Thursday, September 23, 2021

REVIEW: THE WORLD GOES ‘ROUND at The Marriott Theatre Now Playing Through November 7th, 2021

ChiIL Live Shows On Our Radar 

Terry James, Executive Producer 

Aaron Thielen, Artistic Director 

presents 

The Songs of Kander and Ebb 

Marriott Theatre in Lincolnshire, one of the most subscribed theaters in the nation, is re-opening with THE WORLD GOES ROUND, a musical revue featuring the songs of Kander and Ebb, the legendary musical duo. The cast includes several Broadway veterans as well as a host of talented Chicago favorites, so don’t miss this!

 All Production Photos by Liz Lauren unless otherwise noted

REVIEW:

By Bonnie Kenaz-Mara

Photo by B Kenaz-Mara

As the masked Marriot Theatre audience tentatively ventures out for an experiment in non social distancing, a lone steamer trunk and a ghost light grace a barren stage, an apt visual as Chicago area stages have been dark for over two years now. Audiences and actors alike have a lot to unpack, emotionally and physically, as we negotiate the new reality of theatre openings in the waning days of covid and this was a lovely way to begin again. The energy and happiness was palpable as the stage lights came to life and colorful costumes, props, and actors again populated the stage. 

Meghan Murphy

Things feel a bit daring with a packed house and no possibility of six feet of space between neighbors. Yet some experiences are worth a risk, and with vaccines and mask mandatory, a good portion of the theatre loving populace is tired of staring at their own walls and ready for some soul filling song and dance numbers. Marriot Theatre delivers. The World Goes Round is just the tonic for a pandemic weary populace. 

Even in a COVID-abridged version with no intermission, to reduce movement in and out of the theatre, this show packs an impressive score of toe tapping favorites as the audience is taken on a journey through Kander and Ebb’s virtual hit parade of songs including showstoppers “Cabaret,” “New York, New York,” “All That Jazz,” and “Maybe This Time.” The revue also covers numbers from Chicago, Funny Lady, Kiss of The Spider Woman, Woman of The Year and more. 

Photo by B Kenaz-Mara

Meghan Murphy, AKA: Big Red, has long been a favorite of ours here at ChiIL Mama and ChiIL Live Shows. It's such a joy to see her in a role where she's free to belt out the powerhouse vocals she does so well, and showcase both her range, and her iconic, retro style. The entire cast is top notch and a joy to see in action. 

Meghan Murphy

Break out your theatre garb and head on out for The Happy Time and All That Jazz. 

Isn't This Better than sitting around the house? Highly recommended. 

Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information. 

Bonnie is a Chicago based writer, theater critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 


Check Out The World Goes 'Round Promotional Video Here

Tony & Drama Desk Award-nominated Director and Choreographer Marcia Milgrom Dodge (Ragtime 2009 revival) will direct and choreograph the Marriott Theatre production.  Milgrom Dodge recently appeared on 2 episodes of Disney+ ENCORE!. She says, “In our newly reimagined production, five friends meet in an abandoned theatre after almost two years of not being able to do what they love most – Perform! The company reflects on what they’ve lost, re-visits meaningful relationships, re-creates their favorite numbers--with choreography that tips its bowler-hat to the great Bob Fosse--and sings their hearts out, as souls are restored with renewed hope for the future.” Associate Director/Choreographer is Josh Walden, who also served with Milgrom Dodge as Associate Director and Associate Choreographer for the Tony nominated Broadway revival of Ragtime and has choreographed many productions at the Kennedy Center, The Muny and more. 

The Artistic Associate for the production is Jonathan Butler-Duplessis. Musical Direction is by Jeff Award winner Ryan T. Nelson. The production will feature Set Design by Christopher Rhoton, Costume Design by Sully Ratke, Lighting Design by Jesse Klug, Sound Design by Michael Daly, Wig Design by Miguel Armstrong, and Properties Design by Sally Zack. Intimacy Consultant is Charlie Baker, Stage Manager is Michael Hendricks, Assistant Stage Manager is Richard Strimer and Musical Supervisor is Patti Garwood. 

Allison E. Blackwell & Joseph Anthony Byrd

Allison E. Blackwell

Allison E. Blackwell, a Marriott Theatre newcomer, returns to the Chicago area after playing Violetta in the World Premiere production of Pretty Woman: The Musical at the Nederlander Theatre. Allison has appeared in numerous Broadway productions including A Night with Janis Joplin (Aretha Franklin), Pretty Woman: The Musical (Violetta), The Gershwins’ Porgy and Bess and Disney’s The Lion King. 


Joseph Anthony Byrd

Joseph Anthony Byrd is thrilled to be back at the Marriott Theatre where he was last seen as Jacob in La Cage Aux Folles. Joseph also appeared as Lola in Kinky Boots on Broadway and in the Broadway tours of The Lion King and Mamma Mia! 

Kevin Earley

Chicago native and Broadway veteran Kevin Earley has also appeared at the Marriott Theatre in productions including City of Angels, Pirates of Penzance (Jeff Nomination), La Cage Aux Folles, and many more. Kevin earned a Joseph Jefferson Award for The Balladeer in Assassins and played Tommy in Goodman Theatre’s production of Brigadoon. 

Meghan Murphy

Meghan Murphy has lit up the Marriott Theatre stage many times, most recently in Mamma Mia! (Tanya, Jeff Nomination), City of Angels (Oolie/Donna, Jeff Nomination), Sleeping Beauty (Magenta), & Footloose (Betty Blast). 

Amanda Rose

Amanda Rose & Joseph Anthony Byrd

Amanda Rose, also a Marriott Theatre newcomer, appeared in the Broadway and National Tour productions of Holiday Inn (Linda u/s), Wicked (Nessarose), Charlie and the Chocolate Factory (Mrs. Bucket), Dr. Dolittle starring Tommy Tune, and Oklahoma! (Laurey).  

The performance schedule is as follows: Wednesdays at 1 p.m. and 7:30 p.m., Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m., and Sundays at 1 p.m. and 5 p.m.,with select Thursday 1:00 p.m. shows. Ticket prices range from $50 to $60, excluding tax and handling fees. Call for student, senior, and military discounts. On Wednesday and Thursday evenings there are a limited number of dinner-theatre packages available for purchase through the Marriott Theatre Box Office. To make a restaurant reservation, please call 847.634.0100. Reservations strongly recommended. Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information. The Songs of Kander and Ebb 

 

The cast includes Allison E. Blackwell, Joseph Anthony Byrd, Kevin Earley, Meghan Murphy, and Amanda Rose; with understudies Christian Denzel Bufford, Alanna Lovely Alexandra Palkovic, Allison Sill, and Trevor Vanderzee. 

Along with a growing coalition of leading Chicagoland performing arts venues, for the health and safety of our audiences, artists and staff, face masks and proof of COVID-19 vaccine or appropriate negative test are required for all patrons during the run of THE WORLD GOES ‘ROUND. Additionally, to reduce movement in and out of the theatre, THE WORLD GOES ‘ROUND will be presented by special permission in a COVID-abridged version with no intermission. Protocol details are available at MarriottTheatre.com. 


The Marriott Theatre, 10 Marriott Dr. in Lincolnshire, presents THE WORLD GOES ‘ROUND, the delightful musical revue featuring the works of John Kander and Fred Ebb, considered one of the most prolific and acclaimed Broadway musical creative teams of all time. The production will preview Wednesday, September 15th, open September 22nd, and close Sunday, November 7th. 

 All Production Photos by Liz Lauren unless otherwise noted 

Wednesday, September 15, 2021

Lifeline Theatre Kicks Off its 39th Season with Carmilla Episodic Audio Drama Through November 30, 2021

ChiIL Streaming Shows On Our Radar 

Lifeline Theatre Kicks Off its 39th Season with 

Carmilla Episodic Audio Drama

Lifeline Theatre presents a three-part audio drama adaptation of J. Sheridan Le Fanu’s gothic  novella Carmilla, adapted by ensemble member Aly Renee Amidei, directed by Scott Cummins. Young  Laura is sequestered in a remote castle in Eastern Europe when a fortuitous carriage accident delivers a  mysterious house guest, the bewitching Carmilla. While the young women begin to find themselves  entangled in forbidden desire, a series of unexplained, grisly murders befalls the neighboring village and  woods. Could the legends be true…or is it merely superstition? A visceral feast for the ears, experience J.  Sheridan Le Fanu’s entrancing story that inspired Bram Stoker’s Dracula. 

Carmilla, an audio drama, will run Saturday, Oct. 30 – Tuesday, Nov. 30 online. Beginning October 30, the  episodes will air week by week until the final episode at which point all will be available for listening until  November 30. Ticket holders will receive a password to a private webpage where the episodes will be  available for listening. The ticket price is Name Your Price (suggested donation of $20) for full access until  November 30. Tickets go on sale Friday, September 17 and can be purchased by visiting www.lifelinetheatre.com or by calling our box office at 773.761.4477. 

The complete cast and production team for Carmilla includes: 

CAST: Lifeline Theatre ensemble members Patrick Blashill (Father), Bilal Dardai (Henri/Andrej), & Jenifer  Tyler (Madam Perrodon/Mother); with guest artists David Adams (Martin/Peasant), Gabriela Diaz (Bertha/Janna/Peasant), LaQuin Groves (General Speilsdorf/Baron Vordeenburg), Destini Huston (Laura/Young Laura), Michaela Petro (Carmilla), & Joshua J. Razavi (Doctor Hesselius/Matska). 

PRODUCTION TEAM: Lifeline Theatre ensemble members Aly Amidei (Adaptor), Bilal Dardai (Audio  Drama Consultant), & Elise Kauzlaric (Dialect Coach); with Amelia Ablan (Production Manager), Keith  Conrad (Sound Designer/Engineer), Scott Cummins (Director), & Kate Reed (Stage Manager). 

ABOUT ALY RENEE AMIDEI (ADAPTOR)  

Aly Renee Amidei has been a member of Lifeline’s artistic ensemble since 2012 and originally adapted  Carmilla for Wildclaw Theatre in 2011. Most recently for the Lifeline stage, she adapted and costume  designed Bunny’s Book Club for the KidSeries. Other Lifeline credits include: adapting and designing Lester’s  Dreadful Sweaters and doing costumes for Fabel-ous! She is also a proud ensemble member at Strawdog  Theatre Company and Buffalo Theatre Ensemble. Her costume and makeup designs have been seen at  Michigan Shakespeare Festival, Lakeside Shakespeare Theatre, Irish Theater of Chicago, Magick Theatre in  San Antonio, Buffalo Theater Ensemble, Stage Left, Artistic Home, House Theater, Piven Workshop, and  Vitalist Theater. She is the assistant professor of costume design at the University of North Carolina-Charlotte  and her research focuses on designing for new works and re-envisioned classics. 

ABOUT SCOTT CUMMINS (DIRECTOR)  

Scott Cummins has been involved in over 90 productions throughout the United States either as an actor,  director and/or fight choreographer. He is an Artistic Associate for both WildClaw Theatre Company and  Lakeside Shakespeare Theatre, and a company member of Vs. Theatre Company. He directed the World  Premiere of Carmilla for WildClaw Theatre Company in 2011. Other Chicago productions include: the Midwest  premiere of Scenes From The Big Picture for Seanachai Theatre and I’m Spritual Dammitby Jennifer Weigel  for Route 66 Theatre. Most recently, he directed Pool Boy by Wendy Hopkins for Lost Angels Theatre in Los  Angeles, as well as True West at Vs. Theatre Company. 

Beginning Saturday, Oct. 30, the episodes will air week by week until the final episode at which point all will  be available for listening until November 30. Ticket holders will receive a password to a private webpage  where the episodes will be available for listening. The ticket price is Name Your Price (suggested donation of  $20) for full access until November 30. Tickets go on sale Friday, September 17 and can be purchased by visiting www.lifelinetheatre.com or by calling our box office at 773.761.4477. 

Now in its 39th season, Lifeline Theatre continues to explore, interpret, and reimagine books and other literary  works to create stories that move us beyond the margins of our own lives. Lifeline Theatre – Big Stories, Up Close. 

Lifeline Theatre’s programs are partially supported by A.R.T League Inc.; The Bayless Family Foundation;  Elizabeth F. Cheney Foundation; Chicago CityArts, a grant from the Chicago Department of Cultural Affairs  and Special Events; The Common Cup; Gaylord and Dorothy Donnelley Foundation; FGMK LLC; Flex Print,  Inc.; Lloyd A. Fry Foundation; Illinois Arts Council Agency; MacArthur Fund for Arts and Culture at Prince;  The Polk Bros. Foundation; Rogers Park Social; S&C Electric Company Fund; Shaw Chicago; The Shubert  Foundation; and the annual support of businesses and individuals.

Saturday, August 28, 2021

REVIEW: Chicago's Blue Man Group Resumes Live Shows

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Family Friendly Fun


Photo by D. Kenaz-Mara

Back In Blue: 

Chicago's Favorite Indigo Entertainers 

Return to Open Run at 

Briar Street Theatre


**Show is suitable for all ages and guests 3 years old and up are welcome. All guests require their own ticket, regardless of age or lap seating. The show is 90 minutes with no intermission. ChiIL Tip: the drumming and music does get loud for little ears, so we recommend bringing hearing protection for kids.**



GUEST REVIEW:

By Dugan Kenaz-Mara

The Blue Man Group is back and it’s as wonderful as ever! After 15 or so months off from performing, The Blue Man Group has brought all of their loveable antics back to Briar Street Theater and has reignited the joy of seeing live theater. And they do it all safely too! Everyone was required to wear a mask and any audience member drawn onto the stage was given a face shield before interacting with the Blue Men. 

Photo by D. Kenaz-Mara

Before the show even starts you get a fun experience! From the moment you enter the lobby, you might notice classical paintings lining the walls with a little extra blue thrown in. From there you’ll pass a giant blue face perfect for photo ops, before entering the actual theater bathed in blue light. Then the pre-show looping text helps set the chaotic funny mood for the upcoming show. How many twinkies does a Blue Man eat in his life? What bout the amount of toilet paper used in a day in the US? These questions and more are answered (sarcastically) before the show even starts. 

Photo by D. Kenaz-Mara

When the show begins, the audience is bombarded with spectacle after spectacle. From paint drums to musical pipes to Cap'n Crunch, there’s never a dull moment. I especially loved the design elements that went into making the show. The lighting design brought tons of colors to the black stage and out into the audience, the instruments and props were all super creative takes on normal items, and the set was able to change in an instant using their multitude of screens. In addition to that, all of the actors were fabulous too. The Blue Men were able to effortlessly connect to the audience without using words. From subtle gestures to knowingly blank stares, the Blue Men really tapped into human emotion which the viewers were able to recognize easily. They even brought that energy into their props, breathing life into instrumental pipes and controlling people using their signal light wands. 

One of their specialties is keeping the audience on the edge of their seats. When watching the show you never know when you specifically might be singled out. The pre-show announcements called out specific audience members, and the show stopped to call attention to people arriving late. There were also many points in the show where the Blue Men would venture out into the audience (sometimes via the aisles and sometimes climbing right over people’s heads) to pick an audience member to go on stage and help in the performance. But if you don’t get singled out you’ll still have the chance to participate. There are many moments scattered throughout the show where audience members will get to stand up, dance, scream out, and catch things thrown from the stage.

Photo by D. Kenaz-Mara


In the end, watching Blue Man Group was an exhilarating show and I would recommend it to anyone who loves to have fun and wants to have the experience of a lifetime. 

Dugan Kenaz-Mara is an actor, designer, and photographer studying theatre and psychology at Northwestern University. Contrary to popular belief, he is not a time traveler.



Blue Man Group Chicago. Photo credit Caroline Talbot Photography


Theatrical phenomenon Blue Man Group has made its long-awaited return to Chicago’s Briar Street Theatre! A dynamic combination of art, music, comedy and technology, Blue Man Group encourages audiences to reconnect with their inner (and outer) child in order to see the world through a new perspective.  

“For more than 20 years, Blue Man Group has established itself as one of the top entertainment destinations in Chicago,” said Mary Grisolano, Managing Director of Blue Man Group. “We are absolutely thrilled to return to the stage and welcome new and returning audiences to the Briar Street Theatre.”  

Blue Man Group originally debuted at the Briar Street Theatre in Chicago’s Lakeview neighborhood in 1997. Three bald and blue men explore today’s cultural norms with wonder, poking fun at the audience’s collective quirks and reminding them how much they all have in common. The show is continually refreshed with new music, stories, custom instruments and state-of-the-art technology.   

Blue Man Group Ticket Information

Blue Man Group Chicago ticket prices range from $49 – $89. Tickets can be purchased by visiting www.blueman.com. A full show schedule and pricing can also be found at www.blueman.com.  

Special rates are available for groups of 10 or more, varying from $57 – $70 per person. For groups of 10 or more, email chicagogroups@blueman.com to request information.  


2021 Performance Schedule: 

August  

Saturday, August 28 at 5 and 8 p.m. 

Sunday, August 29 at 2 and 5 p.m.  


September 

Wednesday, September 1 at 8 p.m. 

Thursday, September 2 at 8 p.m. 

Friday, September 3 at 5 and 8 p.m. 

Saturday, September 4 at 5 and 8 p.m. 

Sunday, September 5 at 5 and 8 p.m. 

Wednesday, September 8 at 8 p.m. 

Thursday, September 9 at 8 p.m. 

Friday, September 10 at 8 p.m. 

Saturday, September 11 at 5 and 8 p.m. 

Sunday, September 12 at 2 p.m. 

Wednesday, September 15 at 8 p.m. 

Thursday, September 16 at 8 p.m. 

Friday, September 17 at 8 p.m. 

Saturday, September 18 at 5 and 8 p.m. 

Sunday, September 19 at 2 p.m. 

Wednesday, September 22 at 8 p.m. 

Thursday, September 23 at 8 p.m. 

Friday, September 24 at 8 p.m. 

Saturday, September 25 at 5 and 8 p.m. 

Sunday, September 26 at 2 p.m. 

Wednesday, September 29 at 8 p.m. 

Thursday, September 30 at 8 p.m. 

  

October 

Friday, October 1 at 8 p.m. 

Saturday, October 2 at 5 and 8 p.m. 

Sunday, October 3 at 2 p.m. 

Additional fall and holiday performances will be announced at a later date. 

  

About Blue Man Group 

Blue Man Group is a global entertainment phenomenon, known for its award-winning theatrical productions, iconic characters and multiple creative explorations. Blue Man Group performances are euphoric celebrations of human connection through art, music, comedy and non-verbal communication. Since debuting at New York’s Astor Place Theatre in 1991, the live show has expanded to additional domestic residencies in Boston, Chicago, and Las Vegas, an international residency in Berlin, and multiple North American and World tours, reaching more than 35 million people worldwide. Blue Man Group is universally appealing to a broad range of age groups and cultural backgrounds, and continually injected with new music, fresh stories, custom instruments and sensory stimulating graphics. Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group. For more information, please visit www.blueman.com.  

Monday, August 9, 2021

The Chicago Dogs To Play Negro Leagues Tribute Game Saturday, Aug. 14, 2021

 

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A fun and educational event idea for families next weekend: The Chicago Dogs Negro League Tribute game against the KC Monarchs.



The Chicago Dogs host a Negro Leagues Tribute game against the Kansas City Monarchs beginning at 7:05 p.m., Saturday, Aug. 14. 

Get on out to the ballgame and experience a bit of history with The Chicago Dogs This Saturday, The Chicago Dogs will don special jerseys as “The Grays.” The jerseys will be auctioned during the game via a silent auction with proceeds to benefit the Negro Leagues Baseball Museum. 

The evening will feature special video clips and Negro League trivia between innings and a celebratory fireworks post-game. The Friends and Family 4-Pack deal applies to this game. Starting at $48, Friends and Family 4-Pack  includes: 4 tickets, 4 commemorative hats and one $20 gift certificate to Murray Brothers Caddyshack. Additional tickets can be added at the single game price (single game ticket prices are as low as $9).Tickets and more information are available by calling 847-636-5450 or visiting https://thechicagodogs.com/.

The Kansas City Monarchs, formerly known as the Kansas City T-Bones, have played their home games at Legends Field (formerly CommunityAmerica Ballpark) since 2003, when the team began as a member of the Northern League. In 2011, the team joined the American Association of Professional Baseball and in 2018 won their first-ever American Association championship. This past January the team announced a partnership with the Negro Leagues Baseball Museum and a rebranding to the Kansas City Monarchs, a founding team of the Negro Leagues. The Kansas City Monarchs were the most prominent baseball team to play in the Negro Leagues. Formed in 1920, they were also the longest-running team in the Leagues, disbanding in 1965. Famous players on the Monarchs roster included hall of fame pitcher Satchel Paige and Jackie Robinson, recognized for breaking the color barrier in major league baseball. The Kansas City Monarchs won several championships, including the first Negro League World Series in 1924.




The Chicago Dogs are members of the American Association of Independent Professional Baseball. Named after Chicago's favorite and oldest culinary tradition, the Chicago Dogs' logo features the colors and stars of the iconic Chicago flag. Home games are played at the state-of-the-art Impact Field located at 9850 Balmoral Avenue in Rosemont, Ill. The team is managed by former Boston Red Sox Manager, Butch Hobson, who brings more than 30 years of experience to Rosemont. Chicago Dogs games welcome fans of all ages for a one-of-a-kind experience where every day is fan appreciation day.

Tuesday, August 3, 2021

FREE Theatre in Chicago: Sones de México Ensemble's Zulema Through August 21, 2021

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Exhilarating regional music and dance from the Grammy-nominated Sones de México Ensemble make a joyous event for the whole family. 


ChiIL Mama's Chi, IL Picks List

On a spectacular musical journey of many thousands of miles—from her Chiapas home in Mexico to Chicago—young Zulema zig-zags through the culturally diverse landscapes of her homeland and our fair city along the way. 

GRAMMY-NOMINATED SONES DE MÉXICO ENSEMBLE'S ZULEMA SET TO APPEAR IN 10 CHICAGO PARKS IN A THREE-WEEK ENGAGEMENT—AUGUST 5-21—WITH A FINALE PERFORMANCE ON SEPTEMBER 2

**AWARD-WINNING COMPOSER VICTOR PICHARDO MUSIC DIRECTS THE FAMILY-FRIENDLY PREMIERE, WRITTEN BY DOLORES DÍAZ AND CO-DIRECTED BY HENRY GODINEZ AND MARCELA MUÑOZ**

***A COLLABORATION OF GOODMAN THEATRE IN PARTNERSHIP WITH CHICAGO PARK DISTRICT'S NIGHT OUT IN THE PARKS; CHICAGO DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS (DCASE); THE CHICAGO LATINO THEATER ALLIANCE (CLATA); AND THE NATIONAL MUSEUM OF MEXICAN ART***


PERFORMANCE INFORMATION

August 5 at 6:30pm – Calumet Park (Calumet) 9801 S. Calumet Avenue 
August 6 at 6:30pm – Riis Park (Belmont-Cragin) 6100 W. Fullerton Avenue 
August 7 at 3pm – Portage Park (Portage Park) 4100 N. Long Avenue
August 12 at 6:30pm – Hale Park (Clearing West) 6258 W. 62nd Street
August 13 at 6:30pm – Hermosa Park (Hermosa) 2240 N. Kilbourn Avenue 
August 14 at 3pm – Dvorak Park (Pilsen) 1119 W. Cullerton Street
August 15 at 3pm – Harrison Park TBC (Pilsen) 1824 S. Wood Street) 
August 19 at 6:30pm – Davis Square Park (Back of the Yards) 4430 S. Marshfield Avenue 
August 20 at 6:30pm – La Villita Park (Little Village) 2800 S. Sacramento Boulevard
August 21 at 3pm – Marquette Park (Chicago Lawn) 6721-6757 S. Kedzie Avenue

RAIN DATES
If a performance is cancelled due to inclement weather, it will be rescheduled as follows: August 8 at 3pm (Calumet Park, Riis Park or Portage Park); August 22 at 3pm (Harrison Park, Davis Square Park, La Villita Park and Marquette Park).


Goodman Theatre returns to Chicago Parks this summer with Zulema—Sones de México Ensemble’s electrifying new work with Music Director Victor Pichardo (the Goodman’s Pedro Páramo and upcoming American Mariachi) written by Dolores Díaz and co-directed by Goodman Resident Artistic Associate Henry Godinez and Marcela Muñoz, Aguijon Theater Co-Artistic Director. Produced in partnership with Chicago Park District’s Night Out in The Parks, the Department of Cultural Affairs and Special Events (DCASE), Chicago Latino Theater Alliance (CLATA) and the National Museum of Mexican Art, this FREE three-week engagement spans 10 park locations citywide. In addition, a special finale performance featuring a spectacular cast of 70+ artists will conclude the run. Zulema appears August 5 – 21 at various Chicago park locations (see below); admission is FREE, running time is one (1) hour, no intermission. Visit GoodmanTheatre.org/Zulema for additional information and to register for a performance. The finale performance is slated for September 2 (location and details TBA). For updates on health and safety guidelines, visit NightOutInTheParks.com. Goodman Theatre is grateful for the support of PwC, LLP, Corporate Sponsor Partner.

“Not only is it thrilling to welcome the Goodman Theatre back into Chicago’s parks this summer, but to also premiere Zulema—an exciting new concert event for the whole family which features our city’s famed Sones de México Ensemble,” said Chicago Mayor Lori E. Lightfoot. “Music has the power to build bridges between cultures and generations. As we spotlight this important artform in our Year of Chicago Music, Zulema and the other extraordinary artworks we have in store will help us build stronger relations with one another.”

“It is so exciting for us to work in partnership with these great Chicago arts institutions to bring this new musical production to the stage,” said Juan Dies, co-founder of Sones de México Ensemble. “Zulema emerged from an idea by Zacbe Pichardo, one of our musicians, on the occasion of our 25th Anniversary. A team of talented creatives helped us bring this concept to the stage. The story represents a common 21st Century human drama translated into a multi-cultural musical journey, rooted in Mexican music.”

Added playwright Dolores Díaz, “I’m honored to collaborate on a narrative that honors Sones de México Ensemble’s indigenous roots, demonstrates the variety found within and outside the Latinx community, and considers the permeability of human-made borders. Their music celebrates positive cultural exchange and invites people to come together in mutual appreciation. I’m happy to help share this story.”

Co-Director Henry Godinez, who returns to the Chicago Parks following last fall’s acclaimed production of Fannie Lou Hamer, Speak On It! by Cheryl L. West said, ”It’s always an honor to work with my old friends in Sones de México, with whom we’ve collaborated at Goodman on Pedro Páramo and will again on American Mariachi. And it’s especially meaningful to be combining forces with playwright Dolores Díaz—my former student from Northwestern’s Writing for the Stage and Screen MFA program—and the amazing Marcela Muñoz of Aguijón Theater Company, on this magical and moving story of a young girl’s courageous journey to her new home in Chicago. It’s in celebration of the 25th anniversary of Sones de México’s own journey—from their musical roots in México to our great city of Chicago.”

“Partnering in this endeavor is an honor. We are excited to be part of this musical, theatrical journey that celebrates the diversity of sound within our cultures, which transcends all borders,” said Myrna Salazar, CLATA Co-Founder and Executive Director. 

"This artistic collaboration will beautifully celebrate musical traditions of Mexico and the U.S. and allows people to celebrate together again—which is something we all so desperately need,” said Carlos Tortolero, Founder and President of the National Museum of Mexican Art.


Sones de México’s Zulema is presented as part of the Chicago Park District’s Night Out in the Parks series, supported by the Mayor’s Office and Chicago Department of Cultural Affairs and Special Events. Now in its 9th year, the 2021 Night Out in the Parks program presents cultural events year-round in neighborhood parks throughout the city. The Chicago Park District in partnership with over 100 local artists and organizations, present engaging events and performances that enhance quality of life across Chicago and amplify the artistic and cultural vibrancy in every neighborhood. Through multiple disciplines, which include theater, music, movies, dance, site-specific work, nature programs, and community festivals, the series aims to support Chicago-based artists, facilitate community-based partnerships and programs, cultivate civic engagement, and ensure equity in access to the arts for all Chicagoans. To further extend the reach of these cultural, arts and nature experiences, the Chicago Park District has mounted a virtual platform to spotlight the diversity of Chicago’s artistic offerings and provide equitable access to some of these performances for all Chicagoans and visitors alike.

ABOUT THE ARTISTS AND PRODUCING PARTNERS

Sones de México Ensemble is Chicago’s premier folk music organization specializing in Mexican ‘son,’ a genre encompassing the roots of mariachi music and other regional styles, including huapango, gustos, chilenas, son jarocho, and more. The ensemble was formed in Chicago's Pilsen neighborhood in 1994 by four talented musicians and educators including Victor Pichardo (music director) and Juan Dies (producer). They soon incorporated as a not-for-profit organization to keep the tradition of Mexican ‘son’ alive in its many regional forms. The group has performed thousands of concerts, released six CDs, concert films and multimedia presentations, and founded a Mexican Music School in Chicago in 2015. The organization is a 501(c)(3) not-for-profit organization with a mission to promote greater appreciation of Mexican folk and traditional music and culture through innovative performance, education, and dissemination. For more information, visit sonesdemexico.com.

Music Director Victor Pichardo, Sones de México Ensemble co-founder, award-winning composer and educator, was born in Mexico City and has been a bandleader for almost 40 years. His training in Mexican folk music has spanned most of his life. He learned firsthand, orally from master artists in Mexico’s various musical regions. In 2005, he earned a degree in music composition from Columbia College Chicago, which he has used to integrate folk idioms in orchestral music. He has collaborated as music advisor and director with Goodman Theatre in the stage productions of Pedro Páramo and the upcoming American Mariachi.

Playwright Dolores Díaz is a Chicana playwright from the border city of Laredo, Texas. She is currently in residence with TimeLine Theatre, developing work with Broken Nose Theatre, and teaching Chicago Public School students via the National High School Institute at Northwestern. Most recently, she served as a guest artist with Mosaic Theater in Washington, DC and as playwright for Shattered Globe Theater’s Protégé Program. In the fall and spring she will teach at Columbia College and Texas Tech University, respectively. Díaz is a graduate of Northwestern’s MFA Program for the Screen and Stage and serves as Dramatists Guild Co-Representative for the Chicago Region.Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement.

Co-Director Henry Godinez is the Resident Artistic Associate at Goodman Theatre. His Goodman directing credits include Fannie Lou Hamer, Speak On It! by Cheryl L. West, Charise Castro Smith’s Feathers and Teeth, The Sins of Sor Juana and Mariela in the Desert by Karen Zacarías; José Rivera’s Boleros for the Disenchanted (and world premiere at Yale Repertory Theatre); Regina Taylor’s Millennium Mambo; Luis Alfaro’s Electricidad and Straight as a Line; The Cook by Eduardo Machado; Zoot Suit by Luis Valdez; the Goodman and Teatro Vista co-production of José Rivera’s Cloud Tectonics and the 1996–2001 productions of A Christmas Carol. He also served as director of the Goodman’s Latino Theatre Festival. As an actor, Godinez appeared most recently in Goodman’s The Winter’s Tale, 2666 and the Goodman and Teatro Buendía of Cuba world premiere of Pedro Páramo, and at Writers Theatre in the title role of Quixote: In the Conquest of Self. He has also appeared on television in Chicago PD, Above the Law, The Beast, The Chicago Code, Boss and Chicago Fire. Co-founder and former artistic director of Teatro Vista, Godinez is the recipient of the 1999 Theatre Communications Group Alan Schneider Director Award, the Distinguished Service Award from the Lawyers for the Creative Arts and was honored as the 2008 Latino Professional of the Year by the Chicago Latino Network. Born in Havana, Cuba, Godinez is a professor at Northwestern University and serves on the Board of Directors of the Illinois Arts Council.

Co-Director Marcela Muñoz is a director, actor, teaching artist, and theater translator. She is the Managing and Co-Artistic Director of Aguijón Theater, Chicago’s longest-running Latino theater company. Besides her long history with Aguijón Theater, her Chicago stage acting and directing credits include Teatro Luna, Teatro Vista, Victory Gardens Theatre, and Goodman Theatre. Other directing credits include Urban Theater Company, Chicago Dramatists, and the University of Illinois at Chicago. She has also been Assistant Director at Steppenwolf Theatre Company and Writers Theatre. As actor/director she has participated in international theater festivals in Peru, Argentina, and Colombia. Deeply committed to mentoring and creating opportunities for young artists, she developed and leads the Nuestra Cultura Theater Program at Aguijón Theater for After School Matters. She studied Communications at DePaul University, is a graduate of The School at Steppenwolf, and a 3Arts Award recipient.

The Chicago Park District has served Chicago residents for more than 85 years. It is a Gold Medal Award-winning organization, which recognizes excellence in park and recreation management across the nation. For more information about the Chicago Park District’s more than 8,800 acres of parkland, more than 600 parks, 26 miles of lakefront, 12 museums, two world-class conservatories, 16 historic lagoons, nearly 50 nature areas, thousands of special events, sports and entertainment programs, please visit ChicagoParkDistrict.com or contact the Chicago Park District at 312/742.PLAY or 312/747.2001 (TTY). Want to share your talent? Volunteer in the parks by calling, 312/742.PLAY. Follow us at Facebook/chicagoparkdistrict, on Instagram/chicagoparks and on Twitter @chicagoparks.

The Department of Cultural Affairs and Special Events (DCASE) is dedicated to enriching Chicago’s artistic vitality and cultural vibrancy. This includes fostering the development of Chicago’s non-profit arts sector, independent working artists and for-profit arts businesses; providing a framework to guide the City’s future cultural and economic growth, via the Chicago Cultural Plan; marketing the City’s cultural assets to a worldwide audience; and presenting high-quality, free and affordable cultural programs for residents and visitors. For more information, visit Chicago.gov/DCASE.

Since 2016, the Chicago Latino Theater Alliance (CLATA) is committed to showcasing thought provoking works of Latino theater artists, inspiring cross-cultural exchanges, with national/international counterparts. CLATA produces the renowned Destinos: Chicago International Latino Theater Festival, Destinos al Aire, and other programs that preserve cultural heritage and solidify Latino arts and culture in Chicago for generations to come. Follow on Facebook, Instagram, and Twitter at the handle @LATINOTHEATER. More Info: Clata.org

Located in Chicago’s Pilsen neighborhood, the National Museum of Mexican Art is one of the most prominent Latino cultural organizations in the country and the only nationally accredited museum dedicated to Mexican art and culture. In 2020, the Museum earned the honor of being named one of America’s Cultural Treasures by the Ford Foundation. The National Museum of Mexican Art strengthens artistic and cultural diversity in Chicago while illuminating the rich art and history of Mexico. Its Permanent Collection consists of more than 11,000 pieces dating from 200 BCE to the present day. The Museum has presented over 150 exhibitions, provides arts education to 52,000 students each year, and serves over 187,000 annual visitors from 60 countries. Admission is always free. Visit NationalMuseumofMexicanArt.org.

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Jeff Hesse is Chairman of Goodman Theatre’s Board of Trustees, Fran Del Boca is Women’s Board President and Megan McCarthy Hayes is President of the Scenemakers Board for young professionals.


Produced in partnership with Chicago Park District’s Night Out in The Parks, the Department of Cultural Affairs and Special Events (DCASE), Chicago Latino Theater Alliance (CLATA) and the National Museum of Mexican Art, this FREE three-week engagement spans 10 park locations citywide. In addition, a special finale performance in Millennium Park, featuring a spectacular cast of 70+ artists will conclude the run.

Friday, July 16, 2021

REVIEW: Cabinet of Curiosity's Sea Change Outdoors Through July 25, 2021

  ChiIL Mama's ChiIL Picks List

A hopeful evening of original songs, giant puppets, live music, delightful devices, and spectacle images.

*Great for ages 10 and up*




ChiIL Mama's Adventures at Sea Change

By Bonnie Kenaz-Mara 

It was my great pleasure to catch the press opening/final dress of Cabinet of Curiosity's Sea Change. It's our first in person performance after sixteen months of Chicago area theaters going dark, and what a welcome sea change it is. This production is pure magic with a soaring score, magnificent giant puppets, and kooky comic relief from an agoraphobic sailor and a recuperating sea gull. There's action, gorgeous new songs, and a timely message of change and forward motion from a time of quarantine to socializing. We love that Sea Change is predominantly written and performed by women and heralds a time when our society has the chance for a new beginning and a major shift from glorifying toxic masculinity to embracing the feminine divine. There's nothing like theatre to help us process collective trauma and forge a better way forward. 

We're so excited at the massive talent collaborating on this show, the theme, and the opportunity to finally gather in person for a production again. Most of the writers, directors, cast and crew are acclaimed regulars on the Chicago scene, and we're elated to catch long time favorites in new roles like actors as playwrights and song writers. Sea Change indeed. Don't miss this! 

ChiIL Tips: Street parking is at a premium so leave lots of lead time to circle around. There are porta potties on site, but you might want to take care of that in advance if possible too. Masks are not required for those who are vaccinated, and we felt like the outdoor local and pod seating was fairly covid safe. That said, if you're cautious, at risk or prone to anxiety we'd suggest bringing a mask and sanitizer. It's not 100% possible to social distance in an audience. 

Visually stunning, fabulously fun, in person puppetry and theatre returns with action, humor, and a timely message on bravely leaving your safe space. All Photos by Dugan Kenaz-Mara & Bonnie Kenaz-Mara for ChiILMama.com & ChiILLiveShows.com. Check it out HERE. 

We're also fascinated by the process of theatre. It's astonishing to see the world building and the melding of so many creative components that merge to make stories come to life on stage. I was thrilled to be invited to Cabinet of Curiosity's new warehouse rehearsal space to shoot sneak peek photos with my son, Dugan.

Things move fast in the land of Chicago theatre productions and what a difference one week makes! Last Thursday we got a sneak peek, behind the scenes, and at that point, Frank, the director, was asking "how long and high will the whale be so we know where to place the boxes". The mermaid needed neck reinforcement, the jellyfish were still just a concept.

During our visit, choreography was just evolving, and the cast was beginning to work with the first finished puppets. Hannah Jablonski and Brandon Boler (who's set to direct Cabinet of Curiosity's next production) were feverishly building, painting, & moving sets. And Lindsey Noel Whiting was out with a bad cough, but called in to rehearsal to answer questions and give stellar insight regardless. 

Sea Change Rehearsal/Set Building: We love to see the process that goes into building a show. All Photos by Dugan Kenaz-Mara & Bonnie Kenaz-Mara for ChiILMama.com & ChiILLiveShows.com. 

If you like to see how the sausage is made, check out our rehearsal pixs HERE. 

The night we caught the press opening, multitalented singer/actor/writer Bethany Thomas sat behind us in the audience. She's been a long time favorite of ours on stage and just released her first solo album that we've been thoroughly enjoying. Check it out https://bethanythomas.bandcamp.com

Follow Cabinet of Curiosity to see what's next, and check out the bios below for the talented team behind Sea Change, to see where you might find them on a regular basis once live shows come back again. 

Bonnie Kenaz-Mara is a Chicago based writer, theater critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 




Cabinet of Curiosity is proud to present Sea Change, an outdoor celebration exploring the power of the sea and the feminine divine. It is a series of wild, strange, lovely puppet shows written by emerging female playwrights and lyricists Liz Chidester, Kasey Foster, Bethany Thomas, and Lindsey Noel Whiting, with original musical compositions by Manae Hammond and Charlie Otto, additional text by Seth Bockley, and the searcher performed by Time Brickey. Giant puppets, mechanical devices, and original, live music weave together to create an evening of pageantry, puppetry, wonder and hope.


“Whale Song” by Lindsey Noel Whiting: A brief musical not about a man obsessed with killing a whale.

“A Mermaid’s Tail (If There’s a God)” by Bethany Thomas, with music and lyrics by Liz Chidester: The story of a mermaid, at "the end of her tail," grappling with existence in a world imagined by men.

 
“More” by Kasey Foster: A shark caught in a feeding frenzy gets some sound advice from The Moon.


“The Lookout” by Seth Bockley: It’s lonely up in the crow’s nest, but you can see the future and the past. And if you’re lucky a bird might keep you company. 

Production Details:

 Sea Change

July 15 – July 25

Wednesdays at 8:15pm
Thursdays at 8:15pm 
Fridays at 8:15pm
Saturdays at 2pm and 8:15pm
Sundays at 2pm and 8:15pm

Writers: Lindsey Noel Whiting, Kasey Foster, Bethany Thomas, Liz Chidester, and Seth Bockley 
Director: Frank Maugeri
Designer: Shawn Ketchum Johnson
Puppet and Object Designers: Ellie Terrell, Jillian Gryzlak, Jesse Mooney Bullock, and Milam Smith
Cast: Kasey Foster, Sadie Rose Glaspey, Manae Hammond, Allison Grischow, Olivia Rose Comai, Sofia Balabanova Gebreab and Time Brickey
Stage Managers: Jamie Kreppein and Josh Ralph.
 

Location:
THE BRNDHAUS PL-ZEN™
1727 W 21st St
Chicago, IL 60608 

Tickets are $25 and can be purchased at www.cocechicago.com. Appropriate for ages 10 and up.

If the show is rained out, we will do our best to move audience members to a different evening that accommodates individuals’ schedules. All purchases non-refundable.

About THE BRNDHAUS PL-ZEN™

The BRNDHAUS PL-ZENTM (Pronounced: The Brand•House Pil•sen) is global brand innovation and content factory dedicated to the development, consumer co-creation, incubation, and activation of brands, situated on a 25,000 sq. ft. property across seven lots in the heart of PL-ZEN – CHI, IL. The BRNDHAUS aligns creative leaders, thinkers, and doers within a mercurial working and gathering environment that is modern, premium, and forward-looking.


About Cabinet of Curiosity

Founded in 2017, Cabinet of Curiosity is a nonprofit theater that creates original celebrations and productions. Cabinet uses sophisticated puppetry and handmade devices to develop interactive experiences and events. 

We believe that the act of celebration is a social imperative. We use celebration to tackle isolation, facilitate dialogue, inspire hope and humor, create beauty where others may fail to see it, and ignite sincere collaborations. We focus on creating new gatherings, ceremonies, and rituals that promote connection amongst people from different backgrounds and lived experiences.

 

About the Artists

Sophia Balabanova-Gebreab is currently a student at the University of Chicago who just finished her first year. She is originally from Minneapolis and spends most of her time outside of school making and distributing zines.

Seth Bockley (“BOAK-lee”) is a writer of plays, screenplays and fiction, and a theater artist specializing in literary adaptation and new work development. Current projects include a Utopian history pageant for New Harmony, Indiana, an opera with London-based Donghoon Shin, short film “The Cartographer" in post-production, and a collection of short stories featuring a Midwestern-mystical flair. He teaches at the University of Chicago. sethbockley.com 

Time Brickey is a multidisciplinary performing artist from Chicago IL. He’s a tap dancer, actor, musician, singer, puppeteer, he does accents and voices, he stilt-walks… and he’ll do it on the spot. He's grateful to have shared many stages and rehearsal rooms with his own heroes, and some of Chicago's greatest performers. On a given day you can catch him devising and improvising collaborative theatrical works, mentoring kids, producing music, and composing tap choreography. He also operates a studio workshop where he makes and sells portable tap boards. Learn more about him at http://heyti.me

Liz Chidester is a critically acclaimed singer/songwriter, actor, and teaching artist originally from Virginia. The Chicago Tribune called Liz "one of the most truthful actors in this city." Liz is a Company Member of FIREBRAND THEATRE and an Artistic Affiliate with AMERICAN BLUES THEATRE. She has contributed as an actor, composer, and collaborator with Chicago Children's Theatre, Raven Theatre, Writers Theatre, Cabinet of Curiosity, Theatre at the Center, Mercury Theatre, Sideshow Theatre Company, and Route 66. Before March 2020, Liz was at sea developing folk music and puppetry with NYC's PIG PEN THEATRE COMPANY in Phantom Folktales. With her band LIZ AND THE LOVELIES, she released the album People Pumping Pedals (2014), EPs Progress into Simplicity (2017) and Otter Hill (2015), and singles "My Way/Your Way" (2018) and "Sleep In." (2019). During the pandemic, the Lovelies lovingly disbanded, and Liz formed a new solo project LIZ LUTHIER with her feminist record collective MURMURATION RECORDS. Her newer single "The Great American Chestnut Tree" (2020) was featured on NPR's All Songs Considered. Liz will release singles throughout 2021, including "Gift That Moved You" (2021), with her EP otherside of the darkest timeline releasing in fall 2021. Liz teaches group 'ukulele classes and private voice, piano, guitar, and uke classes at the OLD TOWN SCHOOL OF FOLK MUSIC. She is represented by Shirley Hamilton.

Olivia Comai is a Chicago-based, interdisciplinary artist whose practice revolves around puppetry, video, and performance. She finds pleasure in play and imagination, and extra importance in humor and making art accessible to all. 

Kasey Foster is a performer, producer, choreographer, singer, and puppeteer. She believes that puppets are some of the world's finest actors. More info at www.kaseyfoster.com

Sadie Rose Glaspey is so excited and honored to be involved in another Cabinet of Curiosity spectacle and ritual! Originally from Milwaukee, WI, she came to Chicago 12 years ago to attend Chicago College of the Performing Arts where she received her BFA in Musical Theatre (2012) and has been lucky enough to find many welcoming artistic homes in both theatre and music (including some where she's asked to do both at the same time!) throughout the windy city. She has played violin and sang for over 25 years, enjoys writing lyrics, is slowly building GingerSnap Performing Arts: her very own Chicago based Children's Theatre Company, and enjoys spending her free time with her cats and husband in their garden. 

Allison Grischow (She/They) is an actor, voice actor, and musician who loves to spread joy everywhere she goes. She holds degrees in Theatre and Music from Valparaiso University as well as Second City’s Music Improv Conservatory. They have also studied with the Moscow Art Theatre School and Actors Gymnasium. They love to swing from lyras and trapezes in their spare time as well as sing songs with their pet bird, Buckbeak. Allison is also the founder of the small business "The Joyful Actor" which is dedicated to helping performers overcome overwhelm to find joy in their work.

Jillian Gryzlak is a maker, designer, and educator living in Chicago. She works across the city making costumes, ceramics, textiles, installations. Her work as a prop artisan and teaching artist has allowed her to collaborate with students throughout Chicago Public Schools and in multiple theaters. Jillian holds a BFA from the School of the Art Institute of Chicago and a MA from the School for New Learning at DePaul University in Material Culture.

Manae Hammond is a multi-instrumentalist musician & engineer, and is making her professional stage debut here. A Chicago native & choir kid turned rave mom, she was a sound operator for Theo Ubique's "Hedwig & The Angry Inch" in 2019. After flirting with acting in her youth, she pivoted to music to escape the crowd but got roped back regardless.

Shawn Ketchum Johnson is a United States-based theater maker whose expertise in site-specific and devised performance keep him linked to innovative socially-engaged ensembles throughout North America.  Recent projects include the world premiere of TIME TO TELL, an original hybrid performance piece presented by ACT Theatre in Seattle; and THE RIOT BALLET, a interactive game/theater hybrid devised by a multinational collaborative team, with rolling premieres in Montreal and Seattle.  An alumnus of Northwestern University, Johnson is Assistant Professor of Scenic Design at Texas Tech University.

Rome Jones is currently a college freshman at Depaul University majoring in theater technology. They enjoy puppet making, cooking, and various other types of handiwork in their free time. They are very thrilled to be a part of Sea of Change!

Jamie Kreppein is a film and theatre maker and community builder based in Chicago. She is one of the managers of Hotel Arts Collective as well as the company manager of Facility Theatre, and has been privileged to work with other companies like Chicago Children’s Theatre, A Red Orchid Theatre, Hell in a Handbag Productions, Steep Theatre Co, and Interrobang Theatre Project. Jamie has most recently spent her time making several short films slated to be released in 2021/2022, including By a Thread (co-writer/associate producer), Weather Outside is Frightful (director/writer), and Re- (director/producer). 

Frank Maugeri is a designer of community, events, and education. In his three decades as a ritual and spectacle maker, he has been commissioned by President Barack Obama to create a premier Halloween event on the White House’s North Lawn, transformed the Museum of Contemporary Art’s facade twice, directed the groundbreaking of The Art Institutes Modern Wing, and conceived and directed Redmoon Theaters Boneshaker for nine years. He conceived and directed Redmoon Theaters longest running and most critically acclaimed production, The Cabinet, which ran for over 1 year in Chicago and toured Brazil. He has executed countless outdoor guerrilla and interactive urban experiences. He has created several long-lasting cultural events and mentored over 1000 emerging artists from various disciplines- dance, writing, animation, film, sculpture, painting, and more. He is committed to using art as a tool for celebration and social improvement. He has directed indoor productions for Chicago Shakespeare Theatre, The Actors Gymnasium, and many others. He makes his teaching home at the University of Chicago. He began Cabinet of Curiosity in 2017 as a company committed to collaboration, collectivism, equity, diversity and the development of modern rituals and meaningful happenings.

Jesse Mooney-Bullock is delighted to be filling the Cabinet of Curiosity with more hand-made movable sculptures, his puppets were last featured in Tabletop Tragedies. Other Chicago-area projects include The Little Mermaid(Paramount Theatre), The Great and Terrible Wizard of Oz, Mister Punch (House Theatre), The Selfish Giant (CCT), The Feast, Salao (CST & Redmoon Theater) garnering Jeff Awards and nominations.  He lives and works in Cincinnati, find out more at MoonBullStudio.com

Charlie Otto is a Chicago musician, founder of a handful of bands including This Must be the Band and DJ noDJ. He writes electronic rock songs all day long. More info at charlieotto.com.

Josh Ralph is a percussion performer, stage manager, and soon to be graduate from The University of Texas at San Antonio. Josh has stage managed multiple shows throughout his time at UTSA including Goyescas, Captain Lovelock and The Worst Ones Ever.  Josh has also spent the past 5 years performing Seasonal shows at Sea World San Antonio, and hopes to one day be able to perform/stage manage on Broadway.

Ellie Terrell is a Chicago-based designer, fabricator, object and installation builder, painter, and teaching artist. Her favorite works to create are immersive spaces and surreal sculptural visual art. She is passionate about using art to connect humans in play. Ellie holds a BA in Literary and Cultural Studies from the College of William and Mary.

Bethany Thomas is a singer/actor/writer known for her work with Writers Theater, Court Theater, Chicago Shakespeare, Milwaukee Rep, Porchlight Music Theater, and Marriott Lincolnshire; she's also frequently entangled with The Fly Honeys, The Paper Machete, The Neo Futurists, Steppenwolf, Second City, WBEZ and the Hideout. A 3Arts Awardee in music, BT tours and records with Jon Langford, and also just released two albums of original songs- Material Flats with Tawny Newsome, and her critically-acclaimed solo debut, BT/She/Her. ig: @bethanyt80 

Ivy Waegel is a Bay Area native who just can't wait to get their grubby little hands on the next big project. They study set design, sculpture, and other interactive arts at the School of the Art Institute of Chicago, and spend the rest of their time exploring Chicago's alleys and neighborhoods.

Lindsey Noel Whiting has been working as a theatre artist in Chicago in various capacities for the last 18 years. She is an Artistic Associate with Lookingglass Theatre and The Actors Gymnasium.

 


Wednesday, July 14, 2021

OPENING: Goodman's School Girls; Or, The African Mean Girls Play BEGINS PERFORMANCES JULY 30

ChiIL Live Shows On Our Radar:

SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY BY JOCELYN BIOH DIRECTED BY LILI-ANNE BROWN 

***FREE TICKETS ARE NOW AVAILABLE FOR HEALTHCARE AND PERFORMING ARTS INDUSTRY PROFESSIONALS***

Last March my daughter and I held press tickets for the opening of School Girls; Or, The African Mean Girls Play at The Goodman. Little did we know then that it would be nearly a year and a half before we had that chance again. Since then our family has experienced remote high school and college learning, a drive-through parking lot graduation, a lack of homecoming/prom/senior plays, a covid hospitalization, unemployment in the arts, and both a birth and a death in the family. 

It's been quite a year... and then some for us and for the world as a whole. Kudos to Goodman Theatre for offering free tickets for this production to both healthcare workers and performing arts professionals! 

In acknowledgement of healthcare workers, whose efforts have cared for Chicagoans during the pandemic, as well as performing arts professionals, who may have lost work while stages were dark during this difficult time for the industry, the Goodman is pleased to offer 1,500 free tickets to School Girls; Or, The African Mean Girls Play. Healthcare and performing arts industry professionals can reserve free tickets by visiting GoodmanTheatre.org/ThankYou.

We're elated to be able to hug our loved ones, gather with friends, and get artists back to work. My inbox is finally brimming with reopenings instead of cancellations and closures. Reviews are ramping up and I for one can't wait to feel the interconnectedness, depth, and energy that only live shows provide. See you out there!



School is back in session! Goodman Theatre returns to the stage with the Chicago-premiere production of the Off-Broadway smash sensation, School Girls; Or, The African Mean Girls Play. Full casting is below. Written by Jocelyn Bioh and directed by Chicago favorite Lili-Anne Brown, this “uproarious comedy that also pulls at the heartstrings” (The Hollywood Reporter) is back after being halted several days shy of its opening night last year (March 2020). The production was then offered in a limited online streaming engagement, viewed by households in 45 U.S. states and 13 countries around the globe—as well as offered free-of-charge to 1,600+ Chicago public school students. School Girls; Or, The African Mean Girls Play appears July 30-August 29 (opening night is Monday, August 2) in the Goodman’s Albert Theatre. Capacity is limited and masks will be required. Tickets (starting at $15) are on sale now at GoodmanTheatre.org/SchoolGirls and by phone at 312.443.3800.

Goodman Theatre is grateful for the support of JPMorgan Chase & Co., Major Corporate Sponsor; Illinois Tool Works and PwC LLP, Corporate Sponsor Partners; and Ogletree Deakins, Opening Night Sponsor.

"When I first read this play, I just died laughing. I could not believe how funny it was and where it went and how it ended," said Director Lili-Anne Brown. "We are so grateful and excited to get to revisit this story and finally share it with live audiences—and in the summer, where it truly belongs!"

Biting and buoyant, School Girls; Or, The African Mean Girls Play earned critical and popular acclaim in its Off-Broadway extended run. As the reigning queen bee at Ghana’s most exclusive boarding school sets her sights on the Miss Universe pageant, a new student unexpectedly changes the game, forcing her to defend her reputation—and status. This “nasty-teen comedy, wonderfully refreshed and deepened” (The New York Times) spotlights the universal similarities—and glaring differences—of teenage girls around the globe.

“School Girls; Or, The African Mean Girls Play enjoyed five successful previews before we had to suspend performances last March. We didn’t know then that it would be 506 days before the play would take the stage again, but we always knew that this play—in which comedy is infused with serious, relevant themes—would be the first we would produce upon our return,” said Goodman Theatre Artistic Director Robert Falls. “We warmly welcome back Lili-Anne and her wonderful company, and look forward to sharing Jocelyn’s wise, ebullient play with Chicago audiences anew.”

The ensemble cast features Adia Alli (Gifty), Kyrie Courter (Ericka Boafo), Ashley Crowe (Nana), Ciera Dawn (Paulina Sarpong), Tiffany Renee Johnson (Mercy), Adhana Reid (Ama), Tania Richard (Headmistress Francis) and Lanise Antoine Shelley (Eloise Amponsah). The creative team includes Yu Shibagaki (Set Design), Samantha C. Jones (Costume Design), Jason Lynch (Lighting Design) and Justin Ellington (Sound Design). Lauren Port is the Casting Director. Alden Vasquez is the Production Stage Manager and Caitlin Body is the Stage Manager. Katherine Lee Bourné, previously announced in the role of Ama, is no longer a part of the cast due to scheduling conflicts.

ABOUT THE PLAYWRIGHT AND DIRECTOR

Jocelyn Bioh (Playwright) is a Ghanaian-American writer and performer from New York City. Bioh’s plays include School Girls; Or, The African Mean Girls Play (2016 Kilroys List, MCC Theater, Center Theatre Group); The Ladykiller’s Love Story, Happiness and Joe, Nollywood Dreams (2015 Kilroys List, Cherry Lane Mentor Project) and African Americans (2011 Southern Rep Ruby Prize Finalist, 2012 O’Neill Center Semi-Finalist, Howard University). Bioh’s acting credits include work on Broadway as well as productions with Soho Rep, The Public Theater, Playwrights Horizons, Classical Theater of Harlem, Wilma Theater and Signature Theater. Television writing credits include She’s Gotta Have It and Russian Doll.

Lili-Anne Brown (Director) is a native Chicagoan who works as a director, actor and educator. She has performed in, directed and produced many award-winning shows, both local and regional. Goodman credits include I Hate It Here and the world premiere of Ike Holter's Lottery Day. She is the former Artistic Director of Bailiwick Chicago, where she focused programming on Chicago-premiere musicals and new play development with resident playwrights. She is a member of SDC, AEA, SAG-AFTRA and is represented by William Morris Endeavor. lilbrownchicago.com

ACCESSIBILITY AT THE GOODMAN

Touch Tour, August 21 at 12:30pm – A presentation detailing the set, costume and character elements

Audio-Described Performance, August 21 at 2pm – The action/text is audibly enhanced for patrons via headset

ASL-Interpreted Performance, August 27 at 8pm – Professional ASL interpreter signs the action/text as played 

Open-Captioned Performance, August 28 at 2pm – An LED sign presents dialogue in sync with the performance

Visit Goodman Theatre.org/Access for more information about Goodman Theatre’s accessibility efforts.


ABOUT THE GOODMAN

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement.

Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” It’s longtime annual holiday tradition A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home to these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Goodman Theatre’s Action Plan for Inclusion, Diversity, Equity, Anti-Racism and Access (IDEAA) was born out of the belief that progress means action, which includes building on the decades-long commitment to using art, assets and resources to contribute to a more just, equitable and anti-racist society.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Dael Orlandersmith, Henry Godinez, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Jeff Hesse is Chairman of Goodman Theatre’s Board of Trustees, Fran Del Boca is Women’s Board President and Megan McCarthy Hayes is President of the Scenemakers Board for young professionals.


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