REVIEW: Barefoot Brilliance of Alvin Ailey American Dance Theater Enchants at The Auditorium March 7-9, 2025

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Alvin Ailey American Dance Theater 

returns to The Auditorium March 7-9

Alvin Ailey American Dance Theater in Ronald K. Brown’s Grace. Photo by Danica Paulos

REVIEW

By Bonnie Kenaz-Mara

Last night Alvin Ailey American Dance Theater at Auditorium Theatre was as stunning as ever. This weekend marks the Company’s 56th visit to The Auditorium and we're here for it. I've seen Alvin Ailey American Dance Theater a number of times and their astonishing talent, superior production values,  kinetic costume design, and barefoot brilliance is sure to impress.

Ailey’s Solomon Dumas, Constance Stamatiou and Yazzmeen Laidler in Alvin Ailey's Revelations

All Photos by Paul Kolnik unless otherwise noted

This company exudes world class strength, style, and grace! The lighting is a character unto itself and the score is so good you’ll be humming it for days. It's inspiring to see such tight ensemble work and stellar solo artists. Their 2025 tour is a great mix of acclaimed Alvin Ailey classics dating back to the 60s, mixed with new works. 

Alvin Ailey American Dance Theater in Jamar Roberts Al-Andalus Blues. 

It was chilly and sleeting on this March Chicago night, but Alvin Ailey American Dance Theater brought the soul warming sun! 

Alvin Ailey American Dance Theater in Alvin Ailey's Revelations. Photo by Tony Powell

AAADT in Alvin Aileys Revelations with live music. Photo by Christopher Duggan

Alvin Ailey American Dance Theater in Alvin Ailey's Revelations. Photo by Paul Kolnik.

It gave me such joy to see a beautiful mix of races and ages in the audience, from silver haired elders, to enthusiastic teens, and wide eyed children. What a wonderful exposure to the arts and to dance in particular. According to The Auditorium CEO Rich Regan, “In addition to our public programming, we are proud to be offering two student performances by the Company this year, enabling The Auditorium to introduce thousands of students to this inspiring, dynamic company.”

Ailey’s Constance Stamatiou in Alvin Ailey’s Cry. 

I feel so fortunate to catch an excerpt of Cry in honor of Ms. Judith Jamison, the beloved Company dancer and Artistic Director Emerita who passed away in late 2024.

Alvin Ailey’s Cry pays tribute to the late Artistic Director Emerita Judith Jamison on opening night, while Ailey masterpiece Revelations concludes both programs.

Cry excerpt (1971) Alvin Ailey choreographed the solo ballet, Cry, as a birthday present for his mother; it went on to become an enduring work of American art. First danced by the legendary Judith Jamison, an excerpt of this powerful work dedicated to "all black women everywhere - especially our mothers" will be performed on the opening night program (Friday, March 7) as a tribute to Ms. Judith Jamison, the beloved Company dancer and Artistic Director Emerita who passed away in late 2024.

Vernard Gilmore in Alvin Ailey's Revelations. Photo by Andrew Eccles.

Alvin Ailey American Dance Theater's Vernard Gilmore in Alvin Ailey's Love Songs. 

This weekend is also special because Chicago’s own Vernard J. Gilmore is celebrating his farewell hometown engagement with Ailey, taking his final bow after 28 seasons with the Company. He was met with enthusiastic applause and well deserved ovations. The Auditorium Theatre was packed to the upper balconies with adoring fans of hometown favorite, Gilmore and his impressively long dance career. It was breathtaking to see him so joyfully embraced. 

Currently the longest tenured Company member, the Englewood native began his professional dance training at Curie Performing and Creative Arts High School before receiving a scholarship to The Ailey School, performing with Ailey II, and joining Alvin Ailey American Dance Theater in 1997. 

The company is only in Chicago for 4 performances, so catch them live this weekend if you can! Alvin Ailey American Dance Theater is truly a treat. Don't miss this! Highly recommended. ★★★★ Four out of four stars.

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

The Auditorium proudly presents the 2025 Alvin Ailey American Dance Theater Chicago season featuring two programs packed with premieres March 7-9, 2025

Alvin Ailey American Dance Theater, one of the world’s most popular dance companies, returns to The Auditorium, Chicago’s landmark stage at 50 E Ida B. Wells Drive, in four performances only, Friday-Sunday, March 7-9, 2025 as part of a coast-to-coast 2025 United States tour in a season celebrating the life and legacy of Artistic Director Emerita Judith Jamison (1943-2024). 

Led by Interim Artistic Director Matthew Rushing, the passionate spirit and extraordinary technique of Ailey’s dancers will be showcased in two exciting programs featuring a trio of Chicago premieres alongside compelling new productions and beloved Ailey Classics including Alvin Ailey’s must-see signature masterpiece Revelations. Tickets start at $39.00 and are now available at AuditoriumTheatre.org. or by calling The Auditorium’s Ticket Service Center at 312.341.2300.

Alvin Ailey American Dance Theater's Yannick Lebrun andJacquelin Harris in Elisa Monte's Treading

New works abound by Hope Boykin, Lar Lubovitch, and Matthew Rushing, plus 25th anniversary restaging of Ronald K. Brown’s rapturous Grace, and new production of Elisa Monte’s mesmerizing duet Treading.

“Auditorium audiences welcome Alvin Ailey American Dance Theater with great enthusiasm each Spring, knowing a joyful experience awaits, and this year’s programming will be no exception. In this, the Company’s 56th visit to The Auditorium, we are saddened by the recent passing of the legendary Ailey dancer and Artistic Director, Judith Jamison, with whom we collaborated many times, but are pleased to pay tribute with a special opening night performance featuring an excerpt of Cry, the exuberant Ailey work that became her signature,” said The Auditorium CEO Rich Regan. 

Alvin Ailey American Dance Theater in Alvin Aileys Revelations. Photo by Danica Paulos

In addition to the inspiring finale of Revelations for all performances, the programs for the 2025 Chicago engagement of Alvin Ailey American Dance Theater are as follows:  Friday, March 7 at 7:30pm & Sunday, March 9, at 3pm

Grace (1999, Chicago Premiere of 25th anniversary production) Set to Duke Ellington's classic "Come Sunday," Peven Everett’s hit "Gabriel," and the irresistible pulse of Fela Kuti's Afro-Pop, Ronald K. Brown’s spellbinding work depicts individuals on a journey to the promised land, expanding from a single angel-like figure in white to the fireball intensity of 12 powerful dancers. Here, the secular and sacred meet in a tour-de-force connecting African and American dance.

Finding Free (2024, Chicago Premiere) by former Company member Hope Boykin who returns to explore personal freedoms in this collaboration with pianist Matthew Whitaker who is composing an original score. This insightful work uses Boykin’s movement-language and Whitaker’s jazz- and gospel-influenced music to examine the challenges and restrictions throughout life’s peaks and valleys that propel the journey forward.

Ailey’s Caroline Dartey and James Gilmer in Elizabeth Roxas-Dobrish's Me, Myself and You.

Saturday, March 8 at 1pm & 7:30pm

Sacred Songs (2024, Chicago Premiere) by Matthew Rushing features music used in the original 1960 premiere of Alvin Ailey’s seminal Revelations but later omitted when the piece was edited into the current version that has captivated audiences for decades. Drawing inspiration from the roots of Mr. Ailey’s most venerated and consummate creation, this stirring new work will resurrect and reimagine those spirituals—with the collaboration of musical director Du’Bois A’Keen—as an offering to our present need for lamentation, faith, and joy.

Treading (1979, Chicago Premiere of new production) by Elisa Monte is a sculptural, mesmerizing duet featuring fluid, intricate movements that combine with Steve Reich's evocative music to create an aura of mystery and sensuality.

Many Angels (2024, Chicago Premiere) by Lar Lubovitch in his first premiere for the Company, features the native Chicago choreographer’s renowned lush choreography and musicality set to Gustav Mahler’s Symphony No. 5.  Many Angels is inspired by a question posed by 13th century theologian St. Thomas Aquinas, “How many angels can dance on the head of a pin?,” illustrating that some questions have no logical response but are understood as a question of faith.

Culminating each program will be Alvin Ailey’s must-see American masterpiece Revelations, acclaimed around the world for sending hearts soaring and lifting audiences to their feet with its perfect blend of reverent grace and spiritual elation. Since its debut in 1960, Revelations has been moving audiences with its powerful storytelling and soul-stirring music, evoking timeless themes of determination, hope, and transcendence. An intimate reflection of Mr. Ailey’s childhood memories of growing up in the South and attending services at Mount Olive Baptist Church in Texas, Revelations pays homage to the rich cultural heritage of the African American community and explores the emotional spectrum of the human condition. 

Ailey’s Chalvar Monteiro in Hans van Manen’s Solo. Photo by Daniel Azoulay

2025 Chicago program & performance schedule

Friday, March 7 at 7:30pm & Sunday, March 9, at 3pm

Grace, Finding Free, Cry* (excerpt), Revelations 

*Friday only: Special Opening Night excerpt of Cry as a tribute to Ms. Jamison.  

Saturday, March 8 at 1pm & 7:30pm

Sacred Songs, Treading, Many Angels, Revelations

In addition to these four public performances, the Company will present two student matinees at The Auditorium, reaching thousands of youths with an inspiring program of Ailey Classics on Thursday, March 6 and Friday, March 7 at 11am. 

Alvin Ailey American Dance Theater in Alvin Ailey's Revelations 

About Alvin Ailey American Dance Theater

Alvin Ailey American Dance Theater, recognized by U.S. Congressional resolution as a vital American “Cultural Ambassador to the World,” grew from a now-fabled March 1958 performance in New York that changed forever the perception of American dance. Forged during a pivotal moment in the civil rights movement, the Company was established to uplift the African American experience while transcending boundaries of race, faith, and nationality with its universal humanity. Founded by Alvin Ailey, the posthumous recipient of the Presidential Medal of Freedom—the nation’s highest civilian honor. Before his untimely death in 1989, Mr. Ailey named Judith Jamison as his successor, and for 21 years she led the Company to unprecedented success. Alvin Ailey American Dance Theater has performed for an estimated 25 million people in 71 countries on 6 continents—as well as millions more through television broadcasts, film screenings, and online platforms—promoting the uniqueness of the African American cultural experience and the preservation and enrichment of the American modern dance tradition. In addition to being the Principal Dance Company of New York City Center, where its performances have become a year‐end tradition, the Ailey company performs annually at The Auditorium; Lincoln Center for the Performing Arts; the John F. Kennedy Center for the Performing Arts in Washington, DC; The Fox Theatre in Atlanta; Zellerbach Hall in Berkeley, CA, and at the New Jersey Performing Arts Center in Newark where it is the Principal Resident Affiliate, and appears frequently in other major theaters throughout the United States and the world during extensive yearly tours. The Ailey organization also includes Ailey II (1974), a second performing company of emerging young dancers and innovative choreographers; The Ailey School (1969), one of the most extensive dance training programs in the world; Ailey Arts in Education & Community Programs, which brings dance into the classrooms, communities, and lives of people of all ages; and Ailey Extension (2005), a program offering dance and fitness classes to the general public, which began with the opening of Ailey’s permanent home—the largest building dedicated to dance in New York City, the dance capital of the world—named The Joan Weill Center for Dance, at 55th Street at 9th Avenue in New York City. For more information, visit ailey.org.

The compelling story of the life, work, and legacy of Alvin Ailey is the subject of Portrait of Ailey, a new eight-part documentary series available for free on PBS LearningMedia. Created by Ailey II Artistic Director Emerita Sylvia Waters, Portrait of Ailey uses rare historical film and still images as well as contemporary footage to create a sweeping narrative of Mr. Ailey as a performer, choreographer, celebrity, teacher, social activist, arts advocate, and the creator of an enduring institution. All eight chapters are currently available online.

About The Auditorium

The Auditorium, located at 50 E. Ida B. Wells Drive in Chicago, is an Illinois not-for-profit organization committed to presenting the finest in international, cultural, community, and educational programming to all of Chicago and beyond as The Theatre for the People. The organization also is committed to the continued restoration and preservation of this National Historic Landmark that originally opened in 1889. The Auditorium’s 2024-25 performance season features a dynamic mix of cultural events from ballet to rock and roll and everything in between. For more information on The Auditorium and a complete listing of events at The Auditorium, please visit AuditoriumTheatre.org.

Lifeline Theatre KidSeries Presents the World Premiere of Leaf March 16 Through April 20, 2025

ChiIL Mama's Chi, IL Picks List 

Lifeline Theatre Presents the 

World Premiere of Leaf

Based on Sandra Dieckmann’s Debut Picture Book

The production runs approximately 50 minutes with no intermission

Lifeline Theatre’s KidSeries presents the world premiere of Leaf, based on the beloved picture book by Sandra Dieckmann, March 15 to April 20 at Lifeline Theatre, 6912 N. Glenwood Ave. Adaptor and Lifeline ensemble member Amanda Link teams up with director Nathaniel Niemi to bring audiences a timely world premiere featuring a polar bear on their quest to return home and the young crow who finds it within herself to help them. Leaf centers on our interconnectedness with each other and our planet, and the importance of sharing one’s story. 

"Adults will pick up on important themes like the dangers of climate change or fearing those who are different," says Link. "For the kids, I hope to spark their sense of wonder and awaken empathy." Link and Niemi are KidSeries regulars and have appeared in numerous Lifeline hits together, including the popular Click, Clack, Moo series. Now the pair take the reins on Link’s debut adaptation. "The vivid illustrations from the book have inspired a beautiful scenic design, inventive costuming, and dynamic puppets," says Niemi. "I can't wait for the kids to see our giant polar bear!" 

I'll be out for the press opening for Leaf on March 16th at 11:00 a.m. so check back shortly after for my full review. 

Opening is Sunday, March 16, at 1:00 p.m. Previews are Saturday, March 15 at 11:00 a.m. and 1:00 p.m. Regular performance times (March 22 through April 20) are Saturdays and Sundays at 11:00 a.m. and 1:00 p.m. 

Ticket prices are $20 for regular single tickets and $15 for preview tickets, with group rates for 8 or more available upon request. Tickets may be purchased by visiting www.lifelinetheatre.com or through the Lifeline Theatre box office, 773-761-4477. The book will be on sale in the lobby.

PLUS: Join Lifeline Theatre every Sunday at 12:00 p.m. during the run of Leaf (following the 11:00 a.m. show, or before the 1:00 p.m. show) for our Stories Come Alive! hour. Children will enjoy an interactive storytelling session and on-your-feet theatre games. The cost is $10 per child. Reservations are recommended, though not required. Contact Lifeline Theatre at 773-761-4477 for more information. 

ACCESSIBLE PERFORMANCES: The Sunday, March 23, 11:00 a.m. performance will feature open captioning for patrons who are deaf or hard-of-hearing. The Saturday, March 22, 1:00 p.m. performance will feature a pre-show touch tour of the set at noon, and live audio description for patrons who are blind or have low vision. The performance on Saturday, March 29, at 1:00 p.m. will be sensory-friendly for patrons with social and/or cognitive disabilities. For more information about Lifeline’s accessibility services, please contact our Accessibility Coordinator John Craig at 773-761-4477 x703 or at access@lifelinetheatre.com.

The complete cast and production team for Leaf includes

CAST: Jake Busse (Squirrel/Dad Crow), Amanda de la Guardia (Fox/Mom Crow), Bradley Halverson (Polar Bear/Hare), Shea Lee (Crow); with understudies Ariya Hawkins, Alexis Queen, and Michele Stine

PRODUCTION TEAM: Lifeline ensemble member Alan Donahue (Scenic and Props Designer), ensemble member Diane Fairchild (Lighting Designer), Jessica Gowens (Costume Designer), Emily Hayman (Sound Designer), ensemble member Anthony Kayer (Producing Director), ensemble member Amanda Link (Adaptor), Caitlin McLeod (Puppet Designer), Nathaniel Niemi (Director), Harrison Ornelas (Technical Director), Avery Spellmeyer (Lighting Supervisor), Amber Stephenson (Lighting Assistant), and Erik Strebig (Stage Manager)

Now in its 42nd season, Lifeline Theatre continues to explore, interpret, and reimagine books and other literary works to create stories that move us beyond the margins of our own lives. Lifeline Theatre – Big Stories, Up Close.

Lifeline Theatre’s KidSeries programs are partially supported by the Carol Oppenheim and Jerome S Lamet Charitable Fund; Illinois Arts Council; Anonymous; Goodman Theatre; Paul M Angell Foundation; S&C Electric Company Fund; The Gaylord and Dorothy Donnelley Foundation; The Shubert Foundation; The Chicago Community Trust; McMaster-Carr; The Saints; Rogers Park Business Group; Rogers Park Business Alliance; and the annual support of businesses and individuals.

Photo credit: Josh Bernaski

LAST CALL: Don't Miss Lifeline Theatre's Midwest Premiere of Kid Prince and Pablo Now Playing Through February 16th

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Lifeline Theatre Presents the Midwest Premiere of

Kid Prince and Pablo 

Based on The Prince and the Pauper

The production runs approximately 2 hours with an intermission.

Recommended for ages 13 and up

A new hip-hop adaptation of The Prince and the Pauper. This production will be a first-time collaboration with Salvadoran-American artists Brian and Marvin Quijada. 

Brian wrote and starred in Teatro Vista’s highly acclaimed 2022 world premiere musical, Somewhere Over the Border. 

Throw 'em a Lifeline...

You have 4 shots left to catch Kid Prince and Pablo. Don't miss this! 

Here at ChiIL Mama and ChiIL Live Shows, we've adored Lifeline Theatre for decades! When my children were young, we were season subscribers to all their fabulous KidSeries Shows and I've been reviewing just about all of their adult and family friendly productions since 2010. Lifeline Theatre is truly a local gem, and they've been struggling financially since the pandemic. If you can kick in a little financial love or make it a point to see their shows this season, please do! Tickets are a reasonable $20-$45. There are just 4 performances of Jeff Recommended Kid Prince and Pablo left, so don't miss this. 

ChiIL Mama's kids, Dugan & Sage (ages 9 & 7), ChiILin' in Lifeline Theatre's lobby Big Chair 

back in 2010! My son grew up to major in Theatre Arts at Northwestern University and now works in the industry in Chicago. 

Lifeline Theatre presents the Midwest premiere of Kid Prince and Pablo, a hip-hop musical based on Mark Twain’s story The Prince and the Pauper, January 3 – February 16 at Lifeline Theatre, 6912 N. Glenwood Ave. Kid Prince and Pablo, adapted by Brian Quijada with music composed by Marvin Quijada, and directed by Raquel Torre, makes its Midwest premiere after its initial run at the Kennedy Center in 2019. 

Regular performance times through February 16, are Fridays at 7:30 p.m., Saturdays at 2:30 and 7:30 p.m., and Sundays at 2:30 p.m. 

In the divided Capital City, the ruling class has banned rap and dance after an attempted revolution by the People. Kid Prince is set to inherit the throne…that is, until he meets Pablo, a drummer who performs for underground rap battles. When the two hatch a plan to switch identities, mayhem and music ensue. But by standing in each other’s shoes, Kid Prince and Pablo discover connections that could start a whole new revolution. 

Photo credit: Josh Bernaski

Ticket prices are $45 for regular single tickets, $20 for active and retired military personnel (with ID), $35 for seniors, $20 for students (with ID), $20 for rush tickets (available half an hour before showtime, subject to availability), and $25 for previews. Group rate for 8 or more is available upon request. Tickets may be purchased at the Lifeline Theatre Box Office, 773.761.4477, or by visiting www.lifelinetheatre.com. 

Accessible Performances: The Sunday, January 26, 2:30 p.m. performance will feature a pre-show touch tour of the set at 1:00 p.m. and live audio description for patrons who are blind or have low vision. The Sunday, February 2, 2:30 p.m. performance will feature open captioning for patrons who are hearing impaired. For more information about Lifeline’s accessibility services, please contact our Operations Manager John Craig at 773.761.4477 x703 or at access@lifelinetheatre.com.

The complete cast and production team for Kid Prince and Pablo includes:

CAST: Jesus Barajas (Pablo), Bryan Nicholas Carter (Clemens), Terrance Mayfield Jr. (Samuel), Shaina Toledo (Langhorne), and Joshua Zambrano (Kid Prince); with understudies Kevin Cruz, Yongwoo Park, and Sharon Pasia.

PRODUCTION TEAM: Kasey Alfonso (Choreographer), Heather Currie (Producing Director), Brenden Marble (Lighting Designer), Jasmin Aurora Medina (Costume Designer), Harrison Ornelas (Scenic Designer/Technical Director), Brian Quijada (Adaptor), Marvin Quijada (Composer), Stefanie M. Senior (Sound Designer), Avery Spellmeyer (Lighting Supervisor), Miranda Taylor (Stage Manager), Raquel Torre (Director), and Shokie Tseumah (Props Designer)

Now in its 42nd season, Lifeline Theatre continues to explore, interpret, and reimagine books and other literary works to create stories that move us beyond the margins of our own lives. Lifeline Theatre – Big Stories, Up Close.

Lifeline Theatre’s MainStage programs are partially supported by Carole Oppenheim and Jerome S Lamet Charitable Fund; Illinois Arts Council Agency; Anonymous; Goodman Theatre; Paul M Angell Foundation; Rogers Park Social; S&C Electric Company Fund; The Gaylord and Dorothy Donnelley Foundation; The Shubert Foundation; The Saints; and the annual support of businesses and individuals.

OVO by Cirque du Soleil Presented at Hoffman Estates’ NOW Arena February 13-16, 2025

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Restaged OVO by Cirque du Soleil 

heads to Hoffman Estates for six performances only Feb. 13-16

After 15 years of success & three world tours, the bugs are back in town!

💚💚 Just in time for Valentine's Day💚💚

ChiIL Live Shows On Our Radar

Cirque du Soleil has been a family favorite of ours for decades. We're so jazzed to see them back in post-pandemic action and excited to catch the newly revamped OVO. Circus arts are a wonder and delight; something we could all use more of these days. Current events, life in general, and/or the winter weather bugging you? Take a journey into the colorful microcosm of OVO. We adore Cirque du Soleil's multicultural casts and crews of world class talent. OVO is made up of 100 people from 25 different countries, including 53 artists!

From crickets bouncing on trampolines to a hypnotic spider contorting into all sorts of shapes, OVO exudes an extraordinary sense of spectacle that tickles the imagination. Funny and chaotic, yet adorable and wonderful, OVO enchants one’s inner child with its gentle exuberance. OVO ("egg" in Portuguese) showcases high-level acrobatic acts that redefine the limits of the human body.

Bring your family, friends, and/or Valentine to the all new ‘metamorphosis’ of OVO by Cirque du Soleil. I'll be out for opening night of their Chicago area run the 13th, so check back soon for my full review. 

Between a triumphant European tour and a highly anticipated return to North America, OVO by Cirque du Soleil has undergone a full ‘metamorphosis’ under the watchful eye of its original creators. The renewed show will be presented in Hoffman Estates at the NOW Arena in six performances only, February 13-16, 2025. Tickets for this family-friendly bug invasion are available now by visiting www.cirquedusoleil.com/OVO.

After performing in 40 countries and delighting audiences in the Middle East, Egypt, and Europe in recent years, the OVO insect colony returned to Cirque du Soleil’s headquarters in Montreal for a new look. Over the past year, a team of more than 135 professionals (including 53 artists of the show) and the original creators of OVO have developed this restaging, including a revamped set design, new acrobatic acts and characters, freshly designed costumes, and reinvented music.

"The challenge was to find the balance between preserving the essence of the show that made it a success and allowing it to continue evolving. Like the insects that bring it to life, the show is in constant transformation, in perpetual motion: that’s the magic of live arts! Revisiting a production created 15 years ago, with the original creators and the touring team that has made it shine around the world, is an exceptional adventure!" shared Chantal Tremblay, Director of creation in 2009 and 2024.

Cirque du Soleil is thus preparing to offer its audience an even more captivating experience, celebrating both its rich artistic heritage and its constant ability to innovate. To purchase tickets and for more information visit www.cirquedusoleil.com/OVO.

CIRQUE DU SOLEIL ENTERTAINMENT GROUP

Cirque du Soleil Entertainment Group is a world leader in live entertainment. Building on four decades of pushing the boundaries of the imagination, the artistic entertainment company brings its creative approach to a large variety of artistic forms such as live shows, multimedia productions, long-from content, music, immersive experiences, and special events. Cirque du Soleil Entertainment Group celebrates 40 years of defying reality, defining entertainment, and illuminating the world through art and creativity. Since its creation in 1984, more than 400 million people have been inspired on 6 continents and 86 countries. The Canadian company now employs more than 4000 employees, including 1200 artists from more than 80 different nationalities. For more information about Cirque du Soleil Entertainment Group, please visit cirquedusoleil.com.

Follow #OVOCirque and #cirquedusoleil on Social Media

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CLUE To Play Chicago's CIBC Theatre February 18 Through March 2, 2025

ChiIL Live Shows On Our Radar

NOW PLAYING

CLUE

A HILARIOUS NEW STAGE PLAY

“Reminds you what a breezy night of pure entertainment feels like.”

-TheaterMania

“Extraordinarily entertaining.”

-Broadway World

Here at ChiIL Mama and ChiIL Live Shows we adore the board game CLUE and the film version, too. We're excited to catch opening night of the stage version at CIBC Theatre on February 19th. Check back soon for our full review. 

Broadway In Chicago is delighted to announce that CLUE, the hilarious murder mystery comedy inspired by the Hasbro board game and adapted from the fan-favorite film, is now playing at the CIBC Theatre for a limited two—week engagement through March 2 only. Described by The New York Times calls CLUE “A very funny whodunit that strikes contemporary parallels on the way to its grand reveal,” CLUE delivers a thrilling mix of comedy, mystery, and suspense at every performance.

Individual tickets, ranging from $35 to $130, along with a select number of premium tickets, can be purchased by visiting www.BroadwayInChicago.com or going to any Broadway In Chicago venue box office. Groups of 10 or more can purchase tickets by calling (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com. Patrons can also participate in a digital lottery for a chance to purchase $25 tickets for each performance. In addition to the lottery, a limited number of day-of-show in-person rush tickets will be available for all performances. Click here for more information on the digital lottery and in-person rush. The performance schedule is below.

The stellar cast of CLUE features Jennifer Allen as Mrs. Peacock (March 1-2), Christina Anthony as Miss Scarlet, Mariah Burks as the Cook, David Hess as Colonel Mustard, Joanna Glushak as Mrs. Peacock (February 18-28), Donna English as Mrs. White, John Shartzer as Mr. Green, Jonathan Spivey as Professor Plum (February 18-28), Jeff Skowron as Wadsworth, Graham Stevens as Professor Plum (March 1-2), Alex Syiek as Mr. Boddy, Teddy Trice as the Cop, and Elisabeth Yancey  as Yvette. The understudies are Greg Balla, Mary McNulty, Cassandra Marie Murphy and James Taylor Odom. The cast is subject to change.

Led by Broadway Director Casey Hushion (Associate Director of Mean Girls and The Prom, Associate Resident Director of Aladdin, choreography for the Netflix series “Unbreakable Kimmy Schmidt”), murder and blackmail are on the menu when six mysterious guests assemble at Boddy Manor for a night they’ll never forget! Was it Mrs. Peacock in the study with the knife? Or was it Colonel Mustard in the library with the wrench? Based on the iconic 1985 Paramount Pictures movie and inspired by the classic Hasbro board game, CLUE is the ultimate whodunit that will leave you dying of laughter and keep you guessing until the final twist. 

CLUE is based on the screenplay by Jonathan Lynn. Written by Sandy Rustin with additional material by Hunter Foster and Eric Price. It features original music by Michael Holland.

The production also features scenic design by Lee Savage, costume design by Jen Caprio, lighting design by Ryan O'Gara and sound design by Jeff Human.

The CLUE franchise began in 1949 with the manufacture of the ‘Cluedo’ board game. Currently owned and published by Hasbro, the game has sold more than 200 million copies worldwide.  A murder-mystery comedy film by Paramount Pictures based on the board game was released in 1985 and went on to achieve cult classic status with a passionate fan base.

The North American tour of CLUE is produced by The Araca Group, Work Light Productions, Lively McCabe Entertainment and Aged in Wood.

Originally produced at Bucks County Playhouse, New Hope, Pennsylvania, Alexander Fraser, Robyn Goodman, Josh Fiedler, Producers. Developed by Cleveland Playhouse, Laura Kepley, Artistic Director & Kevin Moore, Managing Director.

For additional information, visit clueliveonstage.com

PERFORMANCE SCHEDULE

Tuesday through Thursday performances are at 7:00 p.m., with a Wednesday matinee at 1:00 p.m. on Feb. 26. Friday and Saturday performances are at 7:30 p.m., with Saturday matinees at 2:00 p.m. on Feb. 22 and Mar. 1. Sunday performances are at 1:00 p.m., with one evening performance on Feb. 23 at 6:30 p.m. BROADWAY IN CHICAGO’S CIBC THEATRE 18 W. Monroe St.  For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 25 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium.

For more information, visit www.BroadwayInChicago.com.

Follow @broadwayinchicago on Facebook, Instagram , and TikTok  #broadwayinchicago

The Actors Gymnasium Presents LITTLE RED For Its Annual Winter Circus March 1, 2025 – March 30, 2025

ChiIL Mama's Chi, IL Picks List

The Actors Gymnasium Announces Casting for 

LITTLE RED

its Annual Winter Circus

An original circus theatre production created and directed by Heidi Stillman 

with circus choreography by Sylvia Hernandez-DiStasi

March 1, 2025 – March 30, 2025 

at the Noyes Cultural Arts Center in Evanston

Recommended for ages 5+

Here at ChiIL Mama and ChiIL Live Shows, we've long been fans of The Actors Gymnasium and their excellent shows and training programs for children through adults. Chicago is lucky to have such a fabulous resource. My own son and daughter were cast in their annual youth circus shows for years. And now my son is back and assistant stage managing for Little Red. We'll be catching this one on opening night, March 1st, so check back soon after for our full review.

The Actors Gymnasium is proud to announce LITTLE RED, an original circus theatre production created and directed by Heidi Stillman, with circus choreography by Artistic Director Sylvia Hernandez-DiStasi. The show features Kat Hoil, Madie Doppelt, Kaitlyn Andrews, Kylie Anderson, and Julie Matolo, as well as members of the Actors Gym’s Teen Ensemble.

LITTLE RED is part of Actors Gym's annual Winter Circus tradition, which is one of Chicago's most popular circus shows.

Inspired by the 17th-century fairytale, Little Red Riding Hood, LITTLE RED is a captivating movement piece exploring the thrilling and mysterious journey of Little Red facing the biggest, baddest foe of them all - The Wolf.  But who is the Wolf? And who is Little Red? Discover the answers—and the questions—in this circus tale of innocence, fear, and transformation. LITTLE RED created and directed by Heidi Stillman and Sylvia Hernandez-DiStasi coming to Actors Gym this Spring!

Production Details

LITTLE RED

Runs: March 1st - March 30th, 2025

Opening and press night: Saturday, March 1, 2025

Performances are Saturdays at 4:30 PM and 7:30 PM, and Sundays at 3:00 PM

Director: Heidi Stillman

Circus Choreographer: Sylvia Hernandez-DiStasi

Production Associate: Griffin DiStasi

Stage Manager: Olivia Sullam

Production Manager: Erin Gautille

Costume Designer: Mara Blumenfeld

Lighting Designer: Hannah Wien

Sound Designer & Composer: Rick Sims

Set & Props Designer: Natsu Onada

Dance Choreographer: Jacinda Ratcliffe 

Tickets start at $25 for adults and can be purchased online at www.actorsgymnasium.org/shows

All performances are at Noyes Cultural Arts Center at 927 Noyes St., Evanston, IL.

About the Artists

Heidi Stillman (creator, director): is a writer, director, and an ensemble member of Lookingglass Theatre Company, where she has served twice over the years as Artistic Director. Some of her favorite shows she has written and directed at Lookingglass include: Cascabel (with Tony Hernandez and Rick Bayless), Hephaestus: A Greek Mythology Circus Tale (also at The Goodman Theatre), The Brothers Karamazov, and Hard Times (also at the Arden Theatre in Philadelphia). Directing work at Lookingglass includes: Act(s) of God, Death Tax, Bengal Tiger at the Baghdad Zoo, Trust, and Hillbilly Antigone. Additional writing credits with Lookingglass include The Old Curiosity Shop and The Baron in the Trees. Heidi recently directed Morris Micklewhite and the Tangerine Dress at Childrens Theatre Company in Minneapolis. She directed Minita Gandhi’s Muthaland for Silk Road Rising, Victory Garden’s Ignition Festival, and at 16th Street Theatre. She wrote (with Caroline Macon) and directed The Year I Didn’t Go to School at Chicago Childrens Theatre. Her adaptation of The Book Thief premiered at Steppenwolf Theatre Company. Heidi lives in Evanston, and her children performed in many Winter Circuses over the years. 

Sylvia Hernandez-DiStasi (Artistic Director & Circus Choreography): is Artistic Director of The Actors Gymnasium. She also serves as master teacher and director of The Professional Circus Training Program and is a faculty member at Northwestern University’s Department of Theatre. Sylvia is a second generation circus performer who grew up touring with various circuses, including Ringling Bros and Barnum & Bailey. In 2019, she and her family, The Hernandez Troupe, were inducted into the Circus Ring of Fame for their monumental contributions to the world of circus. Sylvia is an ensemble member of the Tony Award-winning Lookingglass Theatre Company, where she has worked on over 20 productions. She has received 4 Joseph Jefferson Awards for her work with Lookingglass (Lookingglass Alice, Hard Times, Baron in the Trees) and Marriott Theatre (All Night Strut), and a total of 5 Joseph Jefferson nominations. In 2018, she won a Los Angeles Drama Critics Circle Award and a Robby Award, both for designing the acrobatic/aerial choreography of the South Coast Repertory staging of Moby Dick. Other theater credits include The Lyric Opera, Writer’s Theatre, Steppenwolf, Chicago Shakespeare Theater, Chicago Children’s Theater and The Goodman. Sylvia is the recipient of The 3Arts Award for Design (2014), and also received an Award of Honor for Outstanding Contributions by The Illinois Theater Association.

Kat Hoil (Ensemble): Kat Hoil is an award-winning, multi-disciplinary artist based in Chicago. They have worked with such companies as Chicago Shakespeare Theatre, Audacious Machine Creative, Northbrook Theatre, The Chicago Park District, Everleigh Entertainment (Chicago), The Lincoln Center (New York City), Constellation Immersive (Los Angeles), and The Grand Shanghai Theatre (Missouri)

Madie Doppelt (Ensemble): Madie Doppelt is a Chicago-based theater and circus artist who proudly calls Actors Gymnasium her artistic home. An alum of both the Teen Ensemble (2016) and Professional Training Program (2022), Madie has been in many shows on the sprung floor across the years, most recently including CIRCUS QUIXOTE (2023). Other recent acting credits include CORDUROY (Chicago Shakespeare Theatre), FEFU AND HER FRIENDS and EURYDICE (Snails on a Bike Theatre Collective), and DRY LAND (The Theatre School at DePaul University).

Kaitlyn Andrews (Ensemble): Kaitlyn is a multidisciplinary performer– while working primarily as a circus artist these days, she has over a decade of experience as an actor, clown, and theatre maker. With her theatrical background Kaitlyn has a keen eye for storytelling in her circus work. She is drawn to creating experiences that evoke reaction from her audiences, whether humorous, horrifying, or melancholic– her work carries a large range of expression. Kaitlyn is a graduate of the Theatre program at Northwestern University, and of the Professional Circus Training Program at The Actors Gymnasium where she majored in aerial rope. She is a founding and former member of BIPOC Circus Alliance (formerly BCAM). Primarily as a circus artist Kaitlyn performs aerial rope, and partner acrobatics. Previously as a theatre artist she has performed with Neo-Futurists (The Arrow, Tangles & Plaques), The Ruffians (Burning Bluebeard), and is an emeritus of PlayMakers Laboratory (That’s Weird Grandma). Recent acting credits include The Becomers which is now available for streaming. When not performing in full length shows, you can catch Kaitlyn in the air at various events around Chicago! She is so thrilled to be part of this year’s Winter Circus at Actors Gymnasium

Kylie Anderson (Ensemble): Ky Rambo (professionally: Kylie Anderson) (they/them) is a physical actor and circus artist represented by Stewart Talent. Ky is a company member at Avalanche Theatre and a founding company member at Bramble Theatre Company but has worked with a medley of other theaters in Chicago including Redtwist, Remmy Bumppo, Steppenwolf, and Lookingglass Theatre. Ky has a BFA in Drama with an emphasis in Acting from the University of Oklahoma, but has also trained at Stella Adler’s Studio in New York City, NY for physical theatre, attended the School at Steppenwolf (class of 2019) in Chicago, IL, and you might have even seen them here at The Actor’s Gym, having studied aerial arts and clown in the Pro Training class of 2021 and 2024. Excited to make their Actor’s Gymnasium Circus School and THEATRE COMPANY debut alongside their talented friends, Ky would like to thank their husband Austin, their mom Carol, and literally anyone and everyone who has ever encouraged them to keep chasing their dreams. 

Julie Matolo (Ensemble): Julie Matolo (she/her) is an accomplished dancer, acrobat, aerialist, stunt performer, actor, choreographer and teaching artist. She is based out of California and Chicago. Her artistic goals have led her to travel, tour and perform in the majority of our fifty states, in addition to Canada, Brazil, Uruguay, Argentina and throughout Europe.

Chicago: Most recently performed in Portal (The Lookingglass Theatre/Night Out in The Parks). Champion (The Lyric Opera of Chicago), The Cat in the Hat (Northbrook Theatre), Midsummer Night's Cirque (Dominican University), BHM Cabaret, Solidarity (Bipoc Circus Alliance), Principal Dancer (The Joel Hall Dancers).International Tours: MARVEL Universe Live, MARVEL Universe Live 2 (Feld Entertainment), Multiple Shows in dance and aerial (Royal Caribbean Productions).Regional: Cirque du Beautiful (On the Fly Productions), Oklahoma (Opera San Luis Obispo), Clara's Trip/A Cirque and Dance Nutcracker (Caroline Calouche & Co.).

Film: Dhar Mann Studios Teaching Artist: Chicago Public Schools. And Choreographer to local area High Schools and Youth Companies/Ensembles.

Julie is eternally humbled and grateful to be part of the incredible team of 'Little Red'!

About Actors Gym

The Actors Gymnasium is one of the nation’s premiere circus and performing arts training centers, led by master teacher and Circus Ring of Fame artist Sylvia Hernandez-DiStasi. Founded in 1995, it provides educational programs for students of all ages and levels, and produces original and daring circus-theatre.The Actors Gym also offers award-winning entertainment for corporate and other special events.

Actors Gym is proud to partner with theatres across the country to bring powerful circus theater productions to life and serves as the exclusive provider of circus performing arts training for Lookingglass Theatre.

REVIEW: Skeleton Canoe at the 7th Chicago International Puppet Theater Festival

ChiIL Mama's Chi, IL Picks List 

Skeleton Canoe

By Ty Defoe

an All My Relations Collaboration

New York City

REVIEW

By Bonnie Kenaz-Mara

Here at ChiIL Mama we love to learn about the First People or First Nations of our country. As modern Americans, we have so much to improve on when it comes to sustainable practices, how to steward natural resources, respect for our elders, and more. It was a joy to learn more traditional Anishinaabe lifeways through Skeleton Canoe, via puppetry, projection work, drumming, and dance. This creative show captivated our imaginations and inspired us to do better.

Of course this production is nowhere near as elaborate as Ajijaak on Turtle Island, Chicago Puppet Festival’s unforgettable opening production in 2019, that Ty Defoe wrote and co-created with Heather Henson. We were absolutely blown away by that show! Skeleton Canoe has a lower budget and plays more like an edutainment show for schools to book. Still, there's something to say for a much more intimate production. 

This one plays out more like myth and storytelling directly to the audience, rather than a large scale performance. I caught a work-in-progress version of Skeleton Canoe two years ago as part of the Chicago Puppet Festival, so it was interesting to see its evoloution. Defoe will take the now-finished puppet play on a national tour after this Chicago run. Don't miss this visual delight with a strong eco friendly message. Recommended. 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

The Biograph's Richard Christiansen Theater, 2433 N. Lincoln Ave., Lincoln Park

Thursday, January 23 at 6 p.m.; Friday, January 24 at 6 p.m.; Saturday, January 25 at 2 p.m.; Sunday, January 26 at 4 p.m.

50 minutes

All ages

Tickets: $25-$33

Note: The Great Lakes Lifeways Institute will offer free birch bark carving workshops two hours before three of the four performances: Friday, January 24 at 4 p.m., Saturday, January 25 at 12 p.m. (noon), and Sunday, January 26 at 2 p.m.

allmyrelations.earth/collective

Young Nawbin leaves home and sets out on a rite of passage. They journey along the water to discover their truth and find a way back to reconnect to themselves and ancestral knowledge. Along the way they discover unexpected friends, weather storms, and gain a canoe! Through the use of puppetry, traditional Anishinaabe lifeways, and multimedia design, Skeleton Canoe makes known what is just below the water’s surface.

Skeleton Canoe marks the Chicago return of Ty Defoe, a Grammy-winning writer, actor and interdisciplinary artist of the Oneida and Ojibwe Nations of Wisconsin, who wrote and co-created Ajijaak on Turtle Island with Heather Henson, the festival’s unforgettable opening production in 2019. Defoe also workshopped Skeleton Canoe two years ago as part of the Chicago Puppet Festival, and will take the now-finished puppet play on a national tour after this Chicago run. 

Defoe learned to hoop dance, eagle dance and play a variety of wooden flutes during visits in community. Credits include Off Broadway: Masculinity Max (Public Studio); Broadway: Straight White Men (Second Stage). Tours: writer/co-director, Ajijaak On Turtle Island  (New Victory Theater/New York); Call for Peace Drum and Dance Company (Egypt); Ankara International Music Festival (Greece, Japan, Turkey). tydefoe.com  allmyrelations.earth/collective



Skeleton Crew is one of more than 120 shows and special events that are part of the 7th Chicago International Puppet Theater Festival, January 15-26, 2025. The 2025 Chicago Puppet Fest is the largest event of its kind in North America, spanning 12 days and dozens of Chicago venues, presenting  an international pageant of puppet artists in all-ages spectacle shows in landmark theaters, intimate works on smaller stages, and late night puppet cabarets. Last year’s festival attracted nearly 20,000 fans of puppetry, a record, from Chicago and around the world. This year, see puppet artists from Canada, Chile, China, France, Germany, India, Israel, Italy, Norway, Puerto Rico, Poland, Scotland, South Africa, the U.S. and Chicago performing the full range of contemporary and traditional puppetry styles. 

For tickets and information, visit chicagopuppetfest.org, sign up for the festival’s e-news, and follow the festival on Facebook, Instagram or Vimeo, hashtag #ChiPuppetFest.  

Writers Theatre Presents Frida…A Self Portrait January 23 – February 23, 2025

ChiIL Live Shows On Our Radar: Adult Night Out

Writers Theatre continues its 2024/25 Season 

with the captivating solo performance piece

Frida…A Self Portrait

Written and Performed by Vanessa Severo 

Directed by Joanie Schultz

January 23 – February 23, 2025

Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Artistic Director Braden Abraham, continues its 2024/25 Season with Frida…A Self Portrait, starring acclaimed writer and performer Vanessa Severo as both herself and legendary Mexican painter Frida Kahlo, directed by Joanie Schultz. Frida...A Self Portrait will run January 23 – February 23, 2025 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe. I'll be out for the press opening January 31, so check back soon for my full review. Tickets are on sale at Writers Theatre at 325 Tudor Court, Glencoe; 847-242-6000; www.writerstheatre.org  

Frida...A Self Portrait Events 

Family Matinee 

Saturday, February 8 at 3pm 

Going to the theatre just got a little bit easier for parents and caregivers. Parents and caregivers can see the 3pm matinee of the production while their young ones engage in active creative play with WT Education’s professional teaching artists.

Iconic Mexican painter Frida Kahlo was a woman who lived boldly, loved wildly, and painted prolifically in order to see herself and the world around her more clearly. Witness this extraordinary figure come to life onstage through playwright and performer Vanessa Severo, who brings breathtaking physicality and raw honesty to this stunningly creative production. With music and movement, Vanessa cracks open a powerful portal between herself and Frida, uncovering insights into the painter’s physical limitations, complex love life, addictions, and, of course, the beauty in her art. 

• Several of Frida Kahlo's iconic paintings are referenced and evoked in the staging and design of the play, including Frieda and Diego Rivera (1931), The Broken Column (1944), Self Portrait in a Velvet Dress (1926), Memory, the Heart (1937), The Two Fridas (1939), and Self Portrait with Cropped Hair (1940).

Artistic Director Braden Abraham comments, “Vanessa and Joanie have crafted an intimate theatrical experience that transcends the traditional stage biography, creating a rich tapestry that honors Kahlo's complex legacy while simultaneously exploring the universal themes of identity, pain, and artistic expression.”

• La Casa Azul, the Kahlo family home in Coyacán, Mexico City, Mexico, became the Museo Frida Kahlo in 1958. It is one of the most popular tourist destinations in Mexico City.

In an interview with Cincinnati Playhouse, Vanessa Savero explained, "The concept of self-portraiture is such a tricky and blurred presentation today. In a world of selfies, filters and displaying our ‘best lives’ on social media, we have lost the concept of what real expression is. In looking at Frida Kahlo’s self portraits, we find a woman unapologetically showing her pain and her current state of being. It can be uncomfortable and also unnerving for the viewer, yet on the other hand, we see something in ourselves relating to her state of being. When I decided to write Frida...A Self Portrait, I found that I could not just tell her story without telling my own. I had to present my own self portrait in order to honestly connect with hers." 

• Frida…A Self Portrait arrives at Writers Theatre for its seventh full-length production, after acclaimed runs in Indianapolis, Rochester, NY, Pittsburgh, Cincinnati, Portland, OR, and Kansas City.

Frida…A Self Portrait has been touring to theatre companies across the country to rave reviews. It has previously played at Indiana Repertory Theatre, GEVA Theatre Center, Pittsburgh Public Theater, Cincinnati Playhouse in the Park, Portland Center Stage, and Kansas City Repertory Theatre.

Vanessa Severo (Writer / Performer) Vanessa has studied at Missouri State University, as well as The American Conservatory Theatre, San Francisco. She is the recipient of the TCG 11th Round of the Fox Foundation resident Actor Fellowships, 2017, including the Carlsbad, CA Artist in Residency, 2022, as well as the winner of Dramatist Guild Grant 2022. She is certified in Suzuki Method, and Viewpoints under the instruction of Ellen Lauren, SITI Company. She is the playwright and actor of Frida...A Self Portrait (2020 Kilroys List). Other original works include: Dracula (World Premiere at Cincinnati Playhouse in the Park, 2024), Rubik (World Premiere, Spinning Tree Theatre, 2024), Sueno de Agua (World Premiere, Kansas City Repertory Theater 2022). Website: VanessaSevero.com

• Severo performed a shorter version of the play several times starting in 2014. A fellowship from Theatre Communications Group allowed her to travel to Mexico City and further research Kahlo's life. Joanie Schultz subsequently began collaborating with Severo as director, and the new full-length version of Frida had its world premiere at Kansas City Repertory Theatre in 2019.

Joanie Schultz (Director) currently serves as Associate Artistic Director of Cincinnati Playhouse in the Park. Her work has been seen in Chicago and regional theatres including The Goodman Theatre, Steppenwolf Theatre, Victory Gardens Theater, Steep Theatre, Remy Bumppo, Portland Center Stage, Pittsburgh Public Theatre, Everyman Theatre, Kansas City Repertory Theatre, Studio Theatre, The Cleveland Play House, GEVA Theater Center, Indiana Repertory Theatre, LaJolla Playhouse, and Philadelphia Theatre Company. She has directed and assistant directed opera from the site specific to the grand stage with Chicago Opera Theater, the Bayview Music Festival, the Chicago Cultural Center, and New Millennium Orchestra. In 2017-18, Joanie was Artistic Director of WaterTower Theatre in Dallas, Texas, where she produced new and inclusive programming from community partnerships to world premiere plays. Prior to that, Joanie served as Associate Artistic Producer at Victory Gardens Theater, as part of the TCG/Mellon Foundation Leadership U One-on-One Fellowship. She was also a Drama League Fellow; The Goodman Theatre Michael Maggio Director Fellow; the SDSF Denham Fellow; and member of the Lincoln Center Theatre Directors Lab. She is an ensemble member at Steep Theatre Company and an artistic cabinet member at Studio Theatre in Washington DC. Joanie has taught through her own studio, Steep Theatre, and Steppenwolf Theatre, along with Columbia College Chicago, University of Chicago, Northwestern University, and Roosevelt University. She holds a B.A. in Theater Directing from Columbia College Chicago and an M.F.A. in Theater Directing from Northwestern University. For more information on Joanie’s work, go to www.joanieschultz.com.

Dates: 

First performance: January 23, 2025

Press opening: Friday, January 31, 2025 at 7:30pm 

Closing performance: February 23, 2025

 

Performance Schedule:

Wednesdays: 3:00pm (February 5 & 19 only) and 7:30pm

Thursdays: 7:30pm 

Fridays: 7:30pm 

Saturdays: 3:00pm (except January 25) and 7:30pm 

Sundays: 2:00pm and 6:00pm (January 26 only)

Open Captioned Performance: Thursday, February 13 at 7:30pm

ASL-Interpreted Performance: Saturday, February 15 at 3:00pm

 

Location: Alexandra C. and John D. Nichols Theatre; 325 Tudor Court, Glencoe 

 Prices: Tickets begin at $35.

Box Office: The Box Office is located at 325 Tudor Court, Glencoe; 847-242-6000; 

Frida...A Self Portrait Events 

Family Matinee 

Saturday, February 8 at 3pm 

Going to the theatre just got a little bit easier for parents and caregivers. Parents and caregivers can see the 3pm matinee of the production while their young ones engage in active creative play with WT Education’s professional teaching artists.

The Final Word Audience Discussion 

Sunday, February 23 at 12pm 

Join WT Artistic staff and fellow audience members for a conversation about the themes and production elements of the show. 

 

Upcoming Education & Engagement Programs 

Show & Tell Storytelling 

Tuesday, February 4, March 18 and April 15 at 7pm 

Enjoy an engaging evening of storytelling at our monthly Show & Tell series. Each event features talented professional storytellers and celebrates unique themes in a relaxed environment. Tickets are Pay What You Can. 

Pop-Up Day Camps 

February 17 and April 21, 9am-3pm 

When school is off but you’re not, WT Education is here to help. Young people ages 7-11 just might catch the theatre bug on this day-long creative adventure. 

Wake Up Words Family Playtime 

Sunday, February 2 and March 9 

Stories jump off the page on select Sunday mornings at Writers Theatre. Each Playtime pairs a favorite story with another art form and is a unique opportunity for young children and their families to create together. Designed for ages 3-6 and their parents/caregivers, siblings welcome.  

WRITERS THEATRE 2024/25 SEASON 

The remainder of the season includes Brian Friel’s touching Irish drama Translations, directed by Braden Abraham, and the World Premiere of Madhuri Shekar’s Dhaba on Devon Avenue, directed by Chay Yew and produced in partnership with TimeLine Theatre Company.  

Flex subscriptions are $260 (4-pack), $325 (5-pack) or $360 (6-pack). Season package subscribers receive exclusive benefits including complimentary ticket exchanges by phone and mail (upgrade fees may apply), access to special play readings and lectures, special “subscriber-rate” prices on additional tickets, discounts at the bar, on Writers Theatre merchandise, event rentals, and more. For a complete list of benefits visit www.writerstheatre.org. 

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000. 

 

AUDIENCE ENGAGEMENT OPPORTUNITIES: 

WT offers Open Captioning on select dates for each production. Please visit writerstheatre.org/accessibility for more information. 

Throughout the season, Writers Theatre offers a variety of audience enrichment and special programming. This includes regularly occurring offerings like the Family Matinee Series, The Green Room artist interview series and podcast, and The Final Word Audience Discussion Series. Please visit writerstheatre.org/events for a full listing of upcoming offerings. 

ABOUT WRITERS THEATRE 

Writers Theatre boldly looks to the future as it begins its 33rd season. Having captivated audiences for years with its dedication to creating the most intimate theatrical experience possible, the theatre is now a major Chicagoland cultural destination with a national reputation for excellence, being called “America’s finest regional theater company” by The Wall Street Journal. Under the leadership of Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma, the company is charting a path forward for the next 30 years.  

Since its founding in 1992, Writers Theatre has stayed true to its core values: valuing the power of the written word and uplifting the artists who bring that word to life. The company has produced over 140 productions—everything from inventive interpretations of classics to groundbreaking new work. In 2016, Writers Theatre opened a new, state-of-the-art facility designed by the internationally renowned Studio Gang Architects. The new facility has allowed the Theatre to accommodate its growing audience, while maintaining its trademark intimacy.  

Writers Theatre now welcomes more than 60,000 patrons each season and has helped establish the North Shore of Chicago as a premier cultural destination. Through its Literary Development Initiative, which has been responsible for the nurturing and premiering of over 30 world premieres, the theatre has established itself as a major originator of new theatrical works. Serving as an extension of the Writers Theatre mission, WT Education programs engage an average of 10,000 students each year with active learning opportunities centered around the written word.