REVIEW: 25 Years of Blue Man Group!

ChiIL Mama’s ChiIL Picks List photo credit Bonnie Kenaz-Mara unless listed otherwise Blue Man Group 25th Anniversary  By Guest Critic Catherine Hellmann The last time I saw Blue Man Group, I was pregnant with my son. He is now a second-year teacher. So, it’s been awhile. Incredible how this unusual and hard-to-define show has endured and thrived and became a global phenomenon with franchises in ther cities. It’s cool that it started here in Chicago.  My theater friend advises that one approach the Blue Men concept as if they are aliens to our planet, or English-Language Learners who have been dropped into a foreign culture. There is an innocence about them which is a huge key to their charm. They look bewildered at simple things, like a toddler making discoveries.  If you live in a cave and have somehow missed the Blue Man buzz over the decades, Blue Man Group consists of three actors/percussionsts/artists who create music, paint, catch marshmallows in their mouths (the guy next to me counted 17…), interact with the crowd, make fun of technology, and cause amusing mischief.  The audience participation aspect is fun. The right people seem to get chosen to participate. They were very entertaining and good sports. It’s also charming to see such a huge variety of people in the crowd. It’s a show for grandparents and younger children, families and dates, and a sure bet for your friends who are visiting Chicago from out of town and want something different to experience.  There are “unsafe seats” near the stage for when the drumming gets interactive with paint. My sister observed, “Uh-oh, the folks in the front rows are putting on their plastic again…” You can also sit farther back and enjoy the show at a distance, but don’t be surprised if a Blue Man walks up the aisle past you or even climbs over the seats nearby.      They have the best late-comers cue I’ve ever seen. A chorus recording sings “You are LATE! You are LATE!” while a camera follows the mortified audience members to their seats. That was a hoot!  There is a newer bit with the Blue Men eating from boxes of Cap’n Crunch cereal that made me pity the stage crew who has to clean up after every performance. I liked reading the giant cue cards which the Blue Men flip. One read that “Tobias isn’t here,” a hilarious reference to David Cross’ insanely funny character on Arrested Development. (Tobias had aspirations to be a member of Blue Man Group and “blue himself” in advance preparation of getting the call to sub from his agent…leaving blue handprints all over the house.) We also had a fabulous time at the preshow press party. Check out our adventures below: ChiIL Mama (Bonnie Kenaz-Mara) with sisters & guest critics,  Catherine & Teresa Hellmann  If you’ve never been to see Blue Man Group, you should go once to see what all the fuss is about and have the experience. After that, you have my blessing to support other theaters in Chicago, especially the smaller, storefront ones.   Catherine Hellmann is a Teacher-Warrior, mom, reader, and theater fanatic. She loves books so much that she birthed a librarian and two teachers. A recent trip to Alaska marked her 49th state…Hawaii is next on her Bucket List.  Blue Man Group, the critically hailed theatrical phenomenon with an open run at Chicago’s Briar Street Theatre, celebrates 25 years in Chicago   Since its debut at the Briar Street Theatre in 1997, Blue Man Group Chicago has: Entertained more than 5 million people with more than 12,000 performances Thrown more than 120,000 marshmallows and 36,000 gum balls  Used 48,400 cakes of makeup (in their own proprietary color, Blue Man Blue)  Blue Man Group Ticket Information:  Blue Man Group Chicago ticket prices start at $49. Tickets can be purchased by visiting www.blueman.com/chicago. In celebration of Blue Man Group Chicago’s 25th anniversary, Illinois residents can receive 25 percent off select seats now through December 1, 2022 by visiting www.blueman.com/chicago/offers. A full show schedule and pricing can also be found at www.blueman.com/chicago.      About Blue Man Group  Blue Man Group is a global entertainment phenomenon, known for its award-winning theatrical productions, iconic characters and multiple creative explorations. Blue Man Group performances are euphoric celebrations of human connection through art, music, comedy and non-verbal communication. Since debuting at New York’s Astor Place Theatre in 1991, the live show has expanded to additional domestic residencies in Boston, Chicago, and Las Vegas, an international residency in Berlin, and multiple North American and World tours, reaching more than 50 million people worldwide. Blue Man Group is universally appealing to a broad range of age groups and cultural backgrounds, and continually injected with new music, fresh stories, custom instruments and sensory stimulating graphics. Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group. For more information, please visit www.blueman.com.

The Young People’s Theatre of Chicago’s Inaugural Season To feature Two World Premieres and The Chicago Premiere of a New Mo Willems Musical

ChiIL Mama’s ChiIL Picks List 

TWO WORLD PREMIERES IN 3-PLAY 

2022-23 SEASON

A Science-Themed Musical by Emmy Award-Winning / Grammy-Nominated Team An Adaptation of a Best-Selling Early-Reader Series

The Chicago Premiere of a New Mo Willems Musical

Here at ChiIL Mama, we had the opportunity to meet Morgan Tayler, children's musician, father, and brilliant composer and lyricist of Peabody, many times over the years, starting way back in 2009. It was a pleasure to shoot photos and videos of him in concert at Chicago's Schubas, and partner up many times on giveaways for our readers. We were sad to hear that Morgan Taylor recently passed away from Covid complications:

— https://www.vanityfair.com/culture/2022/08/a-star-goes-out-the-loss-and-legacy-of-a-beloved-childrens-songwriter

— https://www.nytimes.com/2022/08/25/arts/music/morgan-taylor-dead.html

We're happy to say his legacy lives on in his work, and the world premiere of Peabody will be presented in Morgan Taylor’s honor.

The Young People’s Theatre of Chicago’s (YPT) inaugural 2022-23 season features two highly anticipated world premieres. The season launches with Glen Berger (Emmy Award - Peep and the Big Wide World; FETCH! with Ruff Ruffman) and Morgan Taylor’s (Grammy nomination - Gustafer Yellowgood) S.T.E.M.-themed Peabody–a Musical Comedy for Intrepid Young Scientists (Oct 29–Nov 20) and concludes with John Glore’swickedly funny (and wonderfully spooky) adaptation of Abby Hanlon’s early-reader favorite, Dory Fantasmagory (May 5–28). Both new works are expected to enjoy long lives in children’s theaters across the country. Following the inaugural success of last year’s Knuffle Bunny, YPT also introduces Chicago to Mo Willems’ new musical adaptation of his own Caldecott Award-winning Don’t Let the Pigeon Drive the Bus (Feb 3–26).

All performances take place at The Greenhouse Theater Center, 2257 N. Lincoln Ave. Tickets on sale September 1, 2022. For ticket purchases and more information, visit yptchi.org or call the box office at 773 404 7336.

In residence at the historic Greenhouse Theater Center, YPT produces the highest quality professional theatre for children of all ages and backgrounds. The company also plans to introduce performance and training opportunities for kids. Founding Artistic Director Randy White has directed extensively in New York and at regional theatres across the country. Mr. White was the founder of Cardinal Stage in Bloomington, IN, where he launched the extraordinarily successful “Cardinal for Kids” series.

“Last year’s Knuffle Bunny was a hugely successful first outing for YPT,” says Mr. White. “Now, as we get ready for our first full season of work, the company is focused on bringing original and innovative theatre to Chicagoland’s children and families. We’re excited to partner with community organizations, parents, impassioned educators, and local business leaders to make it possible for local children of all ages and backgrounds to experience and participate in a wide range of transformative theatrical experiences!”

YPT’S 2022 – 2023 SEASON

Eileen Doan as Alyssa Peabody Photos by Anthony La Penna

PEABODY, A MUSICAL COMEDY FOR INTREPID YOUNG SCIENTISTS

A World Premiere
Oct. 29 – Nov 20, 2022
Press Performance: Saturday, Oct 29 at 10am
Book by Glen Berger
Music and Lyrics by Morgan Taylor
Directed by Randy White
Performance Schedule: Fridays at 7pm; Saturdays at 10am and 1pm; Sundays at 1pm (added 10am performances on final two Sundays)
Tickets: $25 / $19 (under 12)
Appropriate for ages 5+

Why do apples fall? Question the obvious and you change the course of history! Or in the case of 11-year-old Alyssa Peabody, you spark pandemonium at your middle school science fair!

A rollicking musical comedy that gives new meaning to the term Science Whizz!

Glen Berger’s (book) plays include Underneath the Lintel (450 performances Off-Broadway, 350 productions worldwide). TV credits include two Emmy Awards and 200+ episodes for the PBS children’s series, Arthur. Glen was co-bookwriter for Spider-Man: Turn Off the Dark (directed by Julie Taymor, music by Bono and The Edge of U2). His memoir Song Of Spider-Man—the harrowing tale of Turn Off the Dark’s creation—was published by Simon & Schuster.

Morgan Tayor (music & lyrics) is a Grammy-nominated composer and the creator of the popular multimedia Gustafer Yellowgood project. In addition to his off-Broadway work, Morgan has toured and/or worked with Wilco, Duncan Sheik, Lisa Loeb, and others.

DON’T LET THE PIGEON DRIVE THE BUS

The Chicago Premiere
Feb 3 – Feb 26, 2023
Press Performance: Friday, Feb. 3 at 7pm
Book by Mo Willems and Mr. Warburton
Lyrics by Mo Willems
Composed by Deborah Wicks La Puma
Directed by Randy White
Performance Schedule: Fridays at 7pm; Saturdays at 10am and 1pm; Sundays at 1pm (added 10am performances on final two Sundays)
Tickets: $25 / $19 (under 12)
Appropriate for all Ages

Poor Pigeon never gets to do anything! But when Bus Driver is running late (gasp!), Pigeon’s dream to drive the bus might actually come true! From the vivid imagination of Mo Willems comes an interactive romp with every child’s favorite high-strung bird!

As the Inaugural Kennedy Center Education Artist-in-Residence, Mo Willems adapted his own 2004 Caldecott Honor award-winning book in 2019 and critics in DC and across the country have raved:

 

• ●  “Magical!” –DC Theatre Scene

• ●  “Real-life wisdom for the young, delivered in a tasty hour-long concoction of silliness.”

  –Broadway World

• ●  “Phenomenal... will keep your kids at the edge of their seat, dancing and singing... I

  was hesitant taking my 8- and 10-year-old boys. But they loved it. – Seattlechild

• ●  “Reminiscent of cartoonish underdog characters who discover their purpose within the universe’s workings...like Rudolph, Wilbur the pig, or James and his giant peach...heartfelt and fulfilling.” – Arts at Michigan

  Mo Willems (playwright) is an author, illustrator, animator, and playwright. Best known for his #1 New York Times bestselling picture books, Willems has been awarded three Caldecott Honors, two Theodor Geisel Medals, and five Geisel Honors. Willems began his career as a writer and animator on PBS’ Sesame Street, where he garnered six Emmy Awards. Over the last decade, Willems has been the most produced playwright of Theater for Young Audiences in America, in large part thanks to his continued collaboration with Deborah Wicks La Puma. Willems is overjoyed to have written Don’t Let the Pigeon Drive the Bus! with his longtime collaborator and friend, Mr. Warburton. Banana!

  Deborah Wicks La Puma (composer and orchestrator) composed Willems’ Elephant and Piggie’s We Are in a Play! (The Kennedy Center), and Naked Mole Rat Gets Dressed: The Rock Experience (Seattle Children’s Theatre). One of the most produced artists in Theater for Young Audiences today, La Puma’s honors include the Jane Chambers Playwriting Award, an NEA New American Works Grant, two Parents Choice Awards, and a Helen Hayes Award for Outstanding Musical Adaptation. A proud Mexican-American, La Puma is Mother to three daughters and lives in Southern California.

  DORY FANTASMAGORY

  A World Premiere
  May 5 – May 28
  Press Performance: Friday, May 5 at 7pm
  Written by: John Glore
  Based on the book: Dory Fantasmagory by Abby Hanlon
  Directed by Randy White
  Performance Schedule: Fridays at 7pm; Saturdays at 10am and 1pm; Sundays at 1pm (added 10am performances on final two Sundays)
  Tickets: $25 / $19 (under 12)
  Appropriate for Ages 4+

  It’s tough being the youngest! Dory’s siblings won’t play with her and there are monsters to battle all over the house, like the hair-raising Mrs. Gobble Gracker! With the help of her fairy godmother, Mr. Nuggy, Dory sets out to win what she wants most: her family’s attention!

  From children’s playwright and longtime South Coast Rep Literary Manager John Glore (A Wrinkle in Time, The Stinky Cheese Man), comes a clever and hilarious new adaptation of Abby Hanlon’s enormously popular Dory Fantasmagory. Directly engaging the audience in original and surprising ways, Glored captures the original series’ charm and delightfully droll sensibility.

  • ●  Charming, funny and true to life!” –Kirkus Review

  • ●  “Educational Value: A+” —Common Sense Media

John Glore (playwright/adaptor) is an award-winning playwright whose work for young audiences includes adaptations of A Wrinkle in Time, The Stinky Cheese Man and Other Fairly Stupid Tales, The Night Fairy, Kate DiCamillo's Flora and Ulysses, and many. His work for children and adults has been produced at Berkeley Rep, Actors Theatre of Louisville, The Round House Theatre, The Children's Theatre Company, First Stage, Childsplay, and others.

Abby Hanlon (book author) is the author and illustrator of Dory Fantasmagory, a series of chapter books for five to nine year olds. Dory was named a Best Book of the Year by Kirkus, Publishers Weekly, and Parent's Magazine. It won a Golden Kite Honor for Fiction and is an American Library Association Notable Book. The books have been translated in twenty-two languages and are Junior Library Guild selections. Abby also taught creative writing and gradeschool in the New York City public school system.

FOUNDING ARTISTIC DIRECTOR RANDY WHITE

Randy was the Founding Artistic Director of Cardinal Stage in Bloomington, IN. Under White’s leadership, Cardinal grew into Southern Indiana’s largest arts organization. A champion of children’s theatre, White also inaugurated the extraordinarily successful “Cardinal for Kids” series–which played to 100,000 kids in just 7 years. White was also gratified to work with 100+ extraordinarily talented Chicago actors, designers, and directors while at Cardinal.

In NYC, White directed Theatreworks USA’s Max and Ruby, a new children’s musical that played off-Broadway and toured nationally. He directed the 15-month off-Broadway run of Glen Berger’s Underneath the Lintel, assisted on Disney’s The Lion King, and was Resident Director at New Dramatists. Regionally, White has directed at Shakespeare Santa Cruz, Portland Center Stage, Actors Theatre of Louisville, etc. As an educator, White has directed and/or taught for the Yale Dramat, University of Pennsylvania, Indiana University, University of Minnesota/Guthrie, University of Alberta, Fordham, NYU, etc.

In Chicago, White directed The Wizard of Oz at the Children’s Theatre of Winnetka and Curious George and Knuffle Bunny at Northbrook Theatre. For the Greenhouse Theater, White directed Truman and The Birth of Israel and was nominated for an Equity Jeff Award for his critically acclaimed production of Midsummer (A Play with Songs). White holds an MFA in directing from the University of Alberta in his native Canada.

THE YOUNG PEOPLE’S THEATRE OF CHICAGO

The Young People’s Theatre of Chicago. YPT was established in early 2020 but significantly Covid-delayed. It wasn’t until late 2021 that YPT launched with a successful production of Mo Willems’ Knuffle Bunny — 

— "Will your kids be entertained? The answer (spoiler alert!) is ‘YES’— judged by the happy vocal reactions of the kids at the matinee I attended! A solid debut!” —Chicago Reader 

— “Vivacious… packs a big punch. If you have a little one in your life, be sure to bring them to see this fun, funny musical. This first production of YPT is a sign of good things to come.”  —Splashmags

Lincoln Park and surrounding neighborhoods welcomed Knuffle Bunny with multiple sold-out performances.

YPT’s follow up production of the science-themed musical comedy Peabody was postponed by multiple Covid cases in the first weeks of rehearsal. But we persevere! The world premiere of Peabody will launch YPT's 3-play 2022-2023 season. And then in the New Year we build on Knuffle Bunny’s success with the Chicago premiere of Mo Willems’ adaptation of his own award-winning and best-selling Don’t Let the Pigeon Drive the Bus!  The inaugural season wraps up in the spring with a world premiere adaption of Abby Hanlon's award-winning Dory Fantasmagory. 

These two bookend world premiere productions suggest an exciting future for YPT—a future that foregrounds commissions and the development of exciting new work for children of all ages. 

Young People’s Theatre of Chicago (YPT) offers high-quality productions and performance/education opportunities for children of all ages and backgrounds. Housed in the historic Greenhouse Theater Center, YPT launched in the fall of 2021. The company’s inaugural 3-Play 2022-23 season features two exhilarating world premieres, along with the Chicago premiere of a new musical by America’s most popular children’s author!

YPT’s Managing Artistic Director Randy White noted that, “as we prepare for this inaugural season, YPT is focused on partnering with community organizations, parents, educators, and local business leaders to provide thrilling and transformative theatre experiences for children from Lincoln Park and surrounding neighborhoods. These community partners will make it possible for local children of all ages–from toddlers to teenagers–to experience theatre that entertains, empowers, educates, and inspires.”

World Premiere of THE LOCUSTS Via The Gift Theatre October 20 – November 19, 2022 at Theater Wit

Adult Night Out: ChiIL Live Shows On Our Radar 

The Gift Theatre

Presents the World Premiere of

THE LOCUSTS

Written by Jennifer Rumberger

Directed by Ensemble Member John Gawlik

October 20 – November 19, 2022 at Theater Wit

The Gift Theatre is pleased to conclude its 2022 season with the world premiere of Jennifer Rumberger’s chilling thriller The Locusts, commissioned and developed by The Gift and directed by Ensemble Member John Gawlik*. The Locusts will play October 20 – November 19, 2022 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently available at www.thegifttheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. I'll be out for the press opening, October 24th, so check back shortly for my full review.

The production features Ensemble Members Cyd Blakewell*, Brittany Burch* and Jennifer Glasse* with guest artists Mariah Sydnei Gordon, Renee Lockett and Patrick Weber.

With a serial killer on the loose in Ella’s small hometown of Vero Beach, Florida, she’s called up from her busy career in the Miami police force to help apprehend him. At home, she’s confronted with the life she left behind: her pregnant and struggling sister, her scared young niece, who like Ella, is desperate to find a life somewhere else, and the dark events of her childhood that she’s tried to forget. As the murders grow more horrific and the small community is frozen by fear, Ella realizes she has to confront the events of her dark past in order to stop him.

Playwright Jennifer Rumberger comments, “A few years ago, Mike Thornton approached me about writing a play for the ensemble members of the Gift, and sent me an article about the 200th anniversary of the publication of Frankenstein as a potential starting point. Mary Shelley was such a young girl dealing with a massive amount of trauma in her life by writing this classic horror story. At the same time, I was working on a serial-killer play, staying up late reading true crime novels and getting so furious about how these deranged men were deciding the path of women’s lives, when my partner remarked that perhaps they were both the same play. Over time, The Locusts ended up being a play that asks how women of different generations deal with the threat of male violence — a threat that looms in some way over all of the characters in the play, as well as over our current world and the legislation we see happening in America before our eyes.”

The production team includes Chas Mathieu (Scenic Designer), Jessica Van Winkle (Costume Designer), Trey Brazeal (Lighting Designer), Stefanie M. Senior (Sound Designer), Maday Favala (Props Designer), Parker Molacek (Projections Designer), Emjoy Gavino* (Casting Director), David Preis (Technical Director) and Sarah Luse* (Stage Manager).

*Denotes The Gift Theatre Ensemble Member

 Cast: (in alphabetical order): Cyd Blakewell* (Ella), Brittany Burch* (Maisie), Jennifer Glasse* (Layla), Mariah Sydnei Gordon (Olive), Renee Lockett (Willia) and Patrick Weber (Robbie).

Location: Theater Wit, 1229 W. Belmont Ave., Chicago.

Dates: Previews: Thursday, October 20 at 7:30 pm, Friday, October 21 at 7:30 pm, Saturday, October 22 at 7:30 pm and Sunday, October 23 at 3 pm

Press opening: Monday, October 24 at 7:30 pm

Regular run: Thursday, October 27 – Saturday, November 19, 2022

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm.

Tickets: Previews $25. Regular run $38 - $45. Students $25. Seniors $35. Tickets are currently available at www.thegifttheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office.

Captioned performances: Saturday, November 12 at 7:30 pm and Sunday, November 13 at 3 pm

Sensory-friendly performance: Saturday, November 19 at 7:30 pm

Audio-described performance/touch tour & conversation with the cast: Saturday, November 19 at 7:30 pm (touch tour begins at 6:45 pm)

Come Closer Series

Join The Gift on Sunday, November 6, 2022* for the Come Closer conversation series, which provides an intimate look at the artistic process behind the production, and the important topics this story addresses. Explore The Locusts with the cast, crew and special guests following the matinée.

*The Come Closer series is exclusive to guests attending the performance on Sunday, November 6 and subscribers.

 

About the Artists

Jennifer Rumberger (Playwright) is a Chicago playwright and essayist. Recent productions include Night in Alachua County with Wildclaw Theatre, Open Blue Sky at Stella Adler/Tisch School of the Arts and The Bride with the Living Room Playmakers and Chicago Fringe Festival. Her play, A Little Ghost Story, was a second time selection for the 2019 Seven Devils Playwrights Conference; her play Night in Alachua County was also developed there in 2014. Night in Alachua County was recommended for consideration for the 2018 Steinberg/ATCA New Play Award. Jennifer was a nominee for the PoNY Fellowship and a semi-finalist for the P73 Fellowship. Jennifer’s work has also been developed or presented in New York, Houston, Chicago and Florida by The Lark Playwrights Center, id Theatre Company, The Gift Theatre Company, Black Box Acting Studio, The Living Room Playmakers, Commission Theatre Company, Wordsmyth Theatre Company, Mildred's Umbrella Theatre Company, White Rose Miami and Northwestern University. She performs at live storytelling events in Chicago with You’re Being Ridiculous and GiftLIT. She is a founding member and associate playwright with the Living Room Playmakers. MFA: Northwestern. 

John Gawlik (Director) has appeared with or helmed productions for many Chicagoland companies. Recent projects include directing Doubt and the world premiere of The Royal Society of Antarctica at The Gift Theatre. Favorite acting credits include: Bill Sykes in Oliver at Drury Lane, Blizzard ‘67 with Chicago Dramatists, The Lonesome West and Beauty Queen of Lennane with The Gift Theatre, A Skull in Connemara at Northlight (After Dark Award, Ensemble) and The Great Society with Famous Door. Additional directing credits include When the Rain Stops Falling at Circle Theater (Jeff Award for Director and Production), The Ruby Sunrise (Top Ten shows of 2009: TimeOut Chicago), the Jeff Award-nominated production of W;t and the Jeff Award-winning The Good Thief for The Gift Theatre. John is an ensemble member of The Gift Theatre. Television and film credits include: Chicago Fire, Chicago PD, The Chi, The Last Shift and The Trial of the Chicago Seven. 

Lead Production Sponsor: Tom Rieck and Cathy Dunlap

 

About The Gift Theatre

Since 2001 and over 70 productions, The Gift Theatre has been dedicated to telling great stories onstage with honesty and simplicity by being the most intimate professional Equity theatre in the country, leading to national acclaim for both the theatre and ensemble and creating a cultural revolution on Chicago’s northwest side.

 

REVIEW: Fiddler on the Roof at Lyric Opera Through October 7, 2022

ChiIL Mama’s ChiIL Picks List

Fiddler on the Roof

Production photos by Todd Rosenberg

REVIEW

By Catherine Hellmann, Guest Critic 

I admit I had never seen Fiddler on the Roof before, and it wasn’t a musical that I felt compelled to see. But this fabulous North American premiere at Lyric Opera imported from the Komische Oper Berlin has made me a believer. Every aspect of this classic musical is incredible: the performers, the costumes, the direction, the staging, dancing, and the amazing set. I only wish it was playing longer so more people could see this because everyone should. 

The show opens startlingly with a young boy in a bright green hoodie on a modern scooter. (Drake Wunderlich, a very talented 5th grader from the Chicago Youth Symphony Orchestra.) He rides across the vast Lyric stage and parks in front of a large door. He locates a violin case in the closet and begins to play a familiar tune. What’s this kid doing here? We hear a knock from inside, and there is Tevye. The connection from present to past is jarring. Is this Tevye’s great-great-great-great-grandson? Certainly the importance of family and yes, “tradition!” is ever-present in Jewish culture. I like to think it’s a nod to Tevye’s family’s resiliency and survival; he will have heirs into the current age despite countless obstacles. 

And then it seems the whole town of Anatevka pours onto the stage like an outpouring of clowns from a Volkswagon at the circus…if the clowns were Jewish and in much drabber clothes. The Lyric stage (the biggest in downtown Chicago) is used to full effect with the set which is composed of wood furniture like Grandma’s house has gone onto the market. Rufus Didwiszus is the set designer and Klaus Bruns is the mastermind behind the clever set. Characters are constantly appearing from behind closed armoires, making me wonder if Aslan might make a surprise visit as well. (As an English teacher, I racked my brain trying to pinpoint the symbolism of all those wardrobes and cabinets…”when God closes a door, He opens a window?” like Mother Superior says in Sound of Music? We may be against an obstacle, but another opportunity awaits---we just need the courage to step through? Or does it represent how the Jewish people cannot depend on stability? They always seem to be packing up belongings and moving because of religious persecution?? No matter the significance, it looks cool as hell.) 

Steven Skybell was born to play Tevye, the poor milkman struggling to feed his family of six women, his steadfast wife Golde (a charming Debbie Gravitte) and his five headstrong daughters. Skybell is mesmerizing as the questioning, funny, philosophic, stubborn patriarch. He doesn’t understand his three older girls’ defiance to marry men they love, rather than those chosen for them. The three girls and their loves are all outstanding. Lauren Marcus as oldest daughter, Tzeitel, begs her father to allow her to marry her poor but devoted tailor, Motel, sung by Drew Redington. They are so sweet together. Austen Danielle Bohmer as Hodel falls for the adorable Perchik, a tutor to her sisters and a devotee of the brewing Russian revolution. He is sung beautifully by Adam Kaplan. Maya Jacobson is Chava, and she melted my heart as the defiant daughter who faces her father’s wrath by loving a Christian boy. Michael Nigro sings Fyedka, the intellectual with an incredible voice. He holds forth on a sustained note over the crowd in an earlier scene that made me jot down,”Who sang that long note?”  

Alas, loving someone outside the faith is a travesty that Tevya cannot forgive. Chava is dead to him. It’s the one time in the show that I don’t feel sorry for Tevya. He’s being a stubborn dad. 

The Lyric Opera Chorus is to be commended for their commanding presence. And I love that a woman conductor, Kimberly Grigsby, led the orchestra. 

I didn’t expect the humor of the script, as when Tevya beseeches to God, ”I know we’re the chosen people, but can you sometimes pick someone else?” And Golda asks one of her girls, who doesn’t want to marry an older man with no hair,”You want hair? Marry a monkey!” 

Tevya and Golda’s song about arranged marriage “Do You Love Me?” is so endearing. They may have been chosen to be together by their parents, but their love for each other has become genuine. 

Another noteworthy song is the Day-of-the-Dead-type number where Tevya must confess to Golda that Tzeitel is no longer marrying the wealthy, older butcher. But he can’t simply admit that, so he stages an elaborate nightmarish dream to break the news to his wife. It’s a hoot with the skulls and surreal quality of the intricate lie. 

I overheard a woman in the lobby at intermission proclaiming,” The dancing is stupendous!” Indeed. The “Matchmaker, Matchmaker” number by the three girls with potential suitors is incredibly sweet. The whole production is simply wondrous. 

“Anastasia” is another Russian show currently playing downtown several blocks away. The snow in that musical is a fake projection. The “snow” keeps falling continuously in Act II at the Lyric. It’s a cool detail that reveals this was a full-out don’t-hold-back stunning production.  It’s one of those truly special shows that will be talked about and remembered for years. Please see it. You’re welcome. 

Highly recommended. 4 out of 4 stars ★★★★

Catherine Hellmann loves theater, Chicago, her kids, travel, coffee in the morning, Chardonnay at night, long walks, reading on the train, and Cincinnati Skyline chili. The order of her favorites is in no particular order and is subject to change.  

More About Fiddler on the Roof

The North American premiere of a bold new production of Fiddler on the Roof comes to Chicago’s biggest stage September 17 to October 7, 2022. Audiences are invited to experience Jerry Bock and Sheldon Harnick’s Broadway classic on a musical and theatrical scale only Lyric Opera of Chicago can offer. 

A new Fiddler arrives in Chicago. Following the success of the production at its critically acclaimed 2017 premiere at the Komische Oper Berlin, innovative director Barrie Kosky ties this version of Fiddler on the Roof to his Jewish ancestry and heritage, centering tradition in every aspect of his thrillingly theatrical production. Accomplished conductor Kimberly Grigsby (Broadway’s Spring Awakening and Flying Over Sunset) makes her Lyric debut revitalizing the celebrated music of Fiddler with the incomparable Lyric Opera Orchestra. 

The traditional Fiddler you know, but seen and heard like never before. More than 50 years after its premiere, Fiddler on the Roof remains a story that still resonates with audiences of today. While the musical has always explored themes of tradition, family, and love, Kosky’s brave direction offers an even closer look into how communities like Anatevka are still struggling in today's world. This widely acclaimed production is supported by a massive ensemble of nearly 100 musical and dramatic artists, paving the way for audiences to enjoy another boldly unique musical theater experience that has become a Lyric Opera of Chicago signature. 

A miracle of miracles! Experienced Broadway performers Steven Skybell and Debbie Gravitte make their Lyric debuts as Tevye and Golde. Skybell, who won the Lucille Lortel Award for outstanding performance by a lead actor as Tevye in the 2018 Yiddish production in New York, brings his exceptional capacity for this role to Lyric. The accomplished cast also includes Glencoe native Lauren Marcus in the role of Tzeitel in her Lyric debut. She’s joined by Broadway veteran—and Lyric newcomer—David Benoit in the role of Lazar Wolf. Joy Hermalyn rounds out this stellar lineup of Lyric debuts as Yente.

The other talented singing actors in the cast include Austen Bohmer as Hodel, Maya Jacobson as Chava, Drew Redington as Motel, Adam Kaplan as Perchik, Michael Nigro as Fyedka, Liliana Renteria as Shprintze, Omi Lichtenstein as Bielke, Jackson Evans as Mendel, Tommy Novak as Avram, Steven Strafford as Mordcha, Bill McGough as the Rabbi, William Brown as the Constable, and Melody Betts as Grandma and Fruma Sarah. 

Tradition comes alive with a world-class creative team. Lyric’s Fiddler on the Roof features Rufus Didwiszus as set designer and Klaus Bruns as costume designer, both in their Lyric debuts, along with the lighting design of Diego Leetz skillfully recreated by Marco Philipp in a Lyric debut for both designers. Otto Pichler’s original choreography is masterfully recreated for Lyric by Silvano Marraffa. The robust forces of the Lyric Opera Chorus bring the village of Anatevka to life under the steady leadership of Lyric’s chorus master Michael Black—culminating in a musical production that is as wholly reimagined as it is filled with endless talent. 

Shout l’chaim from the rooftops, with 11 chances to see Fiddler on a scale only Lyric Opera of Chicago can produce. Through Joseph Stein’s book, Jerry Bock’s music, and Sheldon Harnick’s lyrics, audiences become a part of Tevye’s family with this timeless tale of the fragility of love, community, and tradition.

There are 11 performances of Fiddler on the Roof: September 17, 18 matinee, 22, 23, 24, 28 matinee, 29 matinee, 30, and October 2 matinee, 6, and 7, 2022.

For updated information about Lyric’s ongoing health and safety protocols, visit lyricopera.org/safety

One of the world's leading opera directors, Barrie Kosky is celebrated from Vienna to Paris and from Bayreuth to London, where his new Ring cycle will take the stage at the Royal Opera starting next year. When his production of Fiddler on the Roof premiered at Komische Oper Berlin in 2017, international critics heralded the arrival of a completely original and unique experience created from this revered, Tony Award-winning masterpiece. "Songs many of us have heard our whole lives sentimentalized...are given weight and take on deep meaning," raved the Los Angeles Times. Experience a Fiddler like no other, with the full power of the Lyric Opera Orchestra and Chorus as well as a production that is both grand in scale and intimate in its power to bring you directly to the heart of the village of Anatevka. Join us as Tevye, his wife Golde, and their five daughters experience the real joys and sorrows that have made this meaningful work an enduring part of our culture.

Please note, Fiddler on the Roof will not have an at-home streaming option.

Language: Sung in English

Running Time: 3 hours 15 minutes with 1 intermission

Location: Lyric Opera House

Lyric’s presentation of Fiddler on the Roof is generously made possible by Lead Sponsor The Negaunee Foundation with additional support from Production Sponsors the Gramma Fisher Foundation of Marshalltown, Iowa, The Zell Family Foundation, Marlys A. Beider, The Davee Foundation, Invenergy LLC, The Harris Family Foundation, Randy L. & Melvin R.* Berlin and Ethel & William Gofen.

*deceased

Lyric Opera of Chicago thanks its Official Airline, American Airlines, and acknowledges support from the Illinois Arts Council Agency.

About Lyric

Lyric Opera of Chicago is committed to redefining what it means to experience great opera. The company is driven to deliver consistently excellent artistry through innovative, relevant, celebratory programming that engages and energizes new and traditional audiences.

Under the leadership of General Director, President & CEO Anthony Freud, Music Director Enrique Mazzola, and Special Projects Advisor Renée Fleming, Lyric is dedicated to reflecting, and drawing strength from, the diversity of Chicago. Lyric offers, through innovation, collaboration, and evolving learning opportunities, ever-more exciting, accessible, and thought-provoking audience and community experiences. We also stand committed to training the artists of the future, through The Patrick G. and Shirley W. Ryan Opera Center; and to becoming increasingly diverse across our audiences, staff, programming, and artists—magnifying the welcoming pull of our art form, our company, and our city.

Through the timeless power of voice, the splendor of a great orchestra and chorus, theater, dance, design, and truly magnificent stagecraft, Lyric is devoted to immersing audiences in worlds both familiar and unexpected, creating shared experiences that resonate long after the curtain comes down.

Join us @LyricOpera on Twitter, Instagram, and Facebook. #LongLivePassion

For more information, visit lyricopera.org/newseason.

 

Tonight CABARET ZAZOU’S Luminaire Makes Worldwide Debut In Chicago's Spiegeltent

CABARET ZAZOU’S INAUGURAL PRODUCTION, LUMINAIRE, MAKES ITS WORLDWIDE DEBUT IN CHICAGO’S THEATRE DISTRICT

Directed By Prolific Choreographer Dreya Weber and Featuring Acclaimed Chicago Favorites Frank Ferrante and LiV Warfield, Luminaire Opens Tonight at Cabaret ZaZou on Randolph

Tonight ChiIL Mama will be ChiILin' in one the most unique Chicago theatrical spaces, a vintage Spiegeltent on the 14th floor of the Cambria Hotel in the heart of Chicago’s Theatre District. This will be our 3rd visit to this space and we can't wait to see what's next for Randolph Entertainment LLC, producer of the fan favorite Teatro ZinZanni Chicago. We're lifelong lovers of all things circus and cabaret so we're beyond excited to be a part of the opening night festivities for CABARET ZAZOU’s premiere production, Luminaire. The new, groundbreaking, immersive variety dinner show is making its worldwide debut. Luminaire is directed by Dreya Weber, and stars critically acclaimed performers Frank Ferrante and LiV Warfield as they lead an international cast of exceptional entertainers. Sassy, sexy, and sultry, Luminaire is designed to dazzle and delight audiences with stunning cirque acts, interactive comedy, captivating vocalists, and a stellar band, complimented by a delicious multi-course meal.

Luminaire stars Frank Ferrante, an award-winning actor, comedian, and director best known for his interactive stage comedy, including The Caesar in Teatro ZinZanni, which earned him a Chicago Tribune nod as a top ten performer of the year in 2019, and his PBS national television program Frank Ferrante’s Groucho. The production also stars singer, songwriter, and producer LiV Warfield. Her achievements include a critically acclaimed hit solo album - The Unexpected, a Soul Train Music Award for Best Contemporary Jazz Performance, and performing as part of Prince’s New Power Generation. Liv Warfield has toured with some of music’s biggest names, bringing her unique voice and style to audiences around the world. Luminaire is directed by Dreya Weber, whose aerial design and choreography credits include Magic Mike Live in addition to aerials for Katy Perry, Taylor Swift, Britney Spears, Rihanna, Madonna, Cher, Michael Jackson, Christina Aguilera, Kylie Minogue, and Pink’s 2010 Grammy Awards performance of “Glitter in the Air”. Dreya brings in her unique death-defying grace to dazzle CABARET ZAZOU audiences.

Luminaire also features an extraordinary cast of performers including Broadway star and Grammy nominee James Harkness from New York City, master juggler Viktor Kee from the Ukraine, thrilling contortionist Ulzii Mergen from Mongolia, and the highly acclaimed Hand to Trapeze Trio Trio Vertex from England. On the bandstand is music director Chuck Webb (bass), Jon Negus (woodwinds), Jose Martinez (drums), and new to the ensemble this fall are Theodis Rodgers (piano) and Phil Seed (guitar).

TICKET INFORMATION 

Tickets range from $125 - $210 with special VIP tickets available. “Show Only” tickets are $75. Special preview pricing of $99 available for performances through September 11. Individual tickets are available by visiting CabaretZaZou.com or by calling 312.488.0900. Tickets are available for groups of 10 or more by calling Broadway in Chicago at 312.977.1710 or emailing GroupSales@BroadwayInChicago.com.

ABOUT RANDOLPH ENTERTAINMENT, LLC

Randolph Entertainment is a partnership of 25 mostly Chicago-based individuals who share in the vision of bringing an extraordinary entertainment experience to Chicago. The partnership is committed to being a good neighbor and contributor to Chicago’s vibrant cultural community. Stanley Feig, a veteran of the entertainment industry with a career spanning several decades, manages the partnership. Randolph Entertainment introduced Chicago to Teatro ZinZanni and is proud to continue with their new spectacle CABARET ZAZOU’s Luminaire.

 For more information, visit CabaretZaZou.com

Facebook @CabaretZaZou ● Instagram @CabaretZaZou

REVIEW: ANASTASIA at Broadway In Chicago’s CIBC Theatre Through September 25, 2022

ChiIL Mama’s ChiIL Picks List

ANASTASIA

Anastasia is recommended for ages 7 and older

Run Time is approx. 2 hours and 25 minutes with an intermission.

“Captivating, beautifully staged and emotionally vital. ANASTASIA hits the sweet spot!”

THE HOLLYWOOD REPORTER

REVIEW:

By Bonnie Kenaz-Mara

History, mystery, royals, revolution, and romance...

Something old... something new. As a critic for the past 14 years and a lifelong theatre lover, I can attest that it's exciting to see a new musical. As a mother and a history buff, it's even more fun to see all the young kids in the audience making memories, watching a fierce survivor of a princess as a role model, and engaging with a live production at the CIBC Theatre, a lavish, historical venue. Early exposure to theatre increases empathy in children and who knows what those experiences might spark for the future. Anastasia is only in Chicago for a few short days, so don't miss this!

Anastasia has been a long time coming. Here at ChiIL Mama, we first wrote about the Broadway touring production in May of 2018, when it was slated to open in Chicago in March of 2019. Three years later we can attest that some shows are worth the wait, and in Anastasia's own words. "It's never too late. I'm here now."

We loved the lavish costumes, poignant score, and clever use of projections to transport the audience across the ocean and back in time to the fall of the Russian Empire and onward to 1920's Paris. 

Veronica Stern was a joy to see as Anya, well complimented by Willem Butler as Dmitry. We also enjoyed the performances of Ben Edquist as Gleb and Gerri Weagraff as Dowager Empress. There was a well deserved standing ovation on opening night. Kudos to the entire cast and crew for bringing soaring vocals, delightful dance numbers, and stellar storytelling to life on stage. The touring production may be a scaled down version of the Broadway hit, in production values, but it's well worth a look. 

From the devastating violence of war to the exiled expats reliving their glory days, the musical, Anastasia gives audiences a timeless and timely tale for the ages. Whether sweeping the streets in rags or attending the ballet and bravely facing the Dowager Empress, Anya excels. Was she the last of the Romanovs or a royally talented rogue, scamming her way out of Russia and into royalty? Where did she disappear to? Was the iconic music box a con or a concrete clue to authenticity? Did Anya and Dimitry both choose love over money, forgoing both the reward and a lineage with luxury? The Anastasia story raises more questions than it answers, in this delightfully complex mystery. Regardless of the realism, we were completely captivated by this riches to rags tale.

Fast forward to 2022. One hundred years later, Russia is once again at war in the region. Refugees and the impoverished still struggle to find food, water, and basic needs. Love blooms amid the wreckage of revolutions. And tenacious, smart survivors are always in fashion. Don't miss this. Recommended. 3 out of 4 stars ★★★

Anastasia played to sold out audiences on Broadway for more than 3 years before expanding it’s global “Fanastasia” community with productions on tour across North America and in Japan, Spain, Germany and the Netherlands. Globally, the show has been performed more than 2,500 times and sold 3.4 million tickets. Additionally, the show has garnered more than 15 major international awards, including Tony, Drama Desk and Outer Critics Circle awards and Best New Musical in Spain, Germany and the Netherlands.

Bonnie is a Chicago based writer, theatre critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

Broadway In Chicago is thrilled to announce that ANASTASIA is now playing at Broadway In Chicago’s CIBC Theatre (18 W. Monroe St.) through September 25, 2022. Ticket prices range from $27.00 to $118.00 with a select number of premium tickets available. Individual tickets are available at www.BroadwayInChicago.com. Tickets are also available for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com.

From the Tony Award-winning creators of the Broadway classic Ragtime and inspired by the beloved films, ANASTASIA is the new Broadway musical that’s “one of the most gorgeous shows in years!” (New York Observer). This dazzling show transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family. 

“★★★★

A sweeping adventure, romance and historical epic that piles discovery upon discovery.

Its fine craftsmanship will satisfy musical theater fans.”

TIME OUT NEW YORK

CAST

Veronica Stern leads the show as ANYA, joined by Willem Butler as DMITRY, Ben Edquist as GLEB, and Gerri Weagraff as DOWAGER EMPRESS. The tour also features Bryan Seastrom (VLAD), Madeline Raube (COUNTESS LILY), Leela Chopra (LITTLE ANASTASIA), Alexandrya Salazar (LITTLE ANASTASIA), Thalia Attalah (ENSEMBLE), Lance Timothy Barker (SWING/DANCE CAPTAIN), Zachary Bigelow (ENSEMBLE), William Aaron Bishop (ENSEMBLE), Louis Brogna, (ENSEMBLE), Amin Fuson (ENSEMBLE), Rebecca Hartman (SWING), Kaitlyn Jackson (ENSEMBLE), Brooklyn Libao (ENSEMBLE), Alec Lloyd (SWING), Victoria Madden (ENSEMBLE/ASST. DANCE CAPTAIN), Billy McGavin (ENSEMBLE), Lathan A. Roberts (ENSEMBLE), Amy Smith (SWING), Sarah Statler (ENSEMBLE), Lauren Teyke (ENSEMBLE), Aidan Ziegler-Hansen (SWING)

"ANASTASIA IS THE REAL THING!

Fantastical, intelligent, well-crafted, and exhilarating,

ANASTASIA deserves a coronation!"

THE WALL STREET JOURNAL

CREATIVES

ANASTASIA features a book by celebrated playwright Terrence McNally, a lush, new score by the Tony Award® -winning creators of the Broadway classic Ragtime, Stephen Flaherty (music) and Lynn Ahrens (lyrics), and tour direction by Sarah Hartman based on original direction by Tony Award®-winning director Darko Tresnjak.

The creative team also includes Peggy Hickey (Original Choreographer), Bill Burns (Choreographer), Alexander Dodge (Set Design), Linda Cho (Costume Design), Donald Holder (Lighting Design), Peter Hylenski (Sound Design), Aaron Rhyne (Projection Design), Charles G. LaPointe (Hair/Wig Design), Joe Dulude II (Makeup Design), Tom Murray (Music Supervision), Jeremy Lyons (Music Direction), Doug Besterman (Orchestrations), David Chase (Dance Arranger), and casting by Jason Styres, CSA.

“An irresistible and sumptuous fairy tale!”

VARIETY

ANASTASIA began performances on Broadway in March 2017 at the Broadhurst Theatre with critics exclaiming “Ahrens and Flaherty have chosen the right moments to musicalize, and their score here sounds complete and full — one of the season’s strongest! (NBC)” and “Smartly adapted by Terrence McNally, Anastasia is a sweeping adventure, romance and historical epic whose fine craftsmanship will satisfy musical-theater fans (Time Out)”.

The original Broadway cast recording is available at BroadwayRecords.com, Amazon.com and iTunes. The 75-minute album includes the Academy Award-nominated favorite “Journey to the Past” alongside new numbers from the show such as “In My Dreams,” “Still” and “My Petersburg.”

Connect with ANASTASIA online at: www.anastasiathemusical.com

Twitter: @AnastasiaBway   ⬧   Facebook: AnastasiaBway  ⬧   Instagram: @AnastasiaBway

“A MONSTER HIT!”

THE NEW YORK TIMES

PERFORMANCE SCHEDULE

Performances are on Tuesday through Friday at 7:30 p.m. (with a Wednesday matinee at 2:00 p.m. on September 21), Saturday, September 24 at 2:00 p.m. & 8:00 p.m., and the final performance is on Sunday, September 25 at 2:00 p.m.

COVID-19  PROTOCOL: Masks are recommended for all audience members.

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 22 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theatre District entertaining more than 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at the Auditorium Theatre.

For more information, visit www.BroadwayInChicago.com

Follow Broadway In Chicago: #broadwayinchicago

Facebook @BroadwayInChicago   ⬧   Twitter @broadwaychicago

⬧  Instagram @broadwayinchicago