Showing posts with label open house. Show all posts
Showing posts with label open house. Show all posts

Sunday, October 15, 2023

The Fine Arts Building 125th Anniversary Open House Friday October 13, 2023

ChiIL Mama’s ChiIL Picks List: Free Family Friendly Fun 

Mayor Brandon Johnson declares 

Fine Arts Building Day on Oct. 13th

1898 

“ALL PASSES--ART ALONE ENDURES” 


Photo credit for all, Bonnie Kenaz-Mara unless otherwise noted


By Catherine Hellmann, Guest Critic 


The Fine Arts Building at 410 S. Michigan Avenue, is a city treasure. Originally created for the Studebaker Company, when they outgrew the space, it was converted into a hub for artists, musicians, architects, and others. Designed by Solon S. Beman, who was the architect behind Pullmantown and had his office in the building, it has housed the studios of such luminaries as Frank Lloyd Wright and sculptor Lorado Taft. Instructional platelets outside studios identify the famous artisans who had their workspaces there, such as William W. Denslow who was an artist and illustrator and did the drawings for the original The Wonderful Wizard of Oz by L. Frank Baum. The Chicago Little Theater was founded at Fine Arts and its tiny performance space is considered a precursor to the Chicago storefront theater movement. 


Art studios were open to peruse on Friday night. Many beautiful and striking paintings were for sale. My sister and I were wowed by the gorgeous and whimsical handcrafted jewelry by Monsieur Pamplemousse: “Elegance in Everyday Life.” www.mpbijoux.com He had lovely earrings and necklaces for sale with reasonable prices. Monsieur P. (a.k.a. Alex Agudo) was directing a class of participants stringing their own beads to create an original piece. He invited us to stay and join the next group, but we still had so much to see.     


We donned 3-D glasses and watched a curious short film called “One Night in Hell” (2014) at www.ThePuppetCompany.org. The movie included a skeleton band playing “We Will Rock You” which led into the “1812 Overture” by Tchaikovsky. The Queen reference is very deliberate since Sir Brian May produced the film. The guilarist has always had a fascination for 3-D images and collects stereoscopic cards. (My generation remembers View-Master toys!)     




Photo credit Bonnie Kenaz-Mara 



The Chicago International Puppet Theater Festival has their headquarters in the Fine Arts Building. Check out their programs at ChicagoPuppetFest.org


We cooled off in the scenic courtyard. It was fun to see folks discover this little charming space and hear their delight. 


And don’t miss the awesome bookstore on the second floor, Exile in Bookville. They can be reached at (312) 753-3154. 



The highlight of the evening was a concert by Chicago Opera Theater Young Artists. Paula Gelpi on piano was amazing. Michelle Mariposa, a mezzo-soprano from the Phillippines, sang a spooky modern number. I would have liked hearing more from her. Tenor Karlos Pinero-Mercado and Baritone Louise Floyd each sang solo arias before performing a duet from “The Secret Garden.” 


The COT upcoming season looks fantastic, beginning with “The Nose” on December 8 & 10 to be performed at the Harris Theater. “Book of Mountains and Seas” will play January 27 & 28. “The Weight of Light” is April 27. The season concludes with “Before It All Goes Dark” on May 25 & 26. “The Nose” will be COT’s biggest production to date. Chicagooperatheater.org 




We had intended to catch the piano concert but there was so much to see and do. Two of the pieces to be performed by Dr. Yulia Lipmanovich in the Studebaker Theater were played at the opening concert by Fannie Bloomfield Zeisler on September 28, 1898. Those selections were the “Hungarian Rhapsody No 12” by Franz Liszt and Chopin’s  “Ballade No. 1 in C minor Op. 23.” 


Photo credit Bonnie Kenaz-Mara 

Exploring the architecture of the Fine Arts Building itself is a treat. The paintings, carved woodwork, ornate clocks, and especially the manually-operated elevators (yes! The last of their kind in the city. Soon to be replaced, sadly, because the replacement parts are unavailable any more…) are a visual delight. 


Photo credit Bonnie Kenaz-Mara 



If you want to examine the place yourself, attend the “Second Fridays events” from 5:00-9:00 on the Second Friday evenings of the month. 




Catherine Hellmann is a high school teacher in The Loop and adores all things Chicago. 





Chicago’s Fine Arts Building hosts 125th Anniversary Celebration

including a free concert in the renovated Studebaker Theater

Friday, October 13 from 5-9 p.m.

Spend your Friday the 13th this year with a bit of history, a dash of mystery, and rides in some of the last manually operated elevators in Chicago. Within the next two years, modern elevators will replace the ornate Otis cars and another slice of history will disappear from the public eye. 

Photo credit for all, Bonnie Kenaz-Mara unless otherwise noted

Here at ChiIL Mama and ChiIL Live Shows, we've seen so many fabulous shows and events at Chicago’s historic Fine Arts Building and we still notice artistic flourishes in the architecture that we've never seen before. Check it out. 











Come explore this art immersions event featuring dozens of artistic tenants, including Chicago Human Rhythm Project, Chicago International Puppet Theater Festival, Chicago Opera Theater, Exile in Bookville, Jazz Institute of Chicago, Liederstube, Monsieur Pamplemousse, Natya Dance Theatre, Press Here Studio and the Second Floor Art Gallery exhibiting Don Yang

Chicago’s historic Fine Arts Building (410 S. Michigan Avenue) marks its 125th anniversary with a major public celebration on Friday, October 13 from 5-9 p.m. that activates all ten floors of this Chicago Landmark, an artist haven since its founding in October 1898. Mayor Brandon Johnson has declared Oct. 13 Fine Arts Building Day in Chicago “in recognition of [this] milestone 125th anniversary” and to “encourage all residents to support this historic landmark.”

The Fine Arts Building is a home for art in all forms: from pioneers like Poetry magazine’s founding publisher Harriet Monroe, architect Frank Lloyd Wright, sculptor Lorado Taft and the Chicago Little Theatre, to the ongoing legacies of painters, musicians, booksellers, puppeteers, dancers, photographers and craftspeople who inhabit the building today, the Fine Arts Building is buzzing with more than a century of Chicago creativity and innovation.

The 125th Anniversary Celebration on October 13 will include a free concert at 7:30 p.m. in the newly renovated Studebaker Theater from Dr. Yulia Lipmanovich, a distinguished concert pianist and piano teacher based in the Fine Arts Building. The Studebaker originally opened with a piano recital by Fannie Bloomfield Zeisler in 1898, and Dr. Lipmanovich will be recreating some of Zeisler’s original setlist to commemorate the theater’s 125th anniversary. Advance registration for the concert program is free and recommended at fineartsbuilding.com/events/125.

An expanded version of the building’s monthly Second Fridays open studios events, the 125th Anniversary Celebration highlights artistic tenants throughout the building, ranging from music, dance and puppetry to literature, fine art and jewelry—illustrating the full range of art forms that fill the halls of the Fine Arts Building today.


Programming highlights of the October 13 celebration include (with event locations):

Chicago Human Rhythm Project (Studio 300) will present a “Taste O’Tap” with opportunities for visitors to learn the first steps of the Shim Sham (national tap dance anthem) as well as demonstrations of lesser-seen tap choreographies to classical music, swing and old standards such as “I've Got You Under My Skin.”

Chicago International Puppet Theater Festival (Studio 433) will present an overflowing display of handmade puppets and flowers, created for a special public spectacle in Maggie Daley Park to welcome Little Amal to Chicago.

Chicago Opera Theater (Studio 404) will present a series of live musical performances in celebration of its 50th anniversary.

Exile in Bookville (Studio 210) will highlight an all-star group of authors as guest booksellers throughout the evening.

Jazz Institute of Chicago (lobby) will present performances from a jazz combo 5-7 p.m.

Liederstube (Studio 721), which presents classical music in intimate and informal settings, is celebrating its 10th anniversary. They will perform selections of their greatest hits, inviting visitors to gather around the piano and sing art songs.

Monsieur Pamplemousse custom jewelry by Alex Agudo (Studio 702) will walk guests through the making of a bracelet or key chain pendant with a special 125th anniversary message. Limited edition for the first 100 guests.

Natya Dance Theatre (Curtiss Hall) will perform the dance theater of India known as Bharatanatyam, which combines percussive footwork, geometrical body movements, hand gestures and facial expressions to convey profound messages.

Press Here Studio (Studio 419) will present the Center for Mad Culture’s interactive exhibition “It’s Not Art Therapy” by Sandie Yi and Katie O’Neill, as well as a reading and book signing with MV Perry, who will read from his new novel A Revolution of the Mind.

The Second Floor Art Gallery (2nd Floor), curated by Stanley Smith of Oak Street Design, will open a new show featuring the plein air paintings of fellow Fine Arts Building tenant and artist Don Yang, showcasing the architectural icons of Chicago and the surrounding areas.

New historic exhibits Art Alone Endures and Staging Ground (5th Floor) offer “windows into history,” sharing stories of the artists and companies that have called the Fine Arts Building home over the past 125 years. The exhibits are free and open to the public daily during normal business hours. A self-guided walking tour of historic sites and artists’ studios throughout the building is available online at fineartsbuilding.com/map. 

Additional tenants participating in the 125th Anniversary Celebration include: Ann Pickett Studio and Gallery; portrait artist Lou Ann Burkhardt; Chicago Youth Symphony Orchestras; painter, illustrator and editorial cartoonist Richard Laurent; Patrice Olsen Fine Art, presenting drawing, painting and photography for social justice; Ossia Musical Forum, a musical academy and chamber music concert booking specialist; and abstract artist James Tansley.

Second Fridays open studios are free to attend at the Fine Arts Building on the second Friday of every month from 5-9 p.m., and include gallery openings, special performances and artistic demonstrations. For more information, visit fineartsbuilding.com/second-fridays.

The Fine Arts Building is a home for art in all forms: from pioneers like Poetry magazine’s founding publisher Harriet Monroe, architect Frank Lloyd Wright, sculptor Lorado Taft and the Chicago Little Theatre, to the ongoing legacies of painters, musicians, booksellers, puppeteers, dancers, photographers and craftspeople who inhabit the building today, the Fine Arts Building is buzzing with more than a century of Chicago creativity and innovation. A Chicago Landmark since 1978, the building features original manually-operated elevators, Art Nouveau murals from the late 19th century and the recently renovated Studebaker Theater, one of the city’s oldest and most significant live theatrical venues.

 

Final 2 photos by Alexander Utz and Mikel Pickett

Wednesday, August 10, 2016

Free Dance and Fitness Classes for Children and Adults SATURDAY, AUGUST 13 at RUTH PAGE CENTER FOR THE ARTS ANNUAL OPEN HOUSE

RUTH PAGE CENTER FOR THE ARTS ANNUAL OPEN HOUSE OFFERS FREE DANCE AND FITNESS CLASSES, 
SATURDAY, AUGUST 13

Free Dance and Fitness Classes for Children and Adults will Take Place 
from 11 a.m. – 3 p.m.



Ruth Page Center for the Arts is offering free dance and fitness classes for children and adults at their annual Open House on Saturday, August 13 from 11 a.m. – 3 p.m. Held in the Ruth Page Center for the Arts, 1016 N. Dearborn St., beginner classes will be offered for children in Pre-Dance (ages 3-6), Acrobatics and Hip Hop (ages 7+), and beginner adult classes in Pilates, Salsa, Afro Cuban, Contemporary Modern, Tai Chi, Jazz and Ballet, with more classes to be released on the Ruth Page website. Each introductory class will have duration of 30 minutes and participants are encouraged to sample as many classes as they wish, with no reservation needed. Attendees that are interested in registering for classes after participating in Open House will have their $25 registration fee waived. There is also the option to buy an adult class card and receive $25 off. For more information, including a complete schedule of classes, please call (312) 337-6543 or visit www.ruthpage.org

Wednesday, May 18, 2016

Goodman Theatre's New Education Building, The Alice Is Open!

GOODMAN THEATRE WELCOMES ITS FIRST AUDIENCES TO “THE ALICE” 
WITH FREE EVENTS,
MAY 19-21




***EXPERIENCE THE NEW ALICE RAPOPORT CENTER FOR EDUCATION AND ENGAGEMENT WITH “LORRAINE HANSBERRY DAY” ON MAY 19; YOUTH SPOKEN WORD + OPEN MIC ON MAY 20
AND A MAY 21 OPEN HOUSE OF CREATIVE FUN, INCLUDING 
FAMILY-FRIENDLY AND MEET-THE-ARTIST EVENTS***

Here at ChiIL Mama and ChiIL Live Shows, we're so excited about "The Alice". As a Chicago mom, theatre critic, and huge arts advocate, I'm beyond excited that these new facilities will enable The Goodman to expand their excellent educational arts programming. 

The children are our future, whether you are pre/post/or non parents of the birth to 18 year old bracket, raising a new generation of creative thinkers benefits us all. Theatre loving, arts loving kids make great problem solvers and assets to society. 

 
 
Build a play with your family, try your hand at stage combat, hear Chicago’s finest actors spill stage secrets—and more! Goodman Theatre proudly opens its Alice Rapoport Center for Education and Engagement (“the Alice”) with free opportunities for audiences to sample the variety of programming offered in the theater’s newly dedicated space for classes, lectures, discussions and special performance events. May 19 is “Lorraine Hansberry Day,” with events connected to the critically acclaimed current mainstage production, Hansberry’s The Sign in Sidney Brustein’s Window, directed by Anne Kauffman (on stage through June 5). A schedule of events appears below; reservations are recommended as space is limited: GoodmanTheatre.org/Engage-Learn or 312.443.3800.


Thursday, May 19 – “Lorraine Hansberry Day” in Chicago
12 Noon | Mayor Rahm Emanuel has proclaimed May 19, 2016 “Lorraine Hansberry Day,” in honor of what would have been the Chicago native playwright’s  86th birthday. The company of The Sign in Sidney Brustein’s Window kicks off the special day with a reading of the mayoral proclamation—followed by birthday cake for all.
12:30pm | A conversation with artists about Hansberry’s body of work, the background and themes of the Goodman’s revival of her rarely-produced play, and her significance among American playwrights.
6pm | A screening of the 1961 film A Raisin in the Sun, starring Sidney Poitier, Ruby Dee, Claudia McNeil and Diana Sands. Jackie Taylor, founder and executive director of the Black Ensemble Theater Company, introduces the film.
Friday, May 20
7pm | Listen to the Poem: Spoken Word and Open Mic
The Goodman Youth Poetry Ensemble delivers an electrifying performance featuring pieces from their past season and the work of other Chicago youth poets. Audience members are invited to share their own poetry works during an open mic session.
8pm | All tickets to this performance of The Sign in Sidney Brustein’s Window are $10 for students.
Saturday, May 21
9am and 10:30am | Play ’N 90 Workshop (two sessions)
An interactive family program in which 5-12 year-olds and their parents/guardians fashion a theatrical creation together—in only 90 minutes.
10am | Insider Access: "How Do Actors Learn All Those Darned Lines?"
Meet acclaimed actor Mary Beth Fisher (star of such Goodman productions as Vanya and Sonia and Masha and Spike and Luna Gale) and particiate in her creative process, bringing a script from page to stage.
12 Noon | PlayBuild Workshop
Realize your creative potential in this intergenerational collective workshop! Participants will create performance pieces using personal history and storytelling techniques.
2pm | Storytelling Workshop
Master the art of storytelling with teaching artists from the Goodman’s GeNarrations program. In this collaborative ensemble-based workshop, participants learn the basics of writing, editing and performing personal narrative stories.
3pm | Insider Access: “Slap! Kick! Punch!”
Have some energy to burn? Learn the art of stage combat, the technique used to perform physical combats without causing harm to actors, from a professional fight choreographer.
4:30pm | Insider Access: "Not Acting Our Age"
A lively discussion with a handful of Chicago actors age 55+ about their esteemed bodies of work and the thrill of a life in the theater.
In addition to these activities, all pre- and post-performance discussions—“PlayTalks” and “PlayBacks”—for The Sign in Sidney Brustein’s Window and Soups, Stews, and Casseroles: 1976 by Rebecca Gilman will take place in the Alice May 19 – 21, one hour prior to and immediately following each performance. Moderated by a Goodman artist, discussions include cast members and are free of charge for patrons.

About the Alice Rapoport Center for Education and Engagement (“the Alice”)
The Goodman becomes the first Chicago theater to establish a facility dedicated to education and engagement programs when it opens the Alice—the next phase in the Goodman’s decades-long commitment to educating Chicago youth and promoting lifelong learning for audiences of all ages. Named for the late Goodman Trustee Alice Rapoport, the Alice is a 10,000 square-foot, LEED certified (upon completion), $15 million expansion effort (of which 80% supports expanded programming) that deepens the theater’s practice of using its art as education—using the process of artistic creation to empower and inspire youth and lifelong learners. The new facility includes classrooms, a hands-on STEM learning lab, rehearsal spaces and more, and will enable the Goodman to impact hundreds more Chicagoans through its myriad education and engagement programs. Patrons access the Alice though the Goodman Theatre, entering at the south end of the mezzanine lobby. The Alice is named for the late Alice Rapoport, a Goodman Trustee, chair of the theater’s Education and Community Engagement Committee and passionate advocate for the theater’s outreach efforts.

Artist, educator and activist Willa J. Taylor, Walter Director of Education and Engagement, has led the Goodman’s programs since 2007. Taylor and her team of associates—Bobby Biedrzycki (Curriculum and Instruction Associate), Elizabeth Rice (School Programs Coordinator), Brandi Lee (Education and Community Engagement Associate) and Adrian Azevedo (Education and Engagement Assistant)—collaborate with the Goodman’s artistic and executive leadership to oversee programmatic efforts in the Alice.




About Goodman Theatre
Called America’s “Best Regional Theatre” by Time magazine, Goodman Theatre has won international recognition for its artists, productions and programs, and is a major cultural, educational and economic pillar in Chicago. Founded in 1925 by William O. Goodman and his family in honor of their son Kenneth (an important figure in Chicago’s cultural renaissance in the early 1900s), Goodman Theatre has garnered hundreds of awards for artistic achievement and community engagement, including: two Pulitzer Prizes, 22 Tony Awards (including “Outstanding Regional Theatre” in 1992), nearly 160 Joseph Jefferson Awards and more. Under the leadership of Artistic Director Robert Falls and Executive Director Roche Schulfer, the Goodman’s artistic priorities include new plays (more than 150 world or American premieres in the past 30 years), reimagined classics (including Falls’ nationally and internationally celebrated productions of Death of a Salesman, Long’s Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy), culturally specific work, musical theater (26 major productions in 20 years, including 10 world premieres) and international collaborations. Diversity and inclusion have been primary cornerstones of the Goodman’s mission for 30 years; over the past decade, 68% of the Goodman’s 35 world premieres were authored by women and/or playwrights of color, and the Goodman was the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Each year, the Goodman’s numerous education and community engagement programs—including the innovative Student Subscription Series, now in its 30th year—serve thousands of students, teachers, life-long learners and special constituencies. In addition, for nearly four decades the annual holiday tradition of A Christmas Carol has led to the creation of a new generation of theatergoers in Chicago.
Goodman Theatre’s leadership includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan Clifford is Chair of Goodman Theatre’s Board of Trustees, Swati Mehta is Women’s Board President and Gordon C.C. Liao is President of the Scenemakers Board for young professionals.

Visit the Goodman virtually at GoodmanTheatre.org, and on Twitter (@GoodmanTheatre), Facebook and Instagram.

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