony Carter (Oliver), Austin Eckert (Charles the Wrestler/Amiens), Lachrisa Grandberry (Audrey), Kevin Gudahl (Duke Senior/Duke Frederick), Heidi Kettenring (Phoebe), Kayvon Khoshkam (Touchstone), Kieran McCabe (Forest Lord), Steven Pringle (Adam/Sir Oliver Martext), Liam Quealy (Orlando), Lakeisha Renee (Rosalind), and Nancy Voigts (Corin).

Academy Award-nominated actor David Strathairn takes the stage in a tour-de-force solo performance, Remember This: The Lesson of Jan Karski (November 3-14, 2021). Originally created by The Laboratory for Global Performance and Politics at Georgetown University, Remember This is written by Clark Young and Derek Goldman, and directed by Goldman. Best known for acclaimed performances in Good Night, and Good Luck, Nomadland, and Lincoln, Strathairn takes on the role of real-life World War II hero Jan Karski. After surviving the devastation of Poland by Nazi Germany, Karski swears allegiance to the Polish Underground and risks his life to carry the first eyewitness reports of the Holocaust to the White House, where his warnings are met with inaction and disbelief. Strathairn captures the remarkable life of the self-described “insignificant, little man” who spoke truth in the halls of power in a timely story of moral courage.

The Theater’s raucous and irreverent holiday tradition Q Brothers Christmas Carol returns in a special limited engagement in The Yard at Chicago Shakespeare (December 7-23, 2021). Created and performed by Chicago hip hop sensations the Q Brothers Collective (GQ, JQ, Jax, and Pos) and developed with Creative Producer Rick Boynton, this wildly entertaining 80-minute reinterpretation of the Charles Dickens classic mashes up hip hop with contemporary musical styles ranging from reggae and dancehall music, to dubstep and epic rock ballads—all underscored with beats spun live at the turntables by DJ Supernova. A Chicago Shakespeare production, Q Brothers Christmas Carol is presented by CST and Richard Jordan Productions. In collaboration with leading Broadway and regional theater multimedia company HMS Media, the production will be filmed in front of a live audience for broadcast distribution.
Following the success of 2020’s virtual pop-up shop, the Holiday Artisan Market is slated to return in December 2021. From jewelry and ceramics to knitwork and more, the Holiday Artisan Market will not only be a one-stop-shop for bespoke and beautifully made gifts, but also celebration of the talent and resilience of our city’s creative community. One hundred percent of proceeds will go directly to the featured artisans, all from the creative sector—including onstage performers, backstage technicians, designers, and community artist partners from the Chicago Shakespeare in the Parks program. Last year’s event showcased more than 200 one-of-a-kind treasures from 25 local makers and garnered nearly $10,000 in direct artist support.

This winter, acclaimed Belgian theatre company Ontroerend Goed—previously seen at Chicago Shakespeare with Fight Night (2018) and A History of Everything (2012)—virtually presents its new production TM (January 2022) as part of the WorldStage series. Made in collaboration with theater-makers from across the world and directed by Alexander Devriendt, TM beckons audiences into a live interactive one-to-one experience exploring media manipulation, populist ideology and conspiracy theories—and was hailed “an ingenious show that tears up theatre’s playbook” by The Guardian.
In March, Chicago Shakespeare is proud to continue its role as a key partner in the development of new work with the debut of Broadway-bound new musical, The Notebook (March 15–April 24, 2022). The World Premiere production features music and lyrics by singer-songwriter Ingrid Michaelson with book by playwright Bekah Brunstetter. Known for her distinctively soulful folk-pop style, Michaelson is a force in the music industry with four Top 20 albums and two Platinum singles: “The Way I Am” and “Girls Chase Boys.” Brunstetter is a supervising producer and writer on NBC’s Emmy and Golden Globe Award-winning series This Is Us, as well as an accomplished playwright whose work has played at theaters including Manhattan Theatre Club, South Coast Repertory, Atlantic Theater Company, and The Old Globe. Broadway powerhouses Michael Greif (Dear Evan Hansen, Next to Normal, Grey Gardens, RENT) and Schele Williams (Aida, Motown the Musical) team up to direct this deeply moving portrait of the enduring power of love. Based on Nicholas Sparks' best selling novel that inspired the hugely popular film, The Notebook chronicles the decades-long love story between a mill worker named Noah and a privileged debutante named Allie. Beginning with a whirlwind summer romance, their love affair spans an entire lifetime—in spite of the differences that threaten to pull them apart. With music direction by Carmel Dean and choreography by Katie Spelman, the World Premiere production will feature a diverse, multi-generational cast, reflecting the timeless and universal nature of the love story.

Beginning in April 2022, Shakespeare’s nuanced coming-of-age love story All’s Well That Ends Well (April 23–May 29, 2022) is brought to new life in the uniquely intimate setting of the Courtyard Theater, staged by acclaimed director Shana Cooper. A company member at the acclaimed Woolly Mammoth Theatre Company in Washington, D.C., Cooper’s directing credits span classical theater to new works at leading regional companies including Oregon Shakespeare Festival, Seattle Rep, and Yale Repertory Theatre. She notably staged the world premiere of The COOP's inaugural production Terra Firma off-Broadway in 2019. Bold, complex characters and hilarious turns of wit and wisdom make for a vivid exploration of love and loss, courtship and class. Besotted with a man who does not return her love, the intelligent, resourceful young Helena navigates the complexities of unrequited romance, courtly drama, and the pesky meddling of her elders—only to discover the reality that happy endings are never quite as simple as they seem in fairy tales.

The new musical It Came from Outer Space (May 25–June 26, 2022) will make its World Premiere in the Spring directed by Laura Braza. Commissioned and developed by Chicago Shakespeare with Creative Producer Rick Boynton, the project reignites an artistic partnership with creators Joe Kinosian and Kellen Blair, following the success of their Jeff Award-winning 2011 musical, Murder for Two which premiered at Chicago Shakespeare and went on to be produced off-Broadway and in theaters around the world. In this adaptation of the cult classic ‘50s sci-fi film from Universal Pictures, It Came from Outer Space spins Ray Bradbury’s flying saucer tale with a clever musical score and creative physical humor—examining society’s fear of outsiders and embracing the wonder of what lies just beyond the stars.

In September 2022, Chicago Shakespeare will join forces with leading director Sheldon Epps to stage a new production of Shakespeare’s The Tempest. An award-winning director, Epps conceived and directed the Tony Award-nominated Broadway musical Play On!, an adaptation of Shakespeare's Twelfth Night set to the music of Duke Ellington, as well as the acclaimed musical revue Blues in the Night, which played on Broadway and London's West End. He directed the world premiere of Blue at Arena Stage Theatre, which went on to be produced off-Broadway at the Roundabout Theatre. In addition to serving more than 20 years as the artistic director for the Pasadena Playhouse, Epps has directed plays and musicals for many of the nation’s major theaters including The Guthrie, the Old Globe Theatre, Manhattan Theatre Club, Seattle Repertory Theatre, Playwrights Horizons, and Goodman Theatre. Epps is set to bring his artistic vision to a lyrical storytelling of Shakespeare’s mystical romance.

One of the most comprehensive and highly respected arts education programs in the country, Chicago Shakespeare’s Team Shakespeare education initiatives are set to serve thousands of teachers and students all year long. Key initiatives include Bard Core, a professional learning seminar that introduces Chicago Public Schools high school English, Special Education, and ESL teachers to drama-based strategies for engaging students—including struggling and reluctant readers, and English language learners—with Shakespeare and other challenging texts. In the annual Chicago Shakespeare SLAM, hundreds of high school students and their teacher coaches come together from Chicago Public Schools, and public, private, and parochial schools across the region to celebrate the power of their own artistic voices in conversation with Shakespeare’s stories. Saturday workshop sessions and small group work sessions throughout the fall culminate in a spirited, fun-filled Final Bout at Chicago Shakespeare in January 2022.

Chicago Shakespeare strives to make its facility and performances accessible to all patrons through Access Shakespeare programming, which offers services designed for individuals with mobility, hearing, or visual impairments for its productions. In addition to offering assistive-listening devices as well as large-print and Braille programs, the Theater schedules dedicated performances featuring ASL duo-interpretation, open captioning, audio description, and touch tours. Tickets to Access Shakespeare performances are provided at pay-what-you-can rates to ensure that cost does not prohibit participation.
 

ABOUT CHICAGO SHAKESPEARE THEATER

A Regional Tony Award recipient, Chicago Shakespeare Theater produces a year-round season—featuring plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside education programming for students, teachers, and lifelong learners, and creative community engagement with the city’s artists and neighborhoods.

Founded in 1986, the Theater has evolved and expanded to present as many as twenty productions and 650 performances annually and has been honored with numerous national and international awards. Chicago Shakespeare is the city’s leading presenter of international work and has toured its own productions to five continents. Dedicated to welcoming the next generation of theatergoers, one in four audience members is under the age of eighteen.

As a non-profit organization, Chicago Shakespeare is committed to approaching its work onstage and in the community with the values of service, ingenuity, and collaboration. The Theater strives to engage today’s artists and audiences in active and critical conversations with the work of the Theater’s namesake playwright, William Shakespeare.

Located on Chicago’s iconic Navy Pier, Chicago Shakespeare’s campus features the Jentes Family Courtyard Theater, The Yard at Chicago Shakespeare, and the Thoma Theater Upstairs. Onstage, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect us. www.chicagoshakes.com

Chicago Shakespeare Theater’s 2021/22 Season

Re-lighting of the Marquee – October 6, 2021

AUDIENCES RETURN TO CHICAGO SHAKESPEARE

As You Like It

by William Shakespeare | adapted & directed by Daryl Cloran

conceived by Daryl Cloran and the Bard on the Beach Shakespeare Festival

in the Courtyard Theater

October 6–November 21, 2021

WORLD-CLASS ARTISTRY ON OUR STAGES

Remember This: The Lesson of Jan Karski

by Clark Young and Derek Goldman | directed by Derek Goldman | starring David Strathairn

in The Yard at Chicago Shakespeare

November 3-14, 2021

THE HOLIDAY TRADITION CONTINUES

Q Brothers Christmas Carol

written by Q Brothers Collective (GQ, JQ, Jax, Pos) | directed by GQ and JQ | developed with Rick Boynton

in The Yard at Chicago Shakespeare

December 7-23, 2021

CELEBRATING THE TALENT OF OUR CITY’S ARTISANS

Holiday Artisan Market @ Chicago Shakespeare

Virtual pop-up shop with 100% proceeds to local artists

December 2021

STREAMING THE WORLDSTAGE

Ontroerend Goed’s

TM

a WorldStage production from Belgium

directed by Alexander Devriendt

on Chicago ShakesSTREAM

January 2022

STUDENTS IN CONVERSATION WITH SHAKESPEARE

Chicago Shakespeare SLAM

in high schools across the region and onstage at Chicago Shakespeare

January 2022

PRE-BROADWAY WORLD PREMIERE

The Notebook

music and lyrics by Ingrid Michaelson | book by Bekah Brunstetter | based on the novel by Nicholas Sparks | directed by Michael Greif and Schele Williams

In The Yard at Chicago Shakespeare

March 15–April 24, 2022

SHAKESPEARE’S COMING-OF-AGE LOVE STORY

All’s Well That Ends Well

by William Shakespeare | directed by Shana Cooper

in the Courtyard Theater

April 23–May 29, 2022

WORLD PREMIERE MUSICAL EVENT

It Came from Outer Space

book, music and lyrics by Joe Kinosian and Kellen Blair | directed by Laura Braza

in the theater Upstairs at Chicago Shakespeare

May 25–June 26, 2022

LEADING DIRECTOR HELMS NEW PRODUCTION

The Tempest

by William Shakespeare | directed by Sheldon Epps

September–October 2022